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Your request for similar items found 20 book(s). | Modify Search | Displaying 1 - 20 of 20 book(s) | |
| 1. |  | Title: Stravinsky and the Rite of spring: the beginnings of a musical language  Author: Van den Toorn, Pieter C 1938- Published: University of California Press, 1987 Subjects: Music | Composers Similar Items |
| 2. |  | Title: Russian opera and the symbolist movement Author: Morrison, Simon Alexander 1964- Published: University of California Press, 2002 Subjects: Music | Opera | Musicology | Composers | Russian and Eastern European Studies | Literature Publisher's Description: An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment. Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act. Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture. [brief] Similar Items |
| 3. |  | Title: Darwin in Russian thought Author: Vucinich, Alexander 1914- Published: University of California Press, 1989 Subjects: Science | History and Philosophy of Science Publisher's Description: Darwin in Russian Thought represents the first comprehensive and systematic study of Charles Darwin's influence on Russian thought from the early 1860s to the October Revolution. While concentrating on the role of Darwin's theory in the development of Russian science and philosophy, Vucinich also explores the dominant ideological and sociological interpretations of evolutionary thought, providing a deft analysis of the views held by the leaders of Russian nihilism, populism, anarchism, and marxism.Darwin's thinking profoundly influenced intellectual discourse in Russia: it effected the emergence of "theoretical theology," a modern effort to provide theological responses to the revolutionary changes in the natural sciences, contributed to the evolution of a modern scientific community, and spurred the rapidly growing concern with the epistemological and ethical foundations of science in general. Scholarly battles were waged among the critics of Darwin - Karl von Baer, Nikolai Iakovlevich Danilevskii and Sergei Ivanovich Korzhinskii, and others - and the defenders of the faith.Vucinich is able to delineate the distinctive national characteristics of Russian Darwinism: the strong influence of Lamarckian thought, the delayed recognition of the contributions of genetics, the near-universal rejection of Social Darwinism, the early anticipation of the triumph of "evolutionary synthesis," and the heavy concentration on the social and moral aspects of evolutionary thought. Vividly argued and rich in detail, Darwin in Russian Thought provides a unique glimpse into the Russian psyche. [brief] Similar Items |
| 4. |  | Title: The origins of modernism in Russian architecture Author: Brumfield, William Craft 1944- Published: University of California Press, 1991 Subjects: Architecture | Architectural History | Russian and Eastern European Studies Publisher's Description: The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history.Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture. [brief] Similar Items |
| 5. |  | Title: The Russian city between tradition and modernity, 1850-1900 Author: Brower, Daniel R Published: University of California Press, 1990 Subjects: History | European History | Russian and Eastern European Studies | Urban Studies Publisher's Description: The Russian City Between Tradition and Modernity provides a comprehensive history of urban development in European Russia during the last half of the nineteenth century. Using both statistical perspectives on urbanization and cultural representations of the city, Brower constructs a synthetic view of the remaking of urban Russia. He argues that the reformed municipalities succeeded in creating an embryonic civil society among the urban elite but failed to fashion a unified, orderly city. By the end of the century, the cities confronted social disorder of a magnitude that resembled latent civil war.Drawing on a wide range of archival and published sources, including census materials and reports from municipal leaders and tsarist officials, Brower offers a new approach to the social history of Russia. The author emphasizes the impact of the massive influx of migrants on the country's urban centers, whose presence dominated the social landscape of the city. He outlines the array of practices by which the migrant laborers adapted to urban living and stresses the cultural barriers that isolated them from the well-to-do urban population. Brower suggests that future scholarship should pay particular attention to the duality between the sweeping visions of social progress of the elite and the unique practices of the urban workforce. This contradiction, he argues, offers a key explanation for the social instability of imperial Russia in the closing decades of the nineteenth century. [brief] Similar Items |
| 6. |  | Title: Reflections of an American composer Author: Berger, Arthur 1912- Published: University of California Press, 2002 Subjects: Music | American Music | Classical Music | Contemporary Music | Composers | Musicology Publisher's Description: In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience. [brief] Similar Items |
| 7. |  | Title: The listening composer Author: Perle, George 1915- Published: University of California Press, 1990 Subjects: Music | Contemporary Music | Composers Publisher's Description: George Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music" - a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them.If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven.Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process.Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners. [brief] Similar Items |
| 8. |  | Title: Moral communities: the culture of class relations in the Russian printing industry, 1867-1907 Author: Steinberg, Mark Published: University of California Press, 1992 Subjects: History | European History | Russian and Eastern European Studies Publisher's Description: This valuable study offers a rare perspective on the social and political crisis in late Imperial Russia. Mark D. Steinberg focuses on employers, supervisors, and workers in the printing industry as it evolved from a state-dependent handicraft to a capitalist industry. He explores class relations and the values, norms, and perceptions with which they were made meaningful. Using archival and printed sources, Steinberg examines economic changes, workplace relations, professional organizations, unions, strikes, and political activism, as well as shop customs, trade festivals, and everyday life. In rich detail he describes efforts to build a community of masters and men united by shared interests and moral norms. The collapse of this ideal in the face of growing class conflict is also explored, giving a full view of an important moment in Russian history. [brief] Similar Items |
| 9. |  | Title: Beethoven and the construction of genius: musical politics in Vienna, 1792-1803 Author: DeNora, Tia 1958- Published: University of California Press, 1996 Subjects: Music | History | Sociology | Composers | European History Publisher's Description: In this provocative account Tia DeNora reconceptualizes the notion of genius by placing the life and career of Ludwig van Beethoven in its social context. She explores the changing musical world of late eighteenth-century Vienna and follows the activities of the small circle of aristocratic patrons who paved the way for the composer's success.DeNora reconstructs the development of Beethoven's reputation as she recreates Vienna's robust musical scene through contemporary accounts, letters, magazines, and myths - a colorful picture of changing times. She explores the ways Beethoven was seen by his contemporaries and the image crafted by his supporters. Comparing Beethoven to contemporary rivals now largely forgotten, DeNora reveals a figure musically innovative and complex, as well as a keen self-promoter who adroitly managed his own celebrity.DeNora contends that the recognition Beethoven received was as much a social achievement as it was the result of his personal gifts. In contemplating the political and social implications of culture, DeNora casts many aspects of Beethoven's biography in a new and different light, enriching our understanding of his success as a performer and composer. [brief] Similar Items |
| 10. |  | Title: A little corner of freedom: Russian nature protection from Stalin to Gorbachëv Author: Weiner, Douglas R 1951- Published: University of California Press, 1999 Subjects: Russian and Eastern European Studies | Environmental Studies | Politics | History | History and Philosophy of Science | Ecology Publisher's Description: While researching Russia's historical efforts to protect nature, Douglas Weiner unearthed unexpected findings: a trail of documents that raised fundamental questions about the Soviet political system. These surprising documents attested to the unlikely survival of a critical-minded, scientist-led movement through the Stalin years and beyond. It appeared that, within scientific societies, alternative visions of land use, resrouce exploitation, habitat protection, and development were sustained and even publicly advocated. In sharp contrast to known Soviet practices, these scientific societies prided themselves on their traditions of free elections, foreign contacts, and a pre-revolutionary heritage.Weiner portrays nature protection activists not as do-or-die resisters to the system, nor as inoffensive do-gooders. Rather, they took advantage of an unpoliced realm of speech and activity and of the patronage by middle-level Soviet officials to struggle for a softer path to development. In the process, they defended independent social and professional identities in the face of a system that sought to impose official models of behavior, ethics, and identity for all. Written in a lively style, this absorbing story tells for the first time how organized participation in nature protection provided an arena for affirming and perpetuating self-generated social identities in the USSR and preserving a counterculture whose legacy survives today. [brief] Similar Items |
| 11. |  | Title: Driven into paradise: the musical migration from Nazi Germany to the United States Author: Brinkmann, Reinhold 1934- Published: University of California Press, 1999 Subjects: Music | American Music | Composers | Musicology | European History | United States History Publisher's Description: The forced migration of artists and scholars from Nazi Germany is a compelling and often wrenching story. The story is twofold, of impoverishment for the countries the musicians left behind and enrichment for the United States. The latter is the focus of this eminent collection, which approaches the subject from diverse perspectives, including documentary-style newspaper accounts and an exploration of Walt Whitman's poetry in the work of Paul Hindemith and Kurt Weill.The flood of musical migration from Germany and Austria from 1933 to 1944 had a lasting impact. Hundreds of musicians and musicologists came to the United States and remained here, and the shaping power of their talents is incalculable. Several essays provide firsthand insights into aspects of American cultural history to which these émigrés made essential contributions as conductors, professors, and composers; other essays tell of the traumatic experience of being exiled and the difficulties of finding one's way in a foreign country. While the migration infused the U.S. with a distinctly European musical awareness, at the same time the status and authority of its participants tended to intervene in the development of a genuinely American cultural voice. The story of the unprecedented migration that resulted from Nazism has many dimensions, and Driven Into Paradise illuminates them in deeply human terms. [brief] Similar Items |
| 12. |  | Title: Beyond the pale: the Jewish encounter with late imperial Russia Author: Nathans, Benjamin Published: University of California Press, 2002 Subjects: History | Jewish Studies | Russian and Eastern European Studies Publisher's Description: A surprising number of Jews lived, literally and figuratively, "beyond the Pale" of Jewish Settlement in tsarist Russia during the half-century before the Revolution of 1917. Thanks to the availability of long-closed Russian archives, along with a wide range of other sources, Benjamin Nathans reinterprets the history of the Russian-Jewish encounter. In the wake of Russia's "Great Reforms," Nathans writes, a policy of selective integration stimulated social and geographic mobility among the empire's Jews. The reaction that culminated, toward the turn of the century, in ethnic restrictions on admission to universities, the professions, and other institutions of civil society reflected broad anxieties that Russians were being placed at a disadvantage in their own empire. Nathans's conclusions about the effects of selective integration and the Russian-Jewish encounter during this formative period will be of great interest to all students of modern Jewish and modern Russian history. [brief] Similar Items |
| 13. |  | Title: Conventional wisdom: the content of musical form Author: McClary, Susan Published: University of California Press, 2000 Subjects: Music | Musicology Publisher's Description: With her usual combination of erudition, innovation, and spirited prose, Susan McClary reexamines the concept of musical convention in this fast-moving and refreshingly accessible book. Exploring the ways that shared musical practices transmit social knowledge, Conventional Wisdom offers an account of our own cultural moment in terms of two dominant traditions: tonality and blues.McClary looks at musical history from new and unexpected angles and moves easily across a broad range of repertoires--the blues, eighteenth-century tonal music, late Beethoven, and rap. As one of the most influential trailblazers in contemporary musical understanding, McClary once again moves beyond the borders of the "purely musical" into the larger world of history and society, and beyond the idea of a socially stratified core canon toward a musical pluralism. Those who know McClary only as a feminist writer will discover her many other sides, but not at the expense of gender issues, which are smoothly integrated into the general argument. In considering the need for a different way of telling the story of Western music, Conventional Wisdom bravely tackles big issues concerning classical, popular, and postmodern repertoires and their relations to the broader musical worlds that create and enjoy them. [brief] Similar Items |
| 14. |  | Title: Russia's women: accommodation, resistance, transformation Author: Clements, Barbara Evans 1945- Published: University of California Press, 1991 Subjects: History | European History | Women's Studies | Russian and Eastern European Studies Publisher's Description: By ignoring gender issues, historians have failed to understand how efforts to control women - and women's reactions to these efforts - have shaped political and social institutions and thus influenced the course of Russian and Soviet history. These original essays challenge a host of traditional assumptions by integrating women into the Russian past. Using recent advances in the study of gender, the family, class, and the status of women, the authors examine various roles of Russian women and offer a broad overview of a vibrant and growing field. [brief] Similar Items |
| 15. |  | Title: The collective and the individual in Russia: a study of practices Author: Kharkhordin, Oleg 1964- Published: University of California Press, 1999 Subjects: History | Social Theory | European History | Russian and Eastern European Studies | Intellectual History Publisher's Description: Oleg Kharkhordin has constructed a compelling, subtle, and complex genealogy of the Soviet individual that is as much about Michel Foucault as it is about Russia. Examining the period from the Russian Revolution to the fall of Gorbachev, Kharkhordin demonstrates that Party rituals - which forced each Communist to reflect intensely and repeatedly on his or her "self," an entirely novel experience for many of them - had their antecedents in the Orthodox Christian practices of doing penance in the public gaze. Individualization in Soviet Russia occurred through the intensification of these public penitential practices rather than the private confessional practices that are characteristic of Western Christianity. He also finds that objectification of the individual in Russia relied on practices of mutual surveillance among peers, rather than on the hierarchical surveillance of subordinates by superiors that characterized the West. The implications of this book expand well beyond its brilliant analysis of the connection between Bolshevism and Eastern Orthodoxy to shed light on many questions about the nature of Russian society and culture. [brief] Similar Items |
| 16. |  | Title: Iconography of power: Soviet political posters under Lenin and Stalin Author: Bonnell, Victoria E Published: University of California Press, 1998 Subjects: Sociology | Popular Culture | European Studies | Russian and Eastern European Studies | Politics | Art Criticism | History | European History Publisher's Description: Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them - relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia. [brief] Similar Items |
| 17. |  | Title: Musical meaning: toward a critical history Author: Kramer, Lawrence 1946- Published: University of California Press, 2001 Subjects: Music | Musicology Publisher's Description: Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This accessible and eloquently written book continues and deepens the trajectory of Kramer's thinking as it boldly argues that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. Kramer draws on a broad range of music and theory to show that the problem of musical meaning is not just an intellectual puzzle, but a musical phenomenon in its own right. How have romantic narratives involving Beethoven's "Moonlight" Sonata affected how we hear this famous piece, and what do they reveal about its music? How does John Coltrane's African American identity affect the way we hear him perform a relatively "white" pop standard like "My Favorite Things"? Why does music requiring great virtuosity have different cultural meanings than music that is not particularly virtuosic? Focusing on the classical repertoire from Beethoven to Shostakovich and also discussing jazz, popular music, and film and television music, Musical Meaning uncovers the historical importance of asking about meaning in the lived experience of musical works, styles, and performances. Kramer's writing, clear and full of memorable formulations, demonstrates that thinking about music can become a vital means of thinking about general questions of meaning, subjectivity, and value. In addition to providing theoretical advances and insights on particular pieces and repertoires, Musical Meaning will be provocative reading for those interested in issues of identity, gender, and cultural theory. This book includes a CD of Kramer's own composition, Revenants: 32 Variations in C Minor, which he discusses in his final chapter. [brief] Similar Items |
| 18. |  | Title: The American musical landscape Author: Crawford, Richard 1935- Published: University of California Press, 1993 Subjects: Music | Musicology | American Studies | United States History Publisher's Description: In this refreshingly direct and engaging historical treatment of American music and musicology, Richard Crawford argues for the recognition of the distinct and vital character of American music. What is that character? How has musical life been supported in the United States and how have Americans understood their music? Exploring the conditions within which music has been made since the time of the American Revolution, Crawford suggests some answers to these questions.Surveying the history of several musical professions in the United States - composing, performing, teaching, and distributing music - Crawford highlights the importance of where the money for music comes from and where it goes. This economic context is one of his book's key features and gives a real-life view that is both fascinating and provocative. Crawford discusses interconnections between classical and popular music, using New England psalmody, nineteenth-century songs, Duke Ellington, and George Gershwin to illustrate his points.Because broad cultural forces are included in this unique study, anyone interested in American history and American Studies will find it as appealing as will students and scholars of American music. [brief] Similar Items |
| 19. |  | Title: Paul Bowles on music Author: Bowles, Paul 1910- Published: University of California Press, 2003 Subjects: Music | American Music | Composers | Contemporary Music | American Literature | Film Publisher's Description: "It's an easy enough job if one has something to say," Paul Bowles remarked in a letter to his mother about his first foray into music criticism. And Paul Bowles, indeed, had plenty to say about music. Though known chiefly as a writer of novels and stories, Paul Bowles (1910-99) thought of himself first and foremost as a composer. Drawing together the work he did at the intersection of his two passions and professions, writing and music, this volume collects the music criticism Bowles published between 1935 and 1946 as well as an interview conducted by Irene Herrmann shortly before his death. An intimate of Aaron Copland and protégé of Virgil Thomson, Bowles was a musical sophisticate acquainted with an enormous range of music. His criticism collected here brilliantly illuminates not only the whole range of modernist composition but also film music, jazz, Mexican and Moroccan music, and many other genres. As a reviewer he reports on established artists and young hopefuls, symphonic concerts indoors and out, and important premieres of works by Copland, Thomson, Cage, Shostakovich, and Stravinsky, among others. Written with the austere grace of his better-known literary works, Bowles's criticism enhances our picture of an important era in American music history as well as our sense of his accomplishments and extraordinary contribution to twentieth-century culture. [brief] Similar Items |
| 20. |  | Title: Bread and authority in Russia, 1914-1921 Author: Lih, Lars T Published: University of California Press, 1990 Subjects: History | European History | Politics | Russian and Eastern European Studies Publisher's Description: Between 1914 and 1921, Russia experienced a national crisis that destroyed the tsarist state and led to the establishment of the new Bolshevik order. During this period of war, revolution, and civil war, there was a food-supply crisis. Although Russia was one of the world's major grain exporters, the country was no longer capable of feeding its own people. The hunger of the urban workers increased the pace of revolutionary events in 1917 and 1918, and the food-supply policy during the civil war became the most detested symbol of the hardships imposed by the Bolsheviks.Focusing on this crisis, Lars Lih examines the fundamental process of political and social breakdown and reconstitution. He argues that this seven-year period is the key to understanding the Russian revolution and its aftermath. In 1921 the Bolsheviks rejected the food-supply policy established during the civil war; sixty-five years later, Mikhail Gorbachev made this change of policy a symbol of perestroika. Since then, more attention has been given both in the West and in the Soviet Union to the early years of the revolution as one source of the tragedies of Stalinist oppression.Lih's argument is based on a great variety of source material - archives, memoirs, novels, political rhetoric, pamphlets, and propoganda posters. His new study will be read with profit by all who are interested in the drama of the Russian revolution, the roots of both Stalinism and anti-Stalin reform, and more generally in a new way of understanding the effects of social and political breakdown. [brief] Similar Items |