Title: Backstory 2: interviews with screenwriters of the 1940s and 1950s 
Author: McGilligan, Patrick
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Theatre
Publisher's Description: "Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age , fourteen studio scribes active in later decades rail and reminisce about their fifty-plus years of inventing and scripting movies. Richard Brooks, Garson Kanin and Ruth Gordon, Arthur Laurents, Ben Maddow, Stewart Stern, Daniel Taradash, and Philip Yordan are among the distinguished figures included.The 1940s were a period of transition for the motion picture industry, from an era of hope and glory and the upheavals of World War II to a postwar era of caution and confusion. The 1950s brought a great decline in the number of films produced and led to the extinction of that peculiar creature, the contract writer.The survivors of Hollywood's most productive years remain wonderfully talkative, however. In this lively collection of interviews they contribute useful writing tips, radical correctives to screen history and industry folklore, and just plain fascinating gossip. As a whole, the interviews provide a compelling biographical close-up of an entire generation of men and women whose talent, vision, and tenacity were critical to the institution we know as "Hollywood."   [brief]
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Title: Rebirth: Mexican Los Angeles from the great migration to the Great Depression
Author: Monroy, Douglas
Published: University of California Press,  1999
Subjects: History | Latino Studies | United States History | California and the West
Publisher's Description: This sweeping, vibrant narrative chronicles the history of the Mexican community in Los Angeles. Douglas Monroy unravels the dramatic, complex story of Mexican immigration to Los Angeles during the early decades of the twentieth century and shows how Mexican immigrants re-created their lives and their communities. Against the backdrop of this newly created cityscape, Rebirth explores pivotal aspects of Mexican Los Angeles during this time - its history, political economy, popular culture - and depicts the creation of a time and place unique in Californian and American history.Mexican boxers, movie stars, politicians, workers, parents, and children, American popular culture and schools, and historical fervor on both sides of the border all come alive in this literary, jargon-free chronicle. In addition to the colorful unfolding of the social and cultural life of Mexican Los Angeles, Monroy tells a story of first-generation immigrants that provides important points of comparison for understanding other immigrant groups in the United States.Monroy shows how the transmigration of space, culture, and reality from Mexico to Los Angeles became neither wholly American nor Mexican, but México de afuera , "Mexico outside," a place where new concerns and new lives emerged from what was both old and familiar. This extremely accessible work uncovers the human stories of a dynamic immigrant population and shows the emergence of a truly transnational history and culture. Rebirth provides an integral piece of Chicano history, as well as an important element of California urban history, with the rich, synthetic portrait it gives of Mexican Los Angeles.   [brief]
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Title: Ruth Harriet Louise and Hollywood glamour photography
Author: Dance, Robert 1955-
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | Photography | California and the West
Publisher's Description: When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars. Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today. Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period. Note: The hardcover edition of this book does have a dust jacket. (Some hardcovers of University of California Press books available in paperback do not.)   [brief]
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Title: L.A. city limits: African American Los Angeles from the Great Depression to the present
Author: Sides, Josh 1972-
Published: University of California Press,  2004
Subjects: History | African American Studies | Urban Studies | Californian and Western History | California and the West
Publisher's Description: In 1964 an Urban League survey ranked Los Angeles as the most desirable city for African Americans to live in. In 1965 the city burst into flames during one of the worst race riots in the nation's history. How the city came to such a pass - embodying both the best and worst of what urban America offered black migrants from the South - is the story told for the first time in this history of modern black Los Angeles. A clear-eyed and compelling look at black struggles for equality in L.A.'s neighborhoods, schools, and workplaces from the Great Depression to our day, L.A. City Limits critically refocuses the ongoing debate about the origins of America's racial and urban crisis. Challenging previous analysts' near-exclusive focus on northern "rust-belt" cities devastated by de-industrialization, Josh Sides asserts that the cities to which black southerners migrated profoundly affected how they fared. He shows how L.A.'s diverse racial composition, dispersive geography, and dynamic postwar economy often created opportunities - and limits - quite different from those encountered by blacks in the urban North.   [brief]
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Title: Whitewashed adobe: the rise of Los Angeles and the remaking of its Mexican past
Author: Deverell, William Francis
Published: University of California Press,  2004
Subjects: History | Californian and Western History | Chicano Studies | American Studies | Urban Studies
Publisher's Description: Chronicling the rise of Los Angeles through shifting ideas of race and ethnicity, William Deverell offers a unique perspective on how the city grew and changed. Whitewashed Adobe considers six different developments in the history of the city - including the cementing of the Los Angeles River, the outbreak of bubonic plague in 1924, and the evolution of America's largest brickyard in the 1920s. In an absorbing narrative supported by a number of previously unpublished period photographs, Deverell shows how a city that was once part of Mexico itself came of age through appropriating - and even obliterating - the region's connections to Mexican places and people. Deverell portrays Los Angeles during the 1850s as a city seething with racial enmity due to the recent war with Mexico. He explains how, within a generation, the city's business interests, looking for a commercially viable way to establish urban identity, borrowed Mexican cultural traditions and put on a carnival called La Fiesta de Los Angeles. He analyzes the subtle ways in which ethnicity came to bear on efforts to corral the unpredictable Los Angeles River and shows how the resident Mexican population was put to work fashioning the modern metropolis. He discusses how Los Angeles responded to the nation's last major outbreak of bubonic plague and concludes by considering the Mission Play, a famed drama tied to regional assumptions about history, progress, and ethnicity. Taking all of these elements into consideration, Whitewashed Adobe uncovers an urban identity - and the power structure that fostered it - with far-reaching implications for contemporary Los Angeles.   [brief]
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Title: "Mi raza primero!" (My people first!): nationalism, identity, and insurgency in the Chicano movement in Los Angeles, 1966-1978
Author: Chávez, Ernesto 1962-
Published: University of California Press,  2002
Subjects: History | California and the West | Californian and Western History | Chicano Studies | Sociology | Politics | Social Problems | Immigration
Publisher's Description: ¡Mi Raza Primero! is the first book to examine the Chicano movement's development in one locale - in this case Los Angeles, home of the largest population of people of Mexican descent outside of Mexico City. Ernesto Chávez focuses on four organizations that constituted the heart of the movement: The Brown Berets, the Chicano Moratorium Committee, La Raza Unida Party, and the Centro de Acción Social Autónomo, commonly known as CASA. Chávez examines and chronicles the ideas and tactics of the insurgency's leaders and their followers who, while differing in their goals and tactics, nonetheless came together as Chicanos and reformers. Deftly combining personal recollection and interviews of movement participants with an array of archival, newspaper, and secondary sources, Chávez provides an absorbing account of the events that constituted the Los Angeles-based Chicano movement. At the same time he offers insights into the emergence and the fate of the movement elsewhere. He presents a critical analysis of the concept of Chicano nationalism, an idea shared by all leaders of the insurgency, and places it within a larger global and comparative framework. Examining such variables as gender, class, age, and power relationships, this book offers a sophisticated consideration of how ethnic nationalism and identity functioned in the United States during the 1960s and 1970s.   [brief]
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Title: Los Angeles and the automobile: the making of the modern city
Author: Bottles, Scott L
Published: University of California Press,  1987
Subjects: American Studies | Californian and Western History | Urban Studies | United States History | American Studies
Publisher's Description: More comprehensive than any other book on this topic, Los Angeles and the Automobile places the evolution of Los Angeles within the context of American political and urban history.
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Title: Hazardous metropolis: flooding and urban ecology in Los Angeles
Author: Orsi, Jared 1970-
Published: University of California Press,  2004
Subjects: History | California and the West | Urban Studies | Water | Urban Studies
Publisher's Description: Although better known for its sunny skies, Los Angeles suffers devastating flooding. This book explores a fascinating and little-known chapter in the city's history - the spectacular failures to control floods that occurred throughout the twentieth century. Despite the city's 114 debris dams, 5 flood control basins, and nearly 500 miles of paved river channels, Southern Californians have discovered that technologically engineered solutions to flooding are just as disaster-prone as natural waterways. Jared Orsi's lively history unravels the strange and often hazardous ways that engineering, politics, and nature have come together in Los Angeles to determine the flow of water. He advances a new paradigm - the urban ecosystem - for understanding the city's complex and unpredictable waterways and other issues that are sure to play a large role in future planning. As he traces the flow of water from sky to sea, Orsi brings together many disparate and intriguing pieces of the story, including local and national politics, the little-known San Gabriel Dam fiasco, the phenomenal growth of Los Angeles, and, finally, the influence of environmentalism. Orsi provocatively widens his vision toward other cities for which Los Angeles may offer a lesson - both of things gone wrong and a glimpse of how they might be improved.   [brief]
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Title: Race, police, and the making of a political identity: Mexican Americans and the Los Angeles Police Department, 1900-1945
Author: Escobar, Edward J 1946-
Published: University of California Press,  1999
Subjects: History | California and the West | Latin American History | Latino Studies | Social Problems | Politics | Californian and Western History | Urban Studies | Criminology | Criminology
Publisher's Description: In June 1943, the city of Los Angeles was wrenched apart by the worst rioting it had seen to that point in the twentieth century. Incited by sensational newspaper stories and the growing public hysteria over allegations of widespread Mexican American juvenile crime, scores of American servicemen, joined by civilians and even police officers, roamed the streets of the city in search of young Mexican American men and boys wearing a distinctive style of dress called a Zoot Suit. Once found, the Zoot Suiters were stripped of their clothes, beaten, and left in the street. Over 600 Mexican American youths were arrested. The riots threw a harsh light upon the deteriorating relationship between the Los Angeles Mexican American community and the Los Angeles Police Department in the 1940s.In this study, Edward J. Escobar examines the history of the relationship between the Los Angeles Police Department and the Mexican American community from the turn of the century to the era of the Zoot Suit Riots. Escobar shows the changes in the way police viewed Mexican Americans, increasingly characterizing them as a criminal element, and the corresponding assumption on the part of Mexican Americans that the police were a threat to their community. The broader implications of this relationship are, as Escobar demonstrates, the significance of the role of the police in suppressing labor unrest, the growing connection between ideas about race and criminality, changing public perceptions about Mexican Americans, and the rise of Mexican American political activism.   [brief]
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Title: Behind the label: inequality in the Los Angeles apparel industry
Author: Bonacich, Edna
Published: University of California Press,  2000
Subjects: Sociology | Social Problems | California and the West | Labor Studies | Economics and Business | Urban Studies | American Studies | Ethnic Studies
Publisher's Description: In a study crucial to our understanding of American social inequality, Edna Bonacich and Richard Appelbaum investigate the return of sweatshops to the apparel industry, especially in Los Angeles. The "new" sweatshops, they say, need to be understood in terms of the decline in the American welfare state and its strong unions and the rise in global and flexible production. Apparel manufacturers now have the incentive to move production to wherever low-wage labor can be found, while maintaining arm's-length contractual relations that protect them from responsibility. The flight of the industry has led to a huge rise in apparel imports to the United States and to a decline in employment. Los Angeles, however, remains a puzzling exception in that its industry employment has continued to grow, to the point where L.A. is the largest center of apparel production in the nation. Not only the availability of low-wage immigrant (often undocumented) workers but also the focus on moderately priced, fashion-sensitive women's wear makes this possible. Behind the Label examines the players in the L.A. apparel industry, including manufacturers, retailers, contractors, and workers, evaluating the maldistribution of wealth and power. The authors explore government and union efforts to eradicate sweatshops while limiting the flight to Mexico and elsewhere, and they conclude with a description of the growing antisweatshop movement. Los Angeles Times Best Nonfiction Book of 2000   [brief]
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Title: Recording conceptual art: early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner, by Patricia Norvell
Author: Barry, Robert 1936-
Published: University of California Press,  2001
Subjects: Art | Art History | Art Theory
Publisher's Description: Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals - eight artists and one art dealer - are now known as major contributors to Conceptual art. These fascinating dialogues, conducted by Patricia Norvell, provide tantalizing moments of spontaneous philosophizing and brilliant insights, as well as moments of unabashed self-importance, with highly imaginative and colorful individuals.   [brief]
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Title: The city: Los Angeles and urban theory at the end of the twentieth century
Author: Scott, Allen John
Published: University of California Press,  1997
Subjects: Urban Studies | Geography | Sociology | California and the West | American Studies
Publisher's Description: Los Angeles has grown from a scattered collection of towns and villages to one of the largest megacities in the world. In the process, it has inspired controversy among critics and scholars, as well as among its residents. Seeking original perspectives rather than consensus, the editors of The City have assembled a variety of essays examining the built environment and human dynamics of this extraordinary modern city, emphasizing the dramatic changes that have occurred since 1960. Together the essays - by experts in urban planning, architecture, geography, and sociology - create a new kind of urban analysis, one that is open to diversity but strongly committed to collective theoretical and practical understanding.   [brief]
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Title: William Mulholland and the rise of Los Angeles
Author: Mulholland, Catherine 1923-
Published: University of California Press,  2000
Subjects: History | California and the West | Californian and Western History | Autobiographies and Biographies
Publisher's Description: William Mulholland presided over the creation of a water system that forever changed the course of southern California's history. Mulholland, a self-taught engineer, was the chief architect of the Owens Valley Aqueduct - a project ranking in magnitude and daring with the Panama Canal - that brought water to semi-arid Los Angeles from the lush Owens Valley. The story of Los Angeles's quest for water is both famous and notorious: it has been the subject of the classic yet historically distorted movie Chinatown, as well as many other accounts. This first full-length biography of Mulholland challenges many of the prevailing versions of his life story and sheds new light on the history of Los Angeles and its relationship with its most prized resource: water. Catherine Mulholland, the engineer's granddaughter, provides insights into this story that family familiarity affords, and adds to our historical understanding with extensive primary research in sources such as Mulholland's recently uncovered office files, newspapers, and Department of Water and Power archives. She scrutinizes Mulholland's life - from his childhood in Ireland to his triumphant completion of the Owens Valley Aqueduct to the tragedy that ended his career. This vivid portrait of a rich chapter in the history of Los Angeles is enhanced with a generous selection of previously unpublished photographs. Los Angeles Times Best Nonfiction Book of 2000   [brief]
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Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema.   [brief]
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Title: A critical cinema 3: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film
Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando , in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten . A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.   [brief]
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Title: A critical cinema 2: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.   [brief]
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Title: The fragmented metropolis: Los Angeles, 1850-1930
Author: Fogelson, Robert M
Published: University of California Press,  1993
Subjects: Urban Studies | California and the West | Geography | United States History
Publisher's Description: Here with a new preface, a new foreword, and an updated bibliography is the definitive history of Los Angeles from its beginnings as an agricultural village of fewer than 2,000 people to its emergence as a metropolis of more than 2 million in 1930 - a city whose distinctive structure, character, and . . . [more]
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Title: Toward a new poetics: contemporary writing in France: interviews, with an introduction and translated texts 
Author: Gavronsky, Serge
Published: University of California Press,  1994
Subjects: Literature | Poetry | European Literature | Literary Theory and Criticism | Writing | French Studies
Publisher's Description: A quiet revolution is taking place in avant-garde French poetry and prose. In this collection of twelve interviews with some of France's most important poets and writers, Serge Gavronsky introduces American readers to these exciting new developments.As Gavronsky explains, a neolyricism is now replacing the formalism of the 1960s, '70s, and '80s. In his substantial introduction, Gavronsky notes how the ideological definition of writing ( écriture ) has given way to more open forms of writing. Human experiences of the most ordinary kinds are finding a place in the text.These interviews offer a view of the poets' and writers' creative processes and range over such topics as current literary theory, the impact of American poetry in France, and the place of feminism in contemporary French writing. Each interview is accompanied by samples of the writer's work in French and in Gavronsky's English translations. Toward a New Poetics provides a highly informative cultural and critical perspective on contemporary writing in France, introducing us to works which are now transforming the idea of literature itself.   [brief]
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Title: Echo and Narcissus: women's voices in classical Hollywood cinema 
Author: Lawrence, Amy
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films.Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase , Sorry,Wrong Number , Notorious , Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image.Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.   [brief]
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Title: Japanese American celebration and conflict: a history of ethnic identity and festival, 1934-1990
Author: Kurashige, Lon 1964-
Published: University of California Press,  2002
Subjects: History | American Studies | Asian American Studies | Californian and Western History | Immigration
Publisher's Description: Do racial minorities in the United States assimilate to American values and institutions, or do they retain ethnic ties and cultures? In exploring the Japanese American experience, Lon Kurashige recasts this tangled debate by examining what assimilation and ethnic retention have meant to a particular community over a long period of time. This is an inner history, in which the group identity of one of America's most noteworthy racial minorities takes shape. From the 1930s, when Japanese immigrants controlled sizable ethnic enclaves, to the tragic wartime internment and postwar decades punctuated by dramatic class mobility, racial protest, and the influx of economic investment from Japan, the story is fraught with conflict. The narrative centers on Nisei Week in Los Angeles, the largest annual Japanese celebration in the United States. The celebration is a critical site of political conflict, and the ways it has changed over the years reflect the ongoing competition over what it has meant to be Japanese American. Kurashige reveals, subtly and with attention to gender issues, the tensions that emerged at different moments, not only between those who emphasized Japanese ethnicity and those who stressed American orientation, but also between generations and classes in this complex community.   [brief]
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