| The Country of Memory |
| CONTENTS |
| Illustrations |
| Foreword |
| Acknowledgments |
| INTRODUCTION |
| 1. CONSTRUCTING MEMORY |
| 1. Reading Revolutionary Prison Memoirs |
| 2. “The Fatherland Remembers Your Sacrifice” |
| 3. Museum-Shrine |
| 2. REPACKAGING THE PAST |
| 4. Framing the National Spirit |
| • | THE CREATION OF A “NATIONAL REVOLUTIONARY PAINTING” TRADITION |
| • | REDEFINING “NATIONAL CHARACTER” IN THE 1990s |
| • | TRADITION AND MODERNISM |
| • | CONCLUSION |
| • | NOTES |
| 5. The Past without the Pain |
| 3. GENDERED MEMORY |
| 6. Faces of Remembrance and Forgetting |
| 7. Contests of Memory |
| AFTERWORD |
| Glossary |
| Bibliography |
| Contributors |
| Index |