References
| • | • | • |
Books, Articles, and Dissertations
‘Abd al-Rahman, Mahfuz. 1991.
“Al-Tamthiliyya al-tarikhiyya i‘dad”
(Historical Drama—draft). Paper presented at the Second Literary Gathering for the Countries of the Cooperative Council for the Gulf Arab States, United Arab Emirates. 
——————. 1996. Nasir 56. Cairo: Dar al-Mawqif al-‘Arabi.
Abdalla, Ahmed. 1985. The Student Movement and National Politics in Egypt, 1923–1973. London: Al Saqi Books.
Abdel-Fadil, Mahmoud. 1980. The Political Economy of Nasserism. London: Cambridge University Press.
Abdel-Moteleb, Fikri. 1993.
“Public Sale Becomes Public Debate.”
Al-Ahram Weekly , August 19–25.
Abou Saif, Layla. 1969.
“The Theater of Naguib al-Rihani: The Development of Comedy in Modern Egypt.”
Ph.D. dissertation, University of Illinois.
Abraham, Nabeel. 1989.
“Arab-American Marginality: Mythos and Praxis.”
Arab Studies Quarterly. 11: 17–43.
Abraham, Sameer, and Nabeel Abraham. 1983. Arabs in the New World. Detroit: Wayne State University Press.
Abu al-Fath, Ilham. 1996.
“Mathaf al-thawra lil-jamahir—1997”
(A Museum of the Revolution for the Masses—1997). Al-Akhbar, July 24.
Abu Jalala, Khalid. 1995.
“Saraqat al-musiqa al-Misriyya”
(The Theft of Egyptian Music).Ruz al-Yusuf, March 28, pp. 62–63.
Abu Sayf, Salah. 1949.
“Inqadhu sina‘at al-sinima”
(Save the Cinema Industry).Al-Kawakib, September 8, p. 17.
Abu Shadi, Ali. 1996.
“Genres in Egyptian Cinema.”
In Screens of Life: Critical Film Writing from the Arab World , vol. 1, ed. Alia Arasoughly, 84–129. St.-Hyacinthe, Quebec: World Heritage Press.
Abu-Lughod, Janet. 1971. Cairo: 1001 Years of the City Victorious. Princeton: Princeton University Press.
——————. 1989. Before European Hegemony: The World System, A.D. 1250–1350. New York: Oxford University Press.
Abu-Lughod, Lila. 1993a.
“Editorial Comment: On Screening Politics in a World of Nations.”
Public Culture 5: 465–67.
——————. 1993b.
“Finding a Place for Islam: Egyptian Television Serials and the National Interest.”
Public Culture 5: 493–513.
——————. 1995a.
“Movie Stars and Islamic Moralism in Egypt.”
Social Text 42: 53–67.
——————. 1995b.
“The Objects of Soap Opera: Egyptian Television and the Cultural Politics of Modernity.”
In Worlds Apart: Modernity through the Prism of the Local , ed. Daniel Miller, 190–210. London: Routledge.
AbuKhalil, As‘ad. 1993.
“A Note on the Study of Homosexuality in the Arab/Islamic Civilization.”
Arab Studies Journal 1 (2): 32–34, 48.
ACCESS Cultural Arts. 1994.
“Creating a New Arab World: A Century in the Life of the Arab-American Community in Detroit,”
a grant submitted to the National Endowment for the Humanities.
Adwy, Awad Al. 1999.
“Zaki to Make ‘Sadat’ on His Own Terms.”
Middle East Times , May. http://www.metimes.com/issue99–18/cultent/zaki to make.htm.
Agassi, Tirzah. 1997.
“Peace of Her Heart.”
Jerusalem Post , April 4, p. 3.
——————. 1992b.
“Orientalism and After: Ambivalence and Metropolitan Location in the Work of Edward Said.”
In In Theory: Classes, Nations, Literatures, ed. Aijaz Ahmad, 159–219. New York: Verso.
Ahmad, Aijaz, ed. 1992a. In Theory: Classes, Nations, Literatures. New York: Verso.
Aijazuddin, F. S. 1991. Lahore: Illustrated Views of the 19th Century. Ahmedabad, India: Mappin Publishing.
Aksüt, Sadun. 1994. Şarkılarda…Istanbul (Istanbul in Songs). Istanbul: Altın Kitabları Istanbul.
Alatraqchi, Firas. 1996.
“Tied in a Knot.”
Pose (March-April): 21–22.
Alcalay, Ammiel. 1993. After Jews and Arabs: Remaking Levantine Culture. Minneapolis: University of Minnesota Press.
Allen, Roger. 1992. A Period of Time. Reading, U.K.: Ithaca Press.
And, Metin. 1959. Dances of Anatolian Turkey. Dance Perspectives 3. Brooklyn: Dance Perspectives.
——————. 1976. Pictorial History of Turkish Dancing. Ankara: Dost Yayınları.
Anderson, Benedict. 1991. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
Ang, Ien. 1985. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge.
Anjavi Shirazi, Sayyid Abu al-Qasim. 1973. Baziha-yi namayishi (Theatrical Plays). Tehran: Amir Kabir.
Appadurai, Arjun. 1990.
“Disjuncture and Difference in the Global Cultural Economy.”
Public Culture 2 (2): 1–24.
——————. 1991.
“Global Ethnoscapes.”
In Recapturing Anthropology: Working in the Present , ed. Richard Fox, 191–210. Santa Fe, New Mex.: School of American Research.
——————. 1993.
“Patriotism and Its Futures.”
Public Culture 5 (3): 411–29.
——————. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
Arasoughly, Alia, ed. 1996. Screens of Life: Critical Film Writing from the Arab World. Vol. 1. St.-Hyacinthe, Quebec: World Heritage Press.
——————. n.d. Screens of Life: Critical Film Writing from the Arab World. Vol. 2. St.-Hyacinthe, Quebec: World Heritage Press.
Ardener, Edward. 1989. The Voice of Prophecy and Other Essays. Ed. Malcolm Chapman. New York: Basil Blackwell.
Aris, Ibrahim al-. 1996.
“An Attempt at Reading the History of Cinema in Lebanon.”
In Screens of Life: Critical Film Writing from the Arab World , vol. 1, ed. Alia Arasoughly, 19–39. St.-Hyacinthe, Quebec: World Heritage Press.
Armbrust, Walter. 1995.
“Terrible Terrorist: How the Egyptian Establishment Declared Victory in the War against Islamists.”
Paper presented at the annual meeting of the American Anthropological Association, Washington, D.C., November 17.
——————. 1996. Mass Culture and Modernism in Egypt. Cambridge: Cambridge University Press.
——————. 1998.
“Veiled Cinema: An Interview with Yousry Nasrallah.”
Visual Anthropology 10 (2–4): 381–99.
Armes, Roy. 1987. Third World Film Making and the West. Berkeley: University of California Press.
Asad, Talal, ed. 1973. Anthropology and the Colonial Encounter. London: Ithaca Press.
——————. 1993. Genealogies of Religion. Baltimore: Johns Hopkins University Press.
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. 1989. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. London: Routledge.
Assif, Guy. 1995.
“Yesh Tisporet Yesh Haverim”
(When There’s a Haircut There Are Friends).Tarbut Ma’ariv 82 (October): 13.
Assiouty, Mohammed el-. 1996.
“In the Can.”
Al-Ahram Weekly , May 23–29.
Aswad, Barbara. 1974. Arabic-speaking Communities in American Cities. New York: Center for Migration Studies and the Association of Arab-American University Graduates.
——————. 1992.
“The Lebanese Muslim Community in Dearborn, Michigan.”
In The Lebanese in the World: A Century of Emigration , ed. Albert Hourani and Nadim Shehadi, 167–88. London: I. B. Tauris.
Aswani, Ahmad al-. 1983. Al-Samt al-marfud (The Refused Silence). Cairo: n.p.
Augé, Marc. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. London: Verso.
Ayalon, Ami. 1995. The Press in the Arab Middle East: A History. New York: Oxford University Press.
‘Azzam, Nabil Salim. 1990.
“Muhammad ‘Abd al-Wahhab in Modern Egyptian Music.”
Ph.D. dissertation, University of California, Los Angeles.
Badawi, al-Said M. 1973. Mustawayat al-‘Arabiyya al-mu‘asira fi Misr (The Levels of Modern Arabic in Egypt). Cairo: Dar al-Ma‘arif.
Badr, ‘Abd al-Muhsin Taha. 1984. Tatawwur al-riwaya al-‘Arabiyya al-haditha fi Misr (1870–1938) (Development of the Modern Arabic Novel in Egypt [1870–1938]). Al-Tab‘a 4. Cairo: Dar al-Ma‘arif.
Bahra, Nasr al-Din al-. 1992. Dimashq al-asrar (Damascus of Secrets). Damascus: al-Jumhuriyya Press.
Baker, Raymond William. 1974.
“Egypt in Shadows: Films and the Political Order.”
American Behavioral Scientist 17 (3): 393–423.
Bakhtin, Mikhail. 1984. Rabelais and His World. Trans. Helen Iswolsky. Bloomington: Indiana University Press (1965 in Russian).
Bakri, Mahmud. 1995.
“Bi-al-‘aql”
(By Reason).Al-Ahrar , July 12.
Bakri, Mustafa. 1995.
“Kalima sariha”
(Plain Talk).Al-Sha‘b , July 14.
Bandari, Muna al-, et al. 1994. Mawsu‘at al-aflam al-‘Arabiyya (Encyclopedia of Arab Films). Cairo: Bayt al-Ma‘rifa.
Barber, Karin. 1995.
“African-Language Literature and Postcolonial Criticism.”
Research in African Literatures 26 (4): 3–30.
Barnouw, Erik, and S. Krishnaswamy. 1963. Indian Film. New York: Columbia University Press.
Barthes, Roland. 1975. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang.
Basch, Linda, Nina Glick-Schiller, and Christina Szanton Blanc. 1994. Nations Unbound: Transnational Projects, Postcolonial Predicaments, and Deterritorialized Nation-States. Langhorne, Pa.: Gordon and Breach.
Basila, Nazik. 1960. Mudhakkirat Badi‘a Masabni (Memoirs of Badi‘a Masabni). Beirut: Dar Maktabat al-Hayat.
Bateson, Gregory. 1972.
“Toward a Theory of Schizophenia.”
In Steps to an Ecology of Mind , 201–27. New York: Ballantine.
Baudrillard, Jean. 1995. The Gulf War Did Not Take Place. Trans. and introd. Paul Patton. Bloomington: Indiana University Press.
Beeman, William O. 1976.
“You Can Take Music Out of the Country, But…: The Dynamics of Change in Iranian Musical Tradition.”
Asian Music 7(2): 19.
——————. 1981.
“Why Do They Laugh?”
“Journal of American Folklore”
94 (374): 506–26.
Behnam, M. Reza. 1986. Cultural Foundations of Iranian Politics. Salt Lake City: University of Utah Press.
Behrens-Abouseif, Doris. 1985. Azbakiyya and Its Environs, from Azbak to Isma‘il, 1476–1879. Cairo: Institut Français d’Archéologie Orientale.
Beinin, Joel. 1998. The Dispersion of Egyptian Jewry. Berkeley: University of California Press.
Belge, Murat. 1983.
“Türkiye’de Günlük Hayat”
(Daily Life in Turkey). In Cumhuriyet Dönemi Türkiye Ansiklopedesi (Encyclopedia of Turkey in the Republican Period). Istanbul: Iletişim.
Ben, Avishay. n.d.
“Sa‘adia Brothers—Lior & Shmulik.”
http://www.nuts.co.il/dana/danai.html.
Ben-zvi, Yael. 1998.
“Zionist Lesbianism and Transsexual Transgression.”
Middle East Report 206: 26–28.
Benjamin, Walter. 1969.
“Art in the Age of Mechanical Reproduction.”
In Illuminations , 217–42. Trans. Hannah Arendt. New York: Schocken Books.
——————. 1983. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. London: Verso.
Berger, Bennet. 1995. Essay on Culture: Symbolic Structure and Social Structure. Berkeley: University of California Press.
Berque, Jacques. 1972. Egypt: Imperialism and Revolution. New York: Praeger.
Berry, Ahmad. 1995a.
“Banurama…li-madha?”
(Panorama…Why?).Panorama , no. 1, June 1995, p. 3.
——————. 1995b.
“Kalimat sharaf”
(Word of Honor).Panorama , no. 2, August 1995, p. 4.
Bhabha, Homi, ed. 1990. Nation and Narration. New York: Routledge.
——————. 1994. The Location of Culture. London: Routledge.
Bhatia, Shayam. 1997.
“Sex-Change Singer Offbeat for Egypt.”
The Guardian. (London), May 20, p. 14.
Birenberg, Yoav. 1996.
“What Can I Tell You, Yoav, We Have a Wonderful State and a Wonderful People” [in Hebrew].”
Yediot Aharanot weekly supplement (7 Nights), August 23, pp. 6–7.
Blanc, Cristina Szanton, Linda Basch, and Nina Glick-Schiller. 1995.
“Transnationalism, Nation-States, and Culture.”
Current Anthropology 36: 683–86.
Bodnar, John. 1992. Remaking America: Memory, Commemoration, and Patriotism in the Twentieth Century. Princeton: Princeton University Press.
Boroujerdi, Mehrzad. 1996. Iranian Intellectuals and the West: The Tormented Triumph of Nativism. Syracuse: Syracuse University Press.
Bourdieu, Pierre. 1977. Outline of a Theory of Practice. Cambridge: Cambridge University Press.
——————. 1984. Distinction: A Social Critique of the Judgment of Taste. London: Routledge & Kegan Paul.
——————. 1991. Language and Social Power. Cambridge, Mass.: Harvard University Press.
Bradbury, Ray. 1983. Something Wicked This Way Comes. New York: Simon & Schuster, 1962; New York: Knopf.
Breckenridge, Carol, and Arjun Appadurai. 1988.
“Editor’s Comments.”
Public Culture 1(1): 1–4.
Broughton, Simon, et al., eds. 1994. World Music: The Rough Guide. London: Penguin Books.
Bulletin of the Israeli Academic Center in Cairo. 1988. Vol. 10 (July).
Burroughs, William S. 1967. The Ticket That Exploded. New York: Grove Press.
——————. 1973.
“Face to Face with the Goat God.”
Oui 2, no. 8 (August).
Carroll, Noël. 1985.
“The Power of Movies.”
Daedalus 114: 79–103.
Castells, Manuel. 1989. The Informational City: Information Technology, Economic Restructuring and the Urban-Regional Process. Oxford: Blackwell.
——————. 1996.
“The Net and the Self: Working Notes for a Critical Theory of the Informational Society.”
Critique of Anthropology 16 (1): 9–38.
Caton, Margaret Louise. 1983.
“Classical Tasnif: A Genre of Persian Vocal Music.”
Ph.D. dissertation, University of California, Los Angeles.
Çelik, Zeynep. 1986. The Remaking of Istanbul: Portrait of an Ottoman City in the Nineteenth Century. Seattle: University of Washington Press.
Chakravarty, Sumita S. 1993. National Identity in Indian Popular Cinema, 1947–1987. Austin: University of Texas Press.
“Change Is Good.”
1998.
“Wired”
6.01 (January): 182–83.
Chardin, Sir John (Chevalier Jean). 1987. Travels in Persia 1673–1677. New York: Dover Publications.
Chatterjee, Partha. 1993. The Nation and Its Fragments. Princeton: Princeton University Press.
Chelkowski, Peter. 1991.
“Popular Entertainment, Media and Social Change in Twentieth-Century Iran.”
In Cambridge History of Iran , ed. Peter Avery et al., 7: 765–814. Cambridge: Cambridge University Press.
Choudhury, M. L. Roy. 1957. Music in Islam. Calcutta: H. B.
Christgau, Robert. 1996.
“That Old-Time Religion.”
Village Voice , January 30.
Cleveland, William L. 1985. Islam against the West: Shakib Arslan and the Campaign for Islamic Nationalism. Austin: University of Texas Press.
Clifford, James. 1988. The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art. Cambridge, Mass.: Harvard University Press.
Clifford, James, and George Marcus, eds. 1986. Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press.
Cole, Juan. 1988. Roots of North Indian Shi‘ism in Iran and Iraq: Religion and State in Awadh, 1722–1859. Berkeley: University of California Press.
Couch, John. 1997.
“Culture Incorporated.”
Wired 5.12 (December): 214.
Crofts, Stephen. 1993.
“Reconceptualizing National Cinema/s.”
Quarterly Review of Film and Video 14 (3): 49–67.
Danielson, Virginia. 1991.
“Shaping Tradition in Arabic Song: The Career and Repertory of Umm Kulthum.”
Ph.D. dissertation, University of Illinois.
——————. 1996.
“New Nightingales of the Nile: Popular Music in Egypt Since the 1970s.”
Popular Music 15 (3): 299–312.
——————. 1997. The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century. Chicago: University of Chicago Press.
Davis, Eric. 1983. Challenging Colonialism: Bank Misr and Egyptian Industrialization, 1920–1941. Princeton: Princeton University Press.
Davis, Stephen. 1993. Jajouka Rolling Stone: A Fable of Gods and Heroes. New York: Random House.
de Man, Paul. 1983. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. 2d ed. London: Methuen.
Docker, John. 1994. Postmodernism and Popular Culture: A Cultural History. Cambridge: Cambridge University Press.
Douglas, Allen, and Fadwa Malti-Douglas. 1994. Arab Comic Strips: Politics of an Emerging Mass Culture. Bloomington: Indiana University Press.
Douglas, Mary. 1966. Purity and Danger: An Analysis of Pollution and Taboo. New York: Praeger.
Dresch, Paul. 1995.
“Race, Culture and—What? Pluralist Certainties in the United States.”
In The Pursuit of Certainty: Religious and Cultural Formulations , ed. Wendy James, 61–91. New York: Routledge.
du Plessis, Nancy. 1995. Notes des cahiers marocains/Notes from the Moroccan Journals, suivi de Art New York. Paris: Editions l’Harmattan.
Duben, Alan, and Cem Behar. 1991. Istanbul Households: Marriage, Family, and Fertility, 1880–1940. Cambridge: Cambridge University Press.
Dunne, Bruce. 1990.
“Homosexuality in the Middle East: An Agenda for Historical Research.”
Arab Studies Quarterly 12 (3–4): 55–82.
——————. 1998.
“Power and Sexuality in the Middle East.”
Middle East Report 206: 8–11.
During, Jean, Zia Mirabdolbaghi, and Dariush Safvat. 1991. Art of Persian Music. Washington, D.C.: Mage Publishers.
Dyson, Esther. 1995.
“Intellectual Value.”
Wired 3.07 (July): 136–41, 182–84.
“Editorial.”
1996. Cineaste 22 (1): 1.
“Egyptian Workers in Israel.”
1996. UPI, August 19.
“Egyptians Were Stoned on Israeli-Supplied Hashish.”
1996. London Sunday Times , December 22.
“Egypt’s Jewish Community Dwindling.”
1998. Reuters, September 27. http://www.arabia.com/content/culture/9u98/Egyptu27.9.98.shtml.
Eickelman, Dale F. 1991.
“Traditional Islamic Learning and Ideas of the Person in the Twentieth Century.”
In Middle Eastern Lives: The Practice of Biography and Self-Narrative , ed. Martin Kramer, 35–59. Syracuse: Syracuse University Press.
El Charkawi, Galal. 1966.
“History of the U.A.R. Cinema.”
In Cinema in the Arab Countries , ed. Georges Sadoul, 64–97. Paris: UNESCO.
El-Messiri, Sawsan. 1978. Ibn al-Balad: A Concept of Egyptian Identity. Leiden: Brill.
El Shawan, Salwa Aziz. 1981.
“Al-Musika al-‘Arabiyya: A Category of Urban Music in Cairo, Egypt, 1927–1977.”
Ph.D. dissertation, Columbia University.
Engel, Richard. 1997.
“Egyptian Paper Sees Zionist Stars over Egypt.”
Middle East Times , June 6–12: 2.
Erlich, Haggai. 1989. Students and University in 20th-Century Egyptian Politics. London: Frank Cass.
Errington, Shelley. 1994.
“What Became of Authentic Primitive Art?”
Cultural Anthropology 9(2): 201–26.
Essam El-Din, Gamal. 1997.
“Visions of October.”
Al-Ahram Weekly , March 13–19.
Fabian, Johannes. 1983. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press.
Fardon, Richard, ed. . 1995. Counterworks: Managing the Diversity of Knowledge. New York: Routledge.
Farhat, Hormoz. 1965.
“Dastgah Concept in Persian Music.”
Ph.D. dissertation, University of California, Los Angeles.
Farid, Samir. 1977. Dalil al-sinima al-‘Arabi: Khamsin ‘aman ‘ala awwal film Misri tawil (Guide to Arab Cinema: Fifty Years after the First Egyptian Feature Film). Cairo: n.p.
——————. 1986.
“Surat al-insan al-Misri ‘ala al-shasha bayn al-aflam al-istihlakiyya wa-al-aflam al-fanniyya”
(The Image of the Egyptian on the Screen between Commercial and Artistic Films). In al-Insan al-Misri ‘ala al-shasha. (The Egyptian on the Screen), ed. Hashim al-Nahhas, 205–14. Cairo: al-Hay’a al-‘Amma lil-Kitab.
——————. 1994.
“Misr wa-Lubnan, wa-al-sinima”
(Egypt and Lebanon, and Cinema).Al-Sinima wa-al-tarikh 11: 83–92.
——————. 1996.
“Periodization of Egyptian Cinema.”
In Screens of Life: Critical Film Writing from the Arab World , vol. 1, ed. Alia Arasoughly, 1–18. St.-Hyacinthe, Quebec: World Heritage Press.
Farman Farmaian, Sattareh. 1992. Daughter of Persia. New York: Doubleday.
Faubion, James. 1993. Modern Greek Lessons: A Primer in Historical Constructivism. Princeton: Princeton University Press.
Fayyad, Sulayman. 1993. Voices. Trans. Hosam Aboul-Ela. New York: Marion Boyars Publishers.
Featherstone, Mike. 1995. Undoing Culture: Globalization, Postmodernism and Identity. London: Sage.
——————. 1996.
“Localism, Globalism, and Cultural Identity.”
In Global/Local: Cultural Production and the Transnational Imaginary , ed. Rob Wilson and Wimal Dissanayake, 46–77. Durham: Duke University Press.
Featherstone, Mike, and Scott Lash. 1995.
“Globalization, Modernity and the Spatialization of Social Theory: An Introduction.”
In Global Modernities , ed. Mike Featherstone, Roland Robertson, and Scott Lash, 1–24. Thousand Oaks, Calif.: Sage.
Feld, Steven. 1994.
“From Schizophonia to Schismogenesis: The Discourses and Practices of World Music and World Beat.”
In Music Grooves: Essays and Dialogues , by Charles Keil and Steven Feld, 257–89. Chicago: University of Chicago Press.
Ferguson, Marjory. 1992.
“The Mythology about Globalization.”
European Journal of Communication 7: 69–93.
Film Daily. 1960. 1960 Year Book of Motion Pictures 42d annual ed. New York: World’s Films and Film Folk.
Finkelstein, Joanne. 1989. Dining Out: A Sociology of Modern Manners. New York: New York University Press.
Fischer, Michael M. J. 1980. Iran: From Religious Dispute to Revolution. Cambridge, Mass.: Harvard University Press.
Fishman, Joshua. 1972. Language and Nationalism: Two Integrative Essays. Rowley, Mass.: Newbury House.
Fisk, Robert. 1996.
“Massacre Film Puts Israel in Dock.”
The Independent , May 6.
Friedman, Jonathan. 1995.
“Global System, Globalization and the Parameters of Modernity.”
In Global Modernities , ed. Mike Featherstone, Roland Robertson, and Scott Lash, 69–90. Thousand Oaks, Calif.: Sage.
Fuller, Mia. 1996.
“Wherever You Go, There You Are: Fascist Plans for the Colonial City of Addis Ababa and the Colonizing Suburb of EUR ’42.”
Journal of Contemporary History 31: 397–418.
Fussell, Paul. 1989. Wartime: Understanding and Behavior in the Second World War. New York: Oxford University Press.
Gabler, Neal. 1988. An Empire of Their Own: How the Jews Invented Hollywood. New York: Doubleday.
Gaffney, Jane. 1987.
“The Egyptian Cinema: Industry and Art in a Changing Society.”
Arab Studies Quarterly 9(1): 53–75.
Gaffney, Patrick D. 1994. The Prophet’s Pulpit: Islamic Preaching in Contemporary Egypt. Berkeley: University of California Press.
Gellner, Ernest. 1983. Nations and Nationalism. Ithaca: Cornell University Press.
Gershoni, Israel, and James Jankowski. 1995. Redefining the Egyptian Nation, 1930–1945. Cambridge: Cambridge University Press.
Ghayti, Muhammad al-. 1995a.
“Ahmad Zaki wa-‘uyun al-saqr allati zalzalat al-Gharb”
(Ahmad Zaki and the Hawk’s Eyes That Shook the West).Al-Idha‘a wa-al-Tilifizyun , July 15, pp. 12–14.
——————. 1995b. Fadiha ismuha Sa‘ida Sultan: Dana mutribat al-jins al-Isra’iliyya (A Scandal Named Sa‘ida Sultan: Danna the Israeli Sex Artist). Cairo: al-Markaz al-‘Arabi lil-Sahafa wa-al-Nashr wa-al-I‘lam.
“Ghazal al-banat.”
1949. Review of the film The Flirtation of Girls. Al-Kawakib 9(October): 38–39.
Ghosh, Amitav. 1989.
“The Diaspora in Indian Culture.”
Public Culture 2(1): 73–78.
Giddens, Anthony. 1990. The Consequences of Modernity. Oxford: Blackwell.
Gilsenan, Michael. 1982. Recognising Islam: Religion and Society in the Modern Arab World. New York: Pantheon.
Givens, David, and Timothy Jablonski. 1995.
“The 1995 Survey of Anthropology Ph.D.s.”
Anthropology Newsletter 36 (6): 11–12.
Glick-Schiller, Nina, Linda Basch, and Christina Szanton Blanc. 1992. Towards a Transnational Perspective on Migration: Race, Class, Ethnicity, and Nationalism Reconsidered. New York: New York Academy of Sciences.
Godfried, Nathan. 1987. Bridging the Gap between Rich and Poor: American Economic Development Policy Toward the Arab East, 1942–1949. New York: Greenwood Press.
Goldberg, David Theo, and Abebe Zegeye. 1995.
“Editorial Note.”
Social Identities 1: 3–4.
Goodman, Jane. 1995.
“‘Mr. Joe Saint: Where Were You When…?’: Reflections on Islamic Premises and Practices in Contemporary Berber Song.”
Paper presented at the annual meeting of the American Anthropological Association, November 15.
Gordon, Joel. 1992. Nasser’s Blessed Movement: Egypt’s Free Officers and the July Revolution. Oxford: Oxford University Press.
——————. 1997a.
“Becoming the Image: Words of Gold, Talk Television, and Ramadan Nights on the Little Screen.”
Visual Anthropology 10 (1): 247–63.
——————. 1997b.
“Secular and Religious Memory in Egypt: Recalling Nasserist Civics.”
Muslim World 87 (2): 94–110.
Görmüş, A., and A. Baştürk. 1987.
“Bülent Ersoy Sahne’ye.…”
(Bülent Ersoy to the Stage).Nokta 20: 13–19.
Grendzier, Irene. 1997.
“Following the Flag.”
Middle East Report 205: 10–11.
Grynberg, Daniel. 1996.
“A Natural Woman.”
Jerusalem Report , February 22, pp. 34–35.
Guback, Thomas H. 1985.
“Hollywood’s International Market.”
In The American Film Industry , 2d ed., ed. Tino Balio, 163–86. Madison: University of Wisconsin Press.
Gysin, Brion. 1973. The Process 2d ed. Frogmore, U.K.: Panther Books. (1st ed. Jonathan Cape, London, 1969.)
Hadari, Ahmad al-. 1989. Tarikh al-sinima fi Misr: al-Juz’ al-awwal min bidayat 1896 li-akhir 1930 (The History of Cinema in Egypt: Part 1, From Its Beginnings in 1896 to 1930). Cairo: Nadi al-Sinima.
Haeri, Shahla. 1989. Law of Desire: Temporary Marriage in Shi‘i Iran. Syracuse: Syracuse University Press.
Hajjar, Lisa, and Steve Niva. 1997.
“(Re)Made in the USA: Middle East Studies in the Global Era.”
Middle East Report 205: 2–9.
Hakim, Ayman al-. 1995.
“Mahfuz ‘Abd al-Rahman yaltaqi bi-Nasir 67”
(Mahfuz ‘Abd al-Rahman Meets Nasser 67).Al-Idha‘a wa-al-Tilifizyun , November 4.
Hakim, Tawfiq al-. 1966. Bird of the East. Trans. R. Bayly Winder. Beirut: Khayats.
——————. 1990. Sijn al-‘umr (Prison of Life). Al-Fajjala [Cairo]: Maktabat Misr.
Halliday, Fred. 1993.
“Orientalism and Its Critics.”
British Journal of Middle East Studies 20: 145–63.
Hammoudi, Abdellah. 1993. The Victim and Its Masks: An Essay on Sacrifice and Masquerade in the Maghreb. Chicago: University of Chicago Press.
Hamri, Mohamed. 1972. Tales from Joujouka. Santa Barbara, Calif.: Capricorn Press.
Handler, Richard. 1985.
“On Having a Culture: Nationalism and the Preservation of Quebec’s Patrimoine.”
In Objects and Others: Essays on Museums and Material Culture , ed. George W. Stocking, Jr., 192–217. Madison: University of Wisconsin Press.
Hani, Muhammad. 1995.
“Ansar al-malakiyya ‘ala al-shasha”
(Royal Companions on Screen).Ruz al-Yusuf , May 8, pp. 35–42.
Hannerz, Ulf. 1992. Cultural Complexity. New York: Columbia University Press.
Haqqi, Yahya. 1973. The Saint’s Lamp and Other Stories. Trans. M. M. Badawi. Leiden: Brill.
Hardy, Susan. 1994.
“Imagining the Last Days: The Politics of Apocalyptic Language.”
In Accounting for Fundamentalisms: The Dynamic Character of Movements , ed. Martin E. Marty and R. Scott Appleby, 57–78. Chicago: University of Chicago Press.
Harris, Nigel. 1986. The End of the Third World: Newly Industrializing Countries and the Decline of an Ideology. London: Penguin.
Harvey, David. 1989. The Condition of Postmodernity: An Enquiry into the Origins of Culture Change. Oxford: Blackwell.
Hasan, Fatima. 1993.
“Jadal fi Misr hawla hazr 199 ughniya li-54 mutriban wa-mutriba”
(Controversy in Egypt about the Banning of 199 Songs by 54 Male and Female Artists). Al-Hayat , July 1, p. 23.
Hasan, Ilhami. 1986. Muhammad Tal‘at Harb, ra’id sina‘at al-sinima al-Misriyya, 1867–1941 (Muhammad Tal‘at Harb, Pioneer of the Egyptian Cinema Industry, 1867–1941). Cairo: al-Hay’a al-Misriyya al-‘Amma lil-Kitab.
Hasanayn, ‘Adil. 1993. Layla Murad. Cairo: Amadu.
Hattox, Ralph S. 1985. Coffee and Coffeehouses: The Origins of Social Beverage in the Medieval Near East. Seattle: University of Washington Press.
Herzfeld, Michael. 1991. A Place in History: Social and Monumental Time in a Cretan Town. Princeton: Princeton University Press.
——————. [1987] 1992. Anthropology through the Looking Glass: Critical Ethnography in the Margins of Europe. Cambridge: Cambridge University Press.
——————. 1995.
“It Takes One to Know One: Collective Resentment and Mutual Recognition among Greeks in Local and Global Contexts.”
In Counterworks: Managing the Diversity of Knowledge , ed. Richard Fardon, 124–42. New York: Routledge.
Hinnebusch, Raymond A. 1991.
“Class and State in Ba‘thist Syria.”
In Syria: Culture, Society and Polity , ed. Richard T. Antoun and Donald Quarteret, 29–47. Albany: State University of New York Press.
——————. 1993.
“Class, State and the Reversal of Egypt’s Agrarian Reform.”
Middle East Report 184: 20–23.
Hoffman, Abbie. 1971. Steal This Book. New York: Pirate Editions.
Hoggart, Richard. 1958. Uses of Literacy. Middlesex: Penguin.
Holbrook, Victoria. 1994.
“Philology Went Down the Crossroads of Modernity to Meet Orientalism, Nationalism and Ottoman Poetry.”
New Perspectives on Turkey 11: 19–41.
Horowitz, Amy, and Reuven Namdar. 1997.
“Overcoming Music Ghettos: An Interview with Avihu Medina, Mizrahi Musician in Israel.”
Cultural Survival Quarterly 20 (4): 53–59.
Hourani, Albert. 1946. Syria and Lebanon: A Political Essay. London: Oxford University Press.
——————. 1968.
“Ottoman Reform and the Politics of Notables.”
In Beginnings of Modernization in the Middle East: The Nineteenth Century , ed. William R. Polk and Richard L. Chambers, 41–68. Chicago: University of Chicago Press.
Husayn, Taha. 1932. An Egyptian Childhood: The Autobiography of Taha Husayn. Trans. E. H. Paxton. New York: Routledge.
Ibn Kannan, Muhammad. 1994. Yawmiyyat Shamiyya: 1111/1699–1153/1740 (Levantine Diary: 1111/1699–1153/1740). Ed. Akram ‘Ulabi. Damascus: Dar al-Tabba.
Ibn Khaldun. 1958. The Muqaddimah: An Introduction to History. Trans. Franz Rosenthal. New York: Pantheon Books.
Ibrahim, Saad Eddin. 1982.
“Egypt’s Islamic Militants.”
MERIP Reports 103: 5–14.
Ibrahim, Sonallah. 1971. The Smell of It, and Other Stories. Trans. Denys Johnson-Davies. London: Heinemann Educational.
——————. 1997. Sharaf. Cairo: Dar al-Hilal.
“Isra’il tuharib Misr bi-al-jins fi al-tilifun”
(Israel Wages War on Egypt by Telephone Sex). 1995. Ruz al-Yusuf , August 21, pp. 18, 20–22.
Issari, M. Ali. 1989. Cinema in Iran, 1900–1979. Metuchen, N.J.: Scarecrow Press.
Jacquemond, Richard. 1997.
“In the Middle East Deadlock, Egypt’s Intellectuals Rediscover Nasser.”
Le Monde Diplomatique (English Edition), July. http://www.monde-diplomatique.fr/md/en/1997/07/egypt.html.
Jameson, Fredric. 1986.
“Third-World Literature in the Era of Multinational Capitalism.”
Social Text 15 (Fall): 65–88.
Jarvie, Ian. 1988.
“Dollars and Ideology: Will Hays’ Economic Foreign Policy 1922–1945.”
Film History 2: 207–21.
——————. 1990.
“The Postwar Economic Foreign Policy of the American Film Industry, Europe 1945–1950.”
Film History 4: 277–88.
——————. 1992. Hollywood’s Overseas Campaign: The North Atlantic Movie Trade, 1920–1950. Cambridge: Cambridge University Press.
Jehl, Douglas. 1995.
“In a Smutty War, Egypt Says, Israel Exports Sex.”
New York Times , October 10.
——————. 1996.
“Mansura Journal: Of College Girls Betrayed and Vile Chewing Gum.”
New York Times , July 10, p. A4.
Jenkins, Richard. 1992. Pierre Bourdieu. New York: Routledge.
“Jins silah Isra’il al-jadid didd Misr al-, ”
(Sex Is a New Israeli Weapon against Egypt). 1995. Al-Hayat al-Misriyya , December 31, p. 4.
Kabbani, Rana. 1998.
“Global Beauty: Damascus.”
Vogue 164, no. 2394 (January): 134–35.
Kearney, Michael. 1995.
“The Local and the Global: The Anthropology of Globalization and Transnationalism.”
Annual Review of Anthropology 24: 547–65.
Keeps, David A. 1998.
“Sabbath Night Fever.”
Details. (November): 110, 112, 117–18, 120.
Kerem, Shay. n.d.
“35 Personal Questions to Danna.”
http://www.nuts.co.il/dana/danai.html.
Keyder, Çaglar. 1987. State and Class in Turkey: A Study in Capitalist Development. London: Verso.
Khafaji, ‘Amr. 1994.
“Al-Tatbi‘: Ghazw Isra’ili lil-sinima al-Misriyya!”
(Normalization: An Israeli Assault on Egyptian Cinema!). Ruz al-Yusuf , November 21, pp. 68–71.
Khaleqi, Ruhollah. 1974. Sarguzasht-i musiqi-i Iran (History of the Music of Iran). Vol. 1. Tehran: Safiali Shah.
Khalifa, Ayman M. 1995.
“The Withering Youth of Egypt.”
Ru’ya 7(Spring): 6–11.
Khalil, ‘Abd al-Nur. 1996.
“Wathiqa siyasiyya min tarikh sha‘b wa-za‘im”
(A Political Document from the History of a People and a Leader). Al-Musawwar , August 9, p. 50.
Khalil, Nevine. 1996a.
“Drama by the Thousands.”
Al-Ahram Weekly , June 6–12.
——————. 1996b.
“Heritage of a Revolution.”
Al-Ahram Weekly , January 24–31.
Khan, Mohamed. 1969. An Introduction to the Egyptian Cinema. London: Informatics.
Khayati, Khemaïs. 1996. Cinémas arabes: Topographie d’une image éclatée. Paris: Editions l’Harmattan.
Khayri, Badi‘. n.d. Mudhakkirat Badi‘ Khayri: 45 sana tahta adwa’ al-masrah (Memoirs of Badi‘ Khayri: 45 Years under the Lights of the Stage). Interview by Muhammad Rif‘at. Beirut: Dar al-Thaqafa.
Khelil, Hédi. 1994. Résistances et utopies: Essais sur le cinéma arabe et africain (Resistances and Utopias: Essays on Arab and African Cinema). Tunis: Editions Sahar.
Khomeini, Ruhollah. 1971. Kashf al-asrar (Discovery of Secrets). Tehran: Nashr-i Falaq.
Khoury, Philip S. 1983. Urban Notables and Arab Nationalism: The Politics of Damascus 1860–1920. Cambridge: Cambridge University Press.
——————. 1987. Syria and the French Mandate: The Politics of Arab Nationalism, 1920–1945. Princeton: Princeton University Press.
Khust, Nadiya. 1989. Al-Hijra min al-janna (Exodus from Paradise). Damascus: al-Ahli Press.
——————. 1993. Dimashq: Dhikrat al-insan wa-al-hajar (Damascus: Memory of Man and Stone). Damascus: Dar Daniya.
King, John. 1990. Magic Reels: A History of Cinema in Latin America. London: Verso.
Kirshenblatt-Gimblett, Barbara. 1996.
“The Electronic Vernacular.”
In Connected: Engagements with Media , ed. George Marcus, 21–66. Chicago: University of Chicago Press.
Kitab al-dhahabi, al- 1972. Cairo: Ittihad al-Sina‘at al-Misriyya.
Krämer, Gudrun. 1989. The Jews of Modern Egypt. Seattle: University of Washington Press.
Kulin, Ayse. 1996. Bir Tatlı Huzur: Fotograflarla Münir Nureddin Selçuk (“A Sweet Repose”: Münir Nureddin Selçuk in Photographs). Istanbul: Sel.
Kurd ‘Ali, Muhammad. 1944. Dimashq: Madinat al-sihr wa-al-shi‘r (Damascus: City of Enchantment and Poetry). Egypt: Matba‘at al-Ma‘arif.
La Guardia, Anton. 1997.
“Transsexual Pop Singer Proves Too Unorthodox.”
Daily Telegraph , November 25, p. 16.
Lahore Development Authority. 1980. Lahore Urban Development and Traffic Study 4vols. Lahore: Lahore Development Authority.
Landau, Jacob M. 1958. Studies in the Arab Theater and Cinema. Philadelphia: University of Pennsylvania Press.
Langlois, Tony. 1996.
“The Local and Global in North African Popular Music.”
Popular Music 15 (3): 259–73.
Laughlin, Kim, and John Monberg. 1996.
“Horizons of Interactivity: Making the News at Time Warner.”
In Connected: Engagements with Media , ed. George Marcus, 249–70. Chicago: University of Chicago Press.
Lavie, Smadar. 1990. The Poetics of Military Occupation: Mzeina Allegories of Bedouin Identity under Israeli and Egyptian Rule. Berkeley: University of California Press.
——————. 1996.
“Blow-Ups in the Borderzones: Third World Israeli Authors’ Gropings for Home.”
In Displacement, Diaspora and Geographies of Identity , ed. Smadar Lavie and Ted Swedenburg, 55–96. Durham: Duke University Press.
“Layla al-Muslima.”
1948. Al-Ithnayn , no. 737, July 26, pp. 8–9.
Leary, Timothy. 1970. Jail Notes. New York: Douglas Books.
Levine, Lawrence W. 1988. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard University Press.
Lewis, Geoffrey. 1967. Turkish Grammar. Oxford: Oxford University Press.
Litweiler, John. 1992. Ornette Coleman: A Harmolodic Life. New York: Da Capo.
Lorius, Cassandra. 1996.
“Desire and the Gaze: Spectacular Bodies in Cairene Elite Weddings.”
Women’s Studies International Forum 19 (5): 513–23.
Low, Setha M. 1996.
“The Anthropology of Cities: Imagining and Theorizing the City.”
Annual Review of Anthropology 25: 383–409.
Lowenthal, David. 1996. The Heritage Crusade and the Spoils of History. London: Viking.
Lüders, Michael. 1989. Gesellschaftliche Realität im ägyptischen Kinofilm: Von Nasser zu Sadat 1952–1981 (Social Realism in Egyptian Cinema: From Nasser to Sadat, 1952–1981). Frankfurt am Main: Peter Lang.
Lyotard, Jean-François. 1984. The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press.
McGlone, Robert E. 1989.
“Rescripting a Troubled Past: John Brown’s Family and the Harpers Ferry Conspiracy.”
American Historical Review 75: 1179–1200.
Macleod, Arlene Elowe. 1991. Accommodating Protest: The New Veiling in Cairo. New York: Columbia University Press.
Majdi, Tawhid. 1994.
“‘Busni ya Susu’ yuba‘ sirran fi Misr bi-khamsin ginayh”
(“Kiss Me Susu” Is Sold Covertly in Egypt for Fifty Pounds).Ruz al-Yusuf , December 12.
Malkmus, Lizbeth, and Roy Armes. 1991. Arab and African Film Making. London: Zed Books.
Marcus, George, ed. 1993. Perilous States: Conversations on Culture, Politics, and Nation. Chicago: University of Chicago Press.
——————. 1996a. Connected: Engagements with Media. Chicago: University of Chicago Press.
——————. 1996b. Introduction to Connected: Engagements with Media , ed. George Marcus, 1–18. Chicago: University of Chicago Press.
Margolis, Maxine. 1994. Little Brazil. Princeton: Princeton University Press.
Markoff, Irene. 1990.
“The Ideology of Musical Practice and the Professional Turkish Folk Musician: Tempering the Creative Impulse.”
Asian Music 22 (1): 129–45.
Martin, Emily. 1996.
“Flexible Bodies in a Society of Flows.”
Critical Anthropology 16: 49–56.
Mazzoleni, Donatella. 1993.
“The City and the Imaginary.”
In Space and Place: Theories of Identity and Location , ed. Erica Carter, James Donald, and Judith Squires, 285–302. London: Lawrence and Wishart.
Mehrez, Samia. 1994. Egyptian Writers between History and Fiction. Cairo: American University in Cairo Press.
Melucci, Alberto. 1985.
“The Symbolic Challenge of Contemporary Movements.”
Social Research 52 (4): 789–816.
Menicucci, Garay. 1998.
“Unlocking the Arab Celluloid Closet: Homosexuality in Egyptian Film.”
Middle East Report 206: 32–36.
Mernissi, Fatimah. 1975. Beyond the Veil: Male-Female Dynamics in a Modern Muslim Society. New York: John Wiley and Sons.
Metcalf, Thomas R. 1994. Ideologies of the Raj. Cambridge: Cambridge University Press.
“Middle Eastern Popular Culture, Proposal for an International Conference on.”
1998. http://users.ox.ac.uk/neareast/middle.htm. Last updated December 14, accessed December 17, 1998.
Miller, Daniel. 1994. Modernity, an Ethnographic Approach: Dualism and Mass Consumption in Trinidad. Oxford: Berg Publishers.
——————. 1995a.
“Introduction: Anthropology, Modernity and Consumption.”
In Worlds Apart: Modernity through the Prism of the Local , ed. Daniel Miller, 1–22. New York: Routledge.
———, ed. 1995b. Worlds Apart: Modernity through the Prism of the Local. New York: Routledge.
Miller, Lloyd Clifton. 1995. Persian Music: A Study of Form and Content of Persian Avaz, Dastgah & Radif. Salt Lake City: Eastern Arts.
Miller, Neil. 1993. Out in the World: Gay and Lesbian Life from Buenos Aires to Bangkok. New York: Vintage.
Mina, Hanna. 1989. Nihayat rajul shuja‘ (The End of a Brave Man). Beirut: Dar al-Adab.
Misri, Husayn Shafiq. 1980. Adventures and Opinions of Hadji Darwis and Umm Isma‘il: Dictations Taken by Hisen Safiq il-Masri. Preface by Karl-G. Prasse. Copenhagen: Akademisk Forlag.
“Misriyyun murtishun yabi‘un ayya shay’ wa-yu‘ashiqun al-”
(Bribe-taking Egyptians Will Sell Anything and Love Perverts). 1996. Ruz al-Yusuf , August 5, n.p.
Mitchell, Timothy. 1988. Colonising Egypt. Cambridge: Cambridge University Press.
Mitchell, Timothy J. 1994. Flamenco Deep Song. New Haven: Yale University Press.
Monaco, Eitel. 1966.
“Merchandising, Distribution and Import of Films in the Arab World between 1958–1962.”
In Cinema in the Arab Countries , ed. Georges Sadoul, 137–45. Paris: UNESCO.
Mora, Carl. 1982. Mexican Cinema: Reflections of a Society, 1896–1980. Berkeley: University of California Press.
Morgan, Ted. 1988. Literary Outlaw: The Life and Times of William S. Burroughs. New York: Henry Holt.
Morley, David. 1995.
“Where the Global Meets the Local: Notes from the Sitting Room.”
Screen 32 (1): 1–15.
Mumtaz, I‘tidal. 1985. Mudhakkirat raqibat sinima 30 ‘aman (Memoirs of a Cinema Censor for 30 Years). Cairo: al-Hay’a al-Misriyya al-‘Amma lil-Kitab.
Munro, J. Richard. 1990.
“Good-bye to Hollywood: Cultural Imperialism and the New Protectionism.”
Vital Speeches of the Day 61 (June 15): 524–27.
Muntasir, Salah. 1996.
“Al-Ziham ‘ala Nasir”
(The Crowds for Nasser [56]).Al-Ahram , August 21.
Murray, Stephen O., and Will Roscoe. 1997. Islamic Homosexualities: Culture, History and Literature. New York: New York University Press.
Naficy, Hamid. 1993. Making of Exile Cultures: Iranian Television in Los Angeles. Minneapolis: University of Minnesota Press.
Najmi, Kamal al-. 1995.
“Da‘wa hisba didd fann al-ghina’: Hakadha kan al-amr”
(The Charge of Hisba against Singing: The Matter Was Thus).Al-Hayat , November 18, p. 20.
Nashashibi, Nasser Eddin. 1990. Jerusalem’s Other Voice: Ragheb Nashashibi and Moderation in Palestinian Politics, 1920–1948. Exeter: Ithaca Press.
“Nass al-kamil li-taqrir al-niyaba al-‘amma bi-hifz al-tahqiq fi qadiyat khasa’ir al-qita‘ al-‘amm, al-”
(The Full Report of the Public Prosecutor on the Precise Verification in the Matter of Losses in the Public Sector). 1993. Al-Sinima wa-al-tarikh 7: 77–91.
Nassaj, Sayyid Hamid. 1984. Tatawwur fann al-qissa al-qasira fi Misr (Development of the Art of the Short Story in Egypt). al-Tab‘a 2. Cairo: Dar al-Ma‘arif.
Nelson, Kristina. 1985. The Art of Reciting the Qur’an. Austin: University of Texas Press.
Nettl, Bruno. 1970.
“Attitudes Toward Persian Music in Tehran in 1969.”
Musical Quarterly 56: 183–97.
——————. 1972.
“Persian Popular Music in 1969.”
Ethnomusicology 16 (2): 218–31.
——————. 1992. Radif of Persian Music: Studies of Structure and Cultural Context in the Classical Music of Iran. (Revised edition of Radif of Persian Music, 1987.) Champaign, Ill.: Elephant & Cat.
Ngugi wa Thiong’o. 1986. Decolonizing the Mind: The Politics of Language in African Literature. Nairobi and London: James Currey and Heinemann.
Nieuwkerk, Karin van. 1995. A Trade Like Any Other: Female Singers and Dancers in Egypt. Austin: University of Texas Press.
Nora, Pierre. 1989.
“Between Memory and History: Les Lieux de Memoire.”
In Representations: Special Issue on Memory and Counter Memory , ed. Natalie Davis and Rudolph Starns, 26: 7–25.
“Official Egyptian Newspaper: Israel Spreads AIDS and Hepatitis in Arab Countries.”
1998. Israel/Wire, September 4.
Olearius, Adam. 1977. Voyages and Travels of the Ambassadors sent by Frederick Duke of Holstein, to the Great Duke Muscovy, and the King of Persia. Begun in the year M.DC. XXXIII and Finish’d M. DC. XXXIX. London: Thomas Dring and John Starkey, 1662. Reproduction of original in Huntington Library. Microfilm. Ann Arbor, Mich.: University Microfilms.
Oomen, M. A., and K. V. Joseph. 1991. Economics of Indian Cinema. New Delhi: Oxford University Press.
Ossman, Susan. 1994. Picturing Casablanca: Portraits of Power in a Modern City. Berkeley: University of California Press.
Paidar, Parvin. 1995. Women and the Political Process in Twentieth-Century Iran. Cambridge: Cambridge University Press.
Palmer, Robert (Bob). 1971.
“Jajouka/Up the Mountain.”
Rolling Stone, October 14.
——————. 1989.
“Into the Mystic.”
Rolling Stone, March.
Pamuk, Orhan. 1991. The White Castle: A Novel. Trans. Victoria Holbrook. New York: Braziller.
——————. 1995. Kara Kitab (The Black Book). Istanbul: Iletişim.
——————. 1996. The Black Book. Trans. Güneli Gün. London: Faber.
Pandey, Gyanendra. 1990. The Construction of Communalism in Colonial North India. Delhi: Oxford University Press.
Parkinson, Dilworth. 1991.
“Searching for Modern Fusha: Real-Life Formal Arabic.”
Al-‘Arabiyya 24: 31–64.
Pechey, Graham. 1989.
“On the Borders of Bakhtin: Dialogisation, Decolonisation.”
In Bakhtin and Cultural Theory , ed. Ken Hirschkop and David Shepherd, 39–67. Manchester: Manchester University Press.
PEPAC (Pakistan Environmental Planning and Architectural Consultants, Ltd.). 1993. The Walled City of Lahore. Lahore: Lahore Government Authority.
Pieterse, Jan Nederveen. 1995.
“Globalization as Hybridization.”
In Global Modernities , ed. Mike Featherstone, Roland Robertson, and Scott Lash, 45–68. Thousand Oaks, Calif.: Sage.
Pines, Jim, and Paul Willemen, eds. 1989. Questions of Third Cinema. London: British Film Institute.
Portelli, Alessandro. 1991. The Death of Luigi Trastulli, and Other Stories. Albany: State University of New York Press.
Prindle, David F. 1993. Risky Business: The Political Economy of Hollywood. Boulder, Colo.: Westview Press.
Qadeer, Mohammed A. 1983. Lahore: Urban Development in the Third World. Lahore: Vanguard Books.
Qassab Hassan, Najat. 1988. Hadith Dimashqi (Damascene Talk). Damascus: Dar Talas.
Qureishi, Jamil A. 1981. Socio-economic Profile of a City Slum. Lahore: Punjab Economic Research Institute.
Rabinow, Paul. 1986.
“Representations Are Social Facts: Modernity and Post-Modernity in Anthropology.”
In Writing Culture: The Poetics and Politics of Ethnography , ed. James Clifford and George Marcus, 234–61. Berkeley: University of California Press.
Racy, ‘Ali Jihad. 1977.
“Musical Change and Commercial Recording in Egypt, 1904–1932.”
Ph.D. dissertation, University of Illinois, Urbana-Champaign.
——————. 1991.
“Historical Worldviews of Early Ethnomusicologists: An East-West Encounter in Cairo, 1932.”
In Ethnomusicology and Modern Music History, ed. Stephen Blum, Philip V. Bohlman, and Daniel M. Neuman, 68–91. Urbana: University of Illinois Press.
Radi, Lamia. 1997.
“Star of David ‘Threat’ Sweeps Egypt.”
Agence France Presse feature, June 13.
Rafael, Vincente. 1993. Contracting Colonialism. Durham: Duke University Press.
Rahim, Ilham. 1995.
“Shara’it fi al-mamnu‘”
(Forbidden Cassettes).Al-Shabab 219 (October): 54–55.
Ramadan, Tariq. 1995.
“Sha‘art bi-al-yatim yawm wafat ‘Abd al-Nasir”
(I Felt Like an Orphan the Day Abdel Nasser Died).Al-Siyasi al-Misri , July 30.
Ramzi, Kamal. 1984.
“Thawrat Yulyu wa-harb al-Suways fi al-sinima al-Misriyya”
(The July Revolution and the Suez War in Egyptian Cinema).Al-Funun. (May–June): 82–88.
Rasim Bey, Ahmad. 1941.
“Santis wa-al-mumaththilun ‘ala masrahih.”
Al-Ithnayn , no. 347, February 3, pp. 11–13.
Rasmussen, Anne. 1996.
“Theory and Practice at the ‘Arabic Org’: Digital Technology in Contemporary Arab Music Performance.”
Popular Music 15 (3): 345–65.
Redfield, Robert. 1956. The Folk Culture of Yucatan. Chicago: University of Chicago Press.
Regev, Motti. 1995.
“Present Absentee: Arab Music in Israeli Culture.”
Public Culture 7(2): 433–45.
——————. 1996.
“Musica Mizrakhit, Israeli Rock and National Culture in Israel.”
Popular Music 15 (3): 275–84.
Rihani, Najib al-. 1959. Mudhakkirat Najib al-Rihani (Memoirs of Najib al-Rihani). Cairo: Dar al-Hilal.
Rizq, Hamdi. 1995a.
“Sa‘ida Sultan tuthir dajja fi Misr wa-juhud amaniyya li-muwajahat ‘al-ghazw al-jinsi’ al-Isra’ili”
(Sa‘ida Sultan Stirs Up a Clamor in Egypt and Security Efforts to Counter the Israeli “Sexual Invasion”).Al-Hayat , October 4, p. 1.
——————. 1995b.
“Shaykh al-Azhar yufti bi-jawaz tahwil al-jins”
(The Shaykh al-Azhar Gives a Formal Legal Opinion Permitting Sex Change).Al-Hayat , November 10, p. 24.
Robins, Kevin, and Asu Aksoy. 1995.
“Istanbul Rising: Returning the Repressed to Urban Culture.”
European and Regional Studies 2(3): 223–35.
Rogan, Eugene. 1997.
“No Debate: Middle East Studies in Europe.”
Middle East Report 205: 22–24.
Rojek, Chris. 1995. Decentring Leisure: Rethinking Leisure Theory. London: Sage.
Rosenberg, Emily. 1982. Spreading the American Dream. New York: Hill and Wang.
Ross, Andrew. 1988. No Respect: Intellectuals and Popular Culture. New York: Routledge.
Rouleau, Eric. 1998.
“Netanyahu Drove Levy to Resignation Because of His Treacherous Betrayal.”
Daily Star. (Beirut), January 21. http://www.dailystar.com.lb/opinion/o22198.htm
Rouse, Roger. 1995.
“Thinking through Transnationalism: Notes on the Cultural Politics of Class Relations in the Contemporary United States.”
Public Culture 7(2): 353–402.
——————. 1996.
“Questions of Identity: Personhood and Collectivity in Transnational Migration to the United States.”
Critique of Anthropology 15 (4): 351–80.
Royal Government of Egypt, Ministry of Social Affairs. 1950. Social Welfare in Egypt, 1950 , sec. 7, “Mass Media Propaganda.”
Rubin, Gayle. 1984.
“Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality.”
In Pleasure and Danger: Exploring Female Sexuality , ed. Carol S. Vance, 267–319. Boston: Routledge & Kegan Paul.
Rushdi, Fatima. 1971. Kifahi fi al-masrah wa-al-sinima (My Struggle in the Theater and Cinema). Cairo: Dar al-Ma‘arif.
Rydell, Robert. 1987. All the World’s a Stage. Chicago: University of Chicago Press.
Saad, Rehab. 1996.
“Nasser 56 and Beyond.”
Al-Ahram Weekly , August 22–28.
Sa‘d, ‘Abd al-Mun‘im. 1986. Mujaz tarikh al-sinima al-Misriyya (Survey of the History of Egyptian Cinema). Cairo: Matba‘at al-Ahram al-Tijariyya.
Sa‘dani, ‘Ala’ al-. 1996.
“Nasir 56—na‘m, al-Sadat 73—la’”
(Nasser 56—Yes, Sadat 73—No).Al-Ahram , September 2.
Sadoul, Georges. 1966. The Cinema in the Arab Countries. Paris: UNESCO.
Said, Edward. 1978. Orientalism. New York: Pantheon Books.
——————. 1990.
“Figures, Configurations, Transfigurations.”
Race and Class 32, no. 1 (July–September): 1–16.
——————. 1993. Culture and Imperialism. New York: Vintage.
Salamandra, Christa. 1997.
“Moustache Hairs Lost: Ramadan Television Serials and the Construction of Identity in Damascus, Syria.”
Visual Anthropology 10: 227–46.
Salih, Muhammad. 1995.
“Hikaya”
(Story).Al-Ahram , July 14.
Salih, Tawfiq. 1986.
“Al-Waqi‘iyya…‘sinima al-shabab’ wa-mashakil al-qita‘ al-‘amm: hiwar ma‘ Tawfiq Salih”
(Realism…“Youth Cinema” and the Problems of the Public Sector, an Interview Conducted by Sa‘id Murad). In Maqalat fi al-sinima al-‘Arabiyya. (Articles on Arab Cinema), by Sa‘id Murad. Beirut: Dar al-Fikr al-Jadid.
Salim, Ahmad. 1996.
“The Tiwanas of Sarhodha.”
Friday Times , August 26, p. 134.
Sarris, Andrew. [1962] 1994.
“Notes on the Auteur Theory in 1962.”
In Film Theory and Criticism , ed. Gerald Mast and Marshall Cohen, 527–40. New York: Oxford University Press.
Savigliano, Marta E. 1995. Tango and the Political Economy of Passion. Boulder, Colo.: Westview Press.
Schattner, Marcus. 1995.
“Un certain Israel en danger de paix.”
Liberation , December 13, p. 2.
Schuyler, Philip D. 1983a.
“The Master Musicians of Jahjouka.”
Natural History 92 (10): 60–69.
——————. 1983b. Script for The Master Musicians of Jahjouka. Long Beach, Calif.: Mendizza and Associates.
Schwartzman, Karen. 1995.
“National Cinema in Translation: The Politics of Film Exhibition Culture.”
Wide Angle 16 (3): 66–99.
Seufert, Günter, and Petra Weyland. 1994.
“National Events and the Struggle for the Fixing of Meaning: A Comparison of the Symbolic Dimensions of the Funeral Services for Atatürk and Özal.”
New Perspectives on Turkey 11: 71–98.
Shafik, Viola. 1998. Arab Cinema: History and Cultural Identity. Cairo: American University in Cairo Press.
Shah, Pann. [1950] 1981. The Indian Film. Westport, Conn.: Greenwood Press.
Shalash, Ali. 1986. Al-Naqd al-sinima’i fi al-sihafa al-Misriyya (Cinema Criticism in the Egyptian Press). Cairo: al-Hay’a al-‘Amma lil-Kitab.
Sharaf al-Din, Duriyya. 1992. Al-Siyasa wa-al-sinima fi Misr: 1961–1981 (Politics and Cinema in Egypt: 1961–1981). Cairo: Dar al-Shuruq.
Sharrock, David. 1997.
“Real Lives: The Very Other Dana.”
The Guardian. (London), December 31.
Shay, Anthony. 1995a.
“Bazi-ha-ye namayeshi: Iranian Women’s Theatrical Plays.”
Dance Research Journal 27 (2): 16–24.
——————. 1995b.
“Dance and Non-Dance: Patterned Movement in Iran and Islam.”
Iranian Studies 28, nos. 1–2 (Winter–Spring): 61–78.
Sherrard, Geoffrey. n.d.
“The Illustrious Industrious Bill Laswell.”
Glow Magazine (New York).
Shiner, Larry. 1994.
“‘Primitive Fakes,’ ‘Tourist Art,’ and the Ideology of Authenticity.”
Journal of Aesthetics and Art Criticism 52 (2): 225–34.
Shohat, Ella. 1988.
“Sephardism in Israel: Zionism from the Standpoint of Its Jewish Victims.”
Social Text, no. 19–20: 1–35.
——————. 1989. Israeli Cinema: East/West and the Politics of Representation. Austin: University of Texas Press.
Shohat, Ella, and Robert Stam. 1994. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge.
——————. 1996.
“From the Imperial Family to the Trans-national Imaginary: Media Spectatorship in the Age of Globalization.”
In Global/Local: Cultural Production and the Transnational Imaginary , ed. Rob Wilson and Wimal Dissanayake, 145–70. Durham: Duke University Press.
Shryock, Andrew. 1998.
“Mainstreaming Arabs: Film Making as Image Making in Tales from Arab Detroit.”
Visual Anthropology 10 (2–4): 165–88.
Sid-Ahmed, Mohammed. 1995.
“Marketing the Solution.”
Al-Ahram Weekly , November 9–15.
Simmel, Georg. 1978. The Philosophy of Money. London: Routledge.
Sipra, Imtiaz. 1993.
“A City Where Spirits Are Mature and Hearts Understand.”
The News. (Lahore), November 18, p. 3.
——————. 1994.
“Let Lahore Express the Humanism of Lahorites.”
The News. (Lahore), April 19, p. 3.
Sipress, Alan. 1995.
“Long Dead, but Better Than Ever in Egypt, Nasser Still Works His Magic.”
Philadelphia Inquirer , November 24.
Somekh, Sasson. 1987.
“Participation of Egyptian Jews in Modern Arabic Culture, and the Case of Murad Faraj.”
In The Jews of Egypt: A Mediterranean Society in Modern Times, ed. Shimon Shamir, 130–39. Boulder, Colo.: Westview Press.
Soueif, Ahdaf. 1992. In the Eye of the Sun. London: Bloomsbury.
Sperber, Dan. 1985. On Anthropological Knowledge. Cambridge: Cambridge University Press.
Stallybrass, Peter, and Allon White. 1986. Politics and Poetics of Transgression. Ithaca: Cornell University Press.
Stam, Robert. 1989. Subversive Pleasures: Bakhtin, Cultural Criticism, and Film. Baltimore: John Hopkins University Press.
Stead, Peter. 1981.
“Hollywood’s Message for the World: The British Response in the 1930s.”
Historical Journal of Film, Radio and Television 1: 18–32.
Stewart, Susan. 1993. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Baltimore: Johns Hopkins University Press.
Stokes, Martin. 1992a. The Arabesk Debate: Music and Musicians in Modern Turkey. Oxford: Clarendon Press.
——————. 1992b.
“Islam, the Turkish State and Arabesk.”
Popular Music 11 (2): 213–27.
——————. 1995–96.
“‘Alaturka Fantasies’: Deceit, the Voice and the Arabesk Stage in Turkey.”
New Formations 27: 42–58.
——————. 1996.
“Nostalgia, History and Memory in Contemporary Turkish Musicology.”
Music and Anthropology 1(electronic publication).
Strathern, Marilyn, ed. 1995. Shifting Contexts: Transformations in Anthropological Knowledge. New York: Routledge.
Strinati, Dominic. 1995. Introduction to Theories of Popular Culture. London: Routledge.
Susser, Ida. 1996.
“Anthropological Perspectives on the Informational Society.”
Critical Anthropology 16: 39–48.
Swedenburg, Ted. 1995. Memories of Revolt: The 1936–1939 Rebellion and the Palestinian National Past. Minneapolis: University of Minnesota Press.
Swirski, Shlomo. 1989. Israel: The Oriental Majority. Trans. Barbara Swirski. London: Zed Books.
Tamari, Steven. 1998.
“Teaching and Learning in Eighteenth-Century Damascus: Localism and Ottomanism in an Early Modern Arab Society.”
Ph.D. dissertation, Georgetown University.
Tamawi, Ahmad Husayn. 1992. Al-Hilal: Mi’at ‘am min al-tanwir wa-al-tahdith (Al-Hilal: One Hundred Years of Enlightenment and Innovation). Cairo: Dar al-Hilal.
Tapper, Nancy. 1981.
“Direct Exchange and Brideprice: Alternative Forms in a Complex Marriage System.”
Man 16 (3): 387–407.
——————. 1988–89.
“Changing Marriage Ceremonial and Gender Roles in the Arab World: An Anthropological Perspective.”
Arab Affairs 8(Winter): 117–35.
Tavernier, John Baptista. 1961. Six Voyages of John Baptista Tavernier, A Noble Man of France Now Living Through Turkey Into Persia, and the East-Indies, Finished in the Year 1670. Trans. John Phillips. London: 1678. Reproduction of original in University of Michigan Libraries. Microfilm. Ann Arbor, Mich.: University Microfilms.
Taylor, Charles. 1992. The Ethics of Authenticity. Cambridge, Mass.: Harvard University Press.
Taylor, Timothy D. 1997. Global Pop: World Music, World Markets. New York: Routledge.
Teachout, Terry. 1996.
“Review of The Yellow Admiral”
, by Patrick O’Brian (Norton). New York Times Book Review, November 3, p. 9.
Tehrani, Faramarz. 1991. Ritm-ha-ye varzeshi (Exercise Rhythms). Tehran: Pars Press.
Thomas, Bob. 1984. Astaire, the Man, the Dancer. New York: St. Martin’s Press.
Thompson, Kristin. 1985. Exporting Entertainment: America in the World Film Market. London: British Film Institute.
Thorval, Yves. 1975. Regards sur le cinéma égyptien (Glances at Egyptian Cinema). Beirut: Dar el-Mashreq.
Tilmisani, Kamil al-. 1957. Safir Amrika bi-al-alwan al-tabi‘iyya (American Ambassador in Technicolor and Cinemascope). Cairo: Dar al-Fikr.
Tomlinson, John. 1991. Cultural Imperialism. Baltimore: Johns Hopkins University Press.
Tsur, Shai. 1998.
“Why People Agree on Zehava.”
Jerusalem Post , November 1, p. 7.
Turjuman, Siham. [1969] 1990. Ya mal al-Sham (O Wealth of Damascus). Damascus: Alif Ba al-Adib.
——————. 1994. Daughter of Damascus. Trans. Andrea Rugh. Austin: University of Texas Press.
“2500 Misri mujannidun fi al-jaysh al-Isra’ili”
(2500 Egyptian Recruits in the Israeli Army). 1996. Ruz al-Yusuf , August 5, pp. 20–23.
Twitchell, James B. 1992. Carnival Culture: The Trashing of Taste in America. New York: Columbia University Press.
‘Ukasha, Tharwat. 1990. Mudhakkirati fi al-siyasa wa-al-thaqafa (My Memoirs on Politics and Culture) 2d ed. Cairo: Dar al-Hilal.
United Nations Development Programme. 1995. Human Development Report, 1995. Oxford: Oxford University Press.
Viswanathan, Gauri. 1989. Masks of Conquest: Literary Study and British Rule in India. New York: Columbia University Press.
Vitalis, Robert. 1995. When Capitalists Collide: Business Conflict and the End of Empire in Egypt. Berkeley: University of California Press.
——————. 1996.
“The End of Third Worldism in Egypt Studies.”
Arab Studies Journal 4(1): 13–33.
——————. 1997.
“The Closing of the Arabian Oil Frontier and the Future of Saudi-American Relations.”
Middle East Report 204: 15–21.
Wahba, ‘Abd al-Latif. 1995.
“Tashilat Isra’iliyya li-jadhb al-shabab al-Misri”
(Israeli Facilitations to Attract Egyptian Youth).Al-Ahali , November 8, p. 2.
Wahbi, Yusuf. 1973. ‘Ishtu alf ‘am (I Have Lived a Thousand Years). Vol. 1. Cairo: Dar al-Ma‘arif.
Wallerstein, Immanuel. 1974. The Modern World-System: Capitalist Agriculture and the Origins of the European World Economy in the Sixteenth Century. New York: Academic Press.
“Waqaha Isra’iliyya fawq ‘ulbat saja’ir: ‘Al-khayl ‘Arabi’…wa-‘al-kurbaj Misri’…wa-‘al-qa’id Amriki’…!”
(Israeli Impudence on a Cigarette Packet: “Arab Horses” and “Egyptian Whip” and “American Commander”!). 1996. Al-‘Arabi, February 19.
Wassef, Magda, ed. 1994. Égypte, 100 ans de cinéma. Paris: Institut du Monde Arabe.
Watrous, Peter. 1995.
“By an Exotic Touch of Moroccan Spice.”
New York Times , October 18.
Weiss, Anita M. 1992. Walls within Walls: Life Histories of Working Women in the Old City of Lahore. Boulder, Colo.: Westview Press.
Westermarck, Edward. 1968. Ritual and Belief in Morocco. New Hyde Park, N.Y.: University Books. Originally published by Macmillan, London, 1926.
White, Hayden. 1987. The Content of the Form. Baltimore: Johns Hopkins University Press.
Wilk, Richard. 1995.
“Learning to Be Local in Belize: Global Systems of Common Difference.”
In Worlds Apart: Modernity through the Prism of the Local , ed. Daniel Miller, 110–33. New York: Routledge.
Williams, Raymond. 1973. The Country and the City. London: Chatto and Windus.
Wilson, Rob, and Wimal Dissanayake, eds. 1996. Global/Local: Cultural Production and the Transnational Imaginary. Durham: Duke University Press.
Wittgenstein, Ludwig. 1989. Philosophical Investigations. Trans. Gertrude Elizabeth Margaret Anscombe. Oxford: Basil Blackwell.
Wolf, Eric. 1982. Europe and the People without History. Berkeley: University of California Press.
Wright, Gwendolyn. 1991. The Politics of Design in French Colonial Urbanism. Chicago: University of Chicago Press.
Yusuf, Fatima al-. [1953] 1967. Dhikrayat (Memoirs). Cairo: Dar Ruz al-Yusuf.
Zinder, Jac. 1992.
“Eternal 6/8 Groove: In the San Fernando Valley, the Persian Hit Factory Lives On.”
LA Weekly, January 17–23, pp. 33–37.
Zukin, Sharon. 1991. Landscapes of Power. Berkeley: University of California Press.
| • | • | • |
Archival Sources
National Archives and Record Administration, Washington, D.C. Record Group 59. General Records of the Department of State.
| • | • | • |
Select Discography
Apocalypse Across the Sky. 1992. The Master Musicians of Jajouka featuring Bachir al-Attar. Produced by Bill Laswell. Notes by William Burroughs and Brion Gysin. Axiom/Island Records 314–510 857–2.
Bachir Attar: The Next Dream. 1993. Bachir al-Attar: ghaita, gimbri, lira, percussion. Aiyb Dieng: chatan, congas, doff, bass drums, tom toms, gongs, metal percussion. Maceo Parker: alto saxophone, flute. Produced by Bill Laswell. Notes by David Silver. CMP Records CMP 57.
Bande Original du Film Latcho Drom. 1993. KG Production/Virgin 72438 392492 9.
Brian Jones Presents the Pipes of Pan at Joujouka. 1971. Produced by Brian Jones. Notes by Brion Gysin and Brian Jones. Paintings by Mohamed Hamri. Rolling Stones Records/Atco (Atlantic) COC 49100 (ST-RS-712309). [Recorded in 1968. 12" 33 1/3 rpm record. New compact disc edition in 1995.]
Brian Jones Presents the Pipes of Pan at Jajouka. 1995. Produced by Brian Jones. Executive Producers: Philip Glass, Kurt Munkasci, and Rory Johnston. Notes by Bachir al-Attar, Paul Bowles, William Burroughs, Stephen Davis, Brian Jones, Brion Gysin, and David Silver. Point Music (Philips Classics/PolyGram) 446 487–2. [Reissue of 1971 Brian Jones recording. Deluxe edition (Point Music 446 825–2 and 446 826–2) includes additional graphics, more extensive notes by David Silver and William S. Burroughs, and a second CD, produced by Cliff Mark, with two “full-length remixes.”]
Danna International. 1993. Sa‘ida Sultan (Danna International). Produced by IMP Dance, Tel Aviv.
Diva. 1998. Sa‘ida Sultan (Danna International). Produced by IMP Dance, Tel Aviv.
Egypt: Les Musiciens du Nil. 1987. Ocora (Radio France) C559006.
Global Meditation: Authentic Music from Meditative Traditions of the World. 1993. Produced by Bill Laswell. The Relaxation Company/Ellipsis Arts. [Four-CD set. Disc 2, “Harmony and Interplay,” includes examples of Gnawa and Jajouka.]
Jajouka between the Mountains. 1995. The Master Musicians of Jajouka featuring Bashir al-Attar. Produced by Eric Sanzen, Cherie Nutting, and Steve Carnaby. Real World Records/WOMAD Select WSCD001.
Joujouka Black Eyes. 1995. The Master Musicians of Joujouka. Produced by Frank Rynne. Notes by Joe Ambrose and Frank Rynne. Sub Rosa/le coeur du monde SR87.
Maganona. 1996. Sa‘ida Sultan (Danna International). Produced by Helicon/Big Foot Records, Tel Aviv.
The Master Musicians of Jajouka. 1974. Produced by Joel Rubiner. Notes by Robert Palmer. Adelphi Records. [Recorded in 1972. 12" 33 1/3 rpm disc. Reissued on compact disc in 1995. Genes GCD 3000.]
Musicians of the Nile: Charcoal Gypsies. 1996. WOMAD Productions for Real World Records 2366 2.
Ornette Coleman: Dancing in Your Head. 1977. Produced by Ornette Coleman. A&M Records. [Band 3, “Midnight Sunrise,” includes “Ornette Coleman (alto saxophone), Robert Palmer (clarinet), featuring the Master Musicians of Joujouka.” Recorded in 1973. Reissued in 1988(?). A&M Records (Japan) POCM-5044.]
Salamat Meet Les Musiciens du Nil. 1994. Piranha PIR0936.
Steel Wheels. 1989. Rolling Stones. Produced by Chris Kimsey and the Glimmer Twins. Promotone/Rolling Stones Records 45333. [Band 10, “Continental Drift,” includes “Moroccan Instruments by The Master Musicians of Jajouka with Bashir al-Attar.”]
SUFI: Moroccan Trance Music II. 1996. The Gnoua Brotherhood of Marrakech/The Master Musicians of Joujouka. Produced by Frank Rynne. Notes by Joe Ambrose, Mohamed Hamri, and Frank Rynne. Painting by Mohamed Hamri. Sub Rosa/le coeur du monde SR97.
Tampa. 1995. Sa‘ida Sultan (Danna International). Produced by IMP Dance, Tel Aviv.
Umpatamba. 1994. Sa‘ida Sultan (Danna International). Produced by IMP Dance, Tel Aviv.
| • | • | • |
Filmography
Abu Sayf, Salah. 1956. Shabab imra’a (A Woman’s Youth). Cairo: Wahid Farid, Ramsis Najib.
Ahmad, Majdi ‘Ali. 1996. Ya dunya ya gharami (O Life, My Passion). Cairo: Ra’fat al-Mihi.
‘Ali, Muzaffar. 1981. Umrao Jaan (Dear Umrao). India: Integrated Films.
Badr Khan, Ahmad. 1941. Intisar al-shabab (The Triumph of Youth). Cairo: Sharikat Aflam al-Nil.
——————. 1943. Shahr al-‘asal (Honeymoon). Cairo: Studiyu Misr.
——————. 1955. Allah ma‘na (God Is with Us). Cairo: Studiyu Misr.
Barakat, Hinri. 1961. Fi baytina rajul (There Is a Man in Our House). Cairo: Hinri Barakat.
Berger, Ludwig, and Michael Powell. 1940. The Thief of Baghdad. Hollywood: United Artists.
Bishara, Khayri. 1990. Kaburya (Crabs). Cairo: Hurus lil-Fidyu wa-al-Sinima.
Boleslawski, Richard. 1932. Rasputin and the Princess. Hollywood: MGM.
Boughedir, Férid. 1995 Un été à la Goulette (Summer in La Goulette). Paris: Cine Tele Films.
Brooks, Richard. 1950. Crisis. Hollywood: MGM.
Chahine, Youssef. 1958. Bab al-hadid (Cairo Station). Cairo: Jibra’il al-Talhami.
——————. 1963. al-Nasir Salah al-Din (Saladin the Victorious). Cairo: Aflam Asiya.
——————. 1978. Iskandariyya layh? (Alexandria Why?). Cairo and Algeria: Aflam Misr al-Alamiyya wa-al-Tilifizyun al-Jazairi (RTI).
Dhulfiqar, ‘Izz al-Din. 1957a. Bur Sa‘id (Port Said). Cairo: Aflam al-‘Ahd al-Jadid.
——————. 1957b. Rudd qalbi (Return My Heart). Cairo: Aflam Asiya.
——————. 1958. Shari‘ al-hubb (Street of Love). Cairo: Hilmi Raflah.
Douglas, Gordon. 1951. I Was a Communist. Hollywood: Warner Brothers.
Endfield, Cy. 1950. The Sound of Fury. Hollywood: United Artists.
Fadil, Muhammad. 1995. Nasir 56 (Nasser 56). Cairo: Egyptian Radio and Television Union.
Fawzi, Husayn. 1958. Ahibbak ya Hasan (I Love You, Hasan). Cairo: Husayn Fawzi.
Fleming, Victor. 1943. A Guy Named Joe. Hollywood: MGM.
Fu’ad, Ahmad. 1992. Al-Hubb fi Taba (Love in Taba). Cairo: Sharikat GYS lil-Intaj al-Fanni.
Fusco, Coco. 1993. Couple in a Cage: A Guatinaui Odyssey. New York: Authentic Documentary Productions.
Gatlif, Tony. 1993. Latcho Drom (Safe Journey). France: Michèle Ray-Gavrus.
Imam, Hasan. 1972. Khalli balak min Zuzu (Pay Attention to Zuzu). Cairo: Takfur Antuniyan.
——————. 1975. Badi‘a Masabni. Cairo: Ahmad al-Haruni.
Jalal, Nadir. 1994. Al-Irhabi (The Terrorist). Cairo: Mustafa Mitwalli.
Kamal, Husayn. 1969. Shay min al-khawf (A Bit of Fear). Cairo: al-Mu’assasa al-Misriyya al-‘Amma lil-Sinima.
Karim, Muhammad. 1933. Al-Warda al-bayda’ (The White Rose). Cairo: Aflam Muhammad ‘Abd al-Wahhab.
——————. 1935. Dumu‘ al-hubb (Tears of Love). Cairo: Aflam Muhammad ‘Abd al-Wahhab.
——————. 1938. Yahya al-hubb (Long Live Love). Cairo: Aflam Muhammad ‘Abd al-Wahhab.
——————. 1946. Dunya (World). Cairo: Aflam Raqiya.
Khan, Muhammad. 1988. Zawjat rajul muhimm (Wife of an Important Man). Cairo: al-Sharika al-‘Alamiyya lil-Sinima wa-al-Tilifiziyun.
Lama, Ibrahim. 1927. Qubla fi al-sahra’ (Kiss in the Desert). Cairo: Kundur Film.
Lloyd, Frank. 1935. Mutiny on the Bounty. Hollywood: MGM.
Mendizza, Michael. 1983. The Master Musicians of Jahjouka. One-hour documentary book. Long Beach, Calif.: Mendizza and Associates.
Mizrahi, Togo. 1941a. Layla bint al-rif (Layla, Daughter of the Countryside). Cairo: Aflam Togo Mizrahi.
——————. 1941b. Layla bint madaris (Layla, Daughter of Schools). Cairo: Sharikat al-Aflam al-‘Arabiyya.
Mustafa, Niyazi. 1957. Sijin Abu Za‘bal (The Prisoner of Abu Za‘bal). Cairo: Aflam al-Najm al-Faddi.
Nasrallah, Yusri. 1993. Mirsidis (Mercedes). Cairo: Aflam Misr al-‘Alamiyya (Youssef Chahine).
Rafla, Hilmi. 1962. Almaz wa-‘Abduh al-Hamuli (Almaz and ‘Abduh al-Hamuli). Cairo: Sharikat Misr lil-Tamthil wa-al-Sinima.
Robbins, Tim. Dead Man Walking. Hollywood: Gramercy Pictures.
Rusti, Istifan. 1927. Layla. Cairo: Isis Film (‘Aziza Amir).
Salih, Tawfiq. 1955. Darb al-mahabil (Fools’ Alley). Cairo: Aflam al-Najah.
Salim, Kamal. 1939. Al-‘Azima (Resolution). Cairo: Studiyu Misr.
Salim, Muhammad. 1963. Muntaha al-farah (The Utmost Joy). Cairo: al-Sharika al-‘Amma lil-Intaj al-Sinima’i.
Scorsese, Martin. The Age of Innocence. Hollywood: Columbia Pictures.
Shaykh, Kamal al-. 1954. Hayat aw mawt (Life or Death). Cairo: Aflam Asiya.
——————. 1970. Ghurub wa-shuruq (Sunset, Sunrise). Cairo: al-Mu’assasa al-Misriyya al-‘Amma lil-Sinima.
Stone, Oliver. 1994. Natural Born Killers. Hollywood: Warner Brothers.
Tayyib, ‘Atif al-. 1992. Didd al-hukumah (Against the Government). Tamidu lil-Intaj wa-al-Tawzi (Midhat al-Sharif).
Templeton, George. 1951. Quebec. Hollywood: Paramount.
Tilmisani, Kamil al-. 1945. al-Suq al-sawda’ (Black Market). Cairo: Studiyu Misr.
Volpi, Mario. 1936. Malikat al-masarih (Queen of Theaters). Cairo: Badi‘a Masabni.
Wajdi, Anwar. 1945. Layla bint al-fuqara (Layla, Daughter of the Poor). Cairo: Sharikat al-Aflam al-Muttahida.
——————. 1946. Layla bint al-aghniya’ (Layla, Daughter of the Rich). Cairo: Sharikat al-Aflam al-Muttahida.
——————. 1949. Ghazal al-banat (The Flirtation of Girls). Cairo: Sharikat al-Aflam al-Muttahida.
Wellman, William. 1948. The Iron Curtain. Hollywood: Twentieth Century-Fox.