Light Moving in Time
  Preface
  Acknowledgments

  Introduction
 expand sectionChapter 1—  The Camera-Eye:  Dialectics of a Metaphor
 expand sectionChapter 2—  The Cinematic Image as a Visualization of Sight
 expand sectionChapter 3—  "The Untutored Eye"
 expand sectionChapter 4—  "Giving Sight to the Medium": Stan Brakhage
 expand sectionChapter 5—  "Working in Light": Kenneth Anger
 expand sectionChapter 6—  Making Films for the Inner Eye: Jordan Belson, James Whitney, Paul Sharits
 expand sectionChapter 7—  Balancing Eye and Mind:  Michael Snow

  Appendix: Film Sources
 collapse sectionNotes
 •Preface
 •Introduction
 •Chapter 1— The Camera-Eye: Dialectics of a Metaphor
 •Chapter 2— The Cinematic Image as a Visualization of Sight
 •Chapter 3— "The Untutored Eye"
 •Chapter 4— "Giving Sight to the Medium": Stan Brakhage
 •Chapter 5— "Working in Light": Kenneth Anger
 •Chapter 6— Making Films for the Inner Eye: Jordan Belson, James Whitney, Paul Sharits
 •Chapter 7— Balancing Eye and Mind: Michael Snow
 expand sectionSelected Bibliography
 expand sectionIndex
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