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1. cover
Title: Renaissance Paris: architecture and growth, 1475-1600 online access is available to everyone
Author: Thomson, David 1912-
Published: University of California Press,  1985
Subjects: Art | Architecture
Publisher's Description: In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after François I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores t . . . [more]
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2. cover
Title: Publishing and cultural politics in revolutionary Paris, 1789-1810 online access is available to everyone
Author: Hesse, Carla
Published: University of California Press,  1991
Subjects: History | European History | Print Media | French Studies
Publisher's Description: In 1789 French revolutionaries initiated a cultural experiment that radically transformed the most basic elements of French literary civilization - authorship, printing, and publishing. In a panoramic analysis, Carla Hesse tells how the Revolution shook the Parisian printing and publishing world from top to bottom, liberating the trade from absolutist institutions and inaugurating a free-market exchange of ideas.Historians and literary critics have traditionally viewed the French Revolution as a catastrophe for French literary culture. Combing through extensive new archival sources, Hesse finds instead that revolutionaries intentionally dismantled the elite literary civilization of the Old Regime to create unprecedented access to the printed word. Exploring the uncharted terrains of popular fiction, authors' rights, and literary life under the Terror, Carla Hesse offers a new perspective on the relationship between democratic revolutions and modern cultural life.   [brief]
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3. cover
Title: Seducing the French: the dilemma of Americanization online access is available to everyone
Author: Kuisel, Richard F
Published: University of California Press,  1993
Subjects: History | European History | Popular Culture | French Studies
Publisher's Description: When Coca-Cola was introduced in France in the late 1940s, the country's most prestigious newspaper warned that Coke threatened France's cultural landscape. This is one of the examples cited in Richard Kuisel's engaging exploration of France's response to American influence after World War II. In analyzing early French resistance and then the gradual adaptation to all things American that evolved by the mid-1980s, he offers an intriguing study of national identity and the protection of cultural boundaries.The French have historically struggled against Americanization in order to safeguard "Frenchness." What would happen to the French way of life if gaining American prosperity brought vulgar materialism and social conformity? A clash between American consumerism and French civilisation seemed inevitable.Cold War anti-Communism, the Marshall Plan, the Coca-Cola controversy, and de Gaulle's efforts to curb American investment illustrate ways that anti-Americanization was played out. Kuisel also raises issues that extend beyond France, including the economic, social, and cultural effects of the Americanized consumer society that have become a global phenomenon.Kuisel's lively account reaches across French society to include politicians, businessmen, trade unionists, Parisian intelligentsia, and ordinary citizens. The result reveals much about the French - and about Americans. As Euro Disney welcomes travellers to its Parisian fantasyland, and with French recently declared the official language of France (to defend it from the encroachments of English), Kuisel's book is especially relevant.   [brief]
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4. cover
Title: Paris as revolution: writing in the nineteenth-century city online access is available to everyone
Author: Ferguson, Priscilla Parkhurst
Published: University of California Press,  1997
Subjects: Literature | Social Theory | European Literature | Literary Theory and Criticism | European History | French Studies
Publisher's Description: In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed.In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence.   [brief]
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5. cover
Title: The rise of the Paris red belt online access is available to everyone
Author: Stovall, Tyler Edward
Published: University of California Press,  1990
Subjects: History | European History | Social Science | French Studies
Publisher's Description: From 1920 until the present, the working-class suburbs of Paris, known as the Red Belt, have constituted the heart of French Communism, providing the Party not only with its most solid electoral base but with much of its cultural identity as well. Focusing on the northeastern suburb of Bobigny, Stovall explores the nature of working-class life and politicization as he skillfully documents how this unique region and political culture came into being. The Rise of the Paris Red Belt reveals that the very process of urban development in metropolitan Paris and the suburbs provided the most important opportunities for the local establishment of Communist influence.The rapid increase in Paris' suburban population during the early twentieth century outstripped the development of the local urban infrastructure. Consequently, many of these suburbs, often represented to their new residents as charming country villages, soon degenerated into suburban slums. Stovall argues that Communists forged a powerful political block by mobilizing the disillusionment and by improving some of the worst aspects of suburban life.As a social history of twentieth-century France, The Rise of the Paris Red Belt calls into question traditional assumptions about the history of both French Communism and the French working-class. It suggests that those interested in working-class politics, especially in the twentieth century, should consider the significance of residential and consumer issues as well as those relating to the workplace. It also suggests that urban history and urban development should not be considered autonomous phenomena, but rather expressions of class relations. The Rise of the Paris Red Belt brings to life a world whose citizens, though often overlooked, are nonetheless the history of modern France.   [brief]
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6. cover
Title: The making of revolutionary Paris
Author: Garrioch, David
Published: University of California Press,  2002
Subjects: History | European History | European Studies | French Studies
Publisher's Description: The sights, sounds, and smells of life on the streets and in the houses of eighteenth-century Paris rise from the pages of this marvelously anecdotal chronicle of a perpetually alluring city during one hundred years of extraordinary social and cultural change. An excellent general history as well as an innovative synthesis of new research, The Making of Revolutionary Paris combines vivid portraits of individual lives, accounts of social trends, and analyses of significant events as it explores the evolution of Parisian society during the eighteenth century and reveals the city's pivotal role in shaping the French Revolution. David Garrioch rewrites the origins of the Parisian Revolution as the story of an urban metamorphosis stimulated by factors such as the spread of the Enlightenment, the growth of consumerism, and new ideas about urban space. With an eye on the broad social trends emerging during the century, he focuses his narrative on such humble but fascinating aspects of daily life as traffic congestion, a controversy over the renumbering of houses, and the ever-present dilemma of where to bury the dead. He describes changes in family life and women's social status, in religion, in the literary imagination, and in politics. Paris played a significant role in sparking the French Revolution, and in turn, the Revolution changed the city, not only its political structures but also its social organization, gender ideologies, and cultural practices. This book is the first to look comprehensively at the effect of the Revolution on city life. Based on the author's own research in Paris and on the most current scholarship, this absorbing book takes French history in new directions, providing a new understanding of the Parisian and the European past.   [brief]
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7. cover
Title: Music drama at the Paris Odéon, 1824-1828
Author: Everist, Mark
Published: University of California Press,  2002
Subjects: Music | Musicology | Opera | French Studies | European History
Publisher's Description: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.   [brief]
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8. cover
Title: Crescendo of the virtuoso: spectacle, skill, and self-promotion in Paris during the Age of Revolution online access is available to everyone
Author: Metzner, Paul 1952-
Published: University of California Press,  1998
Subjects: History | European History | French Studies | European Studies
Publisher's Description: During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization.   [brief]
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9. cover
Title: The Jews of modern France
Author: Hyman, Paula 1946-
Published: University of California Press,  1998
Subjects: Jewish Studies | French Studies | European Studies | History | European History | Judaism | Urban Studies
Publisher's Description: The Jews of Modern France explores the endlessly complex encounter of France and its Jews from just before the Revolution to the eve of the twenty-first century. In the late eighteenth century, some forty thousand Jews lived in scattered communities on the peripheries of the French state, not considered French by others or by themselves. Two hundred years later, in 1989, France celebrated the anniversary of the Revolution with the largest, most vital Jewish population in western and central Europe.Paula Hyman looks closely at the period that began when France's Jews were offered citizenship during the Revolution. She shows how they and succeeding generations embraced the opportunities of integration and acculturation, redefined their identities, adapted their Judaism to the pragmatic and ideological demands of the time, and participated fully in French culture and politics. Within this same period, Jews in France fell victim to a secular political antisemitism that mocked the gains of emancipation, culminating first in the Dreyfus Affair and later in the murder of one-fourth of them in the Holocaust. Yet up to the present day, through successive waves of immigration, Jews have asserted the compatibility of their French identity with various versions of Jewish particularity, including Zionism. This remarkable view in microcosm of the modern Jewish experience will interest general readers and scholars alike.   [brief]
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10. cover
Title: The beast in the boudoir: petkeeping in nineteenth-century Paris online access is available to everyone
Author: Kete, Kathleen
Published: University of California Press,  1994
Subjects: History | European History | French Studies | European Studies
Publisher's Description: Kathleen Kete's wise and witty examination of petkeeping in nineteenth-century Paris provides a unique window through which to view the lives of ordinary French people. She demonstrates how that cliché of modern life, the family dog, reveals the tensions that modernity created for the Parisian bourgeoisie.Kete's study draws on a range of literary and archival sources, from dog-care books to veterinarians's records to Dumas's musings on his cat. The fad for aquariums, attitudes toward vivisection, the dread of rabies, the development of dog breeding - all are shown to reflect the ways middle-class people thought about their lives. Petkeeping, says Kete, was a way to imagine a better, more manageable version of the world - it relieved the pressures of contemporary life and improvised solutions to the intractable mesh that was post-Enlightenment France. The faithful, affectionate family dog became a counterpoint to the isolation of individualism and lack of community in urban life. By century's end, however, animals no longer represented the human condition with such potency, and even the irascible, autonomous cat had been rehabilitated into a creature of fidelity and affection.Full of fascinating details, this innovative book will contribute to the way we understand culture and the creation of class.   [brief]
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11. cover
Title: Workers against work: labor in Paris and Barcelona during the popular fronts online access is available to everyone
Author: Seidman, Michael (Michael M.)
Published: University of California Press,  1990
Subjects: History | European History | Social Science | French Studies | Labor Studies
Publisher's Description: Why did a revolution occur in Spain and not in France in 1936? This is the key question Michael Seidman explores in his important new study of the relations between industrial capitalists and working-class movements in the early part of this century. In a comparative analysis of Paris during the Popular Front and Barcelona during the Spanish Revolution, Seidman examines the strengths and weaknesses of the bourgeoisie in these two cities and traces workers' resistance to, and acceptance of, work. His emphasis on the continuing refusal to work challenges the dominant views of labor historiography and contributes to a general theory of revolutionary workers' control.Seidman illuminates three crucial issues that have broad implications for the history of the twentieth century. His comparative approach delineates the nature of class confrontation in societies with different kinds of bourgeoisies or capitalist elites. He also shows how the differences between these elites affected the labor movements in France and Spain, and he demonstrates how rank-and-file workers actually responded to the revolutionary situation in Barcelona and to the advent of the reformist government in Paris.A social history of acceptance and rejection of work, this book offers a new conceptualization of wage earners and a critique of work itself.   [brief]
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12. cover
Title: The French Revolution as blasphemy: Johan Zoffany's paintings of the massacre at Paris, August 10, 1792
Author: Pressly, William L 1944-
Published: University of California Press,  1999
Subjects: Art | Art History | European History | French Studies
Publisher's Description: William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792 , and Celebrating over the Bodies of the Swiss Soldiers , both painted in about 1794, represent events that helped turn the English against the Revolution.Pressly places both paintings in their historical context - a time of heightened anti-French hysteria - and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format.Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.   [brief]
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13. cover
Title: Pulp surrealism: insolent popular culture in early twentieth-century Paris
Author: Walz, Robin 1957-
Published: University of California Press,  2000
Subjects: History | French Studies | Comparative Literature
Publisher's Description: In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. Pulp Surrealism weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement. Pulp Surrealism presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's Le paysan de Paris, one of the great surrealist novels of Paris. He goes on to consider the popular series of Fantômes crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and the surrealist inquiry "Is Suicide a Solution?", which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs). Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.   [brief]
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14. cover
Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
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15. cover
Title: Spectacular realities: early mass culture in fin-de-siècle Paris
Author: Schwartz, Vanessa R
Published: University of California Press,  1998
Subjects: History | French Studies | European History | European Literature | Women's Studies | Film
Publisher's Description: During the second half of the nineteenth century, Paris emerged as the entertainment capital of the world. The sparkling redesigned city fostered a culture of energetic crowd-pleasing and multi-sensory amusements that would apprehend and represent real life as spectacle.Vanessa R. Schwartz examines the explosive popularity of such phenomena as the boulevards, the mass press, public displays of corpses at the morgue, wax museums, panoramas, and early film. Drawing on a wide range of written and visual materials, including private and business archives, and working at the intersections of art history, literature, and cinema studies, Schwartz argues that "spectacular realities" are part of the foundation of modern mass society. She refutes the notion that modern life produced an unending parade of distractions leading to alienation, and instead suggests that crowds gathered not as dislocated spectators but as members of a new kind of crowd, one united in pleasure rather than protest.   [brief]
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16. cover
Title: Obstinate Hebrews: representations of Jews in France, 1715-1815
Author: Schechter, Ronald
Published: University of California Press,  2003
Subjects: History | European History | Jewish Studies | Intellectual History | French Studies
Publisher's Description: Enlightenment writers, revolutionaries, and even Napoleon discussed and wrote about France's tiny Jewish population at great length. Why was there so much thinking about Jews when they were a minority of less than one percent and had little economic and virtually no political power? In this unusually wide-ranging study of representations of Jews in eighteenth-century France - both by Gentiles and Jews themselves - Ronald Schechteroffers fresh perspectives on the Enlightenment and French Revolution, on Jewish history, and on the nature of racism and intolerance. Informed by the latest historical scholarship and by the insights of cultural theory, Obstinate Hebrews is a fascinating tale of cultural appropriation cast in the light of modern society's preoccupation with the "other." Schechter argues that the French paid attention to the Jews because thinking about the Jews helped them reflect on general issues of the day. These included the role of tradition in religion, the perfectibility of human nature, national identity, and the nature of citizenship. In a conclusion comparing and contrasting the "Jewish question" in France with discourses about women, blacks, and Native Americans, Schechter provocatively widens his inquiry, calling for a more historically precise approach to these important questions of difference.   [brief]
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17. cover
Title: One king, one faith: the Parlement of Paris and the religious reformations of the sixteenth century online access is available to everyone
Author: Roelker, Nancy L. (Nancy Lyman)
Published: University of California Press,  1996
Subjects: History | European History | Christianity | European Studies | French Studies
Publisher's Description: This book, the culmination of a lifelong career in French history, tackles head-on the central question of the French Religious Wars: Why did France prove so consistently hostile and resistant to Protestantism? Distinguished scholar Nancy Lyman Roelker claims that what ultimately motivated the passion and violence of the civil wars was religion. She demonstrates that not only the body politic but also the body social was defined by Gallican Catholicism.Roelker underscores the role the Parlement played in shaping and safeguarding the social, as well as the political, order. Her study is based on extensive research in the correspondence, memoirs, and tracts of mainstream Catholic magistrates as well as dissenters. It creates an overview of the mentalitè s of the Parlement, analyzes religious attitudes toward major events of the period, and examines the Parlement's role in the triumph of Henri IV. Along the way, it sheds light on the inner workings of the Parlement and other political institutions, on social structures, and on collective ideas. And above all, this distinguished work brilliantly illuminates the role of religion in society and the state. It will be the definitive work on the subject for many years to come.   [brief]
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18. cover
Title: Shanghai on the Metro: spies, intrigue, and the French between the wars online access is available to everyone
Author: Miller, Michael Barry 1945-
Published: University of California Press,  1995
Subjects: History | European History | French Studies
Publisher's Description: Secret agents, gun runners, White Russians, adventurers, and con men - they all play a part in Michael Miller's strikingly original study of interwar France. Based on extensive research in security files and a mass of printed sources, this book shows how a distinctive milieu of spies and spy literature emerged between the two world wars, reflecting the atmosphere and concerns of these years.Miller argues that French fascination with intrigue between the wars reveals a far more assured and playful national mood than historians have hitherto discerned in the final decades of the Third Republic. But the larger history set in motion by World War I and the subsequent reading of French history into global history are the true subjects of this work. Reconstituting through his own narratives the histories of interwar travel and adventure and the willful turning of contemporary affairs into a source of romance, Miller recovers the ambiance and special qualities of the age that produced its intrigues and its tales of spies.   [brief]
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19. cover
Title: Downcast eyes: the denigration of vision in twentieth-century French thought
Author: Jay, Martin 1944-
Published: University of California Press,  1993
Subjects: Philosophy | Intellectual History | French Studies | Literary Theory and Criticism | Art Theory
Publisher's Description: Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance.Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty.His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.   [brief]
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20. cover
Title: Urban forms and colonial confrontations: Algiers under French rule online access is available to everyone
Author: Çelik, Zeynep
Published: University of California Press,  1997
Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French Studies | Postcolonial Studies
Publisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation.   [brief]
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