Works Cited
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———. "Narrative Point of View: The Rhetoric of Au Hasard, Balthazar." Film Quarterly 31, no. 1 (1977): 19–31.
Carringer, Robert. "Rosebud, Dead or Alive: Narrative and Symbolic Structure in Citizen Kane." PMLA 91 (1976): 185–193.
Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film . Ithaca: Cornell University Press, 1978.
Citizen Kane . Dir. Orson Welles. RKO, 1941.
Dayan, Daniel. "The Tutor-Code of Classical Cinema." Film Quarterly 28, no. 1 (1974): 22–31.
Fish, Stanley. Is There a Text in This Class? The Authority of Interpretive Communities . Cambridge: Harvard University Press, 1980.
Henderson, Brian. "Tense, Mood, and Voice in Film (Notes After Genette)." Film Quarterly 36, no. 4 (1983): 4–17.
Houston, Beverle. "Power and Dis-Integration in the Films of Orson Welles." Film Quarterly 35, no. 4 (1982): 2–12.
Jaffe, Ira S. "Film as the Narration of Space: Citizen Kane." Literature/Film Quarterly 7 (1979): 99–111.
Kawin, Bruce. Mindscreen: Bergman, Godard, and First-Person Film . Princeton: Princeton University Press, 1978.
McBride, Joseph. Orson Welles . New York: Viking Press, 1972.
Naremore, James. The Magic World of Orson Welles . New York: Oxford University Press, 1978.
Riffaterre, Michael. "Describing Poetic Structures: Two Approaches to Baudelaire's 'Les Chats.'" Reader-Response Criticism from Formalism to Post-Structuralism . Ed. Jane P. Tompkins. Baltimore: Johns Hopkins University Press, 1980. 26–40.
Welles, Orson, and Herman J. Mankiewicz. Citizen Kane . In Kael, Pauline. The Citizen Kane Book . Boston: Little, Brown, 1971.