PART III—
MUSIC BOOKS AND THEIR LOCATIONS

XV—
Bibliography of Italian Music Incunabula

Introduction

The following list of Italian music incunabula includes a numbered bibliographic description of each book printed in Italy before 50oI that contains printed music or space for manuscript music In addition, unnumbered entries describe works, once thought to be Italian music incunabula, that are in fact sixteenth-century books, contain no printed music or space for it, were printed outside Italy, or are now considered bibliographic ghosts Each entry contains information on the date, printer and publisher, incipit and explicit, format, number and arrangement of folios, citation of numbers in standard bibliographies, and a list of selected copies Information is provided on the nature of any printed music or space for it, the position of that music within the volume, the size of the printed staves on a leaf, and a specification of the music type or other material used to print musical notation The descriptions attempt to establish the bibliographic identity of an ideal copy of a work even when no such copy exists, as well as to include identification of reissues, states, or variants, especially when relevant to the printed music Descriptions of copies examined vary in the amount of detail given Particular attention has been given to noting the omission of leaves containing music and to the presence of manuscript music

notation The time available for personal examination of music incunabula ranged from minutes to days in libraries in Europe and the United States There is no doubt that an examination of the books and additional copies with descriptions in hand will yield corrections and additions The seventeen starred items have not been verified, either because no known copy exists or because I have been unsuccessful in visiting a location or purchasing a microfilm The arrangement of items is alphabetical by short title and chronological within that title (for example, Missale Parisiensis, 1487; Missale Romanum, 1475; Missale Romanum, 1476) Within liturgical categories such as missal or agenda, books for monastic orders follow those for geographical areas, the practice followed by GW and W (for example, Missale Romanum; Missale Ordinis Eremitarum) Personal names are cited in the vulgar rather than the medieval Latin form, Italian names as they appear in Gedeon Borsa's Clavis Typographorum

Librariorumque Italiae 1465-I6oo (Baden-Baden: Valentine Koerner, 1980) and German names as in Ferdinand Geldner's Die deutschen Inkunabeldrucker (Stuttgart: Hiersemann, 1968-1970) Where works are known by different short titles, cross-references are included (for example, Rituale Romanum, see Liber Catechumeni) Dates that were fixed according to the Venetian calendar that began on the first day of March have been changed to new style (for example, 2 February 1492/I493) Individual entries are organized in the following manner: i Author, short title Place: printer, publisher, date 2 References to published catalogues (for a guide to abbreviations, see "Abbreviations

of Sources Frequently Cited" at the end of this introduction) 3 Incipit and explicit and, where available, title Where no known copy includes an incipit or explicit, the beginning of the first and end of the last of the known pages are transcribed A facsimile transcription is printed as it appears in the work within the limitations of the type font The following symbols extend the standard font: sanctu sanctum f miffale missale 3 cu3, CB cum, que p p pro p p pro p5 p pri q q quae_q_q qui sancto¢ sanctorum f jm secundum 9 ali9 alius 9 9 suetudine consuetudinem 1' kl', al'r kalendis, aliter ¢( ¢2 capitulum 3( 13( responsus, Reverendus PV Pgalis virginalis T 7 et The round r, L, has been transcribed as a normal r except where the distinction is necessary for a collation that includes the symbol 4 Collation a Format For example, 2° (folio), 4 (quarto), 8° (octavo) b Gatherings of leaves with printed signatures or assigned signatures in brackets For example, a-z8 or [a-z8] refers to a book with 23 gatherings of 8 leaves (184 leaves total), in the first case with the letters a to z printed at the bottom of the first leaf in each gathering, and in the second case with no printed signatures A gathering (also called a quire) is a group of folded sheets sewn together Since j, u, and w are not in the Latin alphabet, twenty-three letters are used for printed signatures If a book had more than twenty-three gatherings, a printer could use capital letters, double letters, numbers, abbreviation symbols (i, 3) or all of the above For a complex collational formula, see D 69.

Unsigned gatherings of preliminary leaves before the incipit of a text may include title, table of contents, calendar, and so forth, and have been assigned the symbol 7T For example, 7r6 a-z8 describes a book with a preliminary gathering of 6 leaves that is unsigned, followed by 23 gatherings of 8 leaves signed a to z: 190 leaves total Additional unsigned gatherings, frequently containing music, that were inserted within the text have been assigned multiples of X For example 6 8 10 SI L L, 7T a-m8 X0° n-z8 has both an unsigned preliminary gathering and an inserted unsigned gathering of io leaves between quires m and n: 200 leaves total Such unsigned gatherings were usually printed later than the signed gatherings and, if they contain music, may have involved collaboration with another printer c Foliation If leaves are numbered, the sequence of numbering together with an indication of unnumbered leaves is recorded For example, [6] I-CCC [4] refers to a book with 6 unnumbered leaves, 300 leaves numbered from I to CCC in roman numerals, and a final group of 4 unnumbered leaves d Number of lines and columns per page.

The number of printed alphabetic text lines on a page and the number of columns on a page For the number of printed staves on a page and the number of columns of music, see below, 6c 5 Illustration Since woodcut or engraved illustrative material sometimes relates closely to the location of the printed music, information on its presence is indicated Such a relationship occurs in the missal, in which the leaves preceding and following the full-page Crucifixion usually contain chant 6 Music a Presence of printed (i) notes, (2) staves,

(3) notes and staves, or (4) space for music to be written in by hand, as well as specification of the printing technique used (for example, notes and staves printed from wood) b Music pages Pages containing music or space for it, using the collational formula The total is given in pages rather than leaves since music often appears on only one side of a leaf The pages are designated by signature rather than foliation because of frequent errors in early printed foliation For example, hirm2-m8v = i6 pp refers to a book with music on the front and back (recto and verso) of the first leaf of gathering h and on every page from m2 to m8 (recto and verso) c Staves The number of printed staves on a page or column, the number of lines in a staff, the color of the ink used to print the staves, and the size in millimeters of the area covered by the printed staves on a leaf, height by width plus width of one column (for example, 212 X i68 [671 mm).

d Music type A classification of music type by script and numerical code, as described in the introduction to Part II For example, R27 refers to a roman plainchant type of Leonard Pachel (Milan), G1 to the gothic plainchant type of Johann Hamman (Venice) 7 Bibliography References to a facsimile edition or printed discussions of the work or printer 8 Notes 9 Copies a Copies known A selective list of current locations of copies of the work b Copies seen A list of copies examined either in person or through microfilm Abbreviations for countries follow the international automobile license code A list of library sigla for incunabula locations follows this introduction The description of individual copies includes the library call number as well as information on variants (typesetting, foliation, arrangement of gatherings) significant to the study at hand Missing leaves and additional manuscript leaves are described when their contents are clear from the copy Limited notes are provided on size, decoration, provenance, and binding.

Abbreviations of Libraries Holding Music Incunabula

Country-City, Lib Full Library Name Austria A-Gottweig, StB Benediktinerstift, Musikarchiv A-Klosterneuberg, SB Augustiner-Chorherrenshift, Bibliothek A-Kremsmunster, StB Benediktinerstift, Bibliothek A-Lambach, StB Benediktinerstift, Bibliothek A-Linz, StudB Bundesstaatliche Studienbibliothek Country-City, Lib Full Library Name A-Melk an der Donau, StB Benediktinerstift, Bibliothek A-Salzburg, StP Benediktiner-Erzabtei St Peter A-Vienna, NB Osterreichische Nationalbibliothek Belgium B-Antwerp, MP Museum Plantin-Moretus B-Brussels, Bol Bibliotheque des Rev Peres Bollandistes

Country-City, Lib Full Library Name B-Brussels, BR Bibliotheque Royale Albert ie B-Gand, Sem Bisschoppelijk Seminarie, Bibliotheek B-Heverlee, Centre de Doc Rel Centre de Documentation et de Recherches Religieuses B-Louvain, Jes Bibliotheque du College Philosophique et Theologique de la Compagnie de Jesus Saint Albert B-Louvain, KUB Katholieke Universiteit te Leuven, Bibliotheek Brazil BR-Rio de Janeiro, BN Biblioteca Nacional Switzerland CH-Geneva, BU Bibliotheque Publique et Universitaire CH-St Gall, StB Stiftsbibliothek CH-Zurich, ZB Zentralbibliothek Czechoslovakia CS-Bardejov, Mus Sarisske Muzeum CS-Bratislava, UK Univerzitna kniznica CS-Ceske Budejovice, Sem Seminarni knihovna CS-Ceske Budejovice, VB Cisterciacka knihovna ve Vyssim Brode

CS-Olomouc, SB Statni vedecka knihovna CS-Prague, UK Univerzitni knihovna CS-Spisska Nova Ves, Kap Miestne pracovisko Matice slovenskej (Spisska kapitula) Germany D-Augsburg, SB Staats und Stadtbibliothek D-Berlin, SB Deutsche Staatsbibliothek, Musikabteilung D-Berlin, Kup Kupferstichkabinet D-Berlin, SPK Staatsbibliothek Preussischer Kulturbesitz D-Cologne, SB Universitats und Stadtbibliothek D-Dresden, LB Sachsische Landesbibliothek D-Eichstatt, B Bibliothek des Bischoflichen Ordinariatsarchiv D-Eichstatt, SB Staats und Seminarbibliothek D-Erlangen, UB Universitatsbibliothek D-Frankfurt/Main, SB Stadt und Universitatsbibliothek D-Frankfurt/Main, SK Stadelsches Kunstinstitut D-Freiberg im Breisgau, UB Universitatsbibliothek D-Gottingen, UB Universitatsbibliothek D-Jena, UB Universitatsbibliothek der Friedrich-Schiller-Universitat

D-Karlsruhe, UB Universitatsbibliothek D-Leipzig, UB Universitatsbibliothek der Karl-Marx-Universitat D-Mainz, SB Stadtbibliothek D-Munich, SB Bayerische Staatsbibliothek D-Munich, UB Universitatsbibliothek D-Munster, UB Universitatsbibliothek D-Nuremberg, NM Bibliothek des Germanischen Nationalmuseum

Country-City, Lib Full Library Name D-Regensburg, Proske Proske-Musikbibliothek D-Stuttgart, WL Wurttembergische Landesbibliothek D-Tubingen, UB Universitatsbibliothek der Eberhard-Karls-Universitat D-Wolfenbuttel, HAB Herzog August Bibliothek D-Wurzburg, UB Universitatbibliothek der Julius-Maximilians-Universitat Denmark DK-Copenhagen, KB Kongelige Bibliotek Spain E-Barcelona, BU Biblioteca Provincial y Universitaria E-Madrid, BN Biblioteca Nacional E-Montserrat, Ben Monasterio de Montserrat (Benedictine) E-Saragossa, Cat Biblioteca del Cabildo Catedral E-Toledo, Cat Archivo y Biblioteca Capitulares de la Catedral E-Valencia, Cat Biblioteca de la Catedral France

F-Auch, Sem Grand Seminaire F-Colmar, BM Bibliotheque Municipale F-Lille, BM Bibliotheque Municipale F-Lyons, BM Bibliotheque Municipale F-Nantes, BM Bibliotheque Municipale F-Nice, BM Bibliotheque Municipale F-Paris, Ars Bibliotheque de l'Arsenal F-Paris, BN Bibliotheque Nationale F-Paris, Maz Bibliotheque Mazarine F-Paris, SG Bibliotheque Sainte-Genevieve F-Rheims, A Bibliotheque de l'Archeveche F-Tarbes, BM Bibliotheque Municipale F-Troyes, BM Bibliotheque Municipale England GB-Aberdeen, UL University Library GB-Cambridge, UL University Library GB-Glasgow, Euing Euing Musical Library GB-London, BL British Library GB-Manchester, JRL John Rylands Library GB-Oxford, Keble Keble College GB-Oxford, UL Bodleian Library

GB-Oxford, Worcester Worcester College Hungary H-Budapest, Acad Magyar Tudomanyos Akademia Konyvtara (Bibliotheca Academiae Scientiarum Hungaricae) H-Budapest, BN Orszagos Szechenyi Konyvtar (Bibliotheca Nationalis Szechenyiana) H-Budapest, BU Egyetemi Konyvtar (Bibliotheca Universitatis) H-Budapest, Piar Kegyesrendi Kozponti Konyvtar (Bibliotheca Centralis Ordinis Scholarum Piarum)

Country-City, Lib Full Library Name H-Esztergom, Metr Foszekesegyhazi Konyvtar (Bibliotheca Ecclesiae Metropolitanae) H-Gyor, Sem Puspoki Papnevelo Intezet Konyvtara (Bibliotheca Seminarii Episcopalis) H-Pannonhalma, Ben Szent Benedek-rend Kozponti Konyvtara (Bibliotheca Archiabbatiae Ordinis S Benedicti de Sacro Monte Pannoniae) H-Pecs, BU Egyetemi Konyvtar (Bibliotheca Universitatis) H-Sapron, Arch Archepiscopal Archive Italy I-Aosta, Sem Biblioteca del Seminario Maggiore I-Assisi, Cap Biblioteca del Capitolo della Cathedrale I-Bagnoregio, Sem Seminario Vescovile Bagnoregio I-Belluno, BC Biblioteca Civica I-Belluno, Cap Biblioteca Capitolare e del Seminario Lolliniana Gregoriana I-Bergamo, BC Biblioteca Civica Angleo Mai I-Bergamo, Clero di S Alessandro Biblioteca de Clero di S Alessandro in Colonna I-Bologna, Arc Biblioteca Arcivescovile; Centro di Documentazione dell'Istituto per le Ricerche Religiose I-Bologna, BC Biblioteca Comunale dell'Archiginnasio I-Bologna, BU Biblioteca Universitaria I-Bologna, Mus Biblioteca del Civico Museo Bibliografico Musicale I-Bolzano, Mus Biblioteca de Museo Civico

I-Brescia, BC Biblioteca Civica Queriniana I-Bressanone, Sem Biblioteca del Seminario Vescovile Maggiore I-Catania, BC Biblioteca Comunale Ursino Recupero I-Catania, Sem Biblioteca del Seminario Arcivescovile I-Cesena, BC Biblioteca Comunale Malatestiana I-Cremona, G Biblioteca Statale (formerly Governativa) I-Cupramontana, BC Biblioteca Comunale I-Fabriano, BC Biblioteca Comunale I-Ferrara, BC Biblioteca Comunale Ariostea I-Florence, BN Biblioteca Nazionale Centrale I-Florence, Laur Biblioteca Mediceo Laurenziana I-Florence, Mar Biblioteca Marucelliana I-Florence, Ricc Biblioteca Riccardiana I-Florence, Sem Biblioteca del Seminario Arcivescovile Centrale I-Foligno, Sem Biblioteca Jacobilli del Seminario I-Forli, BC Biblioteca Comunale Aurelio Saffi I-Genoa, Ben S Maria della Castagna (Benedictine), Biblioteca I-Genoa, BU Biblioteca Universitaria I-Genoa, Fra Biblioteca Franzoniana

Country-City, Lib Full Library Name I-Grosseto, BC Biblioteca Comunale Chelliana I-Guastalla, BC Biblioteca Comunale Maldotti I-Lodi, BC Biblioteca Comunale Laudense I-Lodi, Chiesa SS Incoronata I-Lodi, Sem Biblioteca del Seminario Vescovile I-Lucca, G Biblioteca Statale (formerly Governativa) I-Lugo, BC Biblioteca Comunale Fabrizio Trisi I-Macerata, BC Biblioteca Comunale Mozzi-Borgetti I-Mantua, BC Biblioteca Comunale Roberto Ardigo I-Milan, Ambr Biblioteca Ambrosiana I-Milan, BN Biblioteca Nazionale Braidense I-Milan, Cap Biblioteca del Capitolo della Basilica di S Ambrogio I-Milan, Servi Biblioteca dei Servi di Maria I-Milan, Triv Biblioteca Trivulziana dell'Archivo Storico Civico I-Modena, Cap Biblioteca dell'Archivo Capitolare I-Modena, Est Biblioteca Estense I-Mondovi, Sem Biblioteca del Seminario Vescovile I-Naples, BN Biblioteca Nazionale I-Naples, BU Biblioteca Universitaria I-Naples, Cons Biblioteca del Conservatorio di Musica S Pietro a Maiella I-Novara, Cap Biblioteca del Capitolo di S Maria

I-Novara, Sem Biblioteca del Seminario Teologico Filosofico S Gaudenzio I-Padua, BC Biblioteca Civica I-Padua, BU Biblioteca Universitaria I-Padua, Cap Biblioteca Capitolare I-Padua, Sem Biblioteca del Seminario Vescovile I-Palermo, BC Biblioteca Comunale I-Palermo, BN Biblioteca Nazionale I-Parma, Pal Biblioteca Palatina I-Pavia, BU Biblioteca Universitaria I-Perugia, BC Biblioteca Comunale Augusta I-Pesaro, Oliv Biblioteca Oliveriana I-Piacenza, BC Biblioteca Comunale Passerini Laudi I-Poppi, BC Biblioteca Comunale Rilliana I-Ravenna, BC Biblioteca Comunale Classense I-Reggio Emilia, BM Biblioteca Municipale I-Rieti, Cap Archivio Capitolare I-Rimini, BC Biblioteca Civica Alessandro Gambalunga I-Rome, Ang Biblioteca Angelica

I-Rome, BN Biblioteca Nazionale Centrale I-Rome, BU Biblioteca Universitaria Alessandrina I-Rome, Cas Biblioteca Casanatense

Country-City, Lib Full Library Name I-Rome, Cec Biblioteca dell' Accademia Musicale di Santa Cecilia I-Rome, CollIntFranc Biblioteca del Collegio Internazionale S Antonio dei Francescani I-Rome, Cors Biblioteca Corsiniana dell' Accademia dei Lincei I-Rovereto, BC Biblioteca Comunale Girolamo Tartarotti I-Rovigo, Acc Conc Biblioteca dell' Accademia dei Concordi I-San Candido, Coil Biblioteca della Collegiata I-San Daniele del Friuli, BC Biblioteca Comunale Guarneriana I-San Gimignano, BC Biblioteca Comunale I-Siena, BC Biblioteca Comunale degli Intronati I-Subiaco, Ben Biblioteca del Monastero di S Scolastica (Benedictine) I-Todi, BC Biblioteca Comunale I-Torgnon, Arch Parr Archivio Parrocchiale I-Trent, BC Biblioteca Comunale I-Trent, Sem Biblioteca del Seminario I-Treviso, BC Biblioteca Comunale I-Treviso, Cap Biblioteca Capitolare I-Trieste, BC Biblioteca Civica Attilio Hortis

I-Turin, BN Biblioteca Nazionale I-Udine, Arc Biblioteca Arcivescovile e Bartoliniana I-Udine, BC Biblioteca Comunale Vincenzo Joppi I-Venegono, Sem Biblioteca del Seminario Arcivescovile I-Venice, BN Biblioteca Nazionale Marciana I-Venice, Cini Biblioteca della Fondazione Giorgio Cini I-Venice, Cor Museo Civico Correr I-Verona, BC Biblioteca Comunale I-Verona, Cap Biblioteca Capitolare I-Vicenza, BC Biblioteca Comunale Bertoliana I-Vigevano, Cap Biblioteca Capitolare del Duomo I-Viterbo, Cap Biblioteca Capitolare Lithuania LI-Vilnius, KJ K Jukneviciene Netherlands NL Groningen, UB Universiteitsbibliotheek NL-The Hague, KB Koninklijke Bibliotheek NL-The Hague, MW Museum Meermanno-Westreenianum NL-Nijmegen, TB Titus Brandsma Instituut NL-Utrecht, UB Universiteitsbibliotheek Poland P-Cracow, Bern Biblioteka Prowincji 00 Bernardynow P-Cracow, PAN Polska Akademia Nauk P-Gniezno, AA Archiwum Archidiecezjalne

Country-City, Lib Full Library Name P-Poznan, AA Archiwum Archidiecezjalne P-Warsaw, BN Biblioteka Narodowa P-Wloclawek, Sem Biblioteka Seminarium Duchownego P-Wroclaw, 130 Biblioteka Zakladu Narodowego im Ossolinskich Polskiej Akademii Nauk P-Wroclaw, BU Biblioteka Glowna Universytetu im Boleslawa Bieruta P-Wroclaw, Kap Biblioteka Kapitulna Romania R-Alba Julia, B Biblioteca Documentara "Batthyaneum" R-Sibiu, Mus Biblioteca Documentara Brukenthal Sweden S-Stockholm, KB Kungliga Biblioteket S-Strangnas, Dom Domkyrkobiblioteket S-Uppsala, UB Universitetsbiblioteket United States US-CA-Berkeley, UC (Mus) University of California, Music Library US-CA-Los Angeles, UC University of California, Los Angeles, William Andrews Clark Memorial Library US-CA-San Marino, Hunt Henry E Huntington Library US-CN-New Haven, YUL Yale University Library US-IL-Chicago, New Newberry Library US-IN-Bloomington, UIL University of Indiana Library

US-IO-Dubuque, Loras Loras College Library US-KA-Lawrence, UKL University of Kansas Library US-MA-Boston, PL Boston Public Library US-MA-Cambridge, HUL Harvard College Library, Harvard University US-MD-Baltimore, Walt Walters Art Gallery US-MI-Ann Arbor, UML University of Michigan Library US-NC-Chapel Hill, UNCL University of North Carolina Library US-NH-Hanover, Dartmouth Dartmouth College Library US-NY-New York, Columbia UL Columbia University Library US-NY-New York, Met Metropolitan Museum of Art US-NY-New York, PL New York Public Library US-NY-New York, PML J Pierpont Morgan Library US-NY-New York, UTSem Union Theological Seminary US-NY-Poughkeepsie, Vassar Vassar College Library US-NY-Rochester, Eastman University of Rochester, Eastman School of Music, Sibley Musical Library

US-PA-Philadelphia, PL Free Library of Philadelphia US-PA-Philadelphia, Ros Rosenbach Foundation US-RI-Providence, ABL Annmary Brown Memorial Library US-TX-Austin, HRC Henry Ransom Humanities Research Center, University of Texas, Austin US-TX-Dallas, Baylor Baylor University Medical Center US-TX-Dallas, SMU Southern Methodist University

Country-City, Lib Full Library Name US-TX-Galveston, Rosenberg Rosenberg Library US-TX-Houston, UL University of Houston Library US-Washington, Holy Name Holy Name College US-Washington, LC Library of Congress US-Washington, LCM Library of Congress, Music Division Union of Soviet Socialist Republics USSR-Leningrad, NB Nauchnaya biblioteka imeni M Gor'kogo Leningradskogo gosudarstvennogo universiteta imeni A A Zhdanova USSR-Moscow, Len Gosudarstvennaya ordena Lenina biblioteka SSSR im V I Lenina Vatican City Vatican City, BV Biblioteca Vaticana Yugoslavia Y-Bol na Bracu, D Dominikanski Samostan Y-Dubrovnik, D Dominikanski Samostan Y-Ljubljana, NA Nadskofijski Arhiv Y-Ljubljana, NU Narodna in Univerzitetna Knjiznica Y-Maribor, PA Pokrajinski Arhiv Y-Stari Grad, D Dominikanski Samostan Y-Zadar, HA Historijski Arhiv Y-Zagreb, AK Jugoslavenski Akademije Knjiznica Y-Zagreb, NB Nacionalna i Sveucilisna Biblioteka

Abbreviations of Sources

Accurti, Aliae Ed Tommaso Accurti Aliae Editiones Saeculi XV Pleraeque Nondum Descriptae Annotationes ad Opus Cui Titulus "Gesamtkatalog der Wiegendrucke." Vols i-6 Florence: Ex Tipografia Giuntina, I936 Accurti, Editiones Saeculi XV Tommaso Accurti Editiones Saeculi XV Pleraeque Bibliographis Ignotae Annotationes ad Opus Quod Inscribitur "Gesamtkatalog der Wiegendrucke." Vols I-4 Florence: Ex Tipografia Giuntina, 1930 Bosnjak Mladen Bosnjak A Study of Slavic Incunabula Zagreb: Izdavacki Zavod Jugoslavenske Akademije Znanosti i Umjetnosti, 1968 BMC Catalogue of Books Printed in the XVth Century Now in the British Museum Vols 1-12 London: Trustees of the British Museum, 908-1985 Brunet

Jacques-Charles Brunet Manuel du libraire et de l'amateur de livres 5th ed 6 vols Paris: Firmin Didot, I860-I865 C Walter Arthur Copinger Supplement to Hain's Repertorium Bibliographicum Parts i, 2: 1-2 London: H Sotheran & Co., I895-1902 CIBN Catalogue des incunables Vol 2, fasc 1-4: H-Z, suppl Ed U Baurmeister, A Charon-Parent, D Coq, A Coron, and A Labarre Paris: Bibliotheque Nationale, 198 I-985 Caronti Andrea Caronti Gli incunaboli della R Biblioteca Universitaria di Bologna Bologna: Zanichella, 1889.

D Refers to numbered entries of Descriptive Bibliography Dibdin Thomas Frognall Dibdin Bibliotheca Spenceriana, "r, a Descriptive Catalogue of the Books Printed in the Fifteenth Century, Lately Forming Part of the Library of the Duke di Cassano Serra, and now the Property of George John Earl Spencer 7 vols London: Shakspeare Press, I814-I823 Dona Mariangela Dona La stampa musicale a Milano fino all'anno i700 Biblioteca di bibliografia italiana 39 Florence: Olschki, I96I Essling [Prince d'Essling, Victor Massena], Duc de Rivoli Etudes sur l'art de la gravure sur bois a Venise Les Missels imprimes a Venise de 148I i600o 5 parts Paris: J Rothschild, [894-I896 Essling, Livres a figures Prince d'Essling (Victor Massena) Etudes sur l'art de la gravure sur bois a Venise Les Livres a figures venitiens de la fin du XVe siecle et du commencement du XVI' 3 parts in 6 vols Florence: Olschki, I907-1914 Fava Domenico Fava Catalogo degli incunabuli della R Biblioteca Estense di Modena Biblioteca di Bibliografia Italiana 7 Florence: Olschki, 1928 Fava and Bresciano Mariano Fava and Giovanni Bresciano La stampa a Napoli nel XV secolo 2 vols and Atlas Sammlung bibliothekswissenschaftlicher Arbeiten 32-34 Leipzig: R Haupt, 1911-I93.

Ganda Arnaldo Ganda I primordi della tipografia milanese: Antonio Zarotto da Parma (I471-I507) Florence: Olschki, 1984 Gaspari Catalogo della Biblioteca del Liceo Musicale di Bologna Comp Gaetano Gaspari 5 vols Bologna: Libreria Romagnoli dall'Acqua, 189o-1943 Gesellschaft fr Typenkunde Veroffentlichungen der Gesellschaft fir Typenkunde des XV Jahrhunderts Ed Ernst Voullieme, Isak Collijn, Victor Madgen, Konrad Haebler Taf 1-2460 Halle: Schriftenverteilung fur die Gesellschaft durch E Karras Verlag, I907-1939 Goff Frederick R Goff Incunabula in American Libraries: A Third Census of Fifteenth-Century Books Recorded in North American Collections Reproduced from the annotated copy maintained by F R Goff Millwood, N.Y.: Kraus Reprint, I973 Goff Suppl Frederick Goff A Supplement to the Third Census of Fifteenth-Century Books Recorded in North American Collections (I964) New York: Bibliographical Society of America, 1972 Graesse Johann Georg Theodor Graesse Tresor de livres rare et precieux 7 vols Dresden: R Kuntze, I859-I869 Gspan-Badalic Alfonz Gspan and Josip Badalic Inkunabule v Sloveniji Incunabula Quae in Slovenia Asservantur Slovenska Akademija Znanosti in Umetnosti, Razred za Filoloske in Literarne Vede, Dela io, Institut za Literature, Dela 3 Ljubljana: n.p., 1957.

GW Gesamtkatalog der Wiegendrucke Vols I-8:i Leipzig: K W Hiersemann, 1925-1940; vols 8:I-9:2 Stuttgart: A Hiersemann, I968-1985 GW ms Gesamtkatalog der Wiegendrucke Card catalogue (A-Z) in manuscript at the Abteilung der Gesamtkatalog, Deutsche Staatsbibliothek, Berlin H Ludwig Hain Repertorium Bibliographicum in Quo Libri Omnes ab Arte Typographica Inventa Usque ad Annum MD Typis Expressi Ordine Alphabetico vel Simpliciter Enumerantur vel Adcuratius Recensentur 2 vols Stuttgart: J G Cotta, 1826-1838 Haebler Konrad Haebler Typenrepertorium der Wiegendrucke 5 vols Sammlung Bibliothekswissenschaftlicher Arbeiten 19-20, 22-23, 27, 29-30, 39-40 Reprint Nendeln/Liechtenstein: Kraus, I905-1921 Haebler, Iberica Konrad Haebler Iberica de siglo XV Enumeracion de todos los libros impresos en Espana y Portugal hasta el ano de 50oo con notas criticas 2 vols The Hague: Nijhoff; Leipzig: Hiersemann, 1903 and 1907.

Hubay, Augsburg Ilona Hubay Incunabula der Staats-und Stadtbibliothek Augsburg Inkunabelkataloge bayerischer Bibliotheken Wiesbaden: Harrassowitz, 1974 Hubay, Eichstatt Ilona Hubay Incunabula Eichstatter Bibliotheken Inkunabelkataloge bayerischer Bibliotheken 2 Wiesbaden: Harrassowitz, 1970 Hubay, Missalia Ilona Hubay Missalia Hungarica Regi Magyar Misekonyvek Budapest, Magyar Nemzeti Muzeum Az Orszagos Szechenyi Konyvtar Kiadvanyai 5 Budapest: Szechenyi-Konyvtara, 1938 IBP Maria Bohonos and Elisa Szandorowska Incunabula quae in Bibliothecis Poloniae Asservantur 2 vols Wroclaw: Ex Officina Instituti Ossoliniani, 1970 IDL Incunabula in Dutch Libraries: A Census of Fifteenth-Century Printed Books in Dutch Public Collections Bibliotheca Bibliographica Neerlandica 17:I-2 2 vols Nieuwkoop: B De Graaf, 1983 IGI Indice generale degli incunaboli delle biblioteche d'Italia A cura del Centro Nazionale d'Informazioni Bibliografiche 6 vols Rome: Libreria dello Stato, 1943-1981 Kristeller LG Paul Kristeller Die lombardische Graphik der Renaissance Berlin: Cassirer, 1913LB Hanns Bohatta Liturgische Bibliographie des XV Jahrhunderts mit Ausnahme der Missale und Livres d'Heures Vienna: Gilhofer & Ranschburg, 9 I LD Hanns Bohatta Katalog der liturgischen Drucke des XV und XVI Jahrhunderts in der Herzogl Parma'schen Bibliothek in Schwarzau am Steinfeld, N O Vienna, 1909-1910 Livres de liturgie Livres de liturgie imprimes aux XVe et XVIe siecles faisant partie de la bibliotheque de son altesse royale le duc Robert de Parme Milan: Hoepli, 1932.

M-B Kathi Meyer-Baer Liturgical Music Incunabula London: Bibliographical Society, 1962 Marais Paul Marais and A Dufresne de Saint-Leon Catalogue des incunables de la Bibliotheque Mazarine 2d ed Paris: H Walter, 1898 Martimort Aime-Georges Martimort "Missels incunables d'origine franciscaine." In Melanges liturgiques offert au R P Dom Bernard Botte, O.S.B, de l'Abbaye du Mont Cesar Louvain: Abbaye du Mont Cesar, 1972, pp 359-78 Molitor, Deutsche Raphael Molitor Deutsche Choral-Wiegendrucke: Ein Beitrag zur Geschichte des Chorals und des Notendruckes in Deutschland Regensburg: F Pustet, 1904 Molitor, Nachtriden Raphael Molitor Die nachtridentische Choral-Reform zu Rome 2 vols Leipzig: R E C Leuckart, 1900 and 1902 Oates A Catalogue of the Fifteenth-Century Printed Books in the University Library, Cambridge Comp J C T Oates Cambridge: Cambridge University Press, 1954 Ohly Kurt Ohly and Vera Sack Inkunabelkatalog der Stadt und Universitatsbibliothek und anderer offentlicher Sammlungen in Frankfurt am Main Kataloge der Stadt und Universitatsbibliothek Frankfurt am Main i Frankfurt am Main: Vittoris Klostermann, 1967.

P Robert Proctor An Index to the Early Printed Books in the British Museum: From the Invention of Printing to the Year 50000 With Notes of Those in the Bodleian Library 2 vols and supplements Registers by Konrad Burger London: Kegan Paul, Trench, Trubner, 1898-1906 Frank Issac An Index to the Early Printed Books in the British Museum Part 2: MDIMDXX London: B Quaritch, 1938 Panzer Georg Wolfgang Franz Panzer Annales Typographici ab Artis Inventae Origine ad Annum MD i I vols Nuremberg: Zeh, 1793-1803 Pellechet Marie Leontine Catherine Pellechet Catalogue general des incunables des bibliotheques publiques de France 3 vols (A-GRE) Paris: A Picard et Fils,

897-I909 Unpublished manuscript by Louis Polain continuing the work, vols 4-I4 (GRE-Z) on microfilm ii vols in II reels New York: H P Kraus, i950 A second number cited in parentheses s to the corrected number as found in CIBN Polain Louis Polain Catalogue des livres imprimis au quinzieme siecle des bibliotheques de Belgique 4 vols Brussels: Societe des Bibliophiles et Iconophiles de Belgique, 1932 Supplement Brussels: Assoc des Archivistes et Bibliothecaires de Belgique, 1978 Przywecka-Samecka Maria Przywecka-Samecka Poczactki Drukarstwa Muzycznego w Europie Wiek XV Prace Wroclaw-skiego Towarzystwa Naukowego A 22 I Wroclaw: Zaklad Narodowy im Ossolinskich, 1981 R Dietrich Reichling Appendices ad Hainii-Copingeri Repertorium Bibliographicum Additiones et Emendationes Fasc i-6 Indices Supplementum Munich: J Rosenthal, 1905-191 1 Renouard Antoine Renouard Annales de l'imprimerie des Aide 3d ed Paris: J Renouard, I834 Rhodes Dennis E Rhodes A Catalogue of Incunabula in All the Libraries of Oxford University outside the Bodleian Oxford: Clarendon Press, 1982 RISM B6 Ecrits imprimes concernant la musique Ed Francois Lesure Repertoire International des Sources Musicales, ser B 6:1-2 2 vols Munich: G Henle, I971 Rogers, "Hamman" David Rogers "Johann Hamman at Venice: A Survey of His Career, with a Note on the Sarum 'Horae' of 1494." In Essays in Honour of V Scholderer, ed Dennis E Rhodes Mainz: Pressler, 1970, pp 348-68.

Rogledi Manni Teresa Rogledi Manni La tipografia a Milano nel XV secolo Biblioteca di Bibliografia Italiana 9o. Florence: Olschki, I980 Sajo-Soltesz Geza Sajo and Erzsebet Soltesz Catalogus Incunabulorum Quae in Bibliothecis Publicis Hungariae Asservantur Budapest: In Aedibus Academiae Scientiarum Hungaricae, 1970 Sander Max Sander Le Livre a figures italien depuis 1467 jusqu'a I530 6 vols Milan: Hoepli, I942; Supplement, 1969 Sassi Giuseppe Antonio Sassi Historia Literario-Typographica Mediolanensis ab Anno MCDLXV ad Annum MD Nunc Primum Edita Vol i, pt i of Filippo Argellati, Bibliotheca Scriptorum Mediolanensium Milan, I745; reprint Ridgewood, N.J.: Gregg Press, I965 STC Italy Short-Title Catalog of Books Printed in Italy and of Books in Italian Printed Abroad, I5o-I600oo, Held in Selected North American Libraries Ed Robert G Marshall 3 vols Boston: G K Hall, 1970 Stillwell Margaret Bingham Stillwell Incunabula in American Libraries: A Second Census of Fifteenth-Century Books Owned in the United States, Mexico, and Canada New York: Bibliographical Society of America, 1940 Van Praet

Joseph Basile Bernard Van Praet Catalogue des livres imprimes sur velin de la Bibliotheque du roi 6 vols in 5 Paris: De Bure Freres, I822-I828 Venturini Maria and Teresa Venturini Gli incunaboli della Biblioteca Capitolare di Verona Verona: Valdonega, I976 Voullieme B Ernst Voullieme Die Inkunabeln der Koniglichen Bibliothek und der anderen Berliner Sammlungen Leipzig: Harrassowitz, I906 W William Henry James Weale Bibliographia Liturgica Catalogus Missalium Ritus Latini ab Anno M.CCCC.LXXV Impressorum Re-ed Hanns Bohatta London: B Quaritch, 1928.

Descriptive Bibliography

I Agenda Aquileiensis Venice: Johann Hamman for Johann Volkarth, 23 1 495/I496 H 366; GW 459; IGI I8; Gspan-Badalic 3 Incipit, f al, red: Agenda dyocefis I AquilegienfJis I Colophon, f [r4 ], red: Modus et ordo cerimonialiu et quorunda actuum I ecclefiafticorum totius anni: ad vfum fancte ecclefie | Aquilegien ordinatus: Singulari cura et impenSis I prouidi Iohannis volkarth de Noremberga : Im I preffus venetijs per Iohannem herczog de landoia ) alemanu: feliciter explicit Anno a xpi natiuitate poSt millefimumquaterq3centefimunonagefimoquinto I Decimo Kalendas Februarij [printer's mark, red] Collation: 4°. a-q8 [r4]= 132 ff., numbered [I1 II-CXXXI [II 3 I col Illustration: woodcut initials Music: printed staves Music pages: a6V-bIv, d7-e2, e3V-e5, f7V-g3v, h4V-h5, h6-i4, i5V-k2, k3"-m6v, m7v-n5, n6"-q3v, q5-v, q7-[r2]= I68 pp Staves: 6 red 4-line staves per page; I52 X IOI mm Bibliography: Francesco Spessot, "Libri liturgici aquileiesi e rito patriarchino," Studi Goriziani 35 (1964): 77-92; cites copy at I-Udine, BC, Coll Joppi, earlier this century Rogers, "Hamman," p 361 Gspan-Badalic, plate I (explicit) Copies: A-Vienna, NB; D-Munich, SB; I-Bressanone, Sem; Y-Ljubljana, NA Copies seen:

A-Vienna, NB, Ink 22.F.5 Plainchant in manuscript on f e2 (Requiem) Size: 216 X 156 mm Provenance, f aI: Andreas fuphueber Anno dni 1515; [preceding leaf] Andreae Fuphueber de Velkirchen Binding: recent vellum D-Munich, SB, 40 Inc c.a 1172 Size: 214 X i57 mm Provenance, f ai: Societatis Jesv I Monachii; front pastedown: Liber Collegii Societatis IESV Monachii Binding: blind-stamped leather Agenda Brevis Venice: Johann Hamman, I X I495C 128; GW 453; Goff A i58; LB 2 Title, f ai, red: Agenda brevis et perutilis Colophon, f i8, red: Agenda ceremonialiu ecclefiafticoriu breviter compediofe recollecto&: ad I ditis certis actibus et benedictioibus I inc5fuetis: cuctis Sacerdotib9 admodu I neceffarijs: Iuffu 7 impenSis iohannis I volkarth de noreberga: impJ'a vene-I tijs per iohane herczog feliciter expli | cit Anno Jalutis poft millefimum qua I terq3 centefimum nonageJimoquinto I Kalendis octobribus f i8', red: [printer's mark, IH] Collation: i6° a-i8=72 if 23 11 I col Note: no space for music Copies: US-PA-Philadelphia, Ros Copies seen: US-PA-Philadelphia, Ros Agenda Brevis Venice: Johann Hamman for Johann Volkarth, I X 1495 H 373; GW vol I, p 216; LB 17; Panzer 3:375, I947 Colophon (Panzer): Venetiis, Johannes Herzog, imp Johannis Volkarth i495, Kal oct Collation: 4°. 72 ff., 70 numbered and 2 unnumbered.

Note: apparently a ghost GW, vol i, p 216: "either GW 473 or GW 453?" Rogers, "Hamman," p 368n.I7: Haebler and Bohatta (LBI7) "ascribe this Agenda Brevis to the use of Passau, in the belief that Volkarth was a bookseller at Nuremberg, not far away." Cited as Agenda Pataviensis in GW Copies: none known Panzer ascribed a copy to Lambach 2 Agenda Pataviensis Venice: Johann Hamman for Johann Petri, 13 IX 1498 H 374*=2767; GW 473; Goff Ai65; Molitor, Deutsche, p 42, plate i8; Voullieme B 4286; Wi8; M-B 7 Title, f TI, red: Agenda feu Benedictionale fcd'm I vjun [sic] jancte eclejie [sic] Patauienfis I Incipit, f a (i), red: Incipit ageda fiue benedictionale de acti ( bus fcd'm choru 7 obferuatione eccl'ie Pata I uiefis Colophon, f p8 (cxx), red: Modus 7 ordo cerimoniaru eccl'iafticaru: Iad vJum fcte ecclefie Patauiefi Singulari I cura 7 impenfis Iohanis petri de patauia I Uenetijs imprefJus per Iohanne hertzog I feliciter explicit Anno xpi M CCCC I XCVIII Idibus menfis Septembris f p8", red: [printer's mark, IH] Collation: 4°. 74 a-p8= 24 ff., numbered [4] i-cxx 24 11 I col.

Illustration: woodcut initials Music: printed staves and notes Music pages: a2v, c5-c7, d7-d8, e2-e8, f4-gI, g6V-g8, h2V-h5v, h6"-i7, k3v-k5, k6-12, 14-17, mI'-03, 04V-P , p2v-p3, p6-p8= I34 pp Staves: 6 red 4-line staves per page, 144 X Iio.5-iI mm Music type: GI Bibliography: Molitor, Deutsche, p 42, plate XVIII Copies: A-Kremsmunster, StB; Lambach, StB; Linz, StudB; Melk an der Donau, StB; Vienna, NB; CS-Prague, UK; D-Berlin, SPK; Munich, SB; US-CA-San Marino, Hunt Copies seen: A-Vienna, NB, Ink XXIII.H.3 Size: 203 X 150 mm Binding: rolled and stamped leather (restored 1924), "Also Hat Got Die Weldt Geliebet" (2 clasps missing) D-Berlin, SPK, Inc 4286 80 Size: 212 X I56 mm Provenance: ex libris Siluejtri Manhardi Tilbrigenfis I58i Binding: oak boards with blind-stamped leather spine Munich, SB, 4 Inc c.a I463 Provenance (bookplate, front board): Domus SS Adelhaidis, et Caietani Binding: oak boards with blind-stamped leather spine (clasp missing) US-CA-San Marino, Hunt, 99987 Binding: vellum Antiphonarium Romanum Edited by Franciscus de Brugis Venice: [Johann Emerich of Speier) for Luca Antonio Giunta, 1503/]504P 5505 ("cI499-I5oo"; apparently only vol 3 described), GW 206I ("um I499/1500"; apparently only vol 3 described); BMC 5:542 (vol 3);

Goff A774; LB 27-28; Accurti, Aliae Ed, p 63; Essling, Livres a figures, I402; Sander 422 (vol 3, ca 1499/15oo) and 423 ( 503); M-B i Title, vol i, f ai, red: Antiphonariu fm morem fancte I Romane ecclefie copletu: 9tines I dnicale: I M.d.iij I [printer's mark] Colophon, vol 2, f R8: Impreffum I Venetijs Impenjis nobilis viri f Luce Antonij de giunta Flo rentini Anno incarnatio ) nis dnice Mccccc.iij idibus Martij [register] Incipit, vol 3, f I, i: Antiphonarium proprium et co I mune fanctor9 fm ordine fancte I Romane ecclefie fama cu diligentia reuilum: atq3 fideli Jftudio emendatu: per reli I giofu3 fratre Francifcu | de Brugis ordinis I mino regularis ob I feruantie de pro I uintia fancti I Antonij I black: Cum gratia et priuilegio I [printer's mark of Luca Antonio Giunta] Explicit, vol 3, f 3o, 8 [238], black: Fiat pax in vir I tute tua red: Px black: Et ha I bundantia in tur | ribus noftris Collation: 2° Vol I: a-z8 L 6 I90 ff., numbered (I) II-CXC; vol 2: A-R'= i36 ff., numbered CXCI-CCCXXV [i]; vol 3: I-24 256 26-308=238 ff., numbered [I-III] IVCCXXXVIII Music: printed staves and notes throughout Staves: 7 red 4-line staves per page, i8 mm Music type: R2.

Note: the Antiphonarium Romanum of Emerich was thought to be an incunabulum until Accurti correctly cited the colophon date for vol 2 Vol i has no colophon but postdates the last volume of Emerich's Graduale Romanum (D 17) (I III I5oo), since that volume is referred to on the title page Copies: GB-London, BL (vol 3); US-CA-Berkeley, UC (Mus) Copies seen: GB-London, BL, IC 24247 (vol 3) With additional manuscript hymns Size: 565 X 380 mm Provenance: purchased in April I86o US-CA-Berkeley, UC (Mus) Lacks signatures 26-30 and other leaves Size: 555 X 385 mm Binding: leather over boards, with bosses and clasps Antiphonarium Ordinis Sancti Hieronymi [Seville: Companeros Alemanes, ca I49I.] C 486a; GW 2066; LB i5; Haebler, Iberica, i8; Pellechet 81i (" 1498?"); M-Bio

Note: not an Italian incunabulum Pellechet attributed the Antiphonarium to the Companeros Alemanes because the majuscules are like those of the Tostado Floretum (H I558i) of those printers The book contains a historiated initial like one used in Emerich's Graduale Romanum (D I7) The music type is roman plainchant with a punctum for common note and differs from all types described herein Copies: F-Paris, BN Copies seen: F-Paris, BN, Vel 807 3 Bonaventura da Brescia Breviloquium Musicale [Brescia]: Angelo Britannico, 27 VIII I497IGI I952; Gaspari I:I71; RISM B6 I:I62 (2 ff.) Title, f a i, woodcut of hand and hexachord syllables; f ar': Reuerendo in chrifto Fratri Marcho de duchis ordinis mi I noru prouintiae Mediolani: focio dignifJimo Frater bona I uentura de Brixia

Incipit, f a2 : 4:Incipit Breuiloquiu muficale ualde optimum Et breui I ter notatum: 7 primo | De compofitione manus I Explicit, f ei: Explicit Breuiloquium muficale Editum a fratre Bonaue I tura de brixia ordinis Minorum in conuentu noftro facti I FranciJci de brixia ) Accuratiffime impreffum per Angelum britanicum fub I die.xxvii Iulii M.cccc.lxxxxvii f eI, blank (f e2 lacking) Collation: 4°. a8 b-d4 e2=22 ff I col Illustration: woodcut diagrams and music Music: notes and staves printed from wood in black Music pages: ai, a3, a4-, a5S, a6-b2v, b3V-cIv, c2V-c4, dIV-d4=3o pp Music type: B quadrata is used in the text but variation in size indicates it was cut in wood rather than metal Bibliography: M Teresa Rosa Barezzani, "I Britannico stampatori di musica a Brescia," Commentari dell' Ateneo di Brescia i75 (1970): I53-73 Copies: I-Bologna, Mus Copies seen: I-Bologna, Mus, A/57 Lacks f e2 Interleaved with pages annotated in the hand of Rev G B Martini Size: 204 X I50 mm 4 Bonaventura da Brescia Regula Musicae Planae [Brescia]: Angelo Britannico, 27 IX I497R ii5i; GW 4833; IGI 1953; RISM B6 1:162 Title, f ai: Regula Mufice plane: ve I nerabilis Fratris Bo I naueture de Bri xia ordinis mi norum f ai": ¢Reueredo in chrijto patri Fratri Marcho de duchis.ordis minoru prouinciae Mediolani:focio digniffimo.Frater Bonaue

tura de Brixia eiufde ordis.filiale ac humile falutatione 7 c I Explicit, f d4^{': : Explicit Breuiloquium muficale.editum a fratre Bonauentu I ra de Brixia:ordinis minorum.in couetu noftro fancti Francifci ) de brixia I Accuratiffime impreffum per Angelui Britannicum fub die.xxvii I Septebris.M.cccc lxxxxvii Collation: 4°. a8 b-d4=20 ff 30 11 i col Illustration: woodcut diagrams and music Music: notes and staves printed from wood in black; same cuts as D 3 Music pages: a3, a4ra5V-b2, b3-b4, C2-C3, c4V-d4=28 pp Bibliography: facsimile editions: Milan: Bollettino Bibliografico Musicale, I936; Antiquae Musicae Italicae, Monumenta Brixiensia 2, Milan: A.M.I.S., 1970; Monuments of Music and Music Literature in Facsimile 2, Music Literature 87 [77], New York: Broude Brothers, I975 Trans Albert Seay, Colorado College Music Press Critical Texts I I, Colorado Springs: Colorado College Music Press, 1981 Copies: I-Milan, Triv; Parma, Pal Copies seen: I-Milan, Triv, D99 Lacks ff ai-2 Size: 199 X I44 mm Binding: vellum 5 Bonaventura da Brescia Regula Musicae Planae [Brescia]: Angelo Britannico, 3 IX [50oo] H 3576*; GW 4834; IGI 1954; Pellechet 2719; RISM B6 I: 162 Incipit, f ai: Regula Muficae planae : ue I nerabilis Fratris Bo ) nauenturae de Bri xia ordinis mi I norum Explicit, f d4 : Explicit Breuiloquium muficale: editum a fratre Bonauentu I ra}

de Brixia : ordinis minorum: in conuentu noftro fancti Franci I fci de Brixia ) Accuratiffime impreffum per Angelum Britannicum fub die.iii Septembris.M.cccc [sic] Collation: 4°. a8 b-d4=20 ff 30 11 I col Illustration: woodcut diagrams and music Music: notes and staves printed from wood in black; same cuts as D 3 and D 4 Music pages: a3 [hand], a4r-, a5v-b2, b3-b4v, [c2-c3?], c4'-d4=25(+?) pp Copies: F-Paris, BN; I-Verona, BC; Vicenza, BC (RISM B6 lists a copy at I-Bologna, Mus; not in IGI.) Copies seen: F-Paris, BN, Res V I533 Lacks ff c2-c3 Woodcut music on f a6v printed upside down Size: 204 X 142 mm Provenance, f ai: Pertinet Magistro T Mineti, Conventu M ebon Binding: grey paper over cardboard 6 Bonaventura da Brescia Regula Musicae Planae [Milan]: Leonard Pachel for Giovanni de Legnano, o0 IX 500oo GW 4835; IGI 1955; Dona, p 48; Gaspari 1:171; RISM B6 I:162; Polain 823; Rogledi Manni i90; Sander i5Ir

Title, f ai: REGVLA MVSICE PLANE: VENERABILIS FRATRIS I BONAVENTVRE DE I BRIXIA ORDINIS I MINORVM Incipit, f a2': Incipit breuiloquium muficale ualde optimu i& breuiter no I tatum: & primo I De compofitione manus Explicit, f d4 : Explicit Breuiloquium muficale editum a fratre Bonaue-

tura de Brixia : ordinis minorum in conuentu noftro fancti I Francifci de brixia I AccuratifJime impreffum per magiftru Leonardum pachel I Ad impenfas magiftri Ioannis de legnano Jub die.x.Septem I bris.M.ccccc [printer's mark] IOHANNES.DE.LEGNANO + Collation: 4,, a8 b-d4=20 ff 30-3 11 I col Illustration: woodcut diagrams and music Music: notes and staves printed from wood, same cuts as D3-D5 Music pages: a3, a4r-v a5V-b2, b3-b4, c2-c3, c4V-d4=28 pp Music type: B quadrata and F printed from metal in prose passages Type from wood (C and F clef, B molle) appears on f a4 Copies: B-Brussels, BR; GB-London, BL; I-Bologna, Mus; Milan, Triv Copies seen: B-Brussels, BR, Aiiig; I-Bologna, Mus, A.58 Size: 196.5 X I40 mm Binding: blue paper over cardboard, leather spine-Bonaventura da Brescia Regula Musicae Planae Venice: Giacomo Penzio, 20 III I5I11 C 1200 ([1500]); P 5589 (n.d.); GW vol 4, p 496 (16th century); BMC V:lii (shortly before I5io); Goff B973 (after I5oo?); IGI 1:252 (dopo il I500); Gaspari, 171 (20 III 15 ); RISM B6 1:162 7 Breviarium Ordinis Praedicatorum Edited by Thomas Donatus Venice: Johann Emerich of Speier, 25 XII 1492 C 1290; P 5493; GW 5227; BMC V: 538; LB 360

Incipit, f 71i, calendar; f 2rrI, red: (Incipit tabula epl'ai f ai: VEnite exultemus dno: Colophon, f ee7, red: In alma Venetiarum vrbe per Iohanne Eme I ricum de Spira Alemanu ftudiofifJime ImpreJff I folertiJfimeq3 reuifum ac caJtigatum Anno nata I lis domini.M.cccc.xcii.octauo Kl'as Ianuarij red: [printer's mark] Collation: 160 7T6 2r10 a_f8 g4 hY8 A-S8 aa-bb8 cc4 dd-ee8=368 ff., numbered [i6] I-XLVIII {4} LIII-CCXVI [36 34 11 2 col Music: space for 6 staves, 2 cols Distance from the bottom of a line of music text to the bottom of the next line is 12 mm., and the column is 23 to 28 mm wide The text type has an x-height of I.5 mm Clearly the book is too small for contemporary music types Copies: E-Madrid, BN; GB-London, BL Copies seen: GB-London, BL, IA.24203 Size: IIo X 76 mm Provenance, f ee8: Frater sebastianus de castro florentino Binding: blind-stamped leather over boards 8 Burzio, Nicolo Musices Opusculum Bologna: Ugo Ruggerio for Benedetto Faelli, 30 iv 1487 H 4 45*; P 6565; GW 5796; BMC VI:807 and XII:58; Goff BI33 I; IGI 2278; IDL 1o87; Pellechet 3o98; RISM B6 1:194 (8°, 67ff., 30 11.) Incipit, f a2: Nicolai Burtij parmenfis: mufices profefforis: ac I iuris pontificij StudiofiJfimi: mufices opufculu3 inci I pit: cum defenfione Guidonis aretini: aduerfus que I ndam hyfpanum

veritatis preuaricatorem Colophon, f 4: Impelis Bndicti librarij bonon ac fuma induftria I Ugonis de rugerijs: qui propatiJfimus huius artis I exactor impffus Bonoie Ano dni m.cccc.lxxxvij I die vltima aprilis Collation: 4°. a-h8 i4=68 ff 28-29 11 I col Illustration: woodcut diagrams and music Music: notes and staves printed from wood, both plainchant and mensural notation Music pages: b8v-cI, c2, E7v, f6v=5 pp Bibliography: facsimile edition, ed Domenico Massera, Bibliotheca Musica Bononiensis 2: 4, Bologna: Forni, 1969 Trans Clement A Miller, Musicological Studies and Documents 37, Neuhausen-Stuttgart: American Institute of Musicology, Hanssler Verlag, I983 Description in Dibdin, Bibliotheca Spenceriana 3: 233-36 One of the copies in F-Paris, BN, is probably that formerly belonging to the library of S Giustina of Padua; see Luigi Alberto Ferrai, "La biblioteca di S Giustina di Padova," in

G Mazzatinti, Inventario dei manoscritti italiani delle biblioteche di Francia, 3 vols., Italy, Ministero dell'istruzione pubblica, Indici e cataloghi 5, Rome, i886-i888, 2:549-79 Copies: A-Vienna, NB; B-Brussels, BR; D-Berlin, SPK; F-Paris, BN2; SG; GB-Cambridge, UL; Glasgow, Euing; London, BL2; Manchester, JRL; I-Bologna, Arc; Mus2; Cremona, G; Florence, BN; Milan, Triv; Parma, Pal; Venice, BN; NL-The Hague, KB; US-CA-San Marino, Hunt; Washington, LCM Copies seen: I-Bologna, Mus, A64 Lacks

sheet ei.8, e2.7 Size: 200 X 151 mm Provenance: Rev G B Martini Binding: vellum A 65 Size: I92 X I35 mm Binding: marbled paper over cardboard, black leather spine (Gaspari, p I99) Milan, Triv, D78 Lacks f ai Decoration: First initial flourished, initials and chapters rubricated in red and blue Binding: gold-stamped brown morocco, marbled endpapers and gold edges Parma, Pal, Parm Inc 132 Contemporary musical examples and notes in manuscript Binding: marbled paper and leather spine (18th century) US-Washington, LCM, ML I7i.B87 Lacks f ai Size: 207 X 146 mm Binding: marbled paper with leather spine 9 Caza, Francesco Trattato vulgare del canto figurato Milan: Leonard Pachel for Giovanni Pietro da Lomazzo, 5 VI 1492 H 4819; GW 644 ; BMC XII:55; Dona, p 48; RISM B6 :2 14; STC Italy, p 285 Incipit, f ai': Splendido equiti aurato Philipino flifco ducalis cu I ftodie capitaneo Franchinus Gaffurus falutem I Meorum affecla ftudioru3 Francifcus cacia qui te ' fufpi ( cit 7 veneratur eques fpledide vernacula lingua f a2: Tractato vulgare de canto figurato de francefco caza Explicit, f b4: Finis I Opera magiftri iohanis petri de Iomacio I Leonardus pachel Impreffit Me I diolani die quinto Iunij An ) no domini.M.cccc lxxxx.ij Collation: 4°. as b4= 12 ff 27-28 11 I col Illustration: a woodcut initial Music: space for music Music pages: a2V-a6, a8-b3^{v= 17 pp.}

Bibliography: facsimile edition, ed Johannes Wolf, Veroffentlichungen der Musikbibliothek Paul Hirsch, Frankfurt-am-Main, I Berlin, I922 Note: the work is basically a translation from Latin into Italian of Gaffurio's Practica Musicae, Book 2, which was not published until 1496 It includes a prefatory epistle in Latin by Gaffurio addressed to Philipinus Fliscus Copies: GB-London, BL Copies seen: GB-London, BL, Hirsch I.Iio Manuscript music in brown ink (white mensural notation without staves) Provenance, on front pastedown: "EX MUSAEO HVTHII" (see the catalogue, The Huth Library, London: Ellis and White, I88o) Stamped "Roy Soc sold", formerly in Royal Society, London The owner previous to the BL was Paul Hirsch (Frankfurt), whose collection was purchased for the library Size: 203 X 144 mm Binding: red morocco stamped in gold "R BEDFORD." io Compendium Musices Venice: Giovanni Battista Seffa, 21 XI I499 P 5594: GW 7263; RISM B6 2:925; Sander 2074 Incipit, f aI [within woodcut of Guidonian hand]: Proprietas in mufica eft deriuatio plurinm I vocum abvno eodeq3 principio I ExiJtentib9 igitur modis fiue proprietatibus trib9 toti9 I cantus; Explicit, f b4: Explicit mufices non inutile Compendium: ad Saluatoris ) Honorem: primorumq3 difcentium utilitatem confectum I Impreffum Venetiis per Ioannem Baptiftam Seffa [.M.CCCC.Lxxxxviiii.die uero.xxi.Nouembris [printer's mark, IBS].

Collation:4° a-b4= 8 ff Number of lines varies I col Music: notes and staves printed from wood Music pages: ai, a2V-b3v= 12 pp Staves: 4 and 5-line staves Bibliography: David Crawford, "A Chant Manual in Sixteenth-Century Italy," Musica Disciplina 36 (1982): I75-90 Edition: Compendium Mvsices: Venetiis, I499 597, ed David Crawford, Corpus Scriptorum de Musica 33, Stuttgart: American Institute of Musicology, I985 Copies: D-Jena, UB; Leipzig, Wolfenbuttel, HAB; UB; GB-Oxford, UL Copies seen: GB-Oxford, UL, Auct 2Q Inf 2.5 (Sheppard Catalog 4354) Size: 184 X 3 5 mm Binding: gold-tooled calf; formerly bound with 4° F 13 Art., removed and bound separately in May 1822 Compendium Musices [Venice: Bernardino Vitali for] Giovanni Battista Sessa, [ca I505} See Tractatus Musices I.*Gaffurio, Franchino Opus Musicae Milan: Gottardo da Ponte, Io XI I500.

H 7409; GW 9:2, col 220; Dona, pp 50-5i; Panzer 2:93; Rogledi Manni, 452; Sassi, p DCVII Incipit (H): Franchini Gafurii Mediolanenfis Phonajci Regiique Mufici Muficae Angelicum ac Divinum Opus (in Italian) Colophon (H): Impreffum Mediolani per Gotardum de Ponte anno falutis reparatae millefimo, quingentefimo, die decima menfis Novembris, Alexandro fexto Pontifice Maximo ac ChriftianifJimo Francorum

Rege Ludovico Duce Mediolani, felici aufpicio regnantibus Collation: 2° Note: the colophon given in H differs from the edition of the work by Gottardo da Ponte in date (i6 IX 1508) and pope (Julius II) and is not likely to have been a misprint, as was suggested by Michael Maittaire, Annales Typographici ab Artis Inventae Origine ad Annum MDCLXIV, 5 vols Amsterdam: Humbert, 1719-I741, 4:739 Copies: none known I:: Gaffurio, Franchino Practica Musicae Milan: Guillaume Le Signerre for Giovanni Pietro da Lomazzo, 30 IX 1496 H 7407; P 6067; GW 10434; BMC VI:789 and XIl:56; IGI 4112; Goff G3; Dona p 73; Gaspari 1:218; Kristeller LG I62; RISM B6 I:342; Panzer 2:83; Pellechet 4949; Sander 2983 Title, f Fi: PRACTICA MVSICE FRANCHINI GAFORI LAVDENSIS I Register, f F i; blank, f F2; Table of contents, f Fz2'-3; f ai: FRANCHINI GAFORI LAVDENSIS MVSICE ACTIO I NIS LIBER PRIMVS I Explicit, f 11 : Practica Muficae Franchini Gafori laudenfis quattuor libris compraehenfa Finit I Impreffa Mediolani opera & Impenfa

Ioannis petri de Lomatio per Guillermum I Signerre Rothomagenfem anno falutis MilefJimo quadringenteffimo nonagefJi I mo fexto die vltimo Septembris Alexandro fexto Potifice maximo : & Maxi I miliano Romanorum rege Jemper augufto ac Lodouico maria Sfortia Anglo I inuictiJ imo Mediolanenfium Duce : foelici aufpicio regnantibus Collation: 2° F4 a-b8 c6 aa-kk8 116=I 2 ff 36-4o II I col Illustration: title woodcut, full page border at chapter beginnings The woodcut illustrations were reused in the 3d edition (I502) Music: notes and staves printed in black from wood, on most pages Bibliography: Paul Hirsch, "Bibliographie der musiktheoretischen Drucke des Franchino Gafori," in Musikwissenschaftliche Beitrage: Festschrift fur Johannes Wolf zu seinem sechzigsten Geburtstag, ed Walter Lott, Helmuth Osthoff, and Werner Wolffheim, Berlin: Breslauer, I929, pp 65-72 Facsimile edition, Westmead, Farnborough: Gregg Press, 1967 Trans and ed Irwin Young, Madison: University of Wisconsin Press, 1969 James Haar, "The Frontispiece of Gafori's Practica Musicae (1496)," Renaissance Quarterly, 27 (I974): 7-22 Copies: over fifty copies exist (see GW, IGI, RISM

B6, and Dona); a vellum copy at I-Lodi, BC Copies seen: I-Florence, BN, C3.27 Provenance: (bookplate, front pastedown): FRANCISCI I CAESARIS AVGVSTI I MUNIFICENTIA.; (stamp on f FI) FIORENTINAE.BIBLIOTH.PUB Milan, Triv, D78 Decoration: flourished initials and rubricated chapters Size: 276 X 200 mm US-CA-San Marino, Hunt, 87540 Bound with 1492 edition of Theorica of Gaffurio Washington, LCM, ML 171.GI2.1496 Decoration: watercolors on title page, borders, and initials Binding: vellum 13 Gaffurio, Franchino Practica Musicae Brescia: Angelo Britannico, 23 IX 1497 H 7408; P 6995; GW 10435; BMC VII:979, XII:70; IGI 4 I3; Goff G4; Hubay, Augsburg, 842; Pellechet 4950; RISM B6 I:342; Sander 2984 Title, f wi: Mufice utriufq3 cantus practi I ca excellentis Frachini Ga J fori Laudenfis libris | quatuor modu I latiffima Explicit, f 115': Practica MuJicae Franchini Gafori laudenfis quatuor libris compraehenfa Finit I ImpreJfa Brixiae opera & impenfa Angeli Britannici : anno falutis Millefimoquatrin I gentefimononagefimofeptimo: nono Kalen : Octobris Collation: 2° 7r4 a-b8 c6 aa-kk8 116= 12 ff 37-38 11 I col Illustration: woodcut initials and music Music: notes and staves printed from wood in much of the book.

Note: reprinted, with the same quiring and mostly with the same page contents, from the 1496 edition of Le Signerre The music diagrams and examples appear to be printed from Le Signerre's original blocks, but the title woodcut and the borders have not been reused Copies: D-Augsburg, SB; F-Paris, BN; GB-Cambridge, UL; London, BL2; I-Bologna, BC, LM; Brescia, BC; Florence, BN; Genoa, BU; Modena, Est; Naples, BN; Padua, BU; Perugia, BC; Pesaro, Oliv; Rome, Cors; Treviso, BC; US-CA-San

Marino, Hunt; MA-Cambridge, HCL; MD-Baltimore, Walt; the copy at I-Venice, BN, has been lost for centuries Copies seen: GB-London, BL, 3II59 Size: 258 X 188 mm Provenance, bookplate: Rudolf Johann, Freiherr von Wrisberg (Hirsch Library, I:193) K.l.g.4 Lacks f 116 (blank) Provenance, f T7 I: Ricevuto in dono fattomi dal Sign: Gaet: Pinali in Verona li 2/g9 835 Gio Gasp Aiblinger Binding: brown calf stamped with British royal arms, marbled endpapers and edges I-Modena, Est, a A.5.20 (From Fava, p 635.) Provenance: Collegii Mirandolani Soc Jesu (i 7th century) Binding: vellum Treviso, BC, 13774.2 Bound with Gaffurio's Theorica Musicae, 1492 Size: 280 X i99 mm Provenance, bookplate: Biblioteca Rossi (Rossi became the librarian of the library in 1x8 , at which time he donated his io,ooo books, acquired mainly from suppressed monasteries) There is an old library mark on the front pastedown (L.3-98-H) and another above it (Cam 3/Scaf i8/Lett 306) Binding: cardboard with paper label 14 Gaffurio, Franchino Theorica Musicae Naples: Francesco di Dino, 8 X I480 H 7404; GW 10436; BMC VI:867 and XII:63; Goff Gs; IGI 4114; IDL I872; Pellechet 4947; RISM B6 i:343; Sander 298i Table, f [aI]: LIBER PRIMVS HVIVS OPERIS I Incipit, f [a2]: CLARISSIMI AC PRESTANTISSI MI MVSICI FRANCHINI GAFORI LAVDENSIS Theoricum

opus mufice | diScipline Ad Reuerendiffimu in xpo patre I dominum dominum Iohannem Arcimbol I dum miferatione diuina facrofancte Roma I ne ecclejie pfbiteru Cardinale Nouarienfem I PROHEMIVM f [b2]: DE EFFECTIBVS ET COMENDA I TIONE MVSICE Capitulum primu Explicit, f [p6]: FRANCHINI Gafori Laudenfis Muficef pfefforis theoricum opus armonice difcipli ne Explicit Impreum Neapolis per Magi I ftrum Fracifcu di dino florentinum Anno I dii.M.CCCC.LXXX Die octauo octo bris Inuictiffimo Rege Ferdinando regnan I te Anno regni eius vigeffimo tertio I f [P7]: [register] Collation: 4°. [a4 b-p8]= I I6 ff 26 11 I col Music: space for music Copies: A-Vienna, NB; B-Brussels, BR; D-Stuttgart, WL; F-Paris, BN; Maz; GB-Cambridge, UL; London, BL2; I-Bologna, BC; LM; Florence, BN; Mar; Sem; Milan, Ambr; Naples, BN3; Cons; Rome, Cors; NL-Utrecht, UB; US-IL-Chicago, New; Washington, LC2 Copies seen: I-Florence, BN, A.6.36 Marginal notes in manuscript Lacks f [ai] Size: 210 X 145 mm Binding: recent vellum 15 Gaffurio, Franchino Theorica Musicae Milan: Filippo Mantegazza for Giovanni Pietro da Lomazzo, 15 XII 1492 H 74o6=H 7405; P 6055; GW 10437; BMC VI:785 and XII:55; Goff G6; IGI 4115; IDL I873; Dona p 41; Kristeller LG 161; Panzer 2:69; Pellechet 4948; Polain 1528; RISM B6 1:343; Sander 2982

Title, f 7TI: THEORICA MVSICE FRANCHINI GAFVRI i LAVDENSIS I [woodcut of organ and organist] Colophon, f k8: ImpreJfum mediolani per Magiftrum Philippum Man I tegatium dictum Caftanum opera & impenfa Magiftri Ioannis Petri de lomatio anno Jalutis M.cccc.Lxxxxii I die xv Decembris Collation: 2 7T4 a8 b-i6 k8=68 ff 38 11 i col Illustration: woodcut on title page Music: notes and staves printed from wood, mostly in diagrams Bibliography: facsimile editions: ed Gaetano Cesari, Rome: Reale Accademia d'Italia, 1934; Bibliotheca Musica Bononiensis 2:5, Bologna: Forni, I969 Copies: F-Paris, BN3 (i vellum); GB-London, BL2; I-Bologna, Mus2; Florence, BN; Milan, Ambr; BN; Triv; Naples, BN; Novara, Sem; Parma, Pal2; Pesaro, Oliv; Piacenza, BC; Rome, BN; Cec; Cors; Treviso, BC; Turin, BN; NL-The Hague, KB; US-CN-New Haven, YUL; IL-Chicago, New; MA-Boston, PL; Cambridge, HCL; NY-New York, PL; Washington, LC2 Copies seen: F-Paris, BN, Vel 1028 Vellum Decoration: initials in gold and colors Size: 270 X 200 mm Provenance, f wTI: Ill'mo, Dno Comiti Amico D Caelestinus Monachus Benedictino Casinensis I dono dedit Anno Aevae vulgaris [first owner's name scratched out] Binding: marbled paper with leather corners and spine I-Florence, BN, 1.4.8 Manuscript music added Binding: boards and leather (restored) Milan, Triv.

B22/1 Bound with 1496 edition in blind-stamped leather Size: 270 X 200 mm Provenance [added leaf before title page]: Questo libro e de mio zantomas fisa mano 1514 Treviso, BC, 13779.I Bound with D 13 280 X 199 mm.

it Graduale Romanum Parma: Damiano Moilli & Bernardo Moilli, io IV 1477 See Figs 34-35 R I 176; IGI 4355 Incipit, f [aij (blank); f [ai]: Tabula caturie: f[a3]: CRedo i unu deu f [a7]: Impre'fuq3 e parme Colophon, f [m7V]: Mufica Bernado Daiano frib9 ars e I Sic ipffa pri9 :genu ( it quos parma moyl I los: 1477 die x april' Collation: :,o [a7(+ 1?) b-f0 g8 h-k'0 14 m7(+ ?}):= io6 (+2?) ff I 11 on table, 4 II on music pages In the Lodi copy, the first gathering is sewn after three leaves and apparently lacks the first blank leaf The last gathering similarly lacks a leaf (the last blank?) Watermark: paschal lamb, similar to Briquet 17 Music: printed notes and staves Music pages: throughout Staves: 55 mm; 4 red 4-line staves per page, 37!9 X 309.5 mm Music type: R2 Bibliography: Mary Kay Duggan, "The Music Type of the Second Dated Printed Music Book, the 1477 Graduale Romanum," La Bibliofilia89 (1987), 285-307 Domenico Fava, "II corale a stampa del 1477 e i suoi autori, Chiesa SS Incoronata di Lodi," Archivio storico per la citta, i comuni del territorio lodigiano e della diocesi di Lodi 58 (I939): 54-5I; the article was rewritten as "Le conquiste tecniche di un grande tipografo del Quattrocento," Gutenberg-Jahrbuch (I940): I47-56 Lamberto Donati, "Passio Domini Nostri Iesu Christi: Frammento tipografico della Biblioteca Parsoniana," La Bibliofilia 56 (i954):

207-15, with an illustration of f [m7V}, the explicit Carl Wehmer, "Udalricus Gallus de Bienna," in Contributi alla storia del libro italiano: Miscellanea in onore di Lamberto Donati, Florence: Olschki, 1969, pp 335-36 Copies: I-Genoa, Ben; Lodi, Chiesa SS Incoronata Copies seen: I-Lodi, Chiesa SS Incoronata Heavily trimmed, lacking half of the printed foliation at top Size: 48o X 360 mm Binding: leather over boards (Oct 1928) 7 Graduale Romanum Edited by Franciscus of Bruges Venice: Johann Emerich of Speier for Luca Antonio Giunta, 28 IX I499/I III I5oo See Figs 6, 7, Io H 7844; P 5502; BMC V:54r; Goff G332; IGI 4357; LB 704; Essling, Livres a figures, 1208; Panzer 3:2345; Pellechet 5288 (variant title page); Sander 321 I; M-B 20 Title, f 7Tr, red: Graduale Jm morem fancte Ro ) mane ecclefie: integru copletu I videlicet dnicale: fanctuariu: I comune: 7 catorinu: five ky I riale: impreJufi Uenetijs I cum priuilegio: cu quo etiam imprimuntur antiphonarium et I pfalmifta: fub pe na vt i gratia M.ccccc [printer's mark] correctum per fratrem Francijcum de Brugis I ordinis minorum de obferuantia Explicit, f ,8v (CCXVIIIV), red: Explicit graduale dnicale ImpreJfum Uenetijs cura atq3 impeJ nobil' viri luceatonij de giun I ta floretini: arte aut Ioanis emerici de Spira: Anno incarnationis dnice: I M.cccc.lxxxxix.iiij.

Kl'.octobris Explicit, f N7' (CCCXXVIII'), red: Finit feliciter comune fanctoru I maxima cum diligetia ac fum ) mo ftudio emedatu:impref fu3 Uenetijs impenfis no I bilis viri Luceantonij de giuta floretini arte I aut Ioanis Emeri I ci de Spira:anno j nativitatis dni i M.cccc.xcix xix.kl'.2.Febr Explicit, f U9 (CCCLXXXI), red: Explicit volume graduu:juma cura Ion I gifJimifq3 vigilijs pfectu: ImpJfi Uene I tijs tpeJ nobil' viri Luceatonij de giuta I floretini:arte aut Ioanis emerici de fpi ra Anno natal' dni M.ccccc.KI'.Martij Collation: 2° States vary State i: vol I: 7T' a7(8-1) bs8 tO'° v-8 8 98 8 ,8 = 218 ff.; vol II: A-C8 D-E'l F-T8 Ul"= i66 ff., for a total of 386 ff., numbered [31 I-CCCLXXXI [i} (with omissions); N8, Uxo blank i col State 2, with a preface added after the title page: vol I: 7T 12T 2 7(8-1) a , continuing as in state i Illustration: new set of historiated woodcut initials.

Music: printed notes and staves throughout Staves: 33 mm; 7 red 4-line staves per page, 381 X 257 mm Music type: R21 Bibliography: Giuseppe Massera, La "Mano musicale perfetta" di Francesco de Brugis dalle prefazione ai corali di L A Giunta (Venezia, 1499-1504), "Historiae Musicae Cultores" Biblioteca i8, Florence: Olschki, I963 Note: state i: without preface (272) State 2: with preface State 3: without preface and with variant title page, dated MCCCCC (DK-

Copenhagen, KB, Inc. 1745). State 4: with preface and second variant title page dated MCCCCCI (F-Paris, BN, B.1482). Copies: CS-Bratislava, UK; DK-Copenhagen, KB; F-Paris, BN; GB-London, BL; H-Budapest, BU; I-Florence, BN; Lugo, BC; Milan, BN; Modena, Est; Parma, Pal; Rimini, BC; Rome, BN; Venice, BN (vellum); Verona, BC; US-CA-Berkeley, UC (Mus); KA-Lawrence, UKL; NY-New York, Columbia UL; Washington, LC (vellum); Vatican City2, BV2 (vellum). Copies seen: DK-Copenhagen, KB, 1745.F-Paris, BN, B. 1482 (Pellechet-Polain 5288). State 3. 2 vols., Dl° instead of D8 and C8 instead of Cl°. Variant title, f. 7T , red: Graduale fm morem sancte Ro j mane ecclesie integrum I com- | pletum: videlicet dominicale I) fanctuariu: comune: 1 can I torinum fiue kyriale. [ M.ccccci I Cu priuilegio 9ceJSo ab illuftriJJi ] mo Veneto, domino pro di- I cto graduali modo impreffo I et etiam pro antiphonario I 7 pfalmifta iam imediate I imprimendis : jub pe-| na vt in gratia. I [printer's mark] I Correctum per fratrem Francifcum de Brugis ) ordinis minorum de obferuantia. I GB-London, BL, IC 24240. State 2. Lacks f. K8, N8, and Vio; a manuscript leaf with prayers for St. Francis is inserted for F8. Size: 501 X 348 mm. Provenance, f. >8": Ego beren [trimmed]. I-Florence, BN, 0.16. 2 vols. Vol. i lacks gathering 7T, ff.c5 and d5 (last present in manuscript);

vol. 2 includes a sheet pasted over f. Ai (CCXIX) with new music and a new woodcut. Decoration: major initials watercolored in early gatherings. Size: 5 7 X 358 mm. Milan, BN, Gerli Inc. 1-2. State I. 2 vols., lacks ff. E9-EIo, N8, UIo. Provenance: Duke of Parma. Modena, Est, a P.i.5 (Fava 660). Incomplete; bound in leather over wood, with bosses. Parma, Pal, Inc. Parm. 1I7I bis2. State I. Size: 523 X 354 mm. Provenance: I814. Die 2 Martii. Est Thomae Gasparotti Parmensis ex dono Adm. R. d. D. Vitalis Gallineri Monachi Casinatis. Venice, BN, Rari 708-709 (vellum). State 2. Lacks f. y4; ff. fI and tiV-2 have been scratched clean and manuscript music added. Collation, vol. 2. A-C8 D°(-Dl) E°1 F-M8 N8(-N8) R8(-RI.R8) X2 O-Q826 S8(-S1-7) Ts(-T4-8) 3X8 4X 6+1 U0(-1-8 10). Added manuscript vellum leaves include a Kyriale and mensural Credo. Added manuscript paper leaves include a table of contents, dated x746, and the endpaper at back with music for St. Didacus. Decoration: historiated initials in gold and colors. Size: 534 X 350 mm. Binding: leather over boards, bosses at corners, two leather flaps on each volume (only one remains). Pastedowns are discarded printed vellum leaves of vol. 2. Verona, BC, Inc.i190. State 2, Vol. i only: begins with the title page and one prefatory leaf before signature a. Size: 520 X 362 mm. Binding: ruled leather, restored with 2 new clasps. Appears almost unused, in contrast to other copies examined, but a few pasted-in corrections and a crossed-out passage indicate updating (perhaps at the printer's shop?).

US-CA-Berkeley, UC (Mus), JM2149. V4G7. State 2. Lacks f. Vio and sheets E5.6, I4.5, K2.7; 14. 5 and K2.7 replaced in manuscript. Size: 557 X 383 mm. Binding: leather over boards with bosses, one leather strap per vol., parchment label. Washington, LC, Inc. I5oo.c3 (vellum). Vatican City, BV. Inc. S.244-245. State I. Lacks signatures 08-P8, and ff. Qi, RI, R8, Si-S3, S5-S6, Ti-T3, T5-T6, V2, V4-VIo. Used as pastedowns: ff. T4, T7-T8, VI, V3. Music added in manuscript on f. N8 (blank), and a new vellum sheet inserted for Ri. Mensural Credo (f. CCCL) with manuscript title "Cardinalis." Size: 5i8 X 371 mm. Binding: leather over boards, io bosses at corners and center (8 remaining), leather straps to pegs on back for closings; vol. 2 has thumb pulls.

—Hymnarium. Milan: Leonard Pachel & Ulrich Scinzenzeller, 28 IV 1486. M-B 22 Note: the Hymnarium is the last part (ff. kIV-m4 [75V-94]) of the same printers' Psalter Ambrosianum, D 147. —Liber Baptismalis. [Pavia: Francesco Girardengo & Giovanni Antonio Beretta, 1480–1490.] R I786; IGI 5753 Incipit, f. a2, red: Incipit ordo ad faciedu aqua bndicta. I Dnica prima aduetus 7 T oibus dnicis I per annu pulfato figno ad tertia hebdo I madari9 itret facraftia: Explicit, f q4, red: Finitur opus libri baptifmalis cum mul tis benedictionib9 . . . bndictio fornacis: I Deo Gratias. Amen. Collation: 8°. a-f8 g4= 52 ff. Note: no space for music. Copies: I-Milan, Ambr. Copies seen: I-Milan, Ambr, 259. Lacks sheets al.8, bl.8. Size: 213 X 148 mm. Binding: marbled paper over cardboard, leather gold-stamped spine. 18—
Liber Catechumeni. Venice: Johann Emerich of Speier for Luca Antonio Giunta, 30 IV 1495. C 357I; R 2:203; IGI 5754; CIBN Supp L-

i62a; LB 7;24; Essling, Livres a figures, 839, plate XLIX off r2 '; Sander 1829 Incipit, f 7Tl, red: In hoc paruo libello qui intitula I tur liber cathecumini I queda valde putilia imprefja junt ad vjum vtilitateq3 facer I dotum fm ritum Ro I mane curie; que hic I in principio huius I tabule facilere I peries I [printer's mark] LA Explicit, f 14 , red: ImpreJ]um Uenetijs per Ioane emericu de fpy I ra Anno dni.M.cccc.xcv.pridie kalen Maij I [printer's mark, IE] Collation: 4- 72 A-B8C' 1(8-CiC2, C+C1.6, C2.5, C3.4) D_F G'0 lj8 J4=75 ff 30 11 i col The first three leaves of gathering C have been replaced by 3 half sheets or 6 leaves Illustration: full-page, border, and initials printed from woodcuts Music: printed notes and staves Music pages: B8v-C , C;-C3V, C4v, C6v, C9-D4, GI, G3'-", G8, H:[-H6, H7r-= 37pp Staves: 6 red 4-line staves in i col., 146 X 102 (143 X 99) mm Music type: Ri8.

Copies: F-Paris, BN; I-Palermo, BN; Poppi, BC; Venice, Cini Copies seen: I-Poppi, BC Size: 196 X 143 mm Provenance: bookplate on front pastedown C I GI, N16 On flyleaf: Inscriptus Catalogo: Bibliothecae S Eremi Cam an I856 I PWGF N27 Concerning the library of the nearby Camaldolite Monastery, see Elena Magheri Cataluccio and A Ugo Fossa, Biblioteca e cultura a Camaldoli: Dal medioevo all'umanesimo, Rome: Editrice Anselmiana, 1979 (Studie Linselmi 75) Binding: wooden board with leather spine labeled in gold "LIB CATHECUM"; bound with two other books Venice, Cini, 325 Signature C", as described by Essling, Livres a figures, p 839 Size: 207 X 150 mm Binding: brown morocco (Lortic) with Essling coat of arms in gold, marbled endpapers, gold edges.

19—Liber Catechumeni Venice: Giovanni Battista Sessa, 31 VII 1498 See Fig 54 C3572; IGI 5755; LB 725; LD 297 Title, f fi, red: In hoc paruo libello qui intitula ( tur liber cathecumini: queda I ualde p utilia imprefJa funt ad ufum utilitateq3 facer I dotum fecundum ritu I Romane curie: I [printer's mark, IBS]; f f2, red: ¢Incipit ordo maior ad cathecuminu facien I dum Explicit, f 18", red: Imprefurn Venetiis Ioanne Baptifta de Seffa Anno domini.M cccc I xcviii pridie kalen AuguJti I [printer's mark, IBS] Collation: 8° t8 A-I8 = 8o ff 3011 I col Illustration: woodcut initials Music: printed notes and staves Music pages: B8rv, CI-C4v, C6r-, DI-D4, D5-D7, G3-G4, G5-G6v, H2r-V, H5-I4 = 50 pp Staves: 6 red 4-line staves per page, 117 X 70 mm Music type: R24 Copies: F-Paris, BN; I-Cremona, G; Milan, BN; Modena, Est (Fava 830); Vatican City, BV Copies seen: I-Milan, BN, BG Inc 68 Lacks f tI, sheet EI E8 Size: I56 X 114 mm Provenance: Duke of Parma Binding: recent vellum Vatican City, BV, Ross 967 Size: 145 X I i mm Provenance, f 18": S Siluestri quirinalis Binding: blind and gold-stamped brown morocco.

20—Liber Catechumeni Venice: [Johann Emerich of Speier] for Luca Antonio Giunta, 6 VI 1500 R 59I; Goff LI98; IGI 5756; LB 726; M-B 23 Title, f 7rTi, red: In hoc paruo libello qui intitula I tur liber catecumini: queda I valde putilia impreJfa Jfit I ad vJu3 vtilitateq3 facer I dotiu fm ritu Roma ne curie: que hic in I principio huius I tabule facile I reperies I [printer's mark, L.A.] Incipit, f ai, red: ¢ Incipit ordo ad faciendum baptifmum fm curiam romanam Explicit, f: gi2 red: ImprefJum Uenetijs: Impenfis Lucantoni de giuta I Florentini Anno dfii.M.ccccc Octauo idus Iunij Collation: 4. T'2 a"2 b-f8 g'2=66 ff 30 11 I col Illustration: woodcut illustrations Music: printed notes and staves Music pages: b2r-v, b3v-b6, b7, c2-c7v, f2, f4r-v, f8r-v, g2v-g7v=37 pp Staves: 6 red 4-line staves per page, 61i X 113 mm Music type: Ri8 Copies: US-CA-Berkeley, UC (Mus); San Marino, Hunt; Y-Zadar, HA Copies seen: US-CA-Berkeley, UC (Mus), BX 2035.A2.I500 Size: 220 X 152 mm Provenance, f a2: 22 maggio 1582 I Caterina civitas nostri venecia Binding: vellum San Marino, Hunt, Ioo099 Lacks f c3 Size: 238 X 173 mm Provenance, bookplate on front pastedown: "Ex Bibliotheca Curatiae Leifers" and, in ink, "Ab ignoto relictus." Back pastedown: Maria geborna zu Leifers This copy was described by Reichling and his slip is in the book Binding: stamped calf with rolled border, bosses and clasps intact —Litanie Ambrosiane Milan: Archangelo Ungardo, [1476].

H Io112; GoffL23o; BMC VI.734; IGI 5767; M-B p 7 Note: No space for music Copies: F-Paris, BN; Maz; I-Bergamo, BC; Milan, Ambr; BN; US-IL-Chicago, New Copies seen: I-Milan, Ambr, 479—Litanie Ambrosiane Milan: Antonio Zarotto for Pietro Cassola, 23 IV 1494 H 10122; P 5835a; BMC VI:723; Goff L23I; IGI 5768 Note: No space for music Copies: F-Paris, BN; Maz; GB-London, BL; I-Milan, Ambr; Cap2; Turin, BN; Venegono, Sem Copies seen: F-Paris, Maz, Inc 764 I-Milan, Cap, 2G-3-I4; 2G-3-5.21—
Magnificat [Milan: Antonio Zarotto, 28 IV 1486.] BMC VI:752; M-B 24 Incipit, f [ai]: Magnificat aYa mea dominu3 Ends, f [a2 ]: Abachuc in hieme Collation: 4°. [a2]=2 ff I col Music: space for music Music pages: [ai], [a2 r-=3 PP Note: the Magnificat consists of two unsigned folios inserted in the middle of gathering i of the Psalterium Ambrosianum printed by Pachel and Scinzenzeller (D I47) Copies: GB-London, BL; I-Milan, Ambr; US-CA-San Marino, Hunt Copies seen: GB-London, BL, IB.26533 Size: 283 X I97 mm I-Milan, Ambr, 1459 US-CA-San Marino, Hunt, 101724.

22—Manuale Baptisterium Secundum Morem Romanae Ecclesiae Rome: Stephan Planck, 11 III 1494 GW ms; Przywecka-Samecka, p I i I F aI, blank; incipit, f a2 (ii), red: Incipit manuale baptifterium fecundu confuetu dinem Romane curie ac totius diocefis Neapoli I tane Explicit, f f3) (xliv): Explicit manuale baptifterium fcd'm morem Ro mane ecclefie fumma cum diligentia emendatum I Impreffum Rome per magiftrum Stephanum Planck Anno domini ·M'cccc'xciiij-die veroxi I menfis Martij-Sedente Alexandro-vi Pontifice Collation: 4°. a-d8 e f4=42 ff., numbered i-xlij 3 I11 i col Music: printed notes and staves Music pages: dI v, d3-d6v, eiv-e2, e5=13 PP Staves: 5 red 5-line staves per page Music type: Ri Copies: D-Stuttgart, WL Copies seen: D-Stuttgart, WL, Inc IO7I7B 4°. Size: 202 X 132 mm Provenance: Ernst Kyriss Coll., from Bayer Nationalmuseum, Munich Binding: vellum; with six other items —Messa Della Madonna Venice: Manfrino Da Monferra Da Strevo, 26 VII 1496 Essling, Livres a figures, 893; Sander 4307 Note: no space for music Copies: I-Venice, Cini Copies seen: I-Venice, Cini, 354 Latin missals are listed in two alphabetic sequences: (i) those for particular geographical areas or rites; (2) those for monastic orders.

23—Missale Ambrosianum Milan: Antonio Zarotto [for Marco Roma], 23 III 1475 See Figs 14–15 H 11254; P 5790; BMC VI:7I3; IGI 6542; CIBN M392; Ganda 37; Pellechet 7976 (7912); W 26; M-B 34 F [ai], blank; incipit,f [a2]: [space for incipit in red is left blank to be filled in by hand; first printed words] Vir ifte cuftodiuit Explicit, f [dd6]: Finis I Antoni patria parmenjis: gente zarotte: I Primus miffales imprimis arte libros Nemo reptore3 nimiu3 Je iactet in arte I Addere plus tantu q3 pepiffe ualet I Impreffum in alma ciuitate Mediolani ) M cccc lxxv decimo kalen aprilis per ) Antonium Zarottu3 parmenfem Collation: 2° [Tr6 a-z8 aa-cc8 dd = 220 ff 41 11 2 col Illustrations: none Space for initials, Crucifixion, and music Music: space left for music on ff [d3v, f6-f7', g3V-g4v, 16, 03, o5V-o7, p2-p3]= 17 pp Staves: space for 8 staves per column Bibliography: Arnaldo Ganda, "La prima edizione del messale ambrosiano (1475): Motivi pastoralli e aspetti commerciali," La Bibliofilia 83 (1981): 97-II2 Copies: F-Paris, BN; GB-London, BL; I-Bologna, BU; Milan, Ambr; BN; Vatican City, BV Copies seen: F-Paris, BN, Res B.1485 28 gatherings, ff [I5, 8] blank for Crucifixion Music added in manuscript, Ambrosian chant on a four-line staff of

which the line for C is drawn in yellow and the line for F is drawn in red Decoration: initials in gold and colors, minor initials in red or blue Red text added Size: 290 X 211 mm Provenance: Victor Advielle of Arras Binding: restored leather stamped in gold GB-London, BL, IB 25954 Decoration: Crucifixion drawn and colored (f [o8'V); major initials in gold and colors, minor initials and rubrics in red Size: 324 X 320 rnm Binding: gold-stamped leather IBologna, BU, A.V.B VIII.36 Lacks ff [iio-iiI, Ii5-16] Leaves numbered in red ink, (6) i-ccxiii Decoration: initials in gold and colors Red text added Size: 275 X 206 mm Binding: blind-stamped leather restored, 2 clasps missing Milan, Ambr, S.P.II 22 The complete music has been added in Ambrosian plainchant on staves of a single red line or a red line and a yellow line Decoration: initials in gold and colors, rubricated in red and yellow Binding: red morocco stamped in gold; bound in at front are 8 manuscript leaves, "Brevi cenni sul presente Missale Ambrosiano," that trace the provenance from Santa Maria delle Selve (1574) to the hands of the French, who sold it to Father Luigi dell'Acqua, whose heirs in turn donated it to the Biblioteca Ambrosiana BN, AM XIII.i Size: 322 X 230 mm Binding: leather over boards, blind-tooled, bosses intact (not original binding).

Missale Ambrosianum Milan: Leonard Pachel, 27 VIII 1478 Molitor, Nachtriden, p ioi Note: only in Molitor, apparently an error Pachel printed an edition on 27 VIII 1499 24 Missale Ambrosianum Milan: Christoph Valdarfer, 15 III 1482 See Fig 57 H II255; R 3:I09 (22 ff); IGI 6543; Graesse 4:543; Panzer 2:45; Pellechet 7977; W 27; M-B 35 Incipit, f [a ], red: In noie yhu xpi incipit miffale 1 p totius anni circulum fecundu I g9uetudine diui Ambrofij pris I nri copofitu3: Explicit, f D5: ImprefJum.Mediolani per I Xpoforum Ratifponenfem an no.Mcccclxxxij.Die xv.men I fis Martij o 6-o811 8 4 8 6 Collation: 2 [1T6 a-b c-i] k-n8 [o4 p8] q [r-t8] u-z' A-C8 D6=2I8 ff., numbered (6) 1-212 Music: printed notes and staves Music pages: space for music on f 26V; 45-46v, 50V-51v, 85, Io6v, Io8-io, 112-13 = 17 pp Staves: 8-9 red 4-line staves per col 206 X I45 (67) mm Music type: AI Note: space is left for music on the first leaf on which music is required, though music is printed as needed in the five later gatherings ([f], 1, n, [o], [p]) The particular liturgical moment, before the gospel of Easter Sunday:

Lecto evangelio, statum diaconus annunciat pasca resurrectionis Noverit caritas [music] dfii futurum ac modo is not generally accorded a musical incipit in manuscript missals of the period, and nowhere else in printed missals, as far as I have observed The reason the music was not printed in the space might be that the passage called for complex neumes beyond the capabilities of Valdarfer's type Copies: F-Paris, SG; I-Milan, Ambr2; Cap; Rome, BN Copies seen: I-Milan, Ambr, 379 Decoration: flourished red initials; stippled Crucifixion pasted on leaf inserted after blank f [02] Provenance, f [7r6]: Nov ec' Caroli Borromei Arciepiscopi Mlii S.P 11.20 Lacks f D6 Woodcut Crucifixion pasted on blank folio Decoration: initials in gold and colors Size: 322 X 219 mm Binding: red morocco Cap, 2G-1-4 Lacks f D6, register Size: 325 X 228 mm Provenance: Mei Joh'is Francisci Borghi Canonici Insignis Basilice Scti Stephani 1793 Binding: paper over cardboard, leather spine.

25 Missale Ambrosianum Milan: Leonard Pachel & Ulrich Scinzenzeller, I VIII 1486 R 995; IGI 6544; W 28 Incipit, f 7r8: Incipit officiu ad aqua bndi I cta facienda: f 9fuetudine I gloriofifJimi antiftitis.ac pa | tris noftri Ambrofii f ai: In note yhu xpi icipit miffa I le p totius ani circulum fecu I dum cofuetudinem diui Am I brofii patris noftri copofiti Explicit, f F6: Impreffum Mediolani per I Leonardum pachel 7 Ulde richu fcinzenzeler Anno dni i M.cccclxxxvi kal' Augufti Collation: 2 78 a-p q r-z 8 9-E F6=264 ff 37 I 2 col Music: space for music Music pages: d6V-d7v, g4v-g6, h2-h3^{v, n3, q6, q8-q o, r2-r3 19 pp Copies: I-Lodi, BC; Milan, Ambr; BN2 Copies seen: I-Lodi, BC, Inc 6 Lacks f 7ri Manuscript Ambrosian plainchant on a red 3-line staff on ff q6,}

q8-q o, r2V-r3 Binding: recent vellum Milan, Ambr 1135 Lacks f r i A watercolored woodcut Crucifixion is pasted on f qIo". Size: 334 X 238 mm Binding: marbled paper over cardboard; leather spine broken so that gatherings are clearly visible BN, AM-XII-20 Lacks f Tr i and qIo Binding: new oak boards AM-XIV 9 Lacks f T i Provenance, f 7T2: Caroli Aloysii Pionii Binding: vellum, gold-stamped spine Missale Ambrosianum Milan: Antonio Zarotto, 1486 Ganda 138*; W 29 Note: apparently a ghost The three copies mentioned by Weale (I-Rome, Ang; Vatican City, BV; Turin, Biblioteca Universitaria) appear to be the 1488 edition by Zarotto 26 Missale Ambrosianum Milan: Antonio Zarotto for Andrea de Bosis, I III 1488 H 11256; R 3: 09; IGI 6545; Ganda 145; Kristeller LG 247a; Sander 4672; W 30 (8 if a-z = I94 unnumbered leaves) Incipit, f ai, red: In nomine fancte et indiuidue tri I nitatis amen I Incipit liber miffarum totius ani fecundum morem Ambrofiane I ecclefie Explicit, f zio, red: Explicit miffale: I fecundu3

9fuetu I dinem fancti Ambrofii Impreffu3 mediolani per magrm Antonium I zarotum parmenfem Emendatu [ per reuerendum dnm prefbyteru3 I Andream de boffis: prepofitu fan Icte Tegle qui fua opera I impenfa I primi curauit Anno dni M.cccc I lxxxviii.calendis martiis Collation: 2° Tr8 a'l b-e8 f-g6 h-18 m-no o-y8 z = 194 ff., Tr i and 7r8 blank, ai unsigned followed by aI, a2, a3, a4 43 11 2 col Illustration: woodcut initials and Crucifixion, f mio Music: printed notes and staves Music pages: di, f3v-f4^{v, g2"-g3, k3, k4-k5, m6V-m7, m8-mg9, n2-n3v= 9 pp Staves: 8 red 4-line staves per col., 208 X I55 mm Music type: A3 Copies: I-Milan, Ambr; BN; Cap; Triv; Rome, Ang; Turin, BN; Van Praet listed a vellum copy for sale in 1804 Copies seen: I-Milan, Ambr, 397 Decoration: initials in gold and colors Size: 300 X 214 mm Provenance, f zioV: Mcccc°lxxxx°vij die xxiiij° mensis martii I Ego Ambrosius de crinetis fq dfii Ioh'ni emi hoc Missale pro uxu altaris mey syti i Ecclexia Sancti Georgii; coat of arms on f aIV BN, AM-XII-22 Lacks ff aio, mio, z3, z8 and sheets IT.8, ni.8, and z2.7 Leaf zio lacks lower portion Size: 304 X 218 mm Cap, 2G-I-13 Lacks two leaves of signature IT and f mio (Crucifixion) A woodcut Crucifixion is added between ff mg and ni Decoration: some initials watercolored Size: 303 X 224 mm Provenance, front pastedown: Ex libris HERCULIS DE SILVA (coat of arms) Folio}

7T6, calendar: November: die consegratio Scte marie de trast Back pastedown: Ex libris Frid.ci Minetti I VI Kal Iul i868 Binding: leather over cardboard, gold-stamped labels on spine Triv, A Io2 Size: 300 X 200 mm Provenance: SS Cosme et Damiani Mediolani Ordinali S Augustii Binding: vellum Rome, Ang, Inc 79 Lacks first unsigned gathering, begins f a2 Added on f zioV (in manuscript): Missa in comemoratione sancti pontifis gregori [and other masses] Size: 315 X 220 mm Binding: leather, 2 clasps (recent) 27.* Missale Ambrosianum Milan: Antonio Zarotto, 1490 Graesse 4:543; Ganda I64*; W 3'* Collation: 2° Copies: none known 28 Missale Ambrosianum [Preceded by the Calendar of Valentino de Meregari, Milan, 1494.] [Milan: Giovanni Antonio d'Onate, 1494] See Fig 29 C 4079; R 3:109; IGI 6546 (with the types of Giovanni Antonio d'Onate); Kristeller LG 247b; Rhodes 1204 (as cited here); Sander 4673 ([Jacobus de Sannazaro]); W 32 ([Jacobus de Sannazaro]) F 7r2 V: Per Ualentinum de Meregariis I Artium 7 medicine doctorem Me I diolanenfem Anno Nati.dfii 494 Incipit,f a i, red: In nomine domini Jesu Christi Missale fm more diui Ambrofij In vig S Martini epi ingressaf ,io, red: FINIS.

Collation: 2 Tr2 2T6 a-ms N6 o-z8 7 9 0= 216 ff.; 07 mis-signed as 06; 7r T blank 36 11 2 col Illustration: woodcut initials and Crucifixion, f n6" Music: notes and staves printed from wood Music pages: Io =I page Staves: a 3-line black staff Note: a colophon in the perpetual calendar (Tr2) identifies its printer, place, and date The rest of the edition has been assigned to Onate on the basis of the types Copies: GB-Oxford, Keble; I-Milan, Ambr; BN;

Cap; Triv; Turin, BN Copies seen: GB-Oxford, Keble, Brooke 166 Lacks f 7r F yioV, in manuscript: Messa sci antonii abatis Provenance, ex libris: I9II, Charles Edw Brooke, Vicar of St John the Divine, Kennington, Surrey Binding: modern red morocco I-Milan, Ambr, 1462 Size: 230 X i65 mm Provenance, added leaf at front: Hoc Missale aspersum | in Latere paginavum notis S Caroli Borromaei M SL 8 Binding: boards with leather spine, bosses, clasps missing BN, AM-IX41 Lacks f 7r , blank 9 Missale Ambrosianum Milan: Leonard Pachel for Nicolao, priest, 27 VIII 1499 H I1257; IGI 6547; Kristeller LG 247c; Pellechet 7978; Sander 4674; Sassi DCV; W 33; M-B 36 Incipit, f a.r: Incipit liber miffarum totius ani jecundum morem Ambrofiane I ecclefie Explicit, f z6 (clxxiii), epigram: Hoc cajtigatas: correcto codice miffas Ambrofij cernas: quo reparata fides Hinc moreS legeq3 pios: hic jcader celu Condifcat populus religione facer Nicoleos minimo 9gtabut: credite: dixit Prefbyteri: vt fpargat talia p pptos Thefauros igit' cupiens haurire falutis ppetue: hoc dignu fepe retractet op9.

Impffum Ml'i p magiftrum Leo nardu pachel Anno dni M.cccc I lxxxxviiij.die.xxvij.Augufti Collation: 2z 7Tr a' b-ge h-l8 m8 n'0 o-y8 z6= I97 ff.; numbered (6) i-clxxiii with errors 42-43 11 2 col Illustration: woodcut initials and illustrations (ff 7Tr Lv, m8V) Music: printed notes and staves Music pages: di, f3v-4, k3, msv, m6V-m7v, n2-n3 v= I3 pp Staves: 9 red 4-line staves per col., 214 X 15 mm Music type: A2 Bibliography: Wilhelm Martin Luther, "Notendruck: Von den Anfangen bis i5oo," in Die Musik in Geschichte und Gegenwart 9 (196 ), pl 4 Copies A-Vienna, NB; F-Paris, SG; I-Milan, Ambr; BN Copies seen: A-Vienna, NB, Ink 2.C.4 Size: 3-?3 x 230 mm Prov.: Ex dono J B Geissler, I84 I-Milan, Ambr, I796 Lacks first gathering and ff ai and m7-m8 Binding: blind-stamped leather with 8 bosses, missing clasps (restored) BN, AMXIII-i8 Lacks four leaves of gathering m and f n i Missale Aquileiense Milan: Christoph Valdarfer, i IX 1482 See Missale Romanum of the same date (D 6I) 30 Missale Auscitanum Pavia: Francesco Girardengo, I495 See Fig 6o W 120 Title (Claudin), f [], red: Missale secundum ecclesiam auxitanum I [printer's mark] Explicit (Claudin), verso of last leaf, red: Papie, per Franciscum Girardengum I M CCCC XCV Collation (Claudin): 4°. 240 ff., numbered [8] I-CCXIII [3}.

Music: printed notes and staves Music pages: 46 as calculated from microfilm Staves: 7 red 4-line staves per col Music type: R29 Bibliography: Anatole Claudin, Les Origines de l'imprimerie a Auch, Paris: A Claudin, i894, p i I; Siro Comi, Tipografia pavese, Pavia, 1807, p 123 Copies: F-Auch, Sem; Tarbes, BM Copies seen: F-Tarbes, BM Microfilm of music leaves Missale Bisuntinense Venice [Lyons]: Jacques Maillet, 14 IV 50oo C 4098; Essling 5; Pellechet 7989; Sander 4683; W 176 Bibliography: Henri Louis Baudrier, Bibliographie lyonnaise, 12 vols, (Lyons: Brun i895I92I), 12: 437 August Castan, Catalogue des incunables de la Bibliotheque publique de Besanfon, Besanqon: J Dodivers, I893, no 699 Note: the edition is a reprint of the Lyons edition of 1497 According to Baudrier (p 437), since it was not authorized by the archbishop, the printer used a false location in the colophon 31 Missale Burgense Venice: Johann Hamman, 14 III I490. Accurti, Aliae Ed., 50; Sander 4684 Incipit, f ai, red: In nomine diii.noftri ie fu chrifti Sacti fpirit9 afjit I nobis gratia amen Incipit I miffale fm confuetudine ec I clefie burgenfis I Explicit, f r6, red: Finit miffale fm vfum ec I clefie burgenfis: accuratiffi me emedatu: Impreffu3 ve I netijs diligetiori cura Ioha nis hamani de Ladoia ale mani Anno Icarnatiois xpi I M.cccc.xc pdie id9 Martij.

0,ii 0 6 8 6 86 8 Collation: 2 T6 a-m8 mm n-t8 v x-y8 z A-I8 K-L6 Ml2 N°=298 ff 35 11 2 col Foliated in

manuscript red ink at upper left; printed register includes foliation. Illustration: woodcut initials and Crucifixion, f. x5v. Music: printed staves. Music pages: i3--i5, mi , m3-7, mm2 -mm5 ,xI-X5, x7 35 PP Staves: 9 red 3- to 4-line staves per column, 268 X I64-66 (75-76) mm. Copies: Vatican City, BV. Copies seen: Vatican City, BV, Inc. I.io6. Lacks ff. 77I, mmi and a large part of mm6. Manuscript roman plainchant on f. x8v. Size: 333 X 232 mm. Provenance, f. k8: Yo Juan del arp(?). The copy remained in Burgos until 19I I. It was donated to the Biblioteca Vaticana by Stanislaus, Count of Le Grelle, in 1950. 32. Missale Claromontense. Venice: Giovanni Antonio Beretta [and Francesco Girardengo], 29 IX I492. C4I 2 =413; Essling 6 (8, 332ff); Marais 360; Pellechet 8oo00 = = 8 8002; Sander 4700; W 277; M-B 58=59 Incipit, f ai, red: Ordo miffalis fm confuetudinem ecclefie claromo I tenfis ac.f.flori ad laude3 I dei ipotetis: icipit felicit. Explicit, f. tt4, red: Uenetijs. 1492. die.29.fe- I ptembris. I Ioannefantoni9 birreta. I [printer's mark, IAB]. Collation: 8°. 7r8 a-z8 78 98 8 aa-ff8 tt4= 364 ff. 34 11. 2 col.

Illustration: Crucifixion, f. bb3". Music: space for music. Music pages: 7-bb3, bb5-bb6V=29 pp. Staves: Space for 8 staves per column, with only I.5 mm. between cols.; Meyer-Baer erroneously describes the work as having only one column (M-B 58). Bibliography: Tullia Gasparrini Leporace, "La societa Beretta-Girardengo (1479-1492) nei documenti inediti coevi," La Bibliofilia 50 (1948): 24-52. Note: since Beretta was known as a publisher, Francesco Girardengo was probably the printer of this as well as his other books (Gasparrini Leporace, pp. 30-31). C4 112 and M-B 59 give a variant place of publication, Lyons. The copy cited by Meyer-Baer as M-B 59 (F-Paris, Maz, Inc. 693) lacks the final gathering (tt), so contains no colophon. Sander 4700 states that C4112 (Lyons) equals C4113 (Venice). My notes indicate that the title page is identical in the two editions and the Crucifixion appears on the same leaf, but the music space begins on f. 77 in the copy at the Bibliotheque Mazarine and on f. )7 in the Bibliothe'que de l'Arsenal, corroborating Copinger's classification of the books as two separate editions. Weale cited another copy of the Lyons edition at Lyons, Bibliotheque des Peres Jesuites, which might provide the different colophon. Meyer-Baer (M-B 59) attributes the Lyons edition to Topic.

Copies: F-Lyons, BM; Paris, Ars, Maz. Copies seen: F-Paris, Ars, 8° T.214 I. Provenance, f. 7r i: Joannes (canon at Clermont-Ferrand), 1586. At front: Oratorii Sammagloriani I Ex dono R. P. Le Brun. Binding: leather over cardboard. Maz, Inc. 693. Lacks sheet 71T.8, f. 77T2, and final gathering. Size: 140 X ioo mm. Binding: gold-stamped calf. 33 Missale Messanense. Messina: Heinrich Alding, 31 V I480.H I 1304; Dibdin 6: 90-91, I I85; Panzer 9:255, 3b; Sander 4704; W592 Incipit (Dibdin), f. [7], red: In laudem et gloria3 fancte ac I indiuidue trinitatis: Marieq3 I femp virginis: atq3 fanctoru3 I omniu. Incipit ordo miffal' fe-I cundu3 cofuetudine Gallico, I Dominica prima de aduetu do I mini: Introitus. ( Explicit, f. [228]: Sedete Sixto quarto poti- fice maximo: Opus hoc sacriu impreffum eft: in urbe nobili I Mefsana per Henricum aiding I Regnante diuo Ferdinando: I Caftelle: Arogonu [sic]: Sicilie 7 c. I rege. Anno ab incarnatione I domini: Millefimo quadringe I tefimo octuagefimo. pridie ka I lendas Iuniii [sic]. Feliciter Collation (Borselli): 2°. (6) (88) (134)=228 ff. 41 11. 2 col. Illustration: an engraved Crucifixion by Israel van Meckenem added to the only known copy. Music: space for music. Music pages: [78v-82, 86r-v, 88v] 13 pp. Staves: space for io staves per col. Bibliography: Antonio Borselli, "La produzione tipografica di Enrico Aiding in Messina," Gutenberg-Jahrbuch (i931): 122-38.

Copies: GB-Manchester, JRL. Copies seen: GB-Manchester, JRL, M.MI3 9PP. Microfilm of music leaves. Seventeen manuscript leaves inserted between groups of 88 and 134 leaves. Initials by hand, rubrics in red. An inserted leaf contains a colored copperplate engraving of the Crucifixion by Israel van Meckenem (see Ottley, History of Engraving,

2:663) Size: 212 X i40 mm Provenance: "Liber iste pertinet ad fratres domus annuntiationis beate marie vulgariter dicte Nazareth in bruxella ex donatione Iudoci Rampaert Ad vsum vero celebrantis ad altare sanctorum martyrum Sebastiani et Adriani diebus sabbatis ex fundatione prescripti Iudoci Ram." Purchased by George John Earl Spencer from Mr Sams of Darlington Binding: grey calf, edged in gold ( I th century) 34 Missale Messanense Venice: Johann Emerich of Speier, 28 VI 1499 IGI 6570 (IV, plate XIX off Q7) Incipit (IGI), f aI: Ad laudem et gloria sancte ac indiuidue trinitatis: et Ma I rie semp virginis: atq3 sanctoI omniu3 Incipit ordo missalis bene reformatus 7 de nouo cor I rectus multis superadditis: et I presertim in sanctuario I communi: ac etia bene rubricatus: | pm consuetudine Gallicoru et messinensis ecclesie Dominica I pma de aduetu dni: Introitus Explicit, f Q7: ¢(Accipite optimi racerdotes I opus hoc facri iuxta more Alme ec-I clefie Meffanenfis expletu: ac fideli ftudio emendatii atq3 re ) uiJum Imprefjum Uenetijs: per Ioanne Emericu ale manu Spirenj diocef Regnate diuo Ferdinado I Caftelle:Aragonu: Sicilie 7 c rege: Anno ab Tcarnatoe clni M.cccc.xcix.iiij.kl' Iulij I Deo gratias I (RegiJtrum.

Collation: 2° + 12 a-s8 t'2 A-G8 H'0 IQ8=94 ff 36 11 2 col Illustration: woodcut initials and Crucifixion Music: printed notes and staves Music pages (from microfilm): m4-m8", n2r -= 12(+ ?) pp Staves: 7 red 4-line (and 5-line) staves per col., 77 X 130 (58-60) mm Music type: Ri9 Copies: I-Catania, Sem Copies seen: I-Catania, Sem Microfilm of music pages Lacks leaf preceding Canon Missale Nannentense [Venice: Bartolomeo de' Blavi, Andrea Torresani, and Mapheo de Salodio Sociorum, io V I482.] C 4 i68; G;aesse 4:547; Pellechet 8032, photo off al (I66 ff ); W 66i Incipit, f a;: Incipit miffale Jrm ufu diocef Na meten requifitione Reuere.in xpo I pris dni petri de thafault epi eiuf de dioc Dnica pma in aduetu diii Explicit (from manuscript leaf at end): Impressum est hoc missale uenetiis cura et industria Bartholomaei de Alexandria, Andreae de Asula et Maphei de Salo, sociorum, anno salutis dominicae MCCCCLXXXII, vj idus Maii Laus Deo Collation (W): 2° T6 a-i8 k5 I-t8 u4=67ff 2 cols According to Pehant and Pellechet, signatures a-x include 166 ff Illustration: woodcut initials and Crucifixion Music: according to a letter from the conservator of the Bibliotheque Municipale of Nantes, M Jacques-Yves de Sallier Dupin, the book contains no space for music.

Bibliography: Emile Jules Fulgence Pehant de Guerande, Catalogue methodique de la bibliotheque publique de la ville de Nantes, Nantes, I859-I874, 1:68, no 1276 Copies: F-Nantes, BM Copies seen: none F-Nantes, BM, Inc ioo (from Pehant and letter of Conservator Jacques-Yves de Sallier Dupin) Lacks final leaf (leaves) with colophon Contains 4 manuscript leaves at end entitled "Observations sur ce missel a l'usage du Diocese de Nantes imprime a Venise en 1482," which point out that the copy is incomplete It gives the provenance as: "Ex dono Cl Viri Joannis Langlois doct Sorb(?) Victoris Sta crux Nannetensis I609." Several engravings of the i7th and 18th centuries have been added to the volume 35 Missale Parisiense Venice: Johann Hamman & Johann Emerich of Speier, io XI 1487 See Fig 23 H II340; CIBN M437; Essling 14; Pellechet 8038 (7970); Sander 4709; W 700; M-B 97 Title, f 7ri: Miffale j;m uju3 ecclefie pariJieJis Incipit, f ai, red: Incipit miJfale jm vfu3 ec-I clefie parifiefis Dnica p'ma I aduent9 ad miffa3 Introit9 Explicit, f 012: Ad laude3 dei omnipotentis: eiufq3 intemerate ge I nitricis 7 virginis: In cuius honorem fundata eft I facra eccl'a parifienfis: totiufq3 curie celeftis Actu I 7 completu3 extat arte imprefforia pns hoc miffale I feu miffe ordinarium in Venetiari preclara vrbe: pfateq3 ecclefie ritui accomodu In quo diligenter I adiuctis ipfius ecclefie conftitutionibus atq3

con fuetudinib9 fingulifq3 feftinitatib9 fuum ad locu3 I appofitis: Imprejforibus quide3 Ioh'is I hamani de Landoia : Ioh'ifq3 emerich de vdeherm I ocijs Anno domini millefimo quadringentefimo I octoagefimo feptimo: die.x.menfis Nouembris I red: LAVS DEO Collation: 8 7r a-18 m12 mm8 n-u x'2 y-z8 A8

B'1 C-N8 012=326 ff., numbered [8] i-C [8] Ci-CCCx. 32 11. 2 col. Illustration: woodcut initials and Crucifixion, f. mm4. Music: printed staves. Music pages: mm3vmm4, mm6V-mm7, 03V-o4=6 pp. Staves: 9 red 4-line staves per col., 136 X 86-87 (40.5-42) mm. Copies: F-Paris, Ars; BN; Troyes, BM (see Jean-Marie Arnoult, Bibliothtques de la region Champagne-Ardenne, Catalogues regionaux des incunables des bibliotheques publiques de France I, Bordeaux: Soc. des Bibliophiles de Guyenne, 1979, no. 1055. Copies seen: F-Paris, Ars, 8° T.2207. Table in manuscript, 2 leaves at end. Decoration: initials in red and blue. Size: i88 X 125 mm. Provenance: Oratorii Sammagloriani I Ex dono R. P. Le Brun. Binding: leather over boards (restored), 2 clasps missing. BN, Res. B. 4663. Plainchant in manuscript on ff. mm3V-mm4. Size: i86 X 125 mm. Provenance: Bibl. Royale. Binding: leather over boards, 2 clasps missing. 36. Missale Quinque Ecclesiae. Venice: [Johann Emerich of Speier] for Johann Paep, 24 IV I499H 11355; C 3:275; Essling 17; Hubay, Missalia, Io; Panzer 3:4o6, 2548; Sander 4729; W 804 Title, f aa i,red: Miffale Jm morem alme eclefie Quinq3 ecclefiefi. Incipit, fai,red: ¢ Incipit miffale diuinoru I officiorum: tam de tempore I q3 de fanctis fm chorum al- I me ecclefie

Quinq3ecclefie- I is. Dominica prima in aduentu domini Introitus ad I miffam. Explicit, f. L6, red: 4 Finit miffale Jfm chop al me eccl'e Quiq3eccl'iefi. Im I ppu3 venetijs ipefis Joh'is I Paep librarij buden. Anno I M. cccc.xcix.viij.kl' maij. Collation: 4°. aa"2 bbl a-z A-L8= 294 ff., numbered [22] I-CCLXVII [51 23 11. 2 col. Illustration: woodcut initials [and Crucifixion, f. o8?]. Music: printed staves. Music pages: m4-nI, n4v, 02-07, [o8 missing], 5r-v, p6"=26(+?) pp. Staves: 6 5-line staves per col. Copies: H-Budapest, BN2 (i vellum); Pannonhalma, Ben (vellum); Pecs, BU (vellum). Copies seen: H-Budapest, BN, 99o (paper) (viewed on microfilm). Manuscript music added to most printed staves. Three pages of prayers added at end in manuscript, including Missa de Sancti Gratoni. Provenance, f. aaI2v; Georg. Klimo Eppus Quinque Ecclesien. 1769. Also: Hunc librum possidet nunc Gallus presbiter. . . Ego Gallus presbiter I5 undecimo primo sum presbiteratus et emi hunc librum. - Missale Romanum. [Italy? 14??] W 840* Note: see item after D 82. - Missale Romanum Multis Figuris Historiisque Suis in Locis Recte Appositis. [Venice? 14??]

H II363; W 842* Note: probably the missal cited as Sander 4801; a copy with the above incipit, printed by B. Stagnino in Venice on 3 VIII I509, is at I-Rome, Cors. 37.* Missale Romanum. [Venice: Johann Emerich of Speier, 14??] GW ms.; Sander 4783; W 85 (262 f) Incipit (Sander and GW ms.), fI7, red: ¢(Incipit ordo miffalis fcd'm confue- tudinem romane curie. Ends, f. H8: fepiter I na ptectione cofirment. Per )f H8, woodcut. Collation (GW ms): 8°. aa-bb8 a-p8 pq8 q-z8 A-H8=272 ff., numbered [i6] 1-248 with errors. 36 11. i and 2 col. Illustration (Sander): beginnings of sections are framed by borders and small woodcuts (273 woodcuts). Note: references to this edition are in W (repeated by Sander) and in GW ms. W is without an asterisk, indicating it was personally inspected, and includes the following details: "8vo. 272 (?) Fol. (aa, bb8, a-z8, A-H8). 2 col. 36 lin." Those signatures contain 264 leaves rather than 272. Copies (W): D-Frankfurt/Main, SB. Copies seen: none known. Ohly's recently published catalog of incunabula of the Stadt- and Universitatsbibliothek in Frankfurt includes two editions of Emerich's missals: no. 2024, Missale Romanum, 28 VI 1498, 2°, 208 ff. (W 945), and 2013, three copies of Missale Praedicatorum, 6 III 1500, 8°, 240 ff., numbered 1-272. This

latter may be the book described by W as an octavo missal without colophon and therefore with place and printer unidentified, containing pages numbered 272, with many errors. The signatures of the five copies of the Missale Praedicatorum of Emerich (D 141) that I have seen contain two gatherings outside the main sequence but are otherwise quite different: 7r8

I-288 t8 for 240 ff., gatherings 1-28 numbered 1-272 [2] ff 38 Missale Romanum [Central Italy? ca 14;2?] Goff M 643 [ca 1480-1490]; Martimort I; M-B 22 1 (printed staves) Printed material begins, f [ai], black: [AID te leuaui I alam I mea3 I deus I meus I in te I gfido non erubefcam neq3 irride I ant me Ends f [ee9g', black: Gaudete te exl'tate:qm merces ue I ftra copiofa e i cel'o Last three lines scratched from vellum Collation: 2° [a-z'° aa-ee"] [ +ff-1 10?]= 280 (+60? ff 29 11 2 cols Illustration: space for a half-page Crucifixion, f [q 1;25 large initials of 5 to 9 lines, and small initials Music: space for music Music pages: [i5v-i7, m3"-4, m6, m9 5-n5 , 07, oio-pIO q, q3-q5]= 47 pp Staff: space for 7 3-line staves per col Bibliography: Pierce Butler, ed., A Checklist of Fifteenth Century Books in the Newberry Library, Chicago: The Newberry Library, 1933, no I 65 Note: apparently the first printed missal The reissue with a printed calendar was dated by Tocci (p 192) from the evidence of the absence from the printed calendar, Franciscan in character, of the feast of the Translation of St Bernardino of Siena (17 May), which was established in November 1472 The two gothic types (Gi46 large, Tocci, Plate XIX; GI46 small, BMC VII: o75, plate XCVIII*, called

"I48G") vary in face size, but necessarily have the same body size since set side by side on the same line The larger was never reused The smaller was reused in an edition at Ascoli Piceno by a Franciscan printer, Giovanni da Teramo, in 1496 In the first issue, almost all red text including the incipit is in manuscript, while in the reissue rubrics of three lines or more are printed in red and a printed calendar is in black and red Red printing appears on fourteen pages, three of which are entirely red and all of which are in gatherings that contain music and would have required special care in composition (ff [m5Vm6, m7-rm8V, mg9, n5V, o6-, o8-o9, q9-qIo}) Some black text within rubrics is in manuscript Copies: US-IL-Chicago, New Copies seen: US-IL-Chicago, New, Inc f7428.5 Vellum Manuscript incipit, f.i, blue: I; red: Ncipit ordo miffal' I frm mino, fJm 9fue I tudie3 romane curie: Dnica prima de aduen j tu Sto ad fancta3 maria | maiorem Introitus 263 leaves, lacks f [ai], sheet [rI.Io], gathering [cc'°], sheet [ee5.6], f [eeio] and following Manuscript calendar on preliminary gathering of six leaves; omits feast of the Translation of St Bernardino, established in Nov 1472 Manuscript roman plainchant on red 3-line (and 4-line) staves drawn by raster, in one case continuously through both columns (f.[m4}) Decoration: large initials and miniatures in gold and colors, many historiated (lacks 4 of 25), small initials in red and blue, flourished in blue, rubricated, highlighted in yellow Size: 328 X 220 mm Provenance: early additions to the calendar of the dedication of the Church of St.

Eutitius (duplex major, Dec i), the feasts of Speus, founder of the monastery of St Eutitius (13 Sept.), Translation of Speus (6 June), Eutitius (duplex major, 23 May), Translation of Eutitius ( 2 April), and Florentius (duplex major, 27 June) indicate that the book was owned by the monastery of St Eutitius, located about 12 km north of Norcia in Umbria Front pastedown: Collection of Henry Probasco, Dec i, I890 Binding: blind-stamped leather with bosses and clasps, resewn and repaired at spine; several gatherings at end cut from tail band Reissue Incipit, f [ai], red: [I]Ncipit ordo miJJal' I frm mino,: fm co | fuetudine romane cu rie Dmica prima I de adventu Statio ad fanctam mariam ma iorem Introitus: black: [AID te leuaui I alam I mea3 I deus I meus in te I 9fidoI non erubefcam neq3 irride I ant me Ends f [119]: noie pfeffio fentiatur I in opere: Per [119 ] blank Collation: 2° [7h a-z'° aa-11'0=—346 ff 29 II 2 cols Bibliography: Luigi Michelini Tocci, "Incunaboli sconosciuti e incunaboli mal conosciuti della Biblioteca Vaticana," in Studi di bibliografia e di storia in onore di Tammaro de Marinis, 3 vols., Verona: Stampa Valdonega, 1964, 3:I89-99, 2 I4-15, plates XIX, XXI, XXII Note: rubrics of three lines or more are printed in red in a second impression from a second forme on 125 pages A calendar is printed in red and black on six preliminary leaves The movable feast for deceased friars and benefactors, which was to occur on the Monday after Septuagesima

Sunday (Feria secunda post.lxx fit officium per fratribus et benefacta [sic]) is printed in a highly abbreviated form on the 7th cal January (26 January); that Monday fell on 26 January only once between I450 and 1480, in 1467 However, the rubric for the feast may be printed anywhere near the end of the month; in the Newberry manuscript calendar it is written on 7 and 6 cal January (26-27 January) The red printing of the reissue uses a new type character for the versiculus, GI46 small Copies: Vatican City, BV Copies seen: Vatican City BV, Urb lat 109 Vellum Lacks f [Ilio] (blank?) This is a later state of the black impression found at the Newberry Library (see f [12v], first two lines pumiced from vellum and reprinted in correct order) Numbered in pencil (6) 1-339 Manuscript plainchant on red 3-, 4-, and 5-line staves drawn by raster Decoration: half-page Crucifixion, f [qi], and 6 large initials in gold and colors, other large initials in ink, flourished; rubricated Size: 348 x 243 mm Provenance: library of Duke of Urbino 39 Missale Romanum Milan: Antonio Zarotto [for Cola Montano and Gabriele OrsoniJ, 6 XII 1474R 997; IGI 6586; Ganda 28; W 852 Incipit, f [7], red: Incipit ordo miSfalis fecudu co I fuetudine romane curie Domi I nica prima de

aduetu Explicit, f [i88]: Antoni patria parmenfis gente zarotte I Primus miffales imprimis arte libros Nemo repertore3 nimiu3 fe iactet in.arte I Addere plus tantum qua pepiffe ualet I Mediolani Mcccclxxiiii.die I vi decembris finitum Collation: 2° 8, i8o= 188 ff 41 11 2 col Music: space for music Music pages (manuscript numbers): [77-79v, 8i, 84-85]= io pp Bibliography: modern edition by R Lippe, Missale Romanum Mediolani 1474, 2 vols., London: Henry Bradshaw Society, I899-1907, vol I, text; vol 2, a collation with other editions of the missal (1481-1574) Copies: I-Milan, Ambr; Vatican City, BV Copies seen: I-Milan, Ambr, S.P 112 Lacks f [i] and half of [2] Numbered i-i8 , with errors and unnumbered leaf between 121 and 122 Many of the rubrics are written in manuscript Binding: green leather over cardboard 40 Missale Romanum Edited by the Franciscans of Ara Coeli, Rome Rome: Ulrich Han, 21 IV 1475 H II364; IGI 6587; Martimort 2; Van Praet I:8I, 85; W 853 Incipit, f [a2], red: [I]Ncipit ordo miffalis fcdm confuetudinem curie Romane: Domi nica prima prima de aduentu I Explicit, f [G3], red: Sacrum fanctumq3 hoc opus ad honorem ( 7 gloriam omnipotentis dei: ac dni noftri I iefu chriJti

magni ) excelletis ingenij Udal ricus gallus al's Han Alamanus: ex ingel I ftat.ciuis wieneni : non calamo · ereoue ftil9: | fed nouo artis ac folerti induftrie genere Ro me conflatu impreumq3 · Necnon a fratri ) bus Sacriconuentus areceli recte ac fideliter I emendatu3 · Anno incarnationis dominice · | Mccccl xxv · xi kl's Maij ' fedente Sixto diui I na prouidentia · papa iiij · pofteris reliquit · Collation: 2° [IT6 a'2 b8 c-e'l fl2 g-k'O I-m12 8 10 8 6 10 8 A10 8 6 1-l n-o p-s t u x-y z A BC D-F G4]= 294 ff.; unsigned, unnumbered 3611 2 col Music: space for music Music pages: [h3V-h4, k7, kIoV-15, m2V-m3v, m6-mI2v, n3-n5] = 34 PP Note: the calendar of this edition is the same as that in the 1476 edition The space for music is almost exactly the same in the two editions There are changes in abbreviations, but the typesetting is strikingly similar; one is definitely set from the other Copies: GB-Manchester, JRL; I-Florence, BN2; Rieti, Cap; Rome, BN Copies seen: I-Florence, BN, B.R 83 IGI 6587 notes two copies in BN, "uno dei

due es membr., mutili e con varianti." The one copy locatable was vellum Lacks ff TT3-TT4] (replacements are duplicates of ff 7T2 and Tr5, from which the printing has been scratched for manuscript completion of the calendar) Several sheets appear to have been tipped in: ff [nl, s6, E3, G3] Size: 360 X 260 mm Provenance: stamp, f T i: BIBLIOTH.PUB.FLORENTINAE Binding: moire silk over paper boards, leather spine Rieti, Cap Lost A photograph appeared in Francesco Ferretti's L'archivio e la biblioteca della Cattedrale di Rieti (Rieti, 1939), but the book is not there today (Micaela Procaccia, "La biblioteca del vescovo Domenico Lucare," in Scrittura biblioteche e stampa a Roma nel Quattrocento: Atti del 2° seminario 6-8 maggio I982, ed Massimo Miglio with P Farenga and A Modigliani,

Vatican City: Scuola Vaticano di Paleografia, Diplomatica e Archivistica, 1983 [Littera Antiqua 3], p 82 i Missale Romanum Milan: Antonio Zarotto [for Marco Roma], 26 IV 1476 H 1365; IGI 6588; CIBN M444; Ganda 47; Pellechet 8o7I (8003); W 854: M-B 118 Incipit (GIV ms), f [ai]: Incipit ordo mijfalis fecundum Iconfuetudine romane curie Explicit, f z7V: Antoni patria parmenfis gente zarote I Primus miffales imprimis arte libros Nemo repretorem [sic] nimiu3 fe iactet in arte Addere plus tantum qua pepiffe ualet I Mediolani Mcccclxxvi.die ) xxvi aprilis finitum Collation: 20 [7r8 a-k8 16 m-t8 u-xl0 y-z8]= I88 ff 4I 11 2 col Illustration: Christ in tomb, folio after [14] Music: space for music Music pages: [i2v-i6, k7V-k4, 14V-?, n3-n4]=23(+?) pp Staves: space for 8 staves per column Copies: A-Gottweig, Ben; F-Paris, BN; I-Cremona, G; Naples, BN Copies seen: F-Paris, BN, Res B 866 Manuscript music throughout Lacks gathering [a], ff [15-16], [mi], [m8} Gatherings signed in brown ink at right bottom, some trimmed Size: 325 X 228 mm Binding: red morocco.

42 Missale Romanum Edited by the Franciscans of Ara Coeli, Rome Rome: Ulrich Han, 12 X 1476 See Fig 31 H 11366; Goff M 6589; IGI 6589; CIBN M 445; Martimort 3; Molitor, Deutsche, plate i; Pellechet 8o72 (8004); W 855; M-B I 19 Incipit., f [a i], red: [I]Ncipit ordo miJfalis I fcdm confuetudine cu I rie Romane: Domini-I ca p'ma de aduentu Sta I tio adjanctam Maria3 maiorem: Ad miffam: I Introitus Explicit, f [G6], red: Sacrum fanctuq3 hoc opus ad honorem 7 gloriam I omnipotentis dei: ac dni noftri iefu chrifti magni et I excellentis ingenij Udalricus gallus · al's Han Ala-( manus: ex ingelftat ciuis winenf * no calamo ereoue I ftilo : fed nouo artis ac folerti induftrie genere Rome conflatii impreffumq3 ' unacu cantu : quod nunq3 fac I tum extitit-Necnon a fratribus Sacri couentus arece I li recte ac fideliter emendatu3 Anno incarnatois do I minice · Mcccclxxvi · die uero xii Octobris f· edente I Sixto diuina prouidentia · papa ' iiij · pofteris reliquit · Collation: 2° [Tr6 a'l b8 c-e° fl2 g-k'0 Im'2 8 10 t8 6 n-o p-s0 t8 U6 x-Z 18 A0 B8 C6 D-Fl° G6]= 290 ff., unsigned, unnumbered, but with printed register 36 11 2 col Variant, F-Paris, BN: [a 2]= 292 ff.

Music: printed notes and staves Music pages: [g3'-g4, i7, iIoV-k5, 12v-13, 16-112v, m3v-m5]=33 pp Staves: 8 red 4 or 5-line staves per column, 242 (272) X I62 (70-71) mm Music type: Ri Note: the calendar is apparently identical to the 1475 Han edition The music pages are the same except that one more word is set on f [m3], so there is no music on f [m3v] Copies: F-Paris, BN; I-Florence, BN; Ricc; Naples, BN; US-IL-Chicago, New Copies seen: F-Paris, BN, Res B 865 Second gathering of 12 ff Signatures are frequently signed in ink Lacks [rTi] Decoration: initials in red and blue, first initial in gold and colors I-Florence, BN, E i 22 Vellum Crucifixion inserted between ff [mi] and [m2] Size: 366 X 262 mm Provenance, front pastedown: FRANCISCI CAESARIS AUGUSTI MUNIFICENTIA; (added) Bibliotheca Bistioniana US-IL-Chicago, New, Inc 3366.5 Lacks ff [ai], [mi] and 5 other leaves in m, and [G4]; the m leaves with music are present Decoration: initials in red and blue, rubricated in yellow Size: 337 X 23I mm Provenance, flyleaf: Divendres aio de satembre dia de sanct Nicholau de Tolentino 1569 en la capella de sancta Barbara Binding: blind-stamped leather over boards, bosses, 2 clasps missing.

43 Missale Romanum Venice: Alvise Siliprandi & Domenico Siliprandi, 20 IX I477 C 4186; P 445I; BMC VI:26o; CIBNM 446; Martimort 4; Pellechet 8074 (8006); W 856; M-B I20 Incipit, f a2, red: [I]Ncipit ordo miffalis fecun dum confuetudinem curie Romane Cu officijs nouis I Dominica prima de aduetu fta tio ad Sancta Maria maiore3 I Ad miffa3 Introitus Explicit, f: 79: Finit ordo miffalis cum officijs I nup inftitutis fcdm gfuetudine I romane curie i officina Aluifij I filij dni Gafparis de filipradis I Ciuis matue Uenetijs Die.xx I Septembris Mcccclxxvij Collation: 2 Tr6 a-h8 18 K'° kl° l-y8 z'0 110= 214 ff 39 11 2 col Music: space for music Music pages g6r-, I7v,

KIV-K5, kIV-k2, k3V-k9, 12-13=28 pp Staves: space for 8-Io staves per col Copies: D-Munster, UB; F-Paris, BN; GB-London, BL Copies seen: F-Paris, BN, Res B 867 Lacks gathering 7r and f kxo Four leaves added at end, beginning: Officiu misse de bti ludowico epi et cofessore ordis frm mloru Binding: red morocco (Bradel l'Aine) GB-London, BL, IB 20702 Six manuscript leaves at end: Modus dicendi missa more monastiche in missali Romane curie Manuscript roman plainchant; 4-line staves drawn by raster Size: 295 X 203 mm Provenance: f i I: Iste liber est mon"ri s Foelicis de uincentia Purchased by BL in I875 Binding: leather stamped in gold 44 Missale Romanum Edited by the Franciscans of S Maria La Nova, Naples Naples: Matthias Moravus, I477 See Fig i6 H II367*(=3893?); IGI 6590; CIBNM 447; Fava and Bresciano 117; Martimort 4; Pellechet 8073 (8005) (250 if.); Sander 4738; W 857; M-B 121 (printed staves) Incipit, f [ai], red: Incipit ordo miffalis fecudu I confuetudine curie Romane I Dominica prima de aduetu I Statio ad fanctam Mariam I maiore Ad miffa Introitus I Explicit, f [H5]: Sub felicifirmo Ferdinando I Rege indite Neap op9

hoc I facru3 impreffum eft per Ma I thiam Morauum Emenda I tumq3 diligentiffime per Re I ligiofos fratres Sacte Marie I noue Anno.M.cccc.lxxvij Collation: 2° [IT6 a-m8 n'° o-s8 t6 u-z8 A-G8 H6]=252 ff 37 11 2 col State I: f [H5sV, blank (D-Munich, SB; F-Paris, BN) State 2: f [H5s}, register of 3I gatherings (I-Rome, Cas) Illustration: space for initials; Crucifixion, half-col preceding Te igitur, f [oI"] Music: space for music Music pages: [h3v-h4', k8, 12, 13v-17, m8, n3V-o0v, 03-041=34 pp Staves: space for 9 staves per col Note: although Meyer-Baer describes the staves as printed, in the three copies I viewed they were drawn by raster, as was clearly visible at the beginnings and ends of lines, where the raster turned slightly as it left the page Copies: D-Munich, SB (vellum); F-Paris, BN (vellum), GB-Manchester, JRL (vellum); I-Naples, BN; Piacenza, BC; Rome, Cas Copies seen: D-Munich, SB, 2° L impr membr 62 Vellum Numbered in ink: [6] 1-249 [i] Manuscript white roman plainchant Decoration: illuminated in colors and gold Size: 293 X 205 mm Binding: gold-stamped red morocco F-Paris, BN, Res Vel I32 Vellum Decoration: illuminated in gold and colors Binding: red morocco stamped in gold I-Rome, Cas, Inc 46i Numbered in pencil, 251 The black and red inks

of gathering 7r differ from the rest of the volume Manuscript white roman plainchant, pointed; black roman plainchant on f 04 Size: 312 X 215 mm Provenance, f [7T Ij, stamp: D O Pred Bibliothe A Card H Casan; f [ai]: Questo messale e ad me Maria da Cannes, 1493 Jul I Binding: Vellum 45 Missale Romanum Milan: Antonio Zarotto [for Marco Roma], 17 I 1478 H 11368; IGI 6591; Ganda 65; W 858* Incipit, f a8, red: Incipit ordo ad faciendu3 aqua benedictam f 2ai, red: Incipit ordo miffalis Jecudum I fuetudinem romane curie Do minica prima de aduentu Explicit, f; y7Y: Antoni patria parmenfis gente zarote I Primus miffales imprimis arte libros Nemo repretorem [sic] nimiu Je iactet in arte Addere plus tantum qua pepiffe ualet I Mediolani Mcccclxxviij die xvij Ianuarij Finitum Collation: 2° a8 2a8 b-k8 14 218 m-s8 t-x10 y8= 194 ff Gathering 1 is signed I and 12 Gathering 21 is signed: unsigned, 14, 14 4 11 2 col Music: space for music Music pages: i2"-i6", k7-14^{v, 214-[215?} [lacks 3 leaves in the gathering]=22(+ ?) pp Copies: I-Bergamo, Clero di S Alessandro; Genoa, BU Copies seen: I-Bergamo, Clero di S Alessandro Lacks ff y8, ai (blank), and three leaves (including Crucifixion?) in signature 21 Folio y7v with colophon is torn but colophon is complete Manuscript music Decoration: initials in gold and colors Size: 313 X 223 mm.}

46 Missale Romanum Milan: [Antonio Carcano] for Paolo Suardi, 22 IV 1479 IGI 6592 and Appendix (plate XXII); Rogledi Manni 673 Incipit: [the only extant copy lacks the first folio (blank?); the first and second gatherings lack the tops and sides of the leaves] Explicit, f y8": Impreffum Mediolani ad impen I fas Paulini de fuardis Anno a I natali chriftiano Mcccclxxviiij I die.xxij.menfis aprilis 0 ii o 8 4 8 8 10 Collation: 4o 7T8 a-k8 L4 LL8 m-s8 t-u x-y = 192 ff 38 11 2 col.

Illustration: space for initials [and Crucifixion? (lacks f LLi)} Music: space for music Music pages: k7V-L4, LL3-4= 13 pp Copies: I-Milan, Ambr Copies seen: I-Milan, Ambr, I498 Lacks f 7 I, and sheet LLi.8; the tops and sides of the first two gatherings are missing Size: 215 X 160 mm Provenance (on leaves bound in at front): Sr Petrolamaei Busiox gratissimi her' Missale istud a me Bartholomaeo Buxione; Ego presbiter antonius de buxionibus die 24 aprilii I56o f 7r8v: I491.die iij decembris est consecratio altaris eccl'ie sci :isinnij de mendrisio Binding: brown leather (recent) 7' Missale Romanum Venice: [Nicolas Jenson], r V 1479H I137o; IGI 6593; CIBN M 448; Pellechet 8075 (800;7); W 859; M-B I22 Incipit, f a.r, red: f[INcipit ordo miffalis fecun I dum co-fuetudinem curie ro I mane cum officiis nouis Do I minica prima de aduentu Statio ) ad fanctum Mariam maiorem ) Ad miJfam Introitus Explicit, f 78: Finit ordo miffalis diligenter I emendati: cum officiis nouis I fecundum cofuetudinem roma I ne curie imprejJi Uenetiis: die primo maii M cccc Ixxix Collation: 2° 7T a-18 L8 mz 78=2o6 ff 40 II 2 col.

Illustration: blank page for Crucifixion, f 17 Music: space for music Music pages: g2v-g3, i2v, i5-i8, k6v, k8-1l6V, 18V-LIV=28 pp Staves: space for 8 staves per col Copies: A-Salzburg, StP; F-Paris, BN; I-Catania, BC; Rome, Ang Copies seen: F-Paris, BN, Res B 869 Decoration: initials in blue and red with flourishing Size: 292 X 200 mm Provenance, f TTi: Usum conventus Moguntini S.P.N Augustini Bibl royale Binding: red morocco stamped in gold with crown over fleur-de-lys I-Rome, Ang, Inc 81 Manuscript music Decoration: initials in colors and flourished Rubricator's colophon on f 78, dated March i48o Size: 3o8 X 214 mm Binding: vellum 48 Missale Romanum Milan: Antonio Zarotto, 27 IX I479H I Ii69; CIBN M 449; Ganda 68; Pellechet 8076 (8oo8); W 860; M-B 123 Incipit, f ai, red: Incipit ordo miffalis fecundum con J uetudinem romane curie Dnica ) prima de aduentu Explicit, f y8: Antoni patria parmefis gente zarote ) Prim9 miJJales iprimis arte libros I Nemo reptore3 nimiu fe iactet i arte I Addere plus tantu qua pepiffe ualet Mediolani Mcccclxxviiij die I xxvij feptembris finitum Collation: 2° 7T8 a-k8 14 218 m-s8 t-u' x-y 192 ff 37 11 2 col.

Music: space for music Music pages: iIx-i5, k5V-12, 13-14=21 pp Staves: space for 8 staves per col Copies: D-Augsburg, SB; F-Paris, BN Copies seen: F-Paris, BN, Res B 61 Lacks 7r , 13, 14 Gathering h bound between c and d Six manuscript leaves with chant bound in at front with provenance: Istud missale ad usum curie secundum ordinem Romane e mei Iacobi de Futigiungio(?) Anno domini M° iiij"' lxxxx Et die xvij.Aprilis Size: 290 X 203 mm Binding: red morocco stamped in gold with crown and fleur-de-lys 49 Missale Romanum Milan: Leonard Pachel & Ulrich Scinzenzeller, i6 XII 1479IGI 6594 (plate XXIII) Incipit, f ai, red: Incipit ordo miffalis fe I cundum confuetudinem I romane curie Dominica I prima de aduenti Explicit (IGI), f H8": Mediolani per Leonardiu pachel T Uldericu scin zenceller theuthonicos I suma cu diligetia 7 stu dio impressu Anno dni i M.cccclxxviiii.die.xvj.( Decembris: Collation: 2° 7'8 a'° b-z8 A-G8 H'°=260 ff 33-34 11 2 col Music: space for music Music pages: m2-m5, oi"-07, p2-p3V=24 pp Staves: space for 9 staves per col.

Copies: I-Milan, Ambr Copies seen: I-Milan, Ambr, 405 Lacks f o8 (Crucifixion?) The feast of the Visitation added in manuscript on f H9 (blank) Decoration: red lombard capitals added over guide letters Size: 316 X 230 mm Provenance, f 7T2: Dono Carlo Nardi Missale Romanum Venice: Pietro de' Piasi & Bartolomeo de' Blavi, 1479 H 1137i; Graesse 4:548 Note: in his index (p 329), Weale corrects H from a missal to a breviary 50 Missale Romanum Milan: Leonard Pachel & Ulrich Scinzenzeller, 3 VII 1480.

H 11372; P 5933; BMC VI:748; IGI 6595; W 864; M-B 124 Incipit, f ai, red: Incipit ordo miJfalis fecudu confuetudinem romane curie I Diica pria de aduetu Statio I ad fanctam mariam maiorem | Introitus Explicit, f E5V, red: 3t' black: MiIfale gpletu fecudum I 9fuetudine romane curie fum I ma cum diligentia Mediolani I Impreffu3 opificio 7 impenfa I Leonardi pachel i Ulderici fcinczenceller de Alamagnia I Iocio Anno dni M.cccc I Lxxx pridie kalendas Augu I ftas Sub ducibus IlluJtriJJi I mis Bona 7 Iohanne galea3 Vicecomitibus Collation: 2° 7T8 a-z8 A-D8 E6=230 ff 35 11 2 Col Music: space for music Music pages: k8-13", m5V-n2, n4-n5=2I pp Staves: space for 9 staves per col Copies: GB-London, BL; I-Milan, Ambr Copies seen: GB-London, BL, IA 26454 Size: 207 X I45 mm Binding: Blind-stamped leather (restored) I-Milan, Ambr, 645 Lacks ff b3-b6 (replaced in manuscript) Paper that was pasted on has been removed from f n2v (Crucifixion?) Size: 201 X I42 mm Provenance, f E5V: 1489 die viii Ap'lis Ego pbr Johannes de Casteonors Capelanis ppetua eretie seu capelle sancti petri de dauena Ex mea p'pa deuotioe ac dolutate legani de Indicani post meum discesu pnio' meu missale pd'ca ecclle sci petri Binding: blind-stamped leather over boards, I of 2 clasps missing.

51 Missale Romanum Venice: [Johann von Koln & Johann Manthen], 23 VIII 1480 R 998; IGI 6596; Polain 4572; W 865 Title (Polain), f ai, red: [I]Ncipit ordo missalis se I cundum cosuetudinem curie romane cu officijs I nouis Dominica prima de ad I uentu statio ad sactam Maria3 I maiore Explicit, f z6: Finit ordo miffalis diligeter emre dati:cum officiis nouis fecundu3 I conjuetudinem romane curie im I prefji Uenetiis: die.xxiii.Augu If ti.Mcccclxxx Collation: 2° 7T6 a-x8 y-z6= x86 ff 41 11 2 col Illustration: woodcut Crucifixion (f k8V) Music: space for music Music pages: f6-f7", h5^{V, h6-vi3v, i8", k2v-k8, 12-13 =29 pp Staves: space for 8 staves per col Copies: B-Heverlee, Centre de Doc Rel.; Louvain, Jes; I-Padua, BU; Venice, BN; Cor Copies seen: I-Padua, BU, Sec" XV 38o Lacks f z6 Provenance: St Anthony of Padua feast on calendar Binding: vellum (recent) Venice, BN, Inc V.37I Decoration: initials in gold and colors Size: 300oo 198 mm Binding: blind-stamped leather (restored), clasps missing Cor, F7i Lacks f k8; vellum leaf inserted between k7 and II with end of Ite Missa Est and Crucifixion (watercolored) Size: 272 X 198 mm Provenance: F H Cicogna Binding: blind-stamped leather over boards (restored), clasps missing (see Tammaro de Marinis, La legatura artistica in Italia nei secoli XV e XVI, 3 vols., Florence: Fratelli Alinare, 1960, 2:71, 1529).}

52 Missale Romanum Venice: Battista Torti & Soc., 31 VIII 1481 C 4 88; R 6:96; Goff M69o; IGI 6598; Polain 273 ; W 866 Incipit, f ai, red: [I]Ncipit ordo miSIalis fecundii coluetudine I curie romane cum officiis nouis Dominica prima I de aduentu ftatio ad fanc I tam Mariam maiorem I Explicit, f: G6': ImpreJfum Venetiis: per I Baptifta de tortis 7 foci I os anno falutis M cccc I Lxxxi die ultimo augufti Collation: 2° T6 a8 78 98 98 8 A G6=268 ff 33 11 2 col Illustration: woodcut Crucifixion, f p7v Music: space for music Music pages: i2V-i3', mi, m3'-nI, 03, o8-p5, p6'-7, qi'-q336 pp Copies: B-Brussels, BR; I-Verona, BC; US-Washington, LC Copies seen: B-Brussels, BR, C242 Staves drawn by raster Size: 332 X 232 mm Provenance, f r xi: Monasterij Forestensis [Brussels] I-Verona, BC, Inc 858 Decoration: initials and Crucifixion in colors Provenance, f G6": Nota che questo messale sia dela copagnia de M Sca Maria e de Jca Maria e de see theodoro T de sco Sebastiano del domo Binding: blind-stamped leather over wood, 9 of io bosses, 2 clasps (restored).

53 Missale Romanum Milan: Leonard Pachel & Ulrich Scinzenzeller, i8 IX I481 C 4187; IGI 6599; LD 304; W 867 Incipit, f ai, red: Incipit ordo miJfalis fm cofuetudine romane curie I Dnica pria de aduentu Sta tio ad fancta maria maiore I ntroitus Explicit, f ggi : Miffale completu fm con I Suetudinem romane curie ) Jumma cu3 diligentia Me I diolani ImpreJfu3 opifico ) i7duftria Leonardi pachel~7 Ulderici fcinczenceller de I Alamania focio4 Anno do I mini M.cccc.Lxxxxi.

quartodecimo kaledas Oc I tobres. Sub ill'o duce Ioh'e | Galea3 Maria Sforzia Ui I cecomite. Collation: 4°. 7T a-z8 aa-ff8 gg—2=252 ff. 35 11. 2 col. Music: space for music. Music pages: 18V-m4, n7 -o4, o6-o7=22 pp. Staves: space for 8 staves per col. Copies: F-Colmar, BM (W); I-Milan, BN. Copies seen: I-Milan, BN, Gerli Inc. 4I. Numbered in ink, lacks f. 189. Size: i95 X 136 mm. .4- Missale Romanum. Milan: Antonio Zarotto, 8XI 148I.GW ms; IGI 6600; Ganda 93; LD 305; Livres de liturgie, r54 (plate between pp. 78 and 79 off 21'5 ; Sander 473 r; W 868 Incipit (GVW ms), f ai, red: Incipit ordo miffalis fecundum I confuetudinem romane curie. Colophon (Sander): Antoni patria parmensis gente zarote I Primus missales imprimis arte libros I Nemo repertorem nimiu se iactet: in arte I Addere plus tantum q3 pepisse ualet. IMediolani. M.cccc.lxxxj. ( Sexto idus nouembres. Collation: 2. rT8 a-k8 14 218 m-s t-u" X-y = 192 ff. 41 11. 2 col. Illustration: woodcut Crucifixion on f. 215v. Music: space for music. Music pages: i2v-i6v, k7V-14, 213-214=22 pp. Copies: I-Milan, BN. Copies seen: I-Milan, BN, Gerli Inc. I;7. Decoration: Crucifixion watercolored,

major initials in red. Size: 322 X 230 mm. Provenance [at front]: Pour la Chappelle de St. Jacques [bookplate of Duke of Parma, no. 566]. Binding: brown leather over wood with clasps. See Livres de liturgie, 154 55 Missale Romanum. Edited by Philippus de Rotingo. Venice: Ottaviano Scoto, 29 XIII 1481. See Fig. 39H II375; Goff M69I; IGI 66o0, 6:241; Essling i8; CIBN M450; Martimort 6; Molitor, Nachtriden, 96; Pellechet 8079 (8oio); Sander 4732; W 87o variant; M-B I26= 125 Incipit, f b i, red: Incipit ordo miffalis fecun I du gfuetudine romane curie I Dnica prima de aduentu. I Statio ad fca3 maria maio- re. Ad milfam Introitus. Explicit, f I 12 [signed 16]: Explicit miffale fecundum I more3 romane ecclefie per I fratrem Philippu3 de ro- I tigo Matuani: ordinis mi I nov: de obleruatia bona di- I ligentiu 7 fideli ftudio pur I gatu: ab his erroribus: quibus vel ignorantia vel icu- j ria librarioru adductis co- I munis abufus inualuit. I Quocirca quicuq3 legerit: I objecratum velim ne adhi I beat manu3 precipitem ad I corrigendam: vel poti9 cor- I rumpendam libri rectitudi I nem magno partam labo- I re: fed multiplicato fincero I examine poftmodum exe- I quatur quicqd recta ratio: I T fpiritus veritatis igefferit I Ad laudem omnipotentis I dei 7 fanctiJfime virginis matris eius: ac Seraphici I patris Francifci: totiufq3 I curie celeftis. Amen. I Impreffum venetijs arte 1 7 ipenfis Octauiani Sco I ti Modoetienfis fub In- I clito Duce Ioane Moce- I nico. quarto kaledas Ia- I nuarij. I M. CCCC. LXXXI.

Collation: 4°. a-p8 ql2 L)6 r' s-z 8 98 8 A-K8 L 2-310 ff.; q2 unsigned, q3 instead of qiii, signatures in LL printed in red, 1 signed i-vi. 32 11. 2 col. Illustration: woodcut Crucifixion, f. s8v. (Essling, Crucifixion, II bis, reproduced on P- 154.) Music: space for music. Music pages: mIv-m2, PI, p3, p6-q4, LLI--LL5, rI-r3, r6v-r8v, s I-s8, t2 -t4= 57 pp. Note: Meyer-Baer describes the music as manuscript except "on fol. rij b one row printed stave with four lines, metal ledges." All copies that I examined had no printed staves; those with manuscript music had staves drawn with a raster. There are only 4 mm between columns. Copies: D-Gottingen, UB; F-Paris, BN2; Maz; I-Cesena, BC; Milan, BN; Parma, Pal2; Rovigo, Acc Conc; Siena, BC; US-CA-San Marino, Hunt; Washington, Holy Name. Copies seen: F-Paris, BN, Res. I633. Manuscript music in white roman plainchant; red lines drawn by raster. Decoration: historiated major initials in gold and colors, watercolored Crucifixion. Size: I99 X 140 mm. Provenance (front flyleaves): 17 Oct. i60o, Eglise St. Pierre. Bibl. Royale. Binding: black leather stamped in gold, M. PIERRE MARCHAND. F-Paris, BN, Res. I634. Lacks sheet tl.8; gathering LL misbound after gathering r. Manuscript music only on f. I 12" (Sanctus); some staves drawn by raster in red, others are crude lines drawn in brown ink (ff. p6V-q ). Decoration: red and blue major initials, blue minor initials.

Size: 216 X i45 mm. Provenance (front flyleaf): Ex libris Silvini Poulin(?), I577. Binding: blind-stamped leather over boards, 2 clasps missing. Maz,

Inc. 292. Lacks f. al, blank. Decoration: initials in blue. Size: 205 X 140 mm. Binding: 18th century calf. I-Milan, BN, Inc. 40. Manuscript music in gothic notation (ff. r6-r7) and roman notation (ff. p6-p7); staves drawn by raster. Lacks ff. ai, a3, qI2, G5, and sheet ki.8. Provenance: Duke of Parma. Parma, Pal, Inc. 86. Lacks ff. s8 (Crucifixion) and aI (blank). Manuscript music with 4-line staves drawn by raster. Decoration: major initials in gold and colors; minor initials in blue flourished in red. Size: I99 X I30 mm. Binding: leather stamped in gold: BIBLIOTHECAE REGIAE PARMENSIS. Siena, BC, M.VI.I3. Lacks f. LI2. Staves with 3 or 4 lines drawn by raster. Size: 191 X 140 mm. Provenance, f. si: Ad Usum mei Augustine de Carducci. I673; f. qi; De Pre' Claudio Cennj. di Siena, 1697. US-CA-San Marino, Hunt, 925I9. Lacks f. aI, sheet Ki.8. Manuscript roman plainchant with staves drawn by raster. Decoration: colored Crucifixion, blue initials, rubricated in yellow. Size: 211 X I45 mm. Provenance, back pastedown: Don M. Avroa de los Constitutiones [manuscript notes in Spanish]. Label: Ch. Fairfax Murray. Binding: rolled leather (repaired), clasps missing. Missale Romanum. Venice: Franz Renner, I481. H 11373; BMC V: 96; Goff M692; IGI 6597; CIBN M45i; Martimort 20; Pellechet 8077= 8078 (8009); Polain 2730; W 871; M-B, p. 21 Note: no space for music.

Copies: D-Munich, SB2; F-Paris, BN; Maz; GB-London, BL; I-Florence, BN; US-MD-Baltimore, Walt; Vatican City, BV. Copies seen: D-Munich, SB, 8° Inc. c.a.9. GB-London, BL, IA 19880. I-Florence, BN, K. 7.53 56. Missale Romanum. Rome: Stephan Planck, 5 III I482. H I 377*; IGI 6603; Sander 4734; W 872 Incipit, f [al], (I), red: Incipit ordo miJfalis fecundu confuetudine3 cu I rie Romane. Domica pri- I ma de aduetu. Explicit, f. [E9], red: Sacrum fanctumq3 hoc I opus ad honorem 7 glo1 riam omnipotentif dei ac I domini noftri ie'u chrifti I mpreffum Rome per ve-I nerabilem uiru3 magiftru I Stephanum Plannck de Patauia. Sub anno dni I Millejimoquadringente fimooctuagefimoJecudo I Die vero quinta menfis ) Marcij. Regnante San- I ctifJSmo in xpo patre 7 do I mino nro; dno Sixto diui I na puidentia papa quar- to. Anno eius vndecimo. Regiftrum huius libri. Collation: 2 . [rT6 a-kIo 112 m-n'0 o6 p-t1o u8 X-10 X'0 A-E°1]=292 ff., numbered [6] I-CCLXXXIII [I]. 32-34 11. 2 col. Register specifies eight leaves in signature m. Illustration: woodcut Crucifixion, f. [n5v] CXXVI".

Music: printed notes and staves. Music pages: [h5s-6, k9, 12v-7v, m4V-5, m7-n5, n7V-n9] 36 pp. Staves: 7 red 5-line staves per column, 210 X i45 (65-66) mm. Music type: RI. Copies: D-Munster, UB; I-Florence, BN; Todi, BC. Copies seen: I-Florence, BN, E.I.23. Decoration: Crucifixion in gold and watercolors; major initials in gold and colors, flourished, and minor initials in red and blue. Size: 322 X 228 mm. Provenance, vellum leaf at front: Questo mesale e de li pretidela congregatione prete domenico; f. [7r i], stamp: FLORENTINAE.BIBLIOTH.PUB. Binding: stamped colored paper, leather spine with paper label. 57. Missale Romanum. Naples: Matthias Moravus, i6 III 482. C 4 89; R 5: 97; IGI 6604; Fava and Bresciano 128; Graesse 4:548; GW ms.; Martimort 5; Van Praet, 3:ii2, I28 bis; W 873 Incipit (Fava), f: [b I], red: Incipit ordo miJJalis fecudu I confuetudine curie Romane I Explicit (Fava), f [15]: In alma ciuitate Neapoli fub inuictiJ imo Ferdinado rege I feliciter impreJfu3. hic finem I accipit. In plerifq3 etiam lo ) cis per religiofum fratre Ber I nardinum Siculum ordinis I minoru3 fumma opera adhi I bita diligentiffime emedatu. Anno falutis .M. cccc. lxxxij . ] Die uero xvj. menfis Martij.

Collation (GW ms): 4°. [a6 b-n8 o p-t8 u6 x-z A-H8 I6]=252 ff. 36 11. 2 col. Music: space for music. Copies: I-Rome, Cas; Vatican City, BV2. Copies seen: Vatican City, BV, Barber AAA I. I I; Ross 2i67, fragment. 58. Missale Romanum. Venice: Bartolomei de' Blavi, Andrea Torresani, & Maffeo de Salodio, 2 VII 1482. H 11378*; Goff M692a (Suppl.); IGI 6605; Essling 20; GW ms.; Sander 4735; LD 307; W 874

Incipit, f A i, red: [I]Ncipit ordo miffalis fecundu3 I cofuetudine curie romane cum I officiis noui: Dnica prima de ad uetu ftatio ad facta Maria maio I rem Explicit, f Y7, red: Impreffum efi: hoc miffale uenetiis I impendio Bartholomei de alexan d dria Andree de afula Mapheiq3 d' ( salodio focioy Anno falutis dnice I M.cccc.lxxxii fexto nonas Julii Collation: 4. 78 A-G8 H6 I8 K'0 L-M8 N-06 P-R8 S' T-Y8= 182 ff 40 11.2 col GW ms.: 7'6 and a total of 80 ff Illustration: woodcut Crucifixion, f K5v (reproduced in Essling, p 58) Music: space for music Music pages: F5, H3, H5-I i K i'-K5V, K7r-v = 8 pp Copies: D-Gittingen, UB; Munich, SB; I-Milan, BN; Triv; Subiaco, Ben; Venice, BN; US-TX-Dallas, SMU Copies seen: I-Milan, BN, Gerli Inc 29 Lacks f 114 Decoration: initials rubricated and flourished Size: 271 X 205 mm Provenance, f TI: Rutgerus Haenrath Anno 505 Die 20 februarij f r iV: Marie Ludovicus Rotgarius a Samarelo-Anno 365 Sabbato 29 Julii Front pastedown, bookplate: Ex libris MLR de Samarelo I Bibliotheques de Semalle et de La Gastine Bookplate: Duke of Parma Triv, B 83/Ill Lacks gathering Tr8. Size:

246 X I75 mm Provenance: Ord Erem S Aug Binding: vellum with gold edges Bound with Breviarium Romanum, Venice: Benali, 1523, and 60 leaves of an Officia Sanctorum Ord Erem S Aug There are 22 ms leaves at back with prayers, commemorations, and morning and evening prayers Venice, BN, Inc V 475 No manuscript music Size: 286 X 205 mm Binding: blind-stamped leather on wooden boards, repaired at spine, missing clasps 5o.* Missale Romanum Milan: Leonard Pachel & Ulrich Scinzenzeller, VIII 1482 IGI 6606 Incipit (IGI), f ai: Incipit ordo missalis f3 I cosuetudini romane curie Dnica prima de aduetu sta I tio ad sancta maria maiore Introitus Explicit, f M8' : Mi'fale completu fm con I fuetudinem romane curie I jumma cum diligeia Me I diolani Impreju3 opificio 7 idustria Leonardi pachel I 7 Ulderici scinczenceller d I Allamania focioru3 Anno I domini.M cccc Lxxxij ) De menSe Augufti.: I Sub ill'o duce [ohanne I Galeazio Maria Sfortia Uicecomite Collation (IGI): 4°. I8 a-i2 A-K'L L-M8=252 ff 33 11 2 col Illustration (Frutaz): blank page for Crucifixion with woodcut pasted on Music: ?

Bibliography: Amato Pietro Frutaz, "Due edizioni rare del Missale Romanum pubblicate a Milano nel 1482 e nel 1492," in Miscellanea Giulio Belvedere, Collezione "Amici delle Catacombe," 23, Vatican City: Societa "Amici delle Catacombe," 1954, pp 55-I07 Includes plate of f M8' ([252]) with colophon Copies (IGI): I-Foligno, Sem; Torgnon, ArchParr Copies seen: none I-Foligno, Sem, could not be found during my visit (summer 1979) Torgnon, ArchParr (Frutaz) Size: i70 X 120 mm Provenance: for more than three centuries in use by the chapel of Berzin (Torgnon) until 1896 when it came to the archives of the parish It was first the property of Antey and St Denis (parishes of the diocese of Aosta), and then passed to the cleric Giacomo Chatel: "Istud missale pertinet honesto domino Jacobo Castri presbitero de b[urgo] Moriacii commorante in parrochia sancti dionisii m° v' xlvii et die autem decima mensis decembris." Rebound in I953 60 Missale Romanum Edited by Philippus de Rotingo Venice: Ottaviano Scoto, 31 VIII 1482 H 1 376; C 4190; IGI 6607; Essling 21; Martimort 7; Sander 4736; W 875 = 879*

Incipit, f bi, red: Incipit ordo miffalis fecundu3 I confuetudinem romane curie I Dominica prima de adventu I Explicit, f 7%, red: Explicit miffale feciidu morem I romae ecclefie p fratre Philippu de rotingo Mantuanu ordi nis minoq de obferuantia bona I diligetia 7 fideli ftudio purgati I ab his erroribus: qb9 vel igno I rantia vel icuria librarioru ad I ductis comunis abufus lualuit I Quocirca qcuq3 legerit: obfe-I cratu veli ne adhibeat manu pci I pite ad corrigeda vel poti9 cor rupeda libri rectitudine magno parta labore: 13 multiplicato fin I cero examine poftmodum exe I quat' qcquid recta ratio: 7 fpiri rit9 veritatis igefferit Ad lau de olpotetis dei 7 factiffime vir I ginis matris eius: ac Seraphici I patris Francifci: totiufq3 curie celeftis Amen I ImpreJuf venetijs arte 7 ipejis Octauiani Scoti Modoetiefis I fub Inclito Duce

Ioane Mo-I cenico Pridie Kal' feptebris MCCCC.LXXXII I f ,8: In folenitate Collation: 2° a6 b-z8 78 98 8=206 ff 4011 2 col Illustration: woodcut Crucifixion, f n7V. (Essling, 2, p 59.) Music: printed notes and staves Music pages: h2r-v, k2r-v, k3v, k6-liv, 18-m3, m4-m6, m8-n7, OI-02=43 pp Staves: io red 4-line staves per col.,) 231 X i6o (76) mm Music type: R3 Copies: I-Bologna, BU; Florence, BN; Reggio Emilia, BM; Rome, CollIntFranc; Vatican City, BV3 Copies seen: I-Bologna, BU, A.V.KK.V.5 (Gaspari 563) Decoration: blue initials, some in gold and colors Size: 340 X 237 mm Vatican City, BV, Inc 1.25 First gathering misbound as ai, a3, a2, etc Decoration: major and medium initials in gold and colors, minor initials in blue, Crucifixion watercolored Size: 331 X 232 mm Binding: red leather with io bosses intact, 2 clasps The catalog of incunabula at the Biblioteca Vaticana cites this missal as W 873, H 11376? and Panzer 3:185,644 Note: a careful examination of the calendar (f a3v) reveals that the type was set in the form and inked separately in red and in black: part of the line for St Anthony's feast appears complete in red, and again in black for the top 1/4 inch Inc II.457 Manuscript prayers to St Sebastian during time of plague on f ,8V Decoration: initials in blue, major initials flourished in red Size: 326 X 222 mm Binding: parchment with inked label on spine.

61 Missale Romanum Milan: Christoph Valdarfer, I IX 1482 See Fig 56 Gesellschaft fir Typenkunde, 25 (i93i): Tafel 1928 Incipit, f [a]: Incipit ordo miffalis fecudu c6 fuetudine romane curie Dniica I prima de aduetu Statio ad fan I ctam maria maiore Introitus I Explicit, f [z6]: Impreffum Mediolani Per I Xpoforum Valdarfer Ratifpo I nenfem fumma cum diligentia I ac ftudio cum aliquibus miJfis I nuper inuentis Anno domini M.cccclxxxij Die primo men ) fis Septembris-i o 8 4,L s8112 8 8 1 0 8 6 Collation: 2 [vT8 a4 b-k8 112 m8 n-s t-ul x y z }6 192 ff Music: printed notes and staves Music pages: [k2V-k6, 17V-1I2} - I9 pp Staves: 8 red 4-line staves per page Music type: R26 Bibliography: Francesco Spessot, "Libri liturgici aquileiesi e rito patriarchino," Studi Goriziani 35 (I964): 77-92 Pietro Buzzetti, I libri liturgici di rito patriarchino per la diocesi di Como, note storico-bibliografiche, Como, 1906 Note: Spessot refers to the work as a Missale Aquileiense Copies: D-Berlin, SPK Copies seen: D-Berlin, SPK, 4° Inc 3068.20 Lacks ff i71-7T3, the complete Canon, the Register before the Ordines, and contains only the end of the "oratio secreta" of the Temporale Size: 328 X 235 mm Provenance: originally

belonged to the Church of Giubiasco, a town near Bellinzona in the diocese of Como, subject to the patriarchate of Aquila from 698 to 1751 In I868 the copy belonged to an architect, Giuseppe Chicerio-Scalabrini (Buzzetti, p 48) The accession number of Berlin SPK includes the year 93 i, and the binding was done after that date 62 Missale Romanum Edited by Philippus de Rotingo Venice: Ottaviano Scoto, 28 XI 1482 C 419I; BMC V:277; Goff M693; IGI 6608; CIBN M453; Essling 22; Martimort 8; Pellechet 8I I5 (8045); Sander 4737; W 877; M-B 127 Incipit,f bi, red: Incipit ordo miffalis fecun | dum 9fuetudinem romane cu I rie Dominica prima de adue I tu Statio ad fanctam mariam I maiore Ad mila3 Introitus I Explicit, f E6: Imprefum [sic] venetijs arte 7 im pefis Octauiani [or Ocotauiani] Scoti Mo I doetienfis Sub Inclyto Duce I Ioanne Mocenico quarto I kalendas decembris I M.CCCCLXXXII Collation: 4°. a6 b-m8 n4 o-z8 78 98 8 A-D8 E6=240 ff.; unsigned: 12, m2, m4, p2, p4, q2, E2; mis-signed: m3 as q3, ni as n3, n2 as n4.

GW ms: m-n6 33 11 2 col State I, printed staves (I-Bologna, BU) State 2, printed notes and staves (I-Ferrara, BC; Florence, BN; GB-London, BL) Illustration: woodcut Crucifixion, f p8v. Music: state I, printed staves without notes; state 2, printed notes and staves except on f mi", where only printed staves appear for the melismatic "Ecce legnum." Music pages: i5-i6, 18 v, miv, m4v-m8, 03v-05", o8-p8, q2-q3=39 pp Staves: 8 red 4-line staves per col., 157 X II8 (5I-53) mm Music type: R4 Copies: CS-Olomouc, SB; D-Augsburg, SB; Munich, SB3; F-Paris, BN; GB-London, BL; I-Assisi, Cap; Bologna, BU; Ferrara, BC; Florence, BN; US-NY-New York, bookseller Copies seen:

GB-London, BL, IA. 21185. Lacks ff. a .6, p8, C8, DI-D:!, most of D3, D4-6. Decoration: major initials and border in gold and colors; minor initials in blue flourished in red. Size: 215 X i50 mm. Provenance, . E6: Questo libro sie de p1 nicolo brusulato; f. E6V: Guarini Veronensi I In Venetia I Ad Nicolaf Drozato. Binding: stamped leather, restored at spine, 2 clasps missing. I-Bologna, BU, A.V.KK.IX.6. Printed staves. Manuscript roman plainchant. Decoration: watercolored Crucifixion, coat of arms on f. bl, flourished red initials highlighted in yellow. Size: 2I5 >X I53 mm. Provenance, f. E6: Ad usu fratris pauli ab Asula. reg. obs. prouintie brixie. Binding: blind-stamped leather over cardboard (restored), 4 clasps missing. Ferrara, BC, S. 6.2.11. Printed notes and staves. Manuscript perpetual calendar on f. E6v. Decoration: blue initials. Size: 214 X I55 mm. Provenance, f. ai: S. Dominici Ferrari; old stamp: P. VNIVERSITA DI FERRARA, [in ink] 0.2.6. Binding: cardboard with gatherings held by 2 new leather thongs. Florence, BN, D. 7.6. io. Printed notes and staves. Decoration, f. bi: border with space for coat of arms. Size: 219 X 155 mm. Provenance, leaf after f. E6: questo messale he delle monache di san nicholo in via del [?]; leaf before f. aI: [)ella Infermeria. Binding: blind-stamped and ruled leather (restored with 2 new clasps).

Missale Romanum. Venice: Andrea Torresani, 1:482. Renouard 496; W 880* Collation (W): 2°. Note: ghost? Renouard gives a single location, I-Milan, Triv, at which no such edition is known. The Biblioteca Trivulziana does own the quarto missal printed in 1482 by Torresani with Blavi and Maffeo de Salodio (D 58, W 874). Missale Romanum. Venice: [s. typ.], 1482. C 4 I90; W 879* Note: ghost? The catalog of incunabula at Vatican City, BV, suggests that C 4190 and W 879* is identical to D 60 (H 11376 and W 875). Missale Romanum. Venice: Giovanni de' Gregori, Gregorio de' Gregori, Giacomo Britannico, & Antonio Stanchi, 31 I i482/ I483. C 4192; IGI 6602; CIBN M 452; Essling 19; Sander 47J3; W 878; M-B, p.22 Note: no space for music. Copies: CH-Zurich, ZB; D-Tubingen, UB; F-Paris, BN; I-Ferrara, BC; Forli, BC; Genoa, Fra. Copies seen: I-Ferrara, BC, S. 6.I.II. Lacks gathering m8, including the woodcut Crucifixion (f. m5V). Missale Romanum (Glagolitic). [Izola?

Modrus? Kosinj? Venice?], 22 II I483. Bosnjak 36; Gspan-Badalic 760; W I33o; M-B, p. 22 Collation: 2°. IT6 1-268 27h [signed in Glagolitic letters] 220 ff. 36 11. 2 col. Bibliography: facsimile edition: Missal pr Zakonu Rimskoga Dvora, commentary by Slavko Goldstein, Ivo Franges, Edo Hercigonja, and Katica Zorzut, Zagreb: Liber, 1971. Barbara Krader, "The Glagolitic Missale of 1483," Library of Congress Quarterly Journal 20 (1963): 93-98. Josip Badalic, "Um den Druckort und den Drucker des altesten sudslawischen Wiegendruckes Missale Glagoliticum I483/ 1484," Gutenberg-Jahrbuch (1960): 122-26. Franc Paro, "Tipografska analiza hrvatsko-glagoljskog prvotiska Misala po zakonu rimskoga dvora iz 1483" (Typographical analysis of the Croatian glagolitic incunabulum Missale Romanum of I483), Slovo 34 (1984): 9I- IO.Note: no space for music. Copies: A-Vienna, NB; US-Washington, LC; USSR-Leningrad, NB; Vatican City, BV2; Y-Bol na Bracu, D; Zagreb, AK; NB2. Copies seen: US-Washington, LC, Vollbehr. 213 ff. Size: 258 X i80 mm. Vatican City, BV, II 733. 217 ff- Size: 312 X 218 mm. Vatican City, BV, II 734. I71 ff. Size 289 X 204 mm. Missale Romanum. Milan: Leonard Pachel

& Ulrich Scinzenzeller, VII 1483. C 4196; IGI 66Io; W 883 Collation: 8°. 78T a-m8 n6 A-R8=246 ff. 35 11. 2 col. Music: no space for music. Copies: CH-St. Gall, StB; I-Naples, BN. Copies seen: CH-St. Gall, StB, 1007. Binding: blind-stamped leather, 2 clasps missing. 63. Missale Romanum. Venice: Bernardino Benali, Giorgio Arrivabene, & Paganino Paganini, 4 XII 1482/I483. or 29 I I483/1484H II380o= I38 (240ff); C 4193; Goff M696; IGI 6611; Essling 23; Pellechet 8080; Sander 4738; W 884; M-BI29

Incipit, f a , red: Incipit ordo miffalis fecu I dum 9fuetudine3 romane cu I rie Explicit, f E8v, red: Explicit miffale fm morem romane ecclefie diligeter eme I datum: Uenetijs imprejfum: cura impenfifq3 Bernardini I bergomefis: Georgij mantuani: 1 Paganini brixiefis Du I ce Inclyto Ioane mocenico.xxviiij kl' Ianuarii I483 Collation: 8o 7rT (ab)' c-n o4 p 0 q-z8 1898 8 A-E8=246 pp 33 11 2 col The second gathering (I-Bologna, BU; Milan, Ambr; Rome, Cors) is signed: a, b2, unsigned, b3 Only the first two leaves of gathering o (US-NY-New York, PML) are signed: o, 02; o3 is signed in I-Milano, Ambr Gathering p (I-Bologna, BU; Rome, Cors; US-NY-New York, PML) is signed: pi, unsigned, p2, 03, P4 Gathering p in I-Milan, Ambr is signed: pi, p2, unsigned, P4, 03 Illustration: woodcut Crucifixion, f p8V. Music: printed notes and staves; printed staves only on f 18 Music pages: i3-i4, 16-17, 18, m3-m7, n7-n8, pIv-p8, q2-q3=34 PP Staves: 8 red 4-line staves per col., I22 X 85 (40) mm Music type: R5 Note: the date in the colophon (29 cal January I483) can be interpreted as 4 Dec I482/1483 or 29 Jan I483/1484.

Copies: F-Lyons, BM; I-Bologna, BU; Guastalla, BC; Milan, Ambr; Rome, Cors; P-Wloclawek, Sem; Wroclaw, Kap; US-NY-New York, PML Copies seen: I-Bologna, BU, A.V.KK IX.26 (Gaspari 565) Decoration: watercolored Crucifixion Size: I64 X 112 mm Binding: red morocco Milan, Ambr, Inc 712 Lacks four leaves in gathering z, ff 91, and sheets ci.8 and 1I.8 Binding: bind-stamped leather over boards, 2 clasps Rome, Cors, 48.E25 Decoration: watercolored Crucifixion, blue initials Size: 171 X 120 mm Binding: calf with marbled edges US-NY-New York, PML, ChL 934 Manuscript roman chant in a gathering of sixteen leaves at back Decoration: large initials in gold and colors Size: I68 X I17 Binding: modern stamped leather 64.* Missale Romanum [Venice: Erhard Ratdolt, ca 1483.] R 632; W 882 Title (R), f ia, red: [M]Issale scd'm I morem Ro I mane curie Incipit (R), f II (numbered i), red: ( Incipit ordo Missalis m rn cosuetudine Romane curie ) Dominica prima de aduetu I Statio ad sanctam maria ma iorem: ad missam Introitus Explicit (R), f 253 (numbered 243 ), red: Finis Collation (R): 4° 8 (2) 243 (I)=254 f., signed +a-z 7 9 A-F 34 11 2 col Music: ? Copies: none known.

65 Missale Romanum Venice: Francesco Girardengo, I IV 1484 H II383; BMC VII: lviii, n 2; CIBN M 454; Pellechet 8082 (80I3) (Pavia); W 89I*; M-B I33 Incipit, f ai, red: Incipit ordo mijfalis f3 g9ue I tudine3 romane curie Dnica I prima de aduentu Statio ad I facta maria maiore Introit9 I Explicit, f cc4, red: Impreffum Venetijs p Fra I cifcum de girardenghis I M.cccc.lxxxiiij die primo Aprilis Collation: 20 7T8 a0 b-m8 n'O o-z8 78 98 8 aa-bb8 cc= 240 ff 36 11 2 col Illustration: none (f n7 missing; blank for Crucifixion in Pavia reissue; see next entry) Music: printed notes and staves Music pages 11-15, m8v"n6", ng-nIo=25 pp Staves: 8 red 4-line staves per col, I95 X 147-48 (68.5-69) mm Music type: R29 Copies: F-Paris, BN Copies seen: F-Paris, BN, Res B I635 Lacks f n7 Manuscript Mass for St Lazarus, bishop and martyr, on f cc4 Decoration: major initials in red and blue, minor initials in red or blue Size: 296 X 202 mm Provenance: Jean-Baptiste Colbert; Bibl Royale Binding: gold-stamped red morocco.

Reissue Missale Romanum Pavia: Francesco Girardengo, 13 IV 1484 H I3 85; CIBN M454; Pellechet 8083 (8013); W 891a; M-B 134 Incipit, f ai, red: Incipit ordo miffalis 3 9fue I tudine3 romane curie Dnica I prima de aduentu Statio ad I Jacta maria maiore Introit9 ( Explicit, f cc4, red: Impreffum Papie per Fra I cifcum de girardenghis I M.cccc.lxxxiiij Idibus ) Aprilis Collation: 2 a' b-m8 n o-z8 9 aa-bb cc =232 ff 36 11 2 col Illustration: blank page for Crucifixion, f n7 Music: printed notes and staves Music pages: 11-5, m8v-n6V, n9-Io=25 pp Staves: 8 red 4-

line staves per col., i95 X I47-48 (68.5-69) mm. Music type: R29. Note: this issue varies from the first issue only in place, date, and absence of a calendar in a preliminary gathering. CIBN calls the two items different states of the same edition. Copies: F-Paris, BN. Copies seen: F-Paris, BN, Res. B. 62. Decoration: major initials in gold and colors. Size: 304 X 209 mm. Provenance: Bibliotheca Colbertina. Binding: blind-stamped and ruled leather over wood, 2 clasps missing. (,6. Missale Romanum. Edited by Philippus de Rotingo. Venice: Bernardino Benali, 15 VIII 1484. C 4I9;;Brunet 3: '759; CIBN M455; Martimort 9; Pellechet 8084 (80o4); W 888; M-B I3IIncipit. f a , red: Incipit ordo miffalis fm confuetudine3 romane curie. Do- I minica prima de aduentu. Sta j tio ad fanctam mariam maiorem. Ad miffam. Introitus. I Explicit, f H7, red: Explicit miffale fm morem ro- I mane eccl'ie p fra3 Philippi de I rotingo Mantuanu ordinis mi I noru cle obferuatia bona dilige- I tia 7 fideli ftudio purgatu ab hif I errorib9: qb9 ul' ignoratia

uel in- I curia librarioru3 adductis cois I abufuf Tualuit. Quocirca cuiq3 I legerit: obfecratu uelim ne adhi I beat manu precipite ad corrigen I dam uel poti9 corrupenda3 libri rectitudie3 magno ptai labor: 3 I ml'tiplicato fincero examie: poft I m63 exeqt' qcqd recta r6 7 fpus pitatis igelferit. Ad laude oipo I tetis di 7 fciSSime ygif mFis ei9: I ac Seraphici pris Fracifci: toti ufq3 curie celeftis. black: Imprefiu uenetijs arte 7 lpefis I Bernardini d' Benalijs bergo mefif fb clito Duce Ioane mocenico. xv: die menfis augufti. I MCCC-CLXXXII[I f H7V: [register]f. H8, red: Nauis noue bedictio cofueuit fieri hoc modo. Collation: 2°. t6 a-d8 e4 f-g8 h6 i8 k4 I-o8 p" A-H8= 182 ff. 42 11. 2 col. Illustration: blank page for Crucifixion, f. m5". Music: printed notes and staves; staves only on f. gi (preface, Palm Sunday). Music pages: gI-g2, ii , i2, i4-i8, I -14, 15-16, 17-m5, m6v-7v= 37 PP. Staves: io ( I ) red 4-line staves per col, 215 X 144-46 (68-70) mm. Music type: R6. Copies: D-Munich, SB; F-Paris, BN. Copies seen: F-Paris, BN, Vel. I33. Decoration: Crucifixion (on blank v. m5v) and major initials in colors and gold, minor initials in blue. Size: 3 I6 X 2 9 mm. Binding: gold-stamped calf with marbled endpapers.

67. Missale Romanum. Venice: Giorgio Arrivabene & Paganino Paganini, 27 IX 1484. H I1386*; P 4908; BMC V:382; IGI 6614; Essling 25; Martimort 14; Sander 4739; W 889; M-B 132 Incipit, f:bi,red: Incipit ordo miffalis fecundum I confuetudinem romane curie. I Dominica prima de aduetu. Sta I tio ad fanctam mariam maiorem. I Explicit, f. y7, red: Explicit miffale fecudu more roma I ne ecclefie: fumma cu diligentia 7 fi- I deli ftudio purgatu ab his errorib9: I bus uel ignoratia uel incuria libra I riori adductis comunis abufus in- I ualuit. Quocirca qcunq3 legerit: ob fecratu ueli ne adhibeat manu pcipi I te3 ad corrigeda uel potius corrupe I da3 libri rectitudine magno parta la I bore: fed multiplicato fincero exami I ne: poftmodu exequat' qcqd recta ra I tio: 7 fpirit9 ueritatis ingefferit. Ad I laude oipoteti dei 7 fclffime uirgis I matris ei9: totiufq3 curie celeftis. I Impreffu3 uenetiis arte 7 impefis Georgii de riuabenis mantuani: 7 | Paganini de paganinis brixiani fo I cioru3: fub Inclyto Duce Ioanne I Mocenico. quinto Kl'.octobris. I Mcccc.Lxxxiiii. Amen.f y7, red: Regiftrum huius operis. ( [printer's mark]. Collation: 2°. a6 b-k8 16 m-y8= 72 ff. 43 11. 2 Col.

Illustration: woodcut Crucifixion, f. 15v. Music: state i, printed staves (Vatican City, BV); state 2, printed notes and staves (all others seen). Music pages: g2r", h7r, h8", i2-i4^{v, kIV-k4, k5-k6, k8-15, 16-mV"=32 pp. Staves: red 4-line staves per col., 230-32 X 155-57 (72-75) mm. Music type: R6. Note: the use of music type R6, attributed to Bernardino Benali, suggests that he may have been the printer of the music. Copies: A-Vienna, NB; CH-Basel, UB; D-Freiburg im Breisgau, UB; Munich, SB; GB-London, BL2; I-Florence, BN; Modena, Cap; Udine, Arc; Vatican City, BV. Copies seen:A-Vienna, NB, Ink 8.C.2I. GB-London, BL, IB 22487.Decoration: major initials in gold and colors, minor initials in blue. Size: 323 X 220 mm. Binding: stamped leather (restored), 2 clasps missing.Hirsch 111.933.}

Decoration: major initials in gold and colors, minor initials in blue, watercolored Crucifixion Size: 320 X 207 mm Binding: blind-stamped interlace pattern on leather over boards, 3 clasps and most bosses missing I-Florence, BN, E.5.9 Binding: blind-stamped and ruled leather over boards, missing 2 clasps and 8 bosses Vatican City, BV, Prop Fide V.29 Lacks f 15 (83), Crucifixion Printed staves with manuscript roman plainchant Decoration: major initials in gold and colors; minor initials in blue, rubicated in blue and yellow Size: 3I6 X 210 mm Provenance, f y8: S Silvestri quirinalis Binding: vellum 68 Missale Romanum Edited by Philippus de Rotingo Venice: Nikolaus von Frankfurt, I484 H 11382; IGI 6613 Essling 24; Martimort io; Sander 4740; W 892 Incipit, f ai, red: Incipit ordo miffalis Jm cofuetudine romane I curie Dnica pma de adue tu Statio ad fanctam I Maria maiore Ad miffa Introitus I Explicit, f 5, 7, black: Explicit mif ale fm mo-I rem romane ecclefie: per I fratre Philippu de rotin I go Mantuanu3 ordinis I minoru: de obferuatia bo I na diligentia 7 fideli ftuI dio purgatum ab his er rorib9: quib9 uel ignoran I tia uel incuria librariorui adductis cois

abufus in I ualuit Quocirca qcunq3 I legerit: objecratum velim I ne adhibeat manu pre cipitem ad corrigenda: uel I potius corripedam libri rectitudide magno par ) tern labore: fed multipliI cato fincero examine p9 I modu exequatur quicqd recta ratio: 1 fpiritus ve I ritatis ingefferit Ad lau I dem omnipotentis dei I fanctiJfime virginis ma tris eius: ac feraphici pa I tris francifci: totiufq3 cu rie celeftis Amen I red: ImpreJfum venetijs arte ) et impenfis Nicholai de I Franckfordia anno do I mini M cccclxxxiiij I black: Deo gratias Collation: 8° 78 2'7T a-y8 i-58=308 ff 31 11 2 col Illustration: woodcut Crucifixion, f r3 Music: printed staves Music pages: kI-k2, n3V, n7-04, P4-7, q2-r2, [r3-r4?], r5-r6=43[+?] pp Staves: 8 red 4-line staves per col., II X 71 (33-33.5) mm Copies: A-Klosterneuburg, SB; Vienna, NB; CS-Olomouc, SB; D-Munich, SB; Wurzburg, UB; I-Naples, BN; NL-The Hague, MW; P-Gniezno, AA; Wloclawek, Sem; Wroclaw, BU2 Copies seen: A-Vienna, NB, Ink XV.H.23 Lacks ff r3-r4 Manuscript gothic plainchant added to printed staves Size: 151 X o16 mm Binding: stamped and rolled leather "M V 158 I," 2 clasps missing.

69 Missale Romanum Venice: Piero di Piasi, Io XI 1485 C 4 99 (8, 238=242if.); Goff M 699; IGI 6617; Essling 28 ( t a-z 7 9 A-D8 E6 F-L8=246ff'); Sander 4742 (286 f.); W 895 (lacks f, 286 f.); M-B, p 23 (no printed music) Incipit, f ai, red: Incipit ordo miffalis fecundum conJuetudinem romane cu I rie Dominica prima de aduen I tu Explicit, f E6: Explicit miffale fecundum mo I rem romane ecclefie: per fratre3 I Phlippum de rotingo Man I tuanum: ordinis minorum: de I objeruantia bona diligentiae et ) fideli ftudio purgatum ab his I erroribus: quibus vel ignoran I tia vel incuria librariorum ad I ductis communis abufus in I ualuit Quo circa quicunq3 le I gerit: obfecratum velum ne ad I hibeat manum precipitem ad I corrigendam: vel potius corrumpendam libri rectitudinem I magno partam labore: fed mul I tiplicato fincero examine poft I modum exequatur quicquid I rectaratio: 7 fpiritus veritatis ingefferit Ad laudem omnip tetis dei 7 fanctiJfime virginis I matris eius: ac Seraphici pa I tris francifci: totiufque curie celeftis: Amen I Impreffum venetijs arte 7 im | penfis Petrum Cremonenfem I Dictu3 Veronenfem fub Incli I to Duce

Ioanne Mocenice I Die x nouembris M.CCCCLXXXV Collation: 4°. t6 a-I8 m4 n-z8 18 98 A-D8 E6=240 ff.; n and n2 mis-signed as o and 02 33 11 2 col Illustration: woodcut Crucifixion, f o8" Music: printed notes and staves (printed staves only on f ii, Ecce legnum) Music pages: h5-h6, k8r-, lIv, 14-18", n3V-n5v, n8-o8, p2-p3=40 pp Staves: 8 red 4-line staves per col., 140 X I07 (51.5-52) mm Music type: R6 Bibliography: Vittorino Finni, "Pietro e Tommaso Piasi tipografi cremonesi di secolo XV," La Bibliofilia 43 (1941): 86-I Io Copies: D-Berlin, SPK; Munich, SB2; I-Florence, BN; Venice, Cor; S-Uppsala, UB; US-NY-New York, UTSem Copies seen: D-Munich, SB, 40 Inc c.a.4 8h. Leaves oI and 02 signed in red Manuscript leaves (7) of sequences at back Decora-

tion: initials in red and brown, rubricated throughout Size: 217 X I59 mm Provenance, front pastedown: hic missale est mgri Iohannis, I487; f tI: Per me fr en Martinum Millejimo Quingentefimo Septuagefimoquinto Binding: blind-stamped leather over wooden boards, 2 clasps and bosses missing, finger tabs 4° Rar 362 Leaves oi and 02 signed in red Decoration: initials and Crucifixion in gold and colors, minor initials in blue Size: 216 X I54 mm Provenance, tI: Ex Ecclesie S Egidij 545 io Martij Binding: blind-stamped leather over wooden boards, 2 clasps and bosses missing I-Florence, BN, D 7.6 I Decoration: border in gold and colors on f ai with coat of arms (red lion over 3 red horizontal stripes on gold); blue minor initials Watercolored Crucifixion with gold added Size: 2 1 X 156 mm Provenance, f E6": Io Giuliano di stefano frili da Langaia ho compro questo Misale Added leaf at front: uso di S.Cecilia Binding: blind-stamped and ruled leather (restored) with 2 clasps Venice, Cor, G98 Decoration: border on f ai with coat of arms (3 gold and black lions holding ferri of gondolas) Size: 2 7 X 157 mm Provenance: collection of Emanuele Antonio Cicogna (1769-1868), with his letter attached to flyleaf, dated 30 March i862 Binding: blind-stamped leather over boards, half of both

clasps missing, spine restored For interlace tool, described as Venetian, see de Marinis, La legatura artistica in Italia rei secoli XV e XVI, 3 vols., Florence, I960, 2: plate C22 US-NY-New York, UTSem, UL 32.1485 In a letter, librarian Seth Kasten described the copy as lacking ff t I and o8 (woodcut Crucifixion) Manuscript leaves (25) at the end contain sequences o Missale Romanum Edited by Philippus de Rotingo Venice: Nikolaus von Frankfurt, I485 C 4198; IGI 66I5; Goff M7oo; IBP 3756; Essling 29; Martimort ii; Sander 4743; W 897 (12, 296= o8ff.) Incipit, f ai, red: Incipit ordo miffalis fm cosuetudini romane curie Explicit, f 15, 8 red: Explicit miJiale fm or I dine fancte Romane ec| clejie magna cu diligetia I reuisum: et fideli ftudio I emendatum per fratrem ) Philippum de Rotingo I Mantuanu ordinis mi I norum de obfervantia I Impreffum I venetijs arte et impenfis Nicholai de I Franckfordia Anno dnii M.cccc.lxxxv black: Deo gratias Collation: 8° 7r8 2' a-y 1-15 312 ff 31 11 2 col.

Illustration: woodcut Crucifixion, f r3" Music: printed staves Music pages: kI-k2, n3v, n7-o4, q2-r2 =28[+ ?] pp Staves: 8 red 4-line staves per col Copies: CS-Ceske Budejovice, VB2; Olomouc, SB; D-Karlsruhe, UB (has both preliminary gatherings); P-Wloclawek, Sem2; S-Uppsala, UB; US-TX-Dallas, Baylor; Washington, LC Copies seen: US-Washington, LC, Batchelder Coll Lacks 5 leaves in signature r, and both preliminary gatherings Manuscript roman chant A manuscript section in an italic hand of 53 leaves at the end is entitled "Sequntur sequentia per totum annum."; it contains no music notation Size: 14i X 102 mm Prov.: John D Batchelder, I934 A note in Russian on an endpaper states: "In I873 this book was 388 years old." 7I Missale Romanum [Venice? ca I485-I490?] C 4 i82; Goff M 7I7 (Venice: Pincius ca i5oo); CIBN M 461 (Rome? Silber? ca 1489-1490?); CIBN Suppl (Venice? ca 1485-1490?); Hubay, Augsburg 1435 (Rome, Silber, ca I5oo); W 953 =968; M-B 67

Incipit, f; ai, red: [I]Ncipit ordo miSfalis fecundu g9uetudine I curie romane cum officiis nouis Dominica prima ) d' aduetu ftatio ad facta I Maria maiorem Ad mif J fam Introitus f K4 : niuis d'leat I ac faciat d' albata p Finis Collation: 2 (i, i2)6 a-z8 78 98 8 A-8 K4= 290 ff 33 11 2 col Illustration: blank page for Crucifixion, f q2 Music: space for music Music pages: kI-2, nI', n5-8", pi", pv4-8, qi'-q2, q4'-6=27 pp Staff: space for 9 staves per col Bibliography: Barbara Hellwig, Inkunabelkatalog des Germanisches Nationalmuseums Nurnberg (Wiesbaden: Harrassowitz, 1970), 675 (Venice: Arrivabene); Ferdinand Geldner, "Unbekannte und ungenugend beschriebene Missaldrucke des i5 und i6 Jahrhunderts," Gutenberg-Jahrbuch (1966): I32, and plate 2 off 47 Note: the early date is likely, since there is blank space for music Assignment to a printer on typographical grounds is difficult, since several shops used the types My thanks to Paul Needham of the Pierpont Morgan Library for reviewing the attribution of place of publication by printing types Further support for Venetian rather than Roman origin is found in the original

German ownership of six of seven copies; no copies exist in Italian libraries Copies: D-Augsburg, SB; Berlin, SB; Munich, SB; Nuremberg, NM; F-Paris, BN (vellum); US-CA-San Marino, Hunt Copies seen: D-Munich, SB, 2° Inc S.a.879u Lacks gathering 7T6. D-Nuremberg, NM, Inc 2° 1o4047 Lacks (i, i2)76 and f q2 F-Paris, BN, Res vel 137 Manuscript roman chant on red 4-line staff Crucifixion illumination and large initials in gold and colors, border on f [aI] with arms and initials G.T.; medium initials in red and blue, flourished Binding: blind-stamped leather over wood, 2 clasps (missing) and bosses US-CA-San Marino, Hunt, 92564 Lacks sheet D4.5 Decoration: Crucifixion and major initials in gold and colors, minor initials in red and blue Size: 340 x 235 mm Binding: blind-stamped calf over wooden boards with beveled edges, clasps and bosses missing 72 Missale Romanum Venice: Andrea Paltasichi, ii II 1485/1486 H 11387*; BMC V:353; Goff M 698; IGI 66I6; Essling 27; Pellechet 8085; Sander 4741; W 896; M-B 136 Incipit, f ai, red: Incipit ordo miffalis fm cun I uetudine romane curie Dni i ca prima de aduentu: Statio ad fanctam Mariam maiorem Ad miffam Introitus Explicit, f cc8v, red:

Explicit miffale fm ordinIe facte Romane ecclefie fima I cum diligentia venetijs impf I fum per magiftrum andream I quodam Iacobi de chataro I apud fanctam Mariam for I mofam Sub anno domini I M.cccc.lxxxv iij idus febru I arij Ad laudem dei totiusq3 curie triumphantis black: DEO GRATIAS I Amen 11li oo 6 8888 Collation: 8° T6 a-z x 8 9 aa-cc8 [i, 2, 3, 418=246 ff 35 11 2 col State I: last two leaves blank (GB-London, BL) State 2: last two leaves contain a printed table of movable feasts (US-CA-San Marino, Hunt) Illustration: woodcut Crucifixion, f n7v Music: printed staves Music pages: g8-hi, k3V-k4, k5, k7V-14, m3-m4v, m7-n6v, n7, OI-2=40 pp Staves: 9 red 4-line (occasionally 3-line, once 5-line) staves per col Since on some leaves nearly every line of black text is partially printed in red, the type for red and for black text must have been set in one form Pages with staves, including one with an additional fifth line that is printed right through text (f m8V), would have been set in a separate form and printed in a

separate impression before the text; red initials and rubrics were then printed from a second form, and finally the black text of the music was printed from that second form with the aid of poorly cut friskets Bibliography: Lamberto Donati, "Sull'unico libro illustrato di Andrea Paltasichis da Cattaro: Missale Romanum M.CCCC.LXXXV.iij.idus Februarij," Archivio storico per la Dalmatia 9 (1934): 210-3I Copies: BR-Rio de Janeiro, BN; GB-London, BL; I-Bologna, BU; Florence, BN; Ricc; US-CA-San Marino, Hunt; LI-Lithuania-Vilnius, KJ Copies seen: I-Bologna, BU, A.V.KK VIII.io (Gaspari 566) Reported lost, I Oct 1947 GB-London, BL, IA 2I903 Lacks f 7Ti, most of f ir2, the inner sheet of the last gathering, and the last 2 leaves Size: i75 XII7 mm Provenance, f ai (crossed out): Monasterii Ste Ma [?] From the library of Dr J Wickham Legg Binding: half leather over wooden boards, restored at spine; 2 clasps I-Florence, BN, Landau Finaly Inc 76 Lacks first and last leaf of final gathering Lacks f n7 (Crucifixion) Contains manuscript plainchant for Benedictio Cerei on ff k7^{V-14 Decoration: border and major initials in gold and colors, minor initials in blue Size: 174 X II9 mm Provenance, f rrI: Bibl I GVST C.}

GALLETTI I FLOR Binding: brown morocco stamped in gold, marbled endpapers US-CA-San Marino, Hunt, IoI 89 Size: 172 X I 5 mm Provenance, last gathering, f cc8": Hic liber est mei I francisci Rose Last gathering, f [8]v: 1525 dal bte Siane copra quisto misali da znbatista da uale costo Li o o Bookplate: George Dunn of Woolley Hall near Maidenhead Binding: recent brown morocco 73 Missale Romanum Venice: [Simone Gabi, called Bevilaqua, for] Paganino Paganini, 27 IV 1487 See Fig 42a C 4200; Kruitwagen 298; Sander 4744; W 899 Incipit, f: bi, red: Incipit ordo miffalis fecundum | confuetudinem romane curie I Dominica prima de aduetu Sta I tio ad fanctam mariam maiorem Ad miJfam Introitus Explicit, f~5, red: Explicit miffale fecundu more ro mae eccl'ie: fima cu diligetia 7 fide I li ftudio purgatfi ab his errorib9: qb9 uel ignoratia vel icuria librario I ru adducis [sic] comuis abuf9 Tualuit I Quocirca Ad laude I oipotetis dei 7 fciffime vgls mris I ei9: totiufq3 curie celeJtis ImpreJf fu uenetijf arte 7 Tpe~fif Pagaini de I pagainis brix I fub In-

clyto Du I ce Auguftino barbadico v KI' Maij M cccc Lxxxvij Amen •11 o 6 Lt 8 6 8 6 8 8 8 Collation: 20 a b-h8 i-m n8 0 p-z 78 9 4= —10 f f 39 11 2 Col Illustration: woodcut Crucifixion, f n5'. Music: printed notes and staves Music pages: g5-g6 , i' , i5v, kI-k4v, 14V-mI, m2-m3, m5v-n5, n-n7V=37 pp Staves: io red 4-line staves per col., 226 X 55 (73) mm Music type: R7 Bibliography: B Kruitwagen, Museum Meermanno Westreenianum, Catalogus van de Incunabelen 2 vols (The Hague: Algemeene Landsdrukkerij, 19II-1920), I: no 298 Note: the printing of the edition can now be attributed to Bevilaqua from the text and music types; they were reused in a nearly identical reprint by Bevilaqua for Paganini in 1499 (D I 3; to compare f n"4 of the two editions see Part II[, Fig 42 a-b) Kruitwagen earlier had proposed that Paganini was the publisher and some other Venetian the printer of the work.

Copies: NL-The Hague, MW Photocopies of the music leaves, letter from librarian Rudolf E O Ekkart The copy is complete; the leaves at the end of the book are misbound With two manuscript gatherings: a canon without music of 8 vellum leaves bound after f n7, and manuscript prayers on paper at end 74 Missale Romanum Edited by Philippus de Rotingo Venice: Nikolaus von Frankfurt, 1487 H 11389* P 4803; BMC V:335; Goff M7oi; IDL 32-48; Essling 30; Martimort I2; Polain 2732; Sander 4745; W 900; M-B 137 Incipit, f ai (j), red: Incipit ordo miffalis ;m confuetudine romane curie Explicit, f io, ii, red: ImpreJff venetijs arte et im I penSis Nicholai de Franck I fordia Anno domini.M cccc.lxxxvij black: Deo gratias 2 ii 8 4 8 8 12 Collation: 8° 7T8 274 a-y-9 I_8-22 ff., the last blank, numbered [12] i-259, (i) 33 1 2 col Illustration: woodcut Crucifixion, f p3" Music: printed staves That the staves were printed from single pieces of metal is apparent from the compositor's error on f p6V where, following the last line of music and text, an additional red line was printed above a line of text

printed in red Music pages: h7-8, 14-v, 15V, 18v-m6, n5-n7, 02-p3, p5-p6v=47 pp Staves: 8 red 4-line staves per col., I 1-12 X 79.5 (38) mm Copies: D-Berlin, SPK; Munich, SB; GB-London, BL; H-Budapest, Acad (Saj6-Soltesz 2304); NL-The Hague, KB; Utrecht, UB; S-Stockholm, KB; US-CA-San Marino, Hunt; MD-Baltimore, Walt; TX-Galveston, Rosenberg; Houston, UL; USSR-Moscow, Len Copies seen: GB-London, BL, IA 22043 Decoration: woodcut watercolored Crucifixion, major initials blue Size: i70 X II3 mm Provenance, f Tr I: Carthusiae I In Buxheim; f ir i", stamp: BIBL BUXHEIM; back flyleaf, the names of two Augsburg Jesuits, Wendalinus Volckius and Gregorius Rosephius, I57i Binding: 16th-century leather stamped and monogrammed CH, two clasps US-CA-San Marino, Hunt, ioi90o Lacks f Io, 12 (black) Manuscript music in both black and white roman plainchant Decoration: initials in blue Provenance, f Io, 0o (258): Al mio carisimo fratelo fra signore da [cut] Binding: half vellum 75 Missale Romanum Milan: Antonio Zarotto, IV 1488.

R 1277; CIBNM458; Ganda I49; Pellechet 8087 (80I7); W 902; M-B 138 Incipit, f ai, red: Incipit ordo miffalis fecundu con I fuetudinem romane curie I Dnica I prima de aduetu Statio ad fancta I Mariam maiorem Introitus I Explicit, f zIo, black: Antoni patria parmenfis gente zarote | Primus miffales imprimis arte libros I Nemo repertorem nimiu fe iactet: in arte Addere plus tantum 3 pepiffe ualet I Mediolani M.cccc.lxxxviii I Calendis Maii Collation: 2° T'8 a-g8 h-k6 1-y8 z" = i 88 ff 4 11 2 col Illustration: woodcut Crucifixion, f miv, woodcut initials Music: printed notes and staves Music pages: i2v-i6v, 13v-18, m3-m4=22 pp Staves: 8 red 4-line staves per col., 207-20 X 152 (7I-72) mm Music type: A3 Copies: F-Paris, BN; GB-London, BL Copies seen: F-Paris, BN, Ris B874 Decoration: major initials gold, edged in black Size: 321 X 227 mm Provenance: Abbe Joseph-Jean Rive Binding: red morocco stamped in gold GB-London, BL, IB 26052 Not in BMC Lacks ff 7r i (blank), mi, m2 Decoration: major initials in gold and colors Provenance,

calendar: Nov Idibus, Consecratio ecc fcti ant [cut] Binding: half calf 76.* Missale Romanum Milan: Leonard Pachel, V 1488 IGI 66i8; W 9o3 Incipit (IGI), f 9: Incipit ordo missalis fm cosuetudine romane curie Dniica prima de aduetu Explicit (IGI), f 245 : Missal completu fm cosue I tudinem romane curie sum I ma cum diligentia Medio I lani Impressum opificio 7 T I dustria Leonardi pachel de I Allamania Anno domini I M.cccc.Lxxxviij De men I se Maij i Sub ill'o duce Iohanne I Galeazio Maria Sfortia Ui cecomite Collation (IGI): 8° r8 a-m8 n6 A-R8=246 ff 35 11 2 col Music: ? Note: the unique copy (I-Milan, Ambr, 52 ) described in IGI is now lost 77 Missale Romanum Venice: Johann Hamman, I5 X 1488 H 11 392*; IGI 6619; CIBN M459; Essling 3 1; Pellechet 8o88 (8oi8); Sander 4746; W 904; M-B 139 Incipit, f ai, red: Incipit ordo mifJalis fm 9fuetudine Romane cu I rie Explicit, f 05 , red: Accipite optimi facerdotes Miffale iuxta I morem Romane ecclejie expletum : Ioanis I hamani de Landoia mira arte impreJfum: in florentiJfima ciuitate Uenetiaru: I Augufti ( ni Barbadici inclyti principis tempeftate : ) Anno incarnationis

dominice Millefimo quadringeteJimo octuagefimooctauo : Idi bus Octobris I black: LAUS DEO 6 i • o•10 8 6 Collation: 2° 7Tr a-f8 g6 hlO i-m8 n6 o0 p-q L r-v8 x-y6 A-N8 06=296 ff 31-32 11 2 col Illustration: woodcut Crucifixion, f [L)I', and woodcut Resurrection Music: printed notes and staves Music pages: i6v"i7v, m6'", m8, n3-o o09p5, p6, p8-LI, L3V-L5=47 pp Staves: 8 red 4-line staves per col., 237 X i62 (75.5) mm Music type: R9 Copies: A-Vienna, NB (vellum); D-Munich, SB; F-Paris, BN2 (one vellum); Rheims, A; GB-Manchester, JRL (vellum) (Dibdin 6:192-93, 187, Manchester copy W.H James Weale, Historical Music Loan Exhibition, Albert Hall, London, June-October I885, London: Quaritch, i886, p 67; provenance, immediately below the colophon: Lucas Antonius de Zonta, librarius, Petrus Bensonus, librarius, Dederunt pro elemosina; Althorp); I-Florence, Ricc; Parma, Pal; San Gimignano, BC; Siena, BC Copies seen: A-Vienna, NB, Ink 30.62 Lacks f 06 and one leaf in first gathering Decoration: gold and colors for borders, major initials; blue minor initials; yellow rubrication Manuscript prayers to Mark the

Evangelist, f 05' Binding: gold-stamped green leather, marbled endpapers D-Munich, SB, 2 Inc c.a.2079 Decoration: Crucifixion in watercolors and gold, major initials in red and blue, minor initials in red or blue Provenance, f 7r i: 30 ff at back with Franciscan feasts, prayers, and sequences Binding: black blind-stamped leather over boards, missing io bosses and 2 clasps F-Paris, BN, Vel 134 Lacks ff.LI (Crucifixion) and 06 (blank) Unsigned ff p2, p3, q3, rI Decoration: f aI, architectural border with coat of arms; historiated major initials in gold and colors, minor initials in blue Size: 340 x 238 mm Binding: vellum over cardboard, floral end papers I-Parma, Pal, Inc I8I Lacks ff 7i, ai, LI (Crucifixion), 06 Eleven manuscript leaves at front with additional sequences and a collect for Erasmus Decoration: major initials in gold and colors, minor initials in blue Binding: gold-stamped leather over cardboard, edged in red Siena, BC, MII.3 I Lacks two leaves of signature L Decoration: major initials in gold and colors, minor initials in blue, yellow rubrication Size: 326 X 240 mm Provenance, cover: S Ansano; flyleaf: Salla Compa di S.Ansano; manuscript prayers on f 06r-v for S Ansano Binding: leather over boards.

78 Missale Romanum [Rome: Stephan Planck], 22 XII 1488 H II39I*; CIBN M46o; Graesse 4:258; Panzer 2:494, 427; Pellechet 8089 (80o9); Sander 4747; W 9o; M-B 140 Incipit, f [a ], red: Incipit ordo miffalis fecundum confuetudine romane cu I rie Dominica prima de aduen I tu Statio ad fancta3 mariam | maiore' Ad miS3a3 Introitus Explicit, f [H2]: ¢Explicit miffale fecundu mo I rem romane eccelefie Impreffu3 I Anno dnii Millefimo quadrin I gentefimo octuagefimo octauo ) Die vero xxij menfis Decebris ( Laus deo Collation: 40. [7T8 a-z8 A-G8 H41=252 ff 33 11 2 col.

Illustration: Crucifixion, f [p3V] Music: printed notes and staves Music pages: [h5-h6v I' I, 12v-13, 15l-m4, n3-n4, n5, n8-p3, P5-P7]=55 pp Staves: 5 red 5-line staves per col.; I33-38 X 0o8-9 (52) mm Music type: RI Copies: D-Munich, SB; F-Paris, BN (vellum); Vatican City., BV Copies seen: D-Munich, SB, 4° Inc c.a.59I Lacks sheets in 7T and [HI.4] Size: 213 X 155 mm Decoration: watercolored Crucifixion, border and major initials in gold and colors, minor initials in blue Binding: blind-stamped leather over boards, restored at spine, 2 clasps missing F-Paris, BN, Vel I466 Vellum Decoration: none Size: 210 X 146 mm Binding: gold-stamped green morocco (DEROME leJeune, 1785) (see Van Praet I:85, 91) Vatican City, BV, Inc IV io Lacks f [P3] (Crucifixion) Gathering [n] misbound as 5, 3, 2, I, 8, 4, 7, 6 Size: 214 X I5i mm Provenance, f [qi]: frate rimondo; f 7T2: donauit libri presentem Anno i55o Binding: vellum, leather labels 7) Missale Romanum Venice: Battista Torti, 29 X I489 See Figs 44, 45 H ii393; BMC V:326; Goff M702; IGI 6620; Essling 32; LD 30o; Sander 4748; W 907; M-B 141 Incipit, f bi, red: Incipit ordo mijfalis fecun dum gJuetudinem romane cu I rie Explicit, f Es V: Uenetijs p baptifta de I tortis Mcccclxxxix die.xxix octobris.ll o 6 L 84 88 88 9 8

Collation: 4° a6 b-m8 n4 o-z 7 98 A-D8 E6=24o ff.; m2 unsigned 33 11 2 col Illustration: woodcut Crucifixion, f p8' (Essling, Crucifixion II bis, reused from Missale of Scoto, 29 XII 1481, D 55.) Music: printed notes and staves Music pages: i5-i6, 18'-v, miv, mm4-m8", o3-0o5, o8-p8, q2-q3-=39 pp Staves: 8 red 4-line staves per col Music type: RI2 Copies: GB-London, BL; I-Brescia, BC; Milan, BN2; US-MD-Baltimore, Walt Copies seen: GB-London, BL IA 21400 Size: 209 X 152 mm I-Brescia, BC, F VII.3 Lacks f p8 Decoration: major initials in blue and red and flourished, minor initials in blue, yellow rubrication Provenance, front flyleaf: Conventus Sancti Dominici de Brixia ordinis Predicatorum; flyleaf verso: Fratis Petri Martiris de Ciuitate fienne Binding: blind-stamped black leather with bosses and clasps Milan, BN, AM-XVI-36 Decoration: initials in blue, rubricated in yellow BG Inc 33 Decoration: major initials in red and blue, watercolored Crucifixion Provenance, bookplate: Charles Louis de Bourbon no 436 (see Livres de liturgie, p 79, no i6o) Binding: blind-stamped Russian leather, recent.

80 Missale Romanum Venice: Cristoforo de Pensi, 3 X 1489 See Fig 46 R 1580; IGI 662 I; Sander 4749; W 908 Incipit, f a , red: Incipit ordo miJJalis fecu I du3 g9uetudine romane cu I rie Dnica prima de adue tu Explicit, f F4: ImpreffJu Uenetiis p chri Iftophalum [sic] de penfis anno I M.CCCC.lxxxix I Die primo Kal' I Nouembris I La9 olpote I ti Deo I Ame ii o 8 i_•18686 888 Collation: 4O. 'r6 a-g h6 i-I8 m6 n p q-z 8 98 8 A-E8 F4=244 ff.; numbered i-I (or 50), then unnumbered; the preliminary signature bound at the end in Ferrara copy, BC 32 11 2 col Illustration: woodcut Crucifixion, f p6' Music: printed notes and staves Music pages: iI-i2, 15-16, 17 [staves only], m2-6, n8-oi", 02", o5-p6, q2-q3=43 pp Staves: 8 red 4-line staves per col, 168 X 127 (62) mm Music type: RI3 Copies: I-Ferrara, BC; Modena, Est (Fava, provenance: "Istud Missale erat sororis Illuminate de Carzicula bened (XVI)"); Trieste, BC; Venice, Cini Copies seen: I-Ferrara, BC, S.6.3.4 Decoration: border and coat of arms on f ai, initials in blue.

Size: 241 X 176 mm Provenance, f F4v: Questo messale sia delle fermaria p utile di tutte le anime nostre per6 si guardi ognuna di rubarlo; f 7T i: messale della fermaria Binding: blind-stamped leather over paper boards (restored) with bosses and clasps Venice, Cini, 726 Size: 233 X I72 mm Provenanace, f F4V: [?] di asulano I56o; front pastedown: Tammaro De Marinis Binding: recent vellum 81 Missale Romanum Venice: Teodoro Ragazzoni, 15 XII 1489 See Fig 47 C 4202 (289 ff.); IGI 6622; Essling 33 (a6 b-z8 9 88 = I98ff); Sander 4750; W 909 (295ff) Incipit, f bi, red: Incipit ordo miJfalis fm confuetudinem romane curie Domini I ca prima de aduentu Explicit, f 7' (clxxxix'), red: Explicit miffale fm more3 roma I ne ecclefie: fumma cum diligen tia 7 fideli jtudio purgatum Im I preffumq3 venetijs per theodoi I de ragazonibus

de afula Anno I domini Mcccclxxxix.die.xv.me Jis decembris Collation: 2° a6 b-h8 i-m6 n8 06 p-z8 78 98 8 = 196 ff 40 11 2 col Illustration: woodcut Crucifixion, f nSv. (Essling, Crucifixion II, reused from Missale of Scoto, 31 VIII 1482, D 60.) Music: printed notes and staves Music pages: g5-g6, i4v, 15v, kV-4, 14V-mI, m2-3v, m5v-m6v, [ni?], n2-n5, n6v-n7v=35(+I?) pp Staves: Io red 4-line staves per col., 243 X I63 (75) mm Music type: RI4 Copies: I-Belluno, BC; Florence, BN; Viterbo, Cap Copies seen: I-Florence, BN, C.5.24 Lacks f ni Size: 332 X 208 mm Provenance, front flyleaf: Monte Oliveto No 87IS Binding: recent vellum 82 Missale Romanum Venice: Cristoforo de Pensi, 13 IX I490 See Fig 46 H ij394; IGI 6623; Essling 34; Sander 4751; W9I3 Incipit, f bi, red: Incipit ordo miffalis fm gJuetudi I ne romae curie Dnica prima de ad I uetu Explicit, f t9, red: Explicit mifJale f3 more romane ec I clefie: fuma cu diligentia 7 fideli ftudio purgatu3 ab his errorib9: gbus I uel ignoratia uel icuria librario ad I ductis comunis abuf9 iualuit Quo I circa qcuq3 legerit:

obfecratu uelim I ne adhibeat manu pcipite ad corri I geda uel poti9 corrupeda libri recti tudine magno parta labore: f3 multi I plicato fincero examine: poftmodu3 exequat' qcqd recta ratio: Spus ue ) ritatis igefferit Ad laude olpotetis I dei 7 fciffme pgis mris ei9: toti9 q3 curie celeftis Impffu3 uenetiis ar I te 7 ipefis Chriftofori d' pe fis d' ma ) delo: fub Iclyto duce Augu babadiI co [sic] Millefimo quadringentefimo I nonagefimo: Idus Septembris LAUS DEO.f tioV: Regiftrum Collation: 2° a-s8 t'= 154 ff 44 1 2 col Music: printed notes and staves Music pages: f5v-f6, hI-2, h3V-6, iiv-i4^{v, i6-k2, k3-4v= 30 pp Staves: io red 4-line staves per col., 234 X '57 (74-76) mm Music type: RI3 Copies: CS-Olomouc, SB; I-Genoa, Franzon; Rome, Cas; Trent, Sem Copies seen: I-Rome, Cas Inc I965 Lacks ff k2 (Crucifixion?) and tio Provenance, on vellum leaf at front: Oratio Sancti Zenobij qui In florentina requie feri ecclesia Size: 3 2 X 215 mm Binding: paper over paper boards, gold-stamped leather spine-Missale Romanum [Basel? ca 1490.] H 1136?; Goff M735 ([n.p.: n.pr., n.d.]); Sander 4754? [ca I490, Italy?]; W 840*?}

F i': Registru in libr missaru3 I fpecialiu de tpe et de fanct3 I p ani circl'm 7 primo d' A ff iiii-x, calendar; incipit, f ai, I: [AID te leuaui | anima me am de9 me I us in te co I fidof F7 ends: glo ria femper rejultat f F8, blank; f aai, red: Exorcifmus falis dieb9 do I minicis Ends: genuit incarnatu3 Per eundem dominu noftru Ec *i o/• •• ••• •••• 10 816 18 14 8 Collation: 2° (i, ii, iii, iiii, v)10 a-i8 k6 18 x 14 m-z A8 B-C6 D8 E6 F8 aa-bb6=260 ff., numbered [io] I-LXXXV [i5] LXXXVI-CCXXI [13] 26-28, 14 11 2 Col Illustration: woodcut Crucifixion, f X i' Music: space for music Note: in his description of the copy at US-New York, UTSem, Goff cites W 840*?, Sander 4754?, and H 136I? (all 244 if., 8°) despite the difference in format and number of leaves My date was assigned from Sander, although the lack of printed staves suggests a date closer to I480 Several factors point to a northern rather than Italian place of publication: for example, the gothic textura type, the dedication of the cathedral of Basel in the printed calendar, and the change to a large typesize for the Canon of the Mass.

Copies: US-NY-New York, UTSem Copies seen: US-NY-New York, UTSem, UL 35 B, 14 83 Missale Romanum [Naples: Christian Preller for Antoine Gontier? ca 1490o See Fig 65 C4 85 ([Venice]); Goff M7o4 (ca 1488; Suppl., ca 1490); Essling 26 (probably Venetian); Fava and Bresciano i74; Sander 4753; W 887 (ca I484); M-B i30 Incipit, f ai, red: Incipit ordo miffalis fcd'm gfuetudine3 Romane curie I Dominica prima de aduetu I Explicit, f L8, red: Laus deo I [printer's mark, AG?] Collation (Sander): 2 7r6 a-f8 g6 h-i8 k-n'o o-r8 A-L8=236 ff 38 11 2 col Illustration: woodcut Crucifixion, Deposition, and Resurrection Music: printed notes and staves Music pages (from microfilm): hI-2, k4, k6, k7V-li, 19, m3v-nI, n3-n4v=33 pp Staves: 9 red 4-line staves per col Music type: R33.

Note: Fava and Bresciano (2:149) attribute the work to Preller because the printer's mark appears in two books printed in Naples (21 V 1490, Landino, Epistole; 1490, Officium BMV, Preller) and because the alphabetic type is no i of Preller The letters AG probably refer to the publisher (H 540, Albertus Magnus) and sometime associate of Preller, Antoine Gontier (Fava and Bresciano, I: 104) Copies: US-MA-Cambridge, HCL Copies seen: US-MA-Cambridge, HCL Microfilm Provenance, endpapers: qJto meJale e del I"m°[?] 8 Missale Romanum [Venice: Bernardino Benali? for Luca Antonio Giunta, ca.I490.] See Figs 25, 4 1 C 4183 ([Giunta, ca 1496]); P 5689; BMC V:59i; Essling 36; Oates 2228 (s.t., s.a.); Sander 4752 ([Venice, ca I490]); W 9I2 ([Venice: Giunta]); M-B 142 Incipit, f bi, red: Incipit ordo miJfalis Jecundum gfuetudinem romane curie Explicit, f D4, red: Explicit miffale fcd'3 curia.ro I MiSfe noue p marie alijs fcf black: Miffa 9ceptiis Mif'a.xi milia virginu i fine miSale Collation: 4° a6 b-n8 06 p-z8 t8 98 8 A-C8 D4=232 ff 35 11 2 col.

Illustration: woodcut Crucifixion, f o05 BMC: "The canon cut is identical with that found in De Tortis' 1489 edition (IA 21400), from which the present book was probably reprinted with the addition of the Missa in honorem xi milia virginum on 232 a." Music: printed notes and staves Music pages: iI-i2, 13V-14, 15, 17V-m3v, n2-n4, n6-o5, pI-p2=38 pp Staves: 9 red 4-line staves per col., 156 X: 115 (54-5-55-5) mm Music type: R6 Note: because the music type is R6 (14841485) of Bernardino Benali, he is suggested as the printer, leaving Giunta the role of publisher Copies: GB-Cambridge, UL; London, BL Copies seen: GB-Cambridge, UL, SSS 60.9 Size: 217 X 156 mm Binding: blind-stamped leather over boards (rebacked), 2 clasps, bosses missing London, BL, IA 25100 Size: 212 X 156 mm Binding: blind-stamped leather over boards, rebacked, with bosses and clasp Missale Romanum Venice: Giovanni Battista Sessa, [ca 14901 W 914; M-B I43 Note: apparently equal to M-B i60 and M-B 16 (D 112) 85 Missale Romanum Venice: Rinaldo de Novimagio, o IV 149 1 C 4203 (8, 224=232 ff); IGI 6624 (2°); CIBN M462; Essling 37 (6, 222=228 ff, a6 b-p8 q6 r 8 8 9 A-C8); Pellechet 8091 (8021); LD 312; Sander 4756; W 9'5 (6, 223; I = 23off.); M-BI44

Incipit, f bi, red: Incipit ordo mijfalis f3 cojuetudine romane curie Explicit, f C5: Uenetijs per Reynaldum de ) Nouimagio tentonicum [sic] I Mcccclxxxxj die.x Aprilis Collation: 4°. a6 b-z8 T8 98 8 A-C8=230 ff.; numbered [6] 1-220 [I] with errors, music folios unnumbered [m7-o8] 36 11 2 col Illustration: woodcut Crucifixion, f 03" Music: printed notes and staves Music pages: h8r-v, l"-12, 13, I5-mIm , m8-niv, n4-03, 05-6=36 pp Staves: 8 red 4-line staves per col., 147-52 X 110-12 (51-53) mm Music type: RI5 Copies: CH-Geneva, BU; F-Lille, BM; Paris, BN; I-Florence, BN; Turin, BN, Vatican City, BV Copies seen: F-Paris, BN, Res B 2677 Decoration: initials in red and blue, rubricated in red; watercolored Crucifixion Provenance: Carlos Antonio de la Serna Santander Binding: stamped calf over wood, marbled endpapers I-Florence, BN, P 4.9 Lacks f 03 Decoration: major initials in gold and colors, minor initials in blue Size: 212 X 157 mm Provenance, on vellum leaf added at end of first gathering: SM Novella I No 46 (pencil) Binding: blind-stamped leather, modern 86 Missale Romanum Pavia: Francesco Girardengo & Giovanni Antonio Beretta, 6 VI 1491 See Fig 21.

H 11396; C 4204; P 7077; BMC VII:Ioos; IGI 6625; LD 3I3; Sander 4757; W 916; M-B '45 Incipit, f ai, red: Incipit ordo miffalis jm | 9fuetudine romane curie Dfiica pria d' aduetu: Explicit, f dd9, red: Papie per Ioanem an I toniu3 birreta Francifcu q3 gyrardenghum Anno 1491 die.6.Junij ) [printer's mark, red, IAB] CollationI 8° 0 r8 2r84 a 8 8 8 Collation: 80 T8 2T4 a-z8 9 V8 aa-cc

dd =254 ff., numbered [121 i-24i [I] 39 11 2 col Illustration: woodcut Crucifixion, f o5 Music: printed staves Music pages: h3-h4, k7-k9, II, 13-110o, m7-n I, n4-o04, o6V-o8=45 pp Staves: 9 red 4-line staves per col.; I29 X 76 (36-37) mm Copies: GB-London, BL; I-Milan, BN; Pesaro, Oliv; Ravenna, BC Copies seen: GB-London, BL, IA 31415 Lacks f ddio (blank) Size: 176 X I io mm Binding: blue morocco, stamped in gold I-Milan, BN, Gerli Inc 53 Size: 177 X I I6 mm Provenance, f 7r I: Carthusia In Buxheim; Duke of Parma (Livres de liturgie I63, reproduction of woodcut Crucifixion) Binding: blind-stamped leather over wooden boards, with 2 clasps 87 Missale Romanum Venice: Johann Hamman, 13 VII 1491 H II397; IGI 6626; Essling 38; Pellechet 8092; Sander 4758; W 9I7 Incipit, f ad, red: Incipit ordo mijfalis Jfm c6 fuetudinem Romane curie Explicit, f F5 V red: Accipite optimi facerdotes Mif ale iuxta mo-I rem Romane ecclefie expletum : Ioannis hama I ni de Landoia mira arte impreffu3: in florentiJJi I ma ciuitate Uenetiaru Auguftini Barbadici in I clyti principis tempeftate : Anno incarnationis I dominice Millefimo quadringetefimo nonage I fimo primo: Idibus Augujti.

black: LAVS DEO I [printer's mark, IH} Collation: 2° r7T a-y8 z6 76 98 A-E8 F6=248 ff., numbered [6] I-CCXLI [I] with errors; h4 signed in a different type and oi, 02, and 04 unsigned (all music pages) 34 11 2 col Illustration: woodcut Crucifixion, f 04" Music: printed notes and staves Music pages: h3V-h4, k7r-, 13-17, m5"-n3, n5-o4, o6-7= 45 pp Staves: 9 red 4-line staves per col., 268.5 X 168-74 (75-83) mm Music type: R9 Copies: I-Milan, BN; Padua, Cap (vellum); Venice, BN Copies seen: I-Milan, BN, AK-XIV-i3 First signature lacks i leaf, f e4 mis-signed c4 Decoration: major initials in colors, minor initials in red and blue and flourished, watercolored Crucifixion Size: 345 X 230 mm Provenance, f 7r I: impressed seal of the Bibliotheca Mediolanensis Imperialis Regia Binding: red morocco with gold frame Padua, Cap, 260 Vellum Final gathering of eight leaves with three blanks; first gathering has a "tabula" inserted after f 7T6 The Mass for St Daniel added on f F6 Decoration: commissioned miniatures by owner, Bishop Pietro Barozzi, in 149I (for reproductions see Giuseppe Urbani de Gheltof, Gli artisti del Renascimento nel vescovado di Padova, Padua: Tip del Seminario I833, p 20, and Padua catalog, Librorum XV sec impressorum index, ed E Govi, Padua: Tipographia Antoniana, 1958, plate between pp.

96-97 and II2-I13) Provenance: Bishop Pietro Barozzi, private library (Libro d' estimi, Vol 70°; inventory at death from 1507); offered to canons of the cathedral at his death Binding: red velvet with silver corners (see Antonio Barzon, "Saggi di rilegature di codici e incunaboli della Biblioteca Capitolare," in Libri e stampatori in Padova; miscellanea di studi storici in onore di mons G Bellini: tipografo, editore, libraio, ed Antonio Barzon, Padua: Tipographia Antoniana, 1959, PP-3 I I-I3) See also A Moschetti, "II tesoro del Duomo di Padova," in Dedolo 6 (1925): 292; Rizieri Zanocco, "La biblioteca d'un grande nostro vescovo umanista (Pietro Barozzi, 1441-1507)," in Bollettino diocesano di Padova 12 (1927): 442-52 Venice, BN, Inc V I04 Lacks ff 04, F3, F4, and F6 Gathering o signed o, oii, 03 in smaller type of type used for f h4 Decoration: major initials in gold and colors, minor initials in blue Size: 350 X 242 mm Binding: brown paper over cardboard, leather spine 88 Missale Romanum Milan: Leonard Pachel, 4 VII 1492 IGI 6627

Begins (Frutaz), f di: ratum est a patre meo Explicit, f x5 : Mediolani per Leonardum pachel theuthonicum fumma cum diligetia I 7 Studio impreffum Anno dni.M cccc.lxxxxij.quarto nonas Iulias I [printer's mark, LP] f x6: Registrum Collation (IGI): 2° a-u8 x6= 172 ff 43 11 2 col Music: printed notes and staves Music pages: h3-h5v, kiV-k2v + unsigned pages=I6 pp Staves: i I red 4-line staves per col Music type: R27 Bibliography: Amato Pietro Frutaz, "Due edizione rare del Missale Romanum pubblicate a Milano nel 1482 e nel 1492," in Miscellanea Giulio Belvederi, Collezione "Amici delle Catacombe" 23, Vatican City: Societa "Amici delle Catacombe," 1954, pp 55-107 Includes plate of f X5 with colophon Copies: D-Berlin, SPK; Tubingen, UB; I-Aosta, Sem Copies seen: I-Aosta, Sem, microfilm of music pages (Lacks gatherings a-c, ff 76 and 77-)

8 Missale Romanum Milan: Antonio Zarotto, I VIII 149:2 C 4206; Gff M7o5; IGI 6628; Ganda i79; Sander 4759, W 920; M-B'47 Incipit, f: Ai red: Incipit ordo miJfalis fecundu3 g9ue I tudine3 romane curie Dominica pri I ma de aduetu Explicit, f Sg9: Antoni patria parmenfis gete zarote I Prim9 miffales iprimis arte libros I Nemo reptore nimiu fe iactet: in arte I Addere plus tatu qua pepiJfe ualet I Mediolani M.cccc.Lxxxxij Calendis Augufti Collation: 2" 7r8 A-R8 S°= i54 ff 44 11 2 col Illustration: woodcut Crucifixion, f 14'; woodcut Annunciation, f Ai Woodcut initials Music: printed notes and staves Music pages: G4-G8, H6"-I3, 5V-I6v= 22 pp Staves: 8 or 9 red 4-line staves per col, 225.5 X 157.5 (69-70) mm Music type: R4 Copies: I-Parma, Pal; US-MA-Cambridge, HCL Copies seen: I-Parma, Pal, Inc MM 2.577 State: ff C4-(5 on thinner paper Size: 313 X 220 mm Provenance, front paste-down: Bibliotheca Regia Parmensis; f 15: Pascha anni 1583 die io aprilis Binding: marbled paper, leather spine.

9Q Missale Romanum Brescia: Giacomo Britannico & Angelo Britannico, I IX 1492 H II398; IGI 6629; CIBN M463; Pellechet 8093 (8023); Sander 4760; W 992; M-B 49 Incipit, f ai red: Incipit ordo mifSalis fcd'3 co Juetudine romane curie Do I minica pma de aduetu Explicit, f: Qs, red: Explicit miS.ale Jcd'm more3 I romane ecclelie: fumma cum I diligentia 7 fideli ftud:,o pur I gatu3 Impreffumq3 Brixie I per Angelu3 7 Iacobum de I Britanicis fratres Anno dii I Mcccclxxxxij die p° menfis ) Septembris I [printer's mark, A B] Collation: 2° A8 a_f8 g6 h4 i6 k-18 m6 n-o8 2A8-L8 M'1 N-P8 Q6=238 ff 3711 2 col Illustration: woodcut Crucifixion, f o8"; woodcut Last Judgment, f A8"; woodcut initials Music: printed notes and staves Music pages: hi"-h2, 11"-12, 13, 15-18", n2-n4, n6-n7, 02-08, 2A:-2A3=36 pp Staves: 9 red 4-line staves per col., 238 X 270 (79) mm Music type: R32 Copies: D-Munich, SB; F-Paris, BN; I-Florence, BN Copies seen: F-Paris, BN, Res B.63 Lacks f Ai Size: 335 X 321 mm Provenance, f A2: Bibliotheca Colbertina, E 2943.2 Binding: red morocco stamped in gold I-Florence, BN, P 2.31 Lacks sheet A.8 and f Q6 Decoration: watercolored Crucifixion Size: 341 X 237 mm Provenance, front flyleaf: Questo Mejfale e di Giovannj di Niccholo di G"' Sinij Binding: blind-stamped leather over boards, 2 clasps missing.

9I Missale Romanum [Turin?: Giacomino Suigo & N de Benedicti?], i i IX 1492 H 11399= 1379?; P 7423; Goff M7o6 (Italy); Polain 2733 (Italy); Rhodes 1207; W 92 = 876*; M-B 148 (probably German) Incipit, f ai, red: Incipit ordo miSfalis fe I cundum coJuetudine roma I ne curie Dnica pma de ad I uentu Statio ad fancta maI riam maiorem Ad miffam Explicit, f K4, red: Explicit miffale fecundi I vJum et conJuetudine roma j ne ecclefie cu fumma dilig I tia et fideli Jtudio purgatu3 I Anno Jalutis Chriftiane I M cccc.lxxxxii die vero xi I menfis Septembris I Laus deo Collation: 8° 7r6 a-k8 mn8 o-z8 A8 A-I8 K4= 266 ff 35 I1 2 col Illustration: woodcut Crucifixion, f q5V. Music: space for music Music pages: i3-i4, 18-mni, mn2, mn4'-mn8', o8-p2", P5-q5, q7-q8=-4 pp Bibliography: Tullia Gasparrini Leporace, "Notizie e documenti inediti su Jacopo Suigo, tipografo del XV secolo," La Bibliofilia 49 (I947):41-52 Note: on the basis of watermarks, assigned to Suigo and Benedicti in the manuscript Sheppard Catalogue of the Bodleian Library, Oxford (signed T.F.S., ii Sept 1902) Rhodes (I207) cautioned: "The attribution of printer is very doubtful."

Copies: B-Brussels, Bol; D-Munich, SB; GB-Oxford, UL; Worchester; P-Wroclaw, Kap; US-Washington, LC Copies seen: GB-Oxford, UL, Auct IQ.6.67 Lacks ff a4-5 (Crucifixion) and others Decoration: major capitals in gold and colors, minor capitals in blue Size: 167 X i14 mm Binding: blind-stamped leather (rebacked?), remains of 2 clasps US-Washington, LC, Vollbehr Manuscript music added in roman and gothic plainchant Decoration: initials and rubrication in red Size: 149 X 107 mm Provenance, German, from ms names in the calendar Binding: stamped pigskin over wooden boards with beveled edges, clasps missing 92.* Missale Romanum Rome: Stephan Planck, I492.

Brunet 3: 759; Graesse 4:549; W 923* (240 ff., 3611.) Collation (Graesse): 2° 2 + ccxxvii ff 3 I 11 2 col Note: Graesse: "II en existe un ex tire sur velin." Brunet: "Un exemplaire a ete rapporte d'Italie en Angleterre par M Payne, libraire." Copies: none known 93 Missale Romanum Venice: Johann Emerich of Speier, 28 IV I493 See Fig 30 H 11400*; BMC V.538-39; Goff M707; IGI 6630; Martimort i3; Sander 476i; W 924; M-B I50 Title, f: tri, red: Miffale fm 9guetudi I ne curie romane Incipit, f i, i, red: Incipit ordo miJfalis I fm confuetudine romane I curie Dnica pma de ad-I uentu Statio ad fancta3 I Mariam maiorem Ad miJJam Introitus I Explicit, f 37,7: Explicit miffale fm mo rem romane ecceleJie: per fratre philippu3 de rotin I go Mantuanu3: ordinis I minorii: de obferuatia bo I na diligentia et fideli ftu I dio purgatum ab his er I rorib9: lbus vel ignoran ) tia vel incuria librarioru3 I adductis: cois abufus in I ualuit Quocirca qcunq3 I legerit obfecratum velim I ne adhibeat manu precipitem ad corrigedam: vel potius corripendam libri I rectitudinem magno par ) tam labore: fed multipli I cato fincero examine poft I modu3 exequatur quicqd I recta ratio: et fpiritus ve I ritatis ingefferit Ad lau I dem omnipotentis dei et

fanctiffime virginis ma I tris eius: ac feraphici pa tris francifci: totiufq3 cu rie celeftis Amen red: Impreffum venetijs arte 7 impensis Iohanis eme I rici de Spira Anno dni | M.ccccxciij.qrto kl' maj I black: Deo gratias Collation: 8° r8 27r8 I-378 3 2 ff., numbered [i6] 1-294 [2] 3 I 1 2 col Illustration: woodcut Crucifixion, f 17,3v ( 13 IV) Music: woodcut notes and staves Music pages: 10,1-10,2, I3,I-I3,2, I3,3 13,7-14,4, I5,4-15,7, I6,2-17,3, 17,5-17,6=46 pp Staves: 8 black 4-line staves per col., 126 X 83 (39-40) mm Copies: GB-London, BL; H-Budapest, BU; I-Naples, BN; Rome, Ang; P-Cracow, Bern; US-MA-Cambridge, HCL; MI-Ann Arbor, UML; NC-Chapel Hill, UNCL; Washington, LC Copies seen: GB-London, BL, IA 24206 Lacks f 37,8 Gathering 27T bound at end Provenance, f 7T i: Sebastiani de Ianis P.; vellum leaf at back: Sige Domenico Follazzi 1749/175i; front paste-down: Ex libris Iohannes Wickham Legg io Aug I894 Binding: blind-stamped leather (restored), 2 clasps I-Rome, Ang, Inc 68 Lacks f 17,3, Crucifixion Decoration: initials in blue Size: I69 X 12 mm Binding: leather, restored at spine US-Washington,

LC, H 11400 Vollbehr Lacks gathering 2T Provenance, f 37,7: Ex libris Thomas Stewart d e Equitis Hierosol Rome 1837 94 Missale Romanum Venice: Johann Hamman for Nikolaus von Frankfurt, I VII 1493H 11401*; P 5i89a; BMC V.425, and VII.: 140; Goff M7o8; IGI 663 , 6:241; CIBN M464; Essling 39; Molitor, Deutsche, plate XV; Oates 2036; Polain 2734; Sajo-Soltesz 2306; Sander 4762; W 925; M-B 151 Title, f 7ri, red: Miffale fecudu morem I fancte Romane Ecclefie I f ai, red: ¢ Incipit ordo mifJalis fcd'm I confuetudine3 romane curie Explicit, f G5, red: Miffale fm cofuetudine Jce eccl'ie romane: fingulari cura I ac diligetia emedatu: fJptib9 7 iufu famofiffimi Nicholai | de Franchfordia: arte iteq3 7 I indujtria pbatiffimi viri io I hanis Herczog de Landoia ImpNju3 Uenetijs: explicitu3 I ejt: anno pgialis partus poft I millefimu to quaterq3 cetejimu I nonagefimo tertio kalendas I Iulias I f G6, red: ¢ Incipit ordo ad cathecu ) minu faciedu f G7, red: [printer's mark, IH] Collation: 8° 7T8 21T4 a-18 m°' n-z8 A-G8 254 ff., numbered [12] i-216, 117-40 37 11 2 col.

Illustration: woodcut Crucifixion, f o6" (I24v) Music: printed notes and staves Music pages: h2v-h3', ksV-k6, k7, 12-16", m5V-n2, n4-o06, o8-pI=53 pp Staves: 7 red 4-line staves per col (plus one line at bottom of each col.), 120 X 83 (39) mm Music type: Rio Note: many of the music leaves are unsigned and printed on the same paper as the rr quires, which suggests that the music was printed after the main text and with the preliminary quires The calendar is almost identical to that in Hamman's edition of i XII I493, although the assignment of words to red and black ink differs Copies: B-Antwerp, MP; CH-St Gall, StB; D-Eichstatt, B2 (Hubay, Eichstatt 697); F-Paris, BN;

GB-Cambridge, UL; London, BL2; H-Budapest, BN; BU; I-Bolzano, Mus; Ferrara, BC; Padua, Sem [missing); Rome, Cas; Udine, BC; P-Gniezno, AA; Warsaw, BN; Wroclaw, Kap; US-CA-San Marino, Hunt Copies seen: CH-St Gall, StB, Ioo8 Includes 23 manuscript leaves of prayers at end Binding: paper with leather spine F-Paris, BN, Res B 2730 Lacks f o6 (Crucifixion) Size: i59 X 17 mm Decoration: major initials and borders in gold and colors, minor initials in blue Binding: acid-eaten leather over paper boards GB-London, BL, IA 23359 Size: 176 X 112 mm Decoration: red initials Binding: 17th-century gold-stamped leather, 2 clasps missing IA 23359a Lacks title page Decoration: blue initials Binding: stamped leather over boards, done by Anthonius de Gavere of Bruges H-Budapest, BN, 992 Size: i70 X I 6 Binding: blind-stamped leather over wooden boards, clasp missing I-Ferrara, BC, S 6.i.15 Lacks two preliminary quires Provenance, f ai: Ex libris domus Ferrerien.9 Congis Missionis; flyleaf: no 0.6.6 Binding: vellum Rome Cas, Inc 9 Provenance: Questo messale e ad me Maria da Cannes US-CA-San Marino, Hunt, 9252I Includes 25 manuscript leaves at end (Temporale and Sanctorale) Binding: blind-stamped calf over wooden boards, stamped "S Maria"; metal corners and clasp.

5 Missale Romanum Venice: Johann Hamman for Ottaviano Scoto, I XII 1493 H 1402= 1i404*; P 5 9i; BMC V:425; Goff M7o9; IGI 6632; IDL 3250; Essling 40; Martimort I5, Sander 4763; W 926; M-BI52 Title, f ri, red: Miffale fecudu morem I fancte Romane Ecclefie Incipit, f ai, red: ¢( Incipit ordo miffalis fcd'3 I confuetudine3 romane curie I Dnica prima de aduetu: Explicit, f G3, red: Miffale fm cofuetudine fan cte ecclefie romane: Jingulari I cura 7 vigilanti ftudio reuifu I emendatuq3: Iuffu 7 expenfis I nobilis viri Octauiani Scoti I ciuis Modoetienfis: Arte ite iduftria pbatiffimi viri Io I hannis Hertzog de Landoia ] Inpreffum venetijs: explici I t eft: anno virginalis partus I poft millefimii quaterq3 cen I tefimi nonagefimo tertio ka ) lendis Decembribus I f G8': [printer's mark, IH] Collation: 8' T8 27r8 az8 A-G8=256 if., numbered [16] 1-239 [I] 35 11 2 col Illustration: woodcut Crucifixion, f 05v (125v) Music: printed notes and staves Music pages: h2-h3, k4-k5, k6, k8-lv, m4-n2v, n5-o5, o8V-p3v=54 pp Staves: 7 red 4-line staves per col., 112 X 82 (38.5) mm Music type: Rio Note: mention of the feasts of SS Clare and Francis as duplex major suggests a Franciscan origin (Martimort, p 370).

Copies: CH-St Gall, StB; D-Munich, SB; GB-London, BL; I-Bologna, BU; Florence, BN; Milan, Ambr; Naples, BN; Rome, Ang; Cas; San Candido, Coll; Siena, BC; NL-The Hague, KB; P-Wroclaw, BU; US-IO-Dubuque, Loras; MD-Baltimore, Walt; Vatican City, BV2 Copies seen: CH-St Gall, StB, oo009 Binding: blind-stamped leather over wooden boards GB-London, BL, IA 23364 Lacks TI Decoration: initials in red Binding: gold-stamped leather (i7th cent.) I-Florence, BN, K 7.5I. Lacks gathering 7r, begins on f 27 I Decoration: initials in blue Size: 169 X 19 mm Provenance, stamp, f 2irr : FIORENTINAE BIBLIOTH.PUB Stamp: S GIUSEPPE I CHA ) RI TAS Binding: marbled paper over paper boards Milan, Ambr, Inc 534 Lacks ff 7T I and 7r8 Decoration: initials in blue Provenance, f 7T2: Ex libris Fabrice Ldi Caroli Arone; f G8v: Io Andreas Franciscus Binding: blind-stamped leather over wooden boards (restored), 2 clasps Rome, Ang, Inc 69 Lacks gathering 27r8 and ff rTI, n4-n5, F5 Decoration: watercolored Crucifixion Provenance, f A8: frate

Ambrosio di roma Siena, BC, M VI ii Lacks several preliminary leaves Decoration: initials in blue, watercolored Crucifixion Binding: paper boards with vellum spine Vatican City, BV, Prop 111.234 Lacks gathering 7r and ff n4-8, 03-8, E8, Fi, G8 Thirteen manuscript leaves at end Decoration: initials in red and blue Binding: leather with spine stamped in colors 96 Missale Romanum Venice: Filippo Pinzi, 29 III I494 See Fig 48 H 11405; Essling 41; Pellechet 8094; Sander 4764; W 927 Title, f Ai, red: Miffale fm confuetudinem Roma ne curie cum multis mif is I nouiter additis 7 I locis fuis po I fitis I Incipit, f ai, red: Incipit ordo miffalis fm cofue tudine Romae curie Dnica pri I ma d'aduetu Statio ad fca3 ma I ria maiore ad miffa Introitus Explicit, f~io, red: Accipite optimi facerdotes I Miffale iuxta morem Romane I ecclefie expletu: Philippi de pin I cis matuani mira arte impreffu3: I in floretiffima ciuitate Uenetia I ru3: Auguftini Barbadici incly I ti principis tempeftate: Anno

in I carnatiois dnice Millefimo qua I dringetefimo nonagefimo quar to: Die vigefimonono Marcii I Regiftrum I Laus [printer's mark, P PHI] Deo Collation: 2° A8 a-z8 710=202 ff., numbered [8] I-CXCIII [i] 40 11 2 col Illustration: woodcut Crucifixion, f 14 Music: printed notes and staves Music pages: f6r-", h5, h6, h8-i3, i8V-k4, k6-13v, 15v-16v= 35 pp Staves: io red 4-line staves per col., 245 X i68 (8I) mm Music type: Ri6 Copies: D-Munich, SB2; Vatican City, BV Copies seen: Vatican City, BV, Inc II.127 Size: 333 X 225 mm Decoration: major initials in red and blue, minor initials in blue, text highlighted in yellow, watercolored Crucifixion Provenance, f ai: coat of arms in border Binding: leather stamped in gold, papal arms on spine with no io66 97* Missale Romanum Naples: Ajolfo de Cantono, 5 VI 1494GW ms (Mallorca, B Prov 179); W 928 Note: the copy described by W as at the Biblioteca Publica Provincial, Palma de Mallorca, is not there today (letter from the director, J Garcia Pastor), nor is it in Garcia Pastor's Catalogo de incunables de la Biblioteca Publica de Palma de Mallorca, Madrid: Gongora, 195.

98 Missale Romanum Venice: Johann Emerich of Speier for Luca Antonio Giunta, 13 VIII 1494 See Fig 28 H 11406; IGI 6633; CIBN M465; Essling 42; Sander 4765; W 929; M-B 153 Title, f Tri, red: Miffale jm confue tudinem roma I ne curie I [printer's mark, LA]) Incipit, f aI, red: Incipit ordo miffalis fm con I fuetudine Romane curie Do I minica pma de aduetu Statio ad fca maria maiore ad miffa3 I Intro I Explicit, f C8, red: Accipite optimi facerdotes Miffale iuxta I morem Romane ecclefie expletum: Iohannis I Emerici de fpira alemani mira arte impreffum: I in florentiffima ciuitate Uenetiaru3 Augujtini I Barbadici inclyti principis tempeftate: Anno incarnationis dominice Millefimo quadringe I tefimo nonagefimo quarto: Idibus Augufti I Regiftrum quaternorum I [printer's mark, IE] Collation: 4" 7T8 a-n8 o6 p-z8 78 98 A-C8=240 ff., numbered [8] [i]-CCXXV [i] with errors 35 11 2 col Illustration: woodcut Crucifixion, ff 7r Iv, o Music: printed notes and staves Music pages: g5v-g6, i7v-i8, kiv, k3V-8v, 17-m5, m6, m8-oi, o3-04V=54 pp Staves: 6 red 4-line staves per col., 153-55 X I I-12 (54-54.5) mm Music type: Ri8.

Copies: F-Paris, BN; I-Brescia, BC; Ferrara, BC; NL-The Hague, KB; Y-Ljubljana, NU Copies seen: F-Paris, BN, Res B 2678 Lacks f 7rI Binding: gold-stamped red morocco I-Brescia, BC, A II.I5 Ferrara, BC, S I2.I.I4 Lacks f o6 Size: 202 X 152 mm Provenance: Ferrara Binding: marbled paper over paper boards, vellum spine 99 Missale Romanum Rome: Stephan Planck, 27 X 1494 See Fig 33H 1407; IGI 6634; Polain 2735; Sander 4766; W 930 Incipit, f a (i), red: Incipit ordo miffalis fcd'm | confuetudine3 Romane curie Explicit, f H7v (cclxvijV), red: ImpreJfi Rome per magijtru Stephanu Planck: Patauien I fem Anno domini Millefimo I quadringetefimononogefimo quarto Die vero.xxvij Men fis Octobris-Sedente Alexan I dro fexto:pontifice Maximo: I Anno eius tertio: I Laus deo Collation (Sander): 4" T8 2T'r2 a-z8 A-H8= 258 ff., numbered [io] i-ccxlvij [i] 34 11 2 col Illustration: woodcut Crucifixion, f p3v (cxvV) Music: printed notes and staves Music: pages: h5-h6v, lIr , 12v-13, 15-m4, n3-4v, n5v, n8-p2V, [P3?], P5-P7=55(+ I?) PP Staves: 5 red 4-line staves per col., 148 X o18-9 (52-53) mm Music type: Ri.

Copies: B-Louvain, KUB; D-Munich, UB; I-Bagnoregio, Sem Copies seen: D-Munich, UB, 4° Inc lat 219 Lacks f p3 Decoration: large initials in gold and colors Binding: gold-stamped leather over paper boards I-Bagnoregio, Sem Microfilm of music pages Ioo Missale Romanum Venice: Filippo Pinzi for Comin da Trino, 16 III 1495H 11408*; Goff M7Zo; IGI 6635; Essling 43; Polain 2736; Sander 4767; W 93 I; M-B I54 Title, fi [ai], red: Miffale Romanum cu multis I

miJfis ac benedictionibus I nouiter additis 7 i locis I Juis pofitis: quas ce tera miffalia im I prefJa non I habent Incipit, f bi, red: Incipit ordo miffalis feci I dum confuetudine Roma ne curie Explicit, f L7Y, red: Accipite optimi facerdo I tes Miffale iuxta more3 Ro I mane ecclefie expletum: cum I vigiti miJfis additis: quas ce I tera miJfalia impreffa no ha | bent Philippi de pincis ma I tuani mira arte impre]fu3: in florentiJJima ciuitate Vene I tia Tepore fanctiJfimi D pp Alexandri fexti: q pcepit feftu Aurelii Auguftini fole I nizare: ficut feftu vnius apl'i ) ta3 a laicis q3 a clericis: i hoc | fuit ex follicitudine I ipenfis cuiufda3 Reueredi magiftri pauli tridetini ordinis here mitaq fancti Auguftini Im I perante Auguftino Barba ) dico venetoy pricipe feliciffi I mo Anno ab icarnatioe dni I M.ccccxcv.die.xvi.Marcij I Regiftru cartharu I f L8: [woodcut of St Anthony.] Collation: 4° [a8 bz8 7 98 8 A-L8=296 ff., numbered [8] I-CCLXXXVII [i}, with errors 30 11 2 col Illustration: woodcut Crucifixion, f r4V; woodcut St Anthony, f L8; woodcut initials Music: printed notes and staves Music pages: ki-k2v, m7 , ni, n4-oi, pI-p7, p8, q2-r4,

r6V-r8==57 pp Staves: 6 red 5-line staves per col Music type: RI7 Copies: A-Gottweig, Ben; B-Gand, Sem; D-Munich, SB; I-Bologna, BU; Florence, BN; US-PA-Philadelphia, PL Copies seen: I-Bologna, BU, A.V.KK.VIII.io Size: 215 X i60 mm Binding: recent vellum Florence, BN, Landau-Finaly Inc 33 Lacks ff z2 and L8 Size: 207 X i55 mm Provenance, front pastedown: bookplate, Landau-Finaly 4264 Binding: brown morocco, spine stamped in gold io Missale Romanum Venice: Johann Emerich of Speier for Luca Antonio Giunta, 14 VII 1496 Goff M7ioa (sold to Vienna, I977); IGI 6636; Polain 2737, Sander 4768; W 933 Calendar, ff 72-7, table, f: r8; incipit, f ai (I), red: Incipit ordo miffalis fm co f ]uetudinem Romane curie Dnica prima de aduentu I Statio ad fancta maria3 ma I iorem ad miJfam Introitus Explicit, f F6 (CCXLII), red: Accipite optimi facerdo tes miffale iuxta more fancte ) Romane eccl'ie expletu cu di I ligetia reuifa ac fideli ftudio I emedatu ImpfJfi iuffu 7 Tpe I fis nobilis viri LucAntonij I de giuta floretini: Arte at ioa i nis Emerici d' fpira Venetijs ducate feliciJfimo pncipe au I guftino barbadico Mcccc lxxxxvj.die vero.xiiij Iulij Collation: 2° 7T8 a-z8 8 98 A-E8 F6=254 ff, numbered [8] I-CCXLII with errors 34 11 2 col.

Illustration: woodcut Crucifixion, f o5V; woodcut initials Music: printed notes and staves Music pages: m5v-n3, n5-n8v, oI-o5=29 pp Staves: 9 red 4-line staves per col., 271.5 X I77 (84) mm Music type: Ri9 Bibliography: Notazione bibliografica degli incunabuli conservati nella Biblioteca Civica G Tartarotti di Rovereto, Publicazione della Scuola di Bibliografia Italiana 3 i, Reggio d'Emilia: Scuola di Bibliografia Italiana, I935, no 34; reproduction off F6 on p 23 Copies: B-Brussels, BR; D-Munich, SB; E-Saragossa, Cat (W); I-Rovereto, BC Copies seen: B-Brussels, BR, C 346 Lacks ff 71I, 01-3, o6-8 Manuscript gothic plainchant at back (I4 ff.) Size: 357 X 240 mm Decoration: colored Crucifixion and initials, rubricated in red, highlighted in yellow and green Binding: modern leather I-Rovereto, BC Microfilm of music pages 102 Missale Romanum Rome: Stephan Planck, 31 X 1496 C 4207; BMC VII-Ii30, XII.8; IGI 6637; Sander 4769; W 934 (=935?); M-B I55

Incipit, f ai (i), red: Incipit ordo miffalis fcd'm | confuetudine Romane curie I Dominica prima de aduetu Explicit, f F6 (ccxxviij), red: Impreffu3 Rome p magiftru I Stephanu Planck Patavien I fem Anno dni M'cccc'xcvj' Die vero vltima mefis Octo [ bris' Sedente Alexandro vj' potifice maximo:Anno eius ) quinto Laus deo.: C0i T 8 4 882-8 8 63-4 6 8 Collation: 2 78 i4 a-h8 2i8 k-m n i o p-z A-D8 E-F6=240 ff., numbered [12] i-ccxxviij 34 11 Illustration: woodcut Renaissance borders and historiated initials Music: printed notes and staves Music pages: hIV-h2v, k4 r-, k5V, k8-14V, m3-m5, m7V-3ii,

3i3 i439 ff Staves: 7 red 5-line staves per col., 206 X I56 (72) mm Music type: Ri Copies: D-Nuremberg, NM; GB-London, BL; I-Cesena, BC Copies seen: D-Nuremberg, NM, Inc 4° 4113 Lacks ff n7-n8, gathering 3i4 GB-London, BL, IB I8578 Vellum Additional masses with roman plainchant on added io vellum leaves at end Decoration: Crucifixion, f.3i"; woodcut borders and initials in gold in colors Size: 345 X 243 mm Provenance: Giovanni Pietro Arrivabene, bishop of Urbino from I491 to I504 (see L A Sheppard, "The Early Provenance of the Museum Copy of the Missal Printed at Rome by S Plannck, 1496," British Museum Quarterly i6 [195I]: 2-4) Bookplate: Thomas Brooke FSA/Armitage Bridge Binding: crushed red morocco 103 Missale Romanum Venice: Andrea Torresani, I5 V 1497 H I141 i; Essling 45; Gspan-Badalic 457; Sander 4771; W 937 ((8) 25, () = 260ff.) Title, f f , red: Miffale Romanum cum mul I tis mif is ac benedictioni I bus nouiter additis in I locis fuis pofitis qs cetera miffalia I preffa no ha I bent: vt pa tet in ta-I bula Explicit (Gspan-Badalic): Accipite optimi facerdotes miffale iuxta morem Romane ecclefie expletum: cum aliquibus miffis additis: quas cetera miffalia impreffa non habent Andree de torrefanis de

afula mira arte impreffum: in florentiffima ciuitate Venetiarum Tempore Sanctiffimi D Pape Alexandri fexti: qui precepit feftum Aurelii Auguftini folennizare, ficut feftum unius apoftoli tam a laicis quam a clericis: et hoc fuit ex follicitudine: et impenfis cuiusdam Reverendi magiftri ordinis heremitarum fcti auguftini, Imperante Auguftine Barbadico venetarum principe feliciffime Anno ab incarnatione domini MCCCCXCVII.die xv.Maij [printer's mark] Collation: 2° t8 a-m8 n6? o-z8 98 8 A8 B-C (?)=242(+?) ff.; numbered [8]}-CCXXXII Illustration: ? (copy seen lacks f n3V) Music: printed notes and staves Music pages: g7 , i8 , kiv, k3v-k7, 14-m", m3, m4-n2, [n3?], n5-n6=4(+ i?) pp Staves: io red 4-line staves per col, 270 X 176.5 (83.5) mm Music type: R23 Copies: Y-Ljubljana, NU Copies seen: Y-Ljubljana, NU, Ti 111.12672 Lacks ff n3-n4, q3, Ci, C9, Cro [and others?] Decoration: historiated and flourished initials and borders Size: 371 X 250 mm Provenance, f t i: Ex libris Conventus Labacensis ad Div Virg Annunciatam Ord Erem S P Augustini Binding: blind-stamped leather over wooden boards, with io bosses and 4 clasps I04 Missale Romanum Venice: Johann Hamman for Ottaviano Scoto, 5 VI 1497.

H 11409; Goff M7i; IGI 6639; Essling 46; Sander 4772; W 938; M-B i56 Incipit, f ai (i), red: : Incipit ordo miffalis f3m I confuetudine Romane curie [ Explicit, f M4, red: Miffale fcd'm confuetudine fancte romane ecclefie: vigi [ lanti ftudio reuifum emedatiuq3: iunctis infup certis mif I faru officijs: q antea minie impreffa fuere: videl3 Officio I dulciffimi nominis iefu: Officio corone dni: completifq3 officijs deuotiffimis fc3: Clementis pape: et fcti Rochi confefforis contra peftem et epidimie morbu 7 c: Iuffu et I impenfis nobilis Octauiani Scoti modoetinefis: Arte item famatiffimi Uenetiaru imprefforis Ioinis hertzog: I feliciter expletu eft: Anno christianif ime natiuitatis poft I millefimum quaterq3 centefimu xcvij Nonis lunij F M4, red: [printer's mark, IH] Collation: 4°, 7TI6 2774 a-z8 A-L8 M4=286 ff.; numbered [io] i-cclxxliii 32 11 2 col Illustration: woodcut Crucifixion, f q3V; historiated initial of Mass, f q4; other minor initials Music: printed notes and staves Music pages: h6-h7v, 13v-14v, 15-16, 18V-m6, n5V-o5, o8-q3=60 pp Staves: 6 red 4-line staves per col., I43 x i i6 (56) mm Music type: RI i.

Copies: I-Milan, BN; Rome, Ang; San Daniele del Friuli, BC; US-CA-San Marino, Hunt Copies seen: I-Milan, BN, Gerli Inc 36 Livres de liturgie, p 82, no 166 First signature of 8 leaves, no second, unsigned signature Provenance: Duke of Parma Binding: blue morocco (Lortic) Rome, Ang, Inc 76 Lacks T7 i-4 (begins with calendar, month of September) Binding: acid-eaten calf US-CA-San Marino, Hunt, 85504 Lacks f 27r4 Size: 221 X I60 mm Binding: calf over wooden boards with clasps Io5 Missale Romanum Venice: Giovanni Battista Sessa, 8 X 1497 See Fig 52 H 114 12*; Goff M7I2; IGI 6640; CIBNM467; Essling 47; Oates 2200; Sander 4773 W 939= 947; M-B 157 Title, f 7ri, red: Miffale fecundum morem

fancte Romane Ecclejie [printer's mark, IBS.] Incipit, f a , red: Incipit ordo miJfalis jm con I fuetudine Romane curie Do I minica prima de aduentu: Sta I tio ad fanctam mariam maio I rem ad miiJam Introitus I Explicit, f K3 , red: Accipite optimi facerdotes Mirfale iuxta more Ro ) mane eccl'ie expletu: Ioanis baptifte de feffa mediola nenfis mira arte imprej'um: in florentiSJima ciuitate I Venetiaru Auguftini barbadici inclyti principis tem peftate: Anno incarnatiois dniice Millefimo quadrin I getefimo nonagefimofeptio octauo idib9 octobris Regiftrum quaternoy [printer's mark, IBAS] Collation: 4°, r8 a-z8 78 A-I8 K4=276 ff., numbered t 8 i-cclxvii [i] 33 11 2 col Illustration: woodcut Crucifixion, f pi"; woodcut initials Music: printed notes and staves Music pages: h4v-h5v, i7,, k3, lr- 3, 13, 5-mI, nI-n6v, n8v-pI, p3-p4v =5 pp Staves: 8 red 4-line staves per col.; 167 X 122 (53) mm Music type: R24 Copies: D-Munich, SB; F-Paris, BN; GB-Cambridge, UL; I-Treviso, BC; Venice, BN; US-IN-Bloomington, UIL; Vatican City, BV Copies seen: I-Treviso, B(, 13484 Lacks sheets 71r.8, 7T2.7, and signatures k through x, and K Size: 218 X 158 mm.

Provenance, front paste-down: 1490 a di xx maggio I Questo libro si e de me preto Zane I Andriana Zane Binding: blind-stamped leather over wooden boards, clasps missing Venice, BN, Inc V 77i Lacks ff K3-K4 Binding: modern leather Vatican City, BV, Inc IV.2.9 Lacks ff K3-K4 Many changes have been made in ink to the music Provenance, stamp on f 7r I: BIBL[OT.S.SILVEST [S Silvestro al Quirinale, Rome] A note in the copy says that Frutaz, "Contributo alla storia della riforma de Messale promulgato da san Pio V nel i570," p 193, claims that this copy contains the annotations in the hand of Cardinal Sirlete (15 14-1585) used for the reform of the missal Sirlei:e was at S Silvestro from 1563 to I565, when he was made cardinal Binding: vellum I,)6 Missale Romanum Edited by Pietro Arrivabene Venice: Johann Emerich of Speier for Luca Antonio Giunta, io XI I497H 114I0; C 4208; P 5499; BMC D.540; Goff M713; IGI 6642; Essling 48; Martimort 23; Sander 477; W 94I: M-B I58 Title, f 7rl, red: Miffale jcd'm gfuetu I dinem romane curie I nouiter imprejfum I M.ccccxcvij I [printer's mark LA] Incipit, f; ai, red: Incipit ordo miffalis fm con fI uetudine Romane curie Do I minica prima de aduetu Statio Iad fancta maria maiore ad miJJa Intro Explicit, f C8, red: Accipite optimi facerdotes Miffale iuxta

mo rem Romane ecclefie expletu: folertiq3 diligen | tia caftigatum per fratrem Petrum Arriuabe num ordinis minoru de obferuantia nuncupa I torum Impenfis noblilis viri LucAntonij de giuta Florentini: Arte aute 7 ingenio Ioannis Emerici de Spira Alemani Impreffum in flo I rentif ima ciuitate Uenetiaru Auguftini Bar I badici inclyti principis tempeftate: Anno incar nationis dominice Millefimo quadringentefi ) mo nonagefimofeptimo iiij Idus Nouebris Regiftrum quaternorum * o 8 8 6 8 8 8 10 Collation: 4. 77 a-n o6 p-z 8 98 1 A-C8=240 ff., numbered [8] I-CIIII [8] CVI-CCXXV [ ] 35 11 2 col Illustration: woodcut Crucifixion, f 02; woodcut initials and border Music printed notes and staves Music pages: g5s-g6", i7v-i8, kiv, k3v-k8", 17-m5, m6-o2, o4-05V=55 pp Staves: 6 red 4-line staves per col., 55 X I 17 (57) mm Music type: RI8 Copies: D-Berlin, SPK; GB-London, BL; I-Lucca, G; Parma, Pal; Rome, Cors; US-TX-Dallas, SMU; Vatican City, BV Copies seen: GB-London, BL,

IA 24229 Size: 217 X i60 mm Provenance, f 7T i: Sum Cartusiae Scti Laurentij in Fetingen Binding: modern stamped leather I-Parma, Pal, Inc MMG 339 Binding: half leather (I8th cent.) Rome, Cors, 46.E Io Lacks f 02 Decoration: major initials in gold and colors Binding: half leather Vatican City, BV, de Marinis, Stamp 5 Ris Provenance: Duke of Parma Binding: brown calf stamped with Venetian interlace pattern (Tammaro de Marinis, La legatura artistica in Italia nei secoli XV e XVI, Florence: Fratelli Alinare, 1960, 2: plate 1506) I07 Missale Romanum Venice: Simone Gabi, called Bevilaqua, 3 I I497/1498 See Fig 43H I1413; IGI 6638; CIBN M 466; Essling 44; Pellechet 8096(8026) ("1497"); Sander 4770; W 942; M-B I59 Title (Pellechet), f 7rl, red: Missale secundem morem I sancte Ecclesie Romane Incipit, f al, red: ( Incipit ordo miffale fcd'm confuetudinem

romane curie I Dominica prima de aduentu Explicit, f G5, red: ¢ MiJfale fm cofuetudinem I fancte ecclefie Romane: fingu I lari cura ac diligetia: ImpJJu3 I Uenetijs per Simone dictu i biuilaqua Papienfem Anno I a Natiuitate Dni noftri ieJu I Chrifti 1497 Die Ultimo I anuarij f G8: [printer's mark, SIMO BEVIAQVA] Collation: 8° 7rT A4 a-18 m°' n-z8 A-G8= 254 ff., numbered [12] 242; unsigned h3, 12-14, n3, 02-03 3611 2 col Illustration: woodcut Crucifixion, f o6" Music: printed notes and staves Music pages: h2V-h3^{v, k5V-k6, k7, 12-16, m5V-n2, n4V-05v, [o6?], o8-piV=53[+ I] pp Staves: 7 red 4-line staves per col., I21 X 79.5-80 (38) mm Music type: R8 Copies: A-Vienna, NB; D-Munich, SB2; DK-Copenhagen, KB; F-Paris, BN; I-Brescia, BC [could not be found] Copies seen: A-Vienna, NB, Ink I5.H.2 Lacks gathering 7T8 and f o6 Preliminary gathering A4 bound at end Decoration: major initials and borders in colors, minor initials in blue, rubrication in red Size: i65 X 113 mm Binding: blind-stamped leather over wooden boards, 2 clasps missing Io8.* Missale Romanum Venice: Simone Gabi, called Bevilaqua, for Paganino Paganini, 15 III I498 C 4212; W 944* Explicit (W): Simon Bevilaqua impensis Paganini de Paganinis Collation (W): 2°. Note: might this item be the same as D II3, which differs only in date (io III 1499)? Copies: none known.}

og9 Missale Romanum Edited by Pietro Arrivabene Venice: Johann Emerich of Speier for Luca Antonio Giunta, 28 VI I498 C 4211; IGI 6643-A; Essling 49; Martimort 24; Ohly 2024; Sander 4775; W 945; M-B 162 Title, f 7i: MiJfale Jfm vfum Jfancte Roma I ne ecclefie I [printer's mark, LA] Incipit, f ai, red: Incipit ordo mijfalis fm con I fuetudine Romane curie Do I minica prima de aduetu Explicit, f 98, red: Accipite optimi Jacerdotes miJfale iuxta moru fce Romane I ecclefie expletu cu diligentia re I uiJum ac fideli ftudio emedatu i per fratre Petru Arriuabenu I ordinis fci FranciJci de obJer I uantia ImpreJfum iuJfu et im I pefis nobilis viri LucAntonij I de giuta Florentini: Arte aute I oanis Emerici de Spira: Ue-I netijs ducante feliciffimo prin cipe Auguftino Barbadico I M.ccccxcviij Quarto kal' Iulij Regiftrum Collation: 2° 78 a-z8 '8 8=208 ff., numbered [8] I-CC Ohly 2024 adds three more signatures, AA-CC Several music leaves signed in a smaller type, gi, i4, k4, 14, m2 2 col Illustration: woodcut Crucifixion, f 18 Music: printed notes and staves Music pages: f8-gI, h8-, iiv, i3-i6, k4-k8v, liV, 12v-17, [18?], m2-m3=37(+ ?) pp Staves: io red 4-line staves per col., 260 X 174 (83.5-84) mm Music type: RI9.

Copies: D-Frankfurt/Main, SK (Ohly 2024): Wurzburg, UB; F-Paris, SG; GB-Oxford, UL; I-Piacenza, BC; S-Strangnas, Cat Copies seen: GB-Oxford, UL, Inc c.14.1498.4 Lacks f I8 Size: 344 X 241 mm Provenance, f 7TI: adi uintafette dagoJfto unauolta f°; front paste-down: bookplate of Virtue & Cahill Library overstamped: "Following enemy action in 194 I and dispersal of the library, the bishop and Cathedral Chapter agreed to the disposal of the books for better care and to the advantage of scholars 1967." Binding: leather with arms of Michael Wodhall [Woodhull] stamped in gold IIo Missale Romanum Milan: Antonio Zarotto, I X I498 IGI 6644; Ganda 203; Rogledi Manni 686 Explicit: Antoni patria parmefis gete zarote Prim9 miJfales iprimis arte libros I Nemo reptore nimiu fe iactet: i arte I Addere p19 tatu qua pepifJe valet Mediolani M.cccc.lxxxxviij I Calendis Octobris ) [printer's mark, AZ] Collation (GW ms.): 2° 7TrA-R8 S-T6=I56

ff 44 11 2 cols Illustration: woodcut Crucifixion Music: printed notes and staves Music pages (letter from Dr Bonfatti, Novara, Sem.): ff 59-63, 69'-74, 76v-77. Staves: 8 red 4-line staves per col Music type: A3 Copies: I-Novara, Sem Copies seen: I-Novara, Sem, Inc X.i Microfilm of music and colophon See R Beltrami, Incunabuli di biblioteche e di archivi novaresi, Novara: E Cattaneo, 1937, no 206.

I I Missale Romanum Edited by Pietro Arrivabene Venice: Johann Emerich of Speier for Luca Antonio Giunta, I 5 X 1498 H I1414*; BMC V:54 ; Essling 50; Goff M7I4; Sander 4776; Polain 2738; Sajo-Soltesz 2307; Pellechet 8097 (8027); CIBN M468; IGI 6645; Martinmort 25; W 946= 849; M-B I63 (corrected) Title, fi , red: MIffale Ro I manum I [printer's mark, LA Incipit, f ai, red: ¢ Incipit ordo mifalis Je ) cundu3 gfuetudine romane I curie Dnica prima de adue I tu: Explicit, f G3j, red: Accipite optimi facerdotes I miffale iuxta more fancte Ro I mane ecclefie expletum: cum I diligentia reuifu3 ac fideli ftu I dio emendatu per fratre Pe [ trum Arriuabenui: ordinis fci Francifci de obJeruantia Im I preffum iuffu 7 impenfis nob) I lis viri Lucantonij de giunta: I Florentini: Arte autem Ioan I nis Emerici de Spira Uene I tijs Anno.M.ccccxcviij Idi I bus Octobris Collation: 8° t8 A8 a-z8 A-G =256 ff., numbered (16]3 [i]-ccxl 35 11 2 col Illustration: woodcut Crucifixion, f oSV; woodcut border and initials Music: printed notes and staves Music pages: h2-h3, k4v-k5, k6, k8-l1v, m4-n2v, n5-o5,

o8V-p3v=55s pp Staves: 7 red 4-line staves per col., i o X 80 (39) mm Music type: R20 Bibliography: on the identification of W 849, see R Meuth, "Die Prafation unseres heiligen Vatere Franziskus," Franziskanische Studien 23 (1939): 71Copies: A-Salzburg, StP; Vienna, NB; D-Eichstatt, SB (Hubay, Eichstatt, 698: provenance, Bibl Aulica Eystettensis); Mainz, SB; Munich, SB; F-Nice, BM; Paris, BN; GB-London, BL; H-Budapest, BN2; I-Mantua, BC; Milan, Ambr; Cap; Servi; Modena, Est (Fava, 926; provenance: Collegii Mirandulani Soc Jesu [XVII}); San Candido, Coil; Vigevano, Cap; P-Wroclaw, BU; Kap; US-CA-San Marino, Hunt; CN-New Haven, YUL; Vatican City, BV Copies seen: GB-London, BL, IA.24234 Lacks f tI; manuscript prayers at back Provenance, front flyleaf: ffr9 Ludovicus Leynier; front paste-down: Dr F Zander I 1840 Binding: blind-stamped leather over wooden boards, 2 clasps H-Budapest, BN, Inc 99 Lacks gatherings t8 and A8, and ff ai, a8, b4-b5, ci, c8, iI-mi, m3-m6, m8-pi, p3-p6, p8-q7, ri-r2, r7-r8, t8-v2, v8, G4-G8 Size: 135 X 103 mm Provenance, f G3v: Reuerendus Pater Demetrius Harolykaii i66i Binding: half leather with paper boards, tied with ribbon I-Milan, Ambr, 529 Size: 163 X I o mm Provenance, f m6: A laur9 Bermo emptu9 sui Amicoru3q Comodis QSQ; v kal Mai 1824, Bibl Ambr Binding: vellum US-CA-San Marino, Hunt, Io1019 Size: 169 X 114 mm Provenance, f I": Francis W P Greenwood, bought in Edinburgh, June 1821 Binding: stamped calf over wooden boards, panel of angels playing musical instruments, 2 clasps missing;

bound by Anthony van Gavere of Ghent, Flanders (1459-1505) (see W H Weale, Bookbindings and Rubbings of Bindings in National Art Library, South Kensington, London: Eyre and Spottiswoode, 1898, pp 83 and 37I, no 373) Vatican City, BV, Inc V.207 Size: I63 X 114 mm Provenance: Addi 26 febrayo 1532 Cafrancescha Missale Romanum Venice: Giovanni Battista Sessa, 15 X 1498 Graesse 4:549; Panzer 4:450, 2268b; W 947 Incipit (Panzer): Missale fecundum morem fanctae Romanae Ecclesiae Explicit (Panzer), f 261i: Ioannis baptiste de sessa mediolanensis mira arte impressum in ciuitate Venetiarum Anno Millesimo quadringentesimo nonagesimo septimo octavo idibus octobris Registr Collation (Panzer): 4°. Signed and numbered ff CLXI (7) Graesse: (8) 261 ff., numbered, 33 11 W: 4°. 270 ff., numbered (8) 261 (i) Note: ghost? The incipit and explicit are identical to D io6 The date may have been read incorrectly by Panzer I 2 Missale Romanum Venice: Giovanni Battista Sessa, 1490 [not before 1493 or after 14981 See Fig 53H 11395*; BMC V:480-8i; Goff M7o3; IGI 6643; Essling 35; LD3ii; Sander 4755; W 9I4=943; M-B 160= 16 = 143?

Title, f 7rT, red: Miffale fecundum morem fancte Romane Ecclefie I [printer's mark, IBSI Incipit, f aI, red: Incipit ordo miffalis f3 co fuetudine Romane curie Dnica prima de aduentu: Explicit, f Tg9, red: Accipite optimi facerdotes Miffale iuxta more Roma I ne ecclefie expletu3 per Ioanne Baptifta de Seffa Medio lanenfem mira arte ipreffu3: in florentiffima ciuitate Ve I netiaru Tepore fanctiffimi Alexandri fexti papa qui pce ) pit feftu Aurelii Auguftini folenizare ficut feftu uni9 apl'i Et Auguftini

Barbadici inclyti principis tepeftate: Anno I Incarnationis dnice Millefimo quadringentefimo nona I gerimo I Regiftrum quaternorumf Tio: [printer's mark, IBAS] Collation: 8° r8 a-q8 A-S8 T'=2o if., numbered [8] I-cxxxviii, cxxxvii-cclxxx [actually ccxc] [i] Many of the folios with music are unsigned because of extra long music forms: i3, m2, ni-n2, 03-04, p4, qI-q3 34-35 11 2 col Illustration: woodcut Crucifixion, f q4V; woodcut capitals Music: printed notes and staves Music pages: i2-i3v, m2 m4, m6V-n3, 02V-piV, p3V-q4, q6-q7V=53 pp Staves: 7 red 4-line staves per col., 136 X 84-86 (40-41) mm Music type: R24 Note: the date ' 490' in the colophon cannot be correct, because there is a reference to Pope Alexander VI, who was elected in 1492 and lived until I498 W gives two numbers for this item: under W 914, the reader is told to see W 943 for the correct chronological placement M-B gives three numbers for this item, apparently all equal, despite her claim that M-B i6i "is different from the previous item [M-B I60o], as well as from W 914."

Copies: D-Berlin, SB; D-Munich, SB; F-Paris, SG; GB-London, BL; Oxford, UL; I-Bologna, BU, Florence, Ricc; Milan, BN; Padua, BU; Rome, BN; Cors; Venice, BN; US-CA-San Marino, Hunt; Vatican City, BV Copies seen: D-Munich, SB, 8° Inc c.a.92 Lacks f rTi Size: 167.5 X I I mm Binding: blind-stamped leather over paper boards, "IHS," 2 clasps missing GB-London, BL, IA 24573 Lacks ff T I, q4-q5, H2-H8, T5-T6, gatherings I and S The "Ordo ad faciendum cathecuminum" from D I I has been inserted at the end Size: I75 X 122 mm Provenance: Ex libris Iohannis Wickham Legg; Ex libris Frid Minetti, 1876, Nono Kal Febr Binding: stamped leather over paper boards, 2 clasps Oxford, UL, Don f Ij37 Missing since 1972 I-Bologna, BU, A.V.KK.XI.9o Gaspari 567 Lacks f Tio: manuscript leaf at end with prayers to St Gregory Size: 170 X 16 mm Provenance, f T"g: Fris Ludouici Ano I Dni i650 Mensi9 Maii Bologninis I In Foro Binding: vellum (modern) Milan, BN, Inc 52 (Livres de liturgie, p i64) Lacks f Tio Decoration: crude brown ink on some initials and Crucifixion Size: 172 X 119 mm Provenance: Duke of Parma Binding: blind-stamped brown morocco, coat of arms on cover (Lortic) Padua, BU, S° XV.I2 Provenance, title page: Matthei Erasmi Binding: blind-stamped leather, 2 clasps Rome, Cors,

46.E.24 Size: I64 X 13 mm Binding: gold-stamped morocco Venice, BN, Inc V.85I S Michaelis (29 Sept.) and Marce evangeliste (25 April) Decoration: crudely inked initials Size: 176 X 121 mm Binding: modern, vellum corners US-CA-San Marino, Hunt 92520 Binding: recent vellum Vatican City, BV, BBB I.I8 Size: 178 X I23 mm Binding: gold-stamped black leather, 2 clasps II3 Missale Romanum Venice: Simone Gabi, called Bevilaqua, for Paganino Paganini, o1 III 1499 See Fig 42 b C 4213; IGI 6646; Essling 5I; LD 3i8; Sander 4777; W 948 Title, f a , red: Miffale Romanum Jfm ordinem I curie cum numeris foliorum ) orationum epl'aq 7 euan I geliorum: que multis in I locis complete non I reperiuntur Incipit, f bi, red: Incipit ordo miffalis fecundum I confuetudinem romane curie Explicit, f 5, red: Explicit miffale fecundu more ro mae eccl'ie: fuma cu diligetia 7 fide I li ftudio purgatu ab his errorib9: ) qb9 vel ignoratia vel icuria librario I ru adhuc commuis abufuf lualuit I Quocirca qcuq3 legerit: obfecratiu veli ne adhibeat manu pcipite3 ad I corrigeda vel poti9 corrupeda libri I rectitudine magno parta

labore: f3 I ml'tiplicato fincero examine: poftmodu exequatur qc qd recta ratio 7 fIpus veritatis igeSjerit Ad laude | oipotetis dei 7 fcilJime v'gis mris I ei9: totiufq3 curie celeftis Impref I fa venetiif Tpefif Pagaini d' paga I nis brix Arte at 7 iduftria Sionif ) Beuilaque papi fub Inclyto Du I ce Auguftio barbadico vj Idus I Martii Mcccc:Lxxxxviiij Ame Collation: 2° a-h8 i-m6 n8 06 p-z8 78 98 8= 198 ff., numbered [8] I-I9o; unsigned: k2-n4, n2-n4 37-39 11 2 col Illustration: woodcut Crucifixion, f n5s; woodcut capitals Music: printed notes and staves Music pages: g5-g6, i4v, i5', kiV-k4v, 14V-mI, m2-m3', m5v-n5, n6V-n7=37 pp Staves: io red 4-line staves per col., 228 X 157 (74) mm Music type: R7 Note: the edition is a nearly identical reprint of

the 1487 Missale Romanum, D 73 (compare f. n"4 of both editions in my Fig. 42a-b). Copies: I-Treviso, BC; Venice, Cini; Verona, BC; S-Stockholm, KB. Copies seen: I-Treviso, BC, IV.I4A.io. Lacks ff. ai-2. Provenance, flyleaf, stamp: acquisto Eredi BAILO [1835-1932]. Binding: vellum. Venice, Cini, 675. (Livres de liturgie, p. i70; Bohatta LD 3 i8 includes collation with anomalies of signatures and foliation.) Size: 307 X 205 mm. Provenance, bookplate: Duke of Parma. Binding (Tammaro de Marinis, La legatura artistica in Italia nei secoli XV e XVI, Florence: Fratelli Alinare, 1960, 2: no. I714, plate CCCXXVII): leather over wooden boards, 2 clasps in the form of shells. Verona, BC, Inc. 679. Size: 306 X 205 mm. Decoration: Woodcut Crucifixion and principal initials, handcolored. Copy described in 6:96. I [4. Missale Romanum. Milan: Leonard Pachel, i6 IV I499. H1145; GoffM7I5; IGI 6647; LD 3 9; Sander 4778; W 949; M-B 164 Title, f 7rI: [woodcut of St. Peter] Incipit, f ai: Incipit ordo miJfalis fecundum confuetudinem romane curie. Explicit, f. u6': Explicit. Miffale fecudum conjuetudinem sancte romane ecclefie: I vigilanti ftudio reuifum emendatuq3: iu ctis inJuper certis miJfalum officijs: per I venerabilem prejbyterum Leonem de I cipellis lauden em. Impressum Medio I lani per Magiftru3

Leonardu pacchel I Anno dfii.M.cccclxxxxix.die xvi.apl'. I [printer's mark, LP}. Collation: z°. iT a-s8 t4 u= 162 ff., numbered [8} 1-154. 44-5 I 11. 2 col. Illustration: woodcuts of St. Peter (f. rTi), Crucifixion (f. 73), and Annunciation (f. ai); woodcut initials. Music: printed notes and staves. Music pages: g3-i3V= I6 pp. Staves: i i red 4-line staves per col., 24,0 X I70 (80) mm. Music type: R28. Copies: F-Nice, BM; I-Milan, BN; US-NY-New York, Met. Copies seen: I-Milan, BN, Gerli Inc. I8. Size: 323 X 228 mm. Provenance: S. Zini, Florence; Duke of Parma (Livres de liturgie, p. 171 ). Binding: Russian leather with coat of arms. I15. Missale Romanum. Venice: Giorgio Arrivabene, 29 V 1499. See Fig. 55. C 4214; Goff M7I6; IGI 6648; CIBN M 469; Essling 53; Martimort 26; Pellechet 8098 (8028); Sander 4779; W 950; M-B 65 Title, f. fi, red: MifJale Romanu cu3 multis mifJis ac bndictionibus no uiter additis in locis fu- is pofitis quas cetera I miffalia impreffa I non habent: I vt patet in I tabula. I black: [woodcut of St. Francis] Incipit, f. a , red: Incipit ordo miffalis fecun I dum confuetudinem Ro- mane curie.

Dfnica prima I de aduentu. Explicit, f. 19: Finit miffale fm cu I riam ImpreJfu3 ve netijs per Georgi- ( um arriuabenum I anno dni. I499.die 29.menfis Maij I [printer's mark, red, AG]. Collation: 2°. t8 a-I8 m-n'° o-z8 18 98 8 A-G8 H-I'°=296 if., numbered [8] I-287 [i}; unsigned music leaves m4, p2-p3. 34 11. 2 col. Illustration: woodcut Crucifixion, f. I20o; woodcut capitals. Music: printed notes and staves. Music pages: h8i ii", 17r-v, 18v, m3Vm7, n5-n8, ng-n Io, 0o, 02V, o4-p4, p6-p7V=46 pp. Staves: 9 red 4-line staves per col., 262 X i8o (84.5) mm. Music type R25. Copies: F-Paris, BN (vellum); I-Belluno, Cap; Bergamo, BC; Milan, Ambr; Palermo, BC; Perugia, BC (vellum); Rome, Cas; Siena, BC; Treviso, Cap; Venice, BN; Verona, Cap; US-MI-Ann Arbor, UML. Copies seen: I-Perugia, BC, Inc. 917. Vellum. Provenance, f. tI: in nostra dfn3 feruu. Binding: leather over wooden boards. Siena, BC, M. II.32. Provenance: Missale3 Sci blasij. Binding: blind-stamped leather over wooden boards (restored), clasps missing, bosses. Venice, BN, Inc. V. Io5. Binding: blind-stamped leather over wooden boards (restored), clasps and bosses missing. Verona, Cap, H.

I. i (Venturini 142). Provenance, f. t i: De mi frat9 gerardo da Verona de Verita ad ipsius usum et amicorum; f. IIo: Scritto adi 14 luglio I572 essedo priore il R° maestro Piero I d Taruisio. Binding: paper boards with leather spine. i I6.* Missale Romanum. Venice: [s. typ.], 1499. C 42 i6; Essling 52; Sander 4780; W 952* Collation (W): 4°. Note: the original citation in W includes an asterisk to indicate that the volume was not personally examined. II7.* Missale Romanum. [Venice?]: 5 XII 1500. W 957* (s.l., s.); M-B, p. 6I ([Venice]) Note: W notes a copy at Regensburg. Missale Romanum. Venice: Simone Gabi, called Bevilaqua, 1500.

W 959* Collation: 8° Note: apparently D 14i*, Missale Ordinis Praedicatorum Missale Romanum Edited by Pietro Arrivabene Venice: Johann Emerich of Speier for Luca Antonio Giunta, 27 II I500/15 I C 4217; IGI 6649; Essling 54; Sander 4781; W 958 (I6 preliminary if., unnumbered; a-n8 o6 p_z8 10 98 A_C8) Title, f TrI: Miffale Jcdm 9fuetu dinem romane curie I nouiter impreJJum I M.cccccj [sic] [printer's mark, LA] Incipit, f ai, red: Incipit ordo miffalis jm 9rue I tudine Romane curie Dnica prima de aduetu Statio ad fan I ctam maria maiore ad mifJam I Intro Explicit, f C8, red: Accipite optimi facerdotes Miffale iuxta mo I rem Romane ecclefie expletu: folertiq3 diligen I tia caftigatum per fratrem Petrum Arriuabe ) num ordinis minoru de obJeruantia nuncupa toe ImpeJis nobilis viri Lucantonij de giuta I Florentini: Arte aute ingenio Ioannis Eme rici de Spira Alemani Impreffum in florentiJ Jima ciuitate Venetiarum Auguftini Barba I dici inclyti principis tempeftate: Anno incar nationis dominice Millefimo quingentefimo I iij kl' Martij ) Regiftrum Collation: 4° 7r8 a-n8 o6 p 8 8 8 ' A-C8=24o ff., numbered [8] I-CIIII [6] CV-CCXXV [] 3 11 2 col.

Illustration: woodcut Crucifixion, f 02V; woodcut initials and border Music: printed notes and staves Music pages: gSV-g6v, i7v-i8, kIv, k3v-k8', 17-m5, m6, m8-o2, o4-o5V=56 pp Staves: 6 red 4-line staves per col., 158 X I 8 (57) mm Music type: Ri8 Copies: A-Vienna, NB; I-Florence, Mar; Vatican City, BV Copies seen: I-Florence, Mar, R.o 170 Lacks gatherings iT and o Size: 218 X 161 mm Binding: vellum spine and corners Vatican City, BV, Ross 2283 Binding: vellum Missale Romanum [Venice: Antonio de Zanchi ca 50oo or i VI 150I?] Goff M7oia (ca 1487 amended to ca 500oo in annotated edition); Essling 57? (i50i); LD 320? (I50o); W 898 (ca i487)=96i? (I50o) Title, f f i, red: MIffale fcdm ) morem Ro f mane curie f 2f i, red: Incipiunt tabule miJfalis Incipit, f ai red: ¢ Incipit ordo MiJfalis fm I cofuetudine Romane curie I Dominica prima de adueu | Statio ad fanctam maria ma I iorem: ad miffam introitus F F3S: Finis Explicit, f F6, 244 (misnumbered 243) (D-Munich, SB; I-Padua, Sem): Iujju 7 I impenfis Antonij Bergomen de

Zanchis Felici numine I expletum ejt: in Uenetiarum vrbe inclyta Regnante cla I rijfimo principe Auguftino Barbadico: Anno natiuitatis I chriftianiJfime:Millejimo gngeteJimol mo: kal's Iunias Collation: 4°. t[black]8 2t[red]2 a-8 8 98 A-E8 F6=264 ff., numbered i-8 [2] 1-244 34 11 2 col Illustration: woodcut initials; woodcut Crucifixion, f p3' (io5V) Music: printed notes and staves Music pages: h2-h3, k5V-k6, k7v, 12-17, m6-n5v, n8-p3, p5-p7=62 pp Staves: 6 red 4-line staves per col., I55 X 127 (65) mm Music type: not among numbered specimens of Italian fifteenth-century types Bibliography: Dennis E Rhodes, "Antonio Zanchi of Bergamo, Printer or Publisher at Venice and Mantua," Gutenberg-Jahrbuch (1956): 141-44 Note: the title, collation, music leaves, and Crucifixion woodcut of Goff M7oIa (US-TX-Austin, HRC) are identical to W 96I, even though Goff's entry includes the comment that the entry is not equal to W 961 The copy described lacks the final leaf Goff M7oia and W 898 were dated ca 1487 but that date was changed to ca 500oo in the annotated edition of Goff There is no apparent difference between the Austin book and W 961, dated I VI i50o in the colophon.

Copies: D-Munich, SB; GB-London, BL; I-Padua, Sem; US-TX-Austin, HRC Copies seen: D-Munich, SB, Rar I797 Size: 208 X 149 mm Binding: black velvet over wooden boards, clasps missing I-Padua, Sem; US-TX-Austin, HRC, Incun I500, C2865m Lacks f F6 Misnumbered ff 23 for 32, 36 for 63, 55 for 59, 56-65 repeated, I37 for 138, I5I for I6I, and mis-signed vii for viii Size: 222 X I69 mm Provenance, title page, f tI: Conuentus Olomucensis S Michaelis ) Ordinis Praedicm Bind-

ing: blind-stamped leather over boards, 2 clasps missing i i8 Missale Sarisburiense Venice: Johann Hamman for Frederic of Egmont & Gerard Barrevelt., IX 1494 H II422; P 5194; BMC V:426; IGI 6651; Essling 2I;5 (plate LVI off ai); Sander 4836; W 1390; M-B 179 Title, fi 7T.r, red: MiJfale fecundum vfum I ecclefie Sarum Anglicane I [printer's mark, FE GB] lncipit, f ai, red: In nomine JanctiJfime tri I nitatis Miffale ad vfum I chori ecclefie Sarum an I glicane feliciter incipit Explicit, f K7Y, red: In laude Janctiffime trinita I tis totiuJq3 milicie celeftis adI honore 7 decore fce ecclefie I Sa9 anglicane: euiJ'q3 deuo I tiffimi cleri: hoc miSfale diui I noru3 officiori vigilanti ftu I dio emedatu ' reuiJum: iu'ffu I et impenfis pftatiJfimoru virorum fridrici de egmont ac I Gerardi barreuelt: Impff'u3 I venetiis p Iohane hertzog I de landoia: felici numine ex I plicitu e Anno dni M.cccc I xciiii Kal's menfis feptebris Collation: 2° Tr8 a-i°0 k8 l-z8 A-B1° C8 D-I11 K8=334 ft., numbered [io] I-CCCXXV with errors 37 11 2 col.

Illustration: woodcut Crucifixion, f niv; woodcut border, initials Music: printed notes and staves Music pages: 12-16, 18, lio-m2, m3-mIo, n6rv , n7v, v8-vIov, I5=38 pp Staves: 9 red 4-line staves per col Music type: R9 Copies: GB-Cambridge, UL; London, BL; Oxford, UL; I-Bologna, BU; Venice, Cini Copies seen: GB-London, BL, IB 2337I. Fragment with no leaves containing music I-Bologna, BU, A.V.KK IV.25 (Andrea Caronti, Gli incunaboli della R Biblioteca Universitarial di Bologna, Bologna: Zanichella, 1889, no 570.) Lacks ff 7TIo, ni, oi, II-IIo, Ki-K3, K5-K8 Decoration: initials in gold and colors Size: 391 X 271 mm Binding: vellum over paper boards Venice, Cini, 360 Size: 392 X 270 mm Provenance, f n5: Johnne Saxby thys abot consanguinorum suorum margaret Saxby Binding: blind-stamped leather over boards, 2 clasps repaired I 19 Missale Sarisburiense Venice:Johann Hamman for Frederic of Egmont, I XII 1494 C 4228; P 5 I95; BMC V:426; IGI 6652; Essling 216; Pellechet 8056; Sander 4837; W I391; M-B i8o Title, f TI, red: MiJ'ale Jecundum vfum ecclefie Saru Anglicane Incipit, f ai, red: In nomine janctiJfime trini I tatis MifJale ad vfum chori I jancte ecclefie Sarum angli I cane feliciter incipit Explicit, f S8, red: In laude

fanctiJfime trinita tis totiufq3 milicie celeftis ad I honore 7 decore fancte eccl'ie I Sarui anglicane: eiuJqc deuo tiJfimi cleri: hoc mi'fale diui ) norum officioru vigilanti ftu I dio emendatiu 7 reuifum Im I preJfum venetijs per Ioanne I hertzog de landoia: felici nu mine explicitu eft Anno dni I M cccc xciiij kal's menfis de I cembris.f S8': [printer's mark, red, IH] [ Fredericus egmont I me fieri fecit Collation: 8° 7T8 27r2 a-q8 qq8 r-z8 A-S= 346 ff., q8 blank, numbered [io] 1-120, [i6] I29-328 with errors 36 11 2 col Illustration: woodcut Crucifixion, f q3': woodcut initials Music: printed notes and staves Music pages: n4-o02, 05, 07-pI, p2v-q3, q7v-q8, B4-B7= 47 pp Staves: 7 red 4-line staves per col Music type: Rio Copies: GB-Aberdeen, UL; Cambridge, UL2; London, BL2; Oxford, UL2; I-Trent, BC Copies seen: GB-London, BL, IA 23373 Size: 162 X 113 mm Provenance, f 7T I: "found in the house of mr Bostock of Molton the IXth day of august in An° Dni I596." Later: Thomas Hewett; purchased for BL in 1852.

Binding: red morocco stamped in gold 120 Missale Segoviense Venice: Johann Emerich of Speier for Guido de Lavezari & Soc., 24 VII I500 Garcia Rojo I306; W i455 Title (Garcia Rojo), fi f , red: Miffale jm 9fuetu I dine Segobie I fis Ecclefie Incipit (Garcia Rojo), f ai, red: In nole dni nii iefu xpi In cipit miJfale p totu anni circu I lu m 9guetudine Segobiefis I ecele I fie ( Dnica pma in aduen I tu dni ad miJff maiore officiu Explicit (Garcia Rojo), f 07 (CCLXXXVII), red: Finis Deo gratias I black: [A]Ccipite optimi facerdotes MiJSale iux ta confuetudi I ne jancte ecclefie Segobienfis: | nouiter copilatum: ac cum dile I gentia reuiJum: et fideli ftudio emendatu per Petrum alfonfi I Porcionarium: 7 Didacum de |

Caftro beneficiatum in dicta ec I clefia Segobienfi De mandato I ReuerediJfimi in chrifto patris I et dni: diii Iohannis Arias de I Villar dei 7 apoftolice fedis gra I tia Epifcopi Segobienfis vtri uq3 I iuris doctoris ConJiliarij I SereniJfimoru principum Re I gum ac dominorum noftroru3 I Ferdinandi et heliJabeth Re gis 7 Rgine Caftelle Aragonu I Legionis Granate alioruq3 re ) gnorum: Ac maioris Prefiden I tis in eof Regali Curia et Can ) cellaria in nobiliffima villa Ual I lifoletana Accedente ad hoc aS I fenfu et voluntate venerabiliu3 Iet circumfpectorum viroru do I minoru Decani et Capituli pre I fate ecclefie Et hoc acclamante I ac cum ingenti dejiderio poftu I lante vniuerfo Prefbyteroru3 I Collegio totius diocefis Qd' I adiuuate domino exactum fuitI calamo prelibati Didaci de Ca I jtro in predicta ciuitate Sego I bienli decimaJexta die menfis I Septembris: Anno a natiuita I te eiufdem domini Millefimo I quadringetefimo nonagefimo I nono Laus deo red: Impreffum aute Uenetijs: Im I penfis Guidonis de lauezarijs et socio& Arte autem Johan ) nis Emerici de Spira: Anno Tc I M.ccccc Nono kl' Augufti Collation: (Garcia Rojo): 2° a-v8 A-08=284 ff., numbered (12) I-CCLXXXVII (I) with errors 39 11 2 col.

Music: printed notes and staves Music pages: 2[+ ?] Staves: io red 4-line staves Music type: RI9 Bibliography: D Garcia Rojo and G Ortiz de Montalvan, Catalogo de los incunables de la Biblioteca Nacional, Madrid: Patronato de la Biblioteca Nacional, I945 Copies: E-Madrid, BN Copies seen: E-Madrid, BN, Inc '754 Photographs off I 56r Missale Speciale Venice: [Johann Emerich of Speier for] Luca Antonio Guinta for Christopher Thum, 2 VIII 500oo or 5 VIII 1504 P,3,o4 (1504); Sander 4838 (I504); W 1473 (1504) Title, f: f , red: Miffale fpeciale Incipit, f ai (I), black: ¢ red: Dominica prima in aduentu I domini ad miffam Introitus Explicit, f p6, black: ¢ red: Finit miffale fpeciale fSma di I ligetia emendatu ImpreJff Ue j netijs per Lucam Anthoniu de Giunta Florentinum ImpenJis I Chriftofori Thum ciuis Augu I ften Anno dni M.ccccc.iiij.no nas Augufti ) [printer's mark, LA] Collation: 2° a-h8 i m 8 p6= I 4 f., numbered [io] I-CXVIII 39 11 2 col Illustration: woodcut initials Note: no space for music The date in the

colophon may be interpreted as 500 or 1504 Copies: GB-London, BL Copies seen: GB-London, BL, C 52.g.Io Lacks f f8 (XLVII) Size: 318 X 220 mm Binding: vellum over boards, 2 clasps Missale Strigoniense Verona: [Pierre Maufer], 27 VIII 1480 See D 127, reissue Missale Strigoniense Venice: Erhard Ratdolt, [before 1486] C 4235; W 1491* Bibliography: Gilbert R Redgrave, Erhard Ratdolt and His Work at Venice: A Paper Read before the Bibliographical Society, November 20, I893, London: Bibliographical Society, 1894, p 44, no 59 Hubay, Missalia, does not include the spurious missal created by Redgrave Note: a ghost created by Redgrave, Ratdolt's biographer, who tells us that the existence of this edition is proved by the colophon of D I21, which claims to be the "second": "Impressum Venetiis iteru secudo per Erhardum ratdolt de augusta." However, this probably simply means that there was an edition of the missal for Gran before Ratdolt's; in fact there were two, D 127 and Koberger's Augsburg edition of 3I VIII 1484 121 Missale Strigoniense Venice: Erhard Ratdolt, 18 III 1486 See Fig 22 C 4237; Essling 2i8; Hubay, Missalia 3; Sander 4839; W 1492

Incipit, f ai, red: Incipit miffale diuinoq of I ficio9 tam de tpe q3 etiam de I fanctis cum certis officijs an I nexis : utputa de traffiguratio I ne dni: de peftilentia cE fcd'm I choru alme ecclefie Strigo I nieii Dominica prima in ad I uentu domini Introitus ad I miffam Explicit, f E6: Finit feliciter Miffale diuino I ru officioru3 tam de tempore I q3 de fanctis cu certis officijs I annexis: utputa de tanffigura tioe sic] dnii: de peftiletia: 7 cetera: I Jm choru alme ecclefie Stri I goniefi.

bene reuifum ac fideli ftudio emedatu: de cofenfu ac fauore Reuerediffimi in xpo I patris ac dni:domini Michae I lis epi Milckouien.ac in pon I tificalibus vicarij generalis p I nomiate ecclefie Strigonien I alioiq3 dominoi de capitulo ImpreJfum Venetijs iteru fe I cudo per Erhardum ratdolt de augufta Regnante feliciffi me fereniffimo ac inuictiffi mo Matthia hungaroru rege I domino noftro gratiofiffimo I Anno falutifere incarnatiois I dni noftro ihefu xpi M.cccc I lxxxvj.die xviij.Martij Ad lau I de dei eiufq3 genitricis perpe tue virginis: cui honor 7 glo I ria in euum Amen ) Deo gratias Collation (Hubay, Missalia): 2°. 7T8 27T4 372 a-i8 k1' 16 m-z8 A-D8 E6 = 236 ff., numbered (i4) I CCXXI (i) 39, 27 11 2 col Illustration: woodcut Crucifixion, f i iv; woodcut initials Music: printed staves Music pages: Ir Iv, i6-ki, k4^{r-v, k6V-kIov, 14-15v=24 pp Staves: 7 red 4-line (or 8, of which one is 3-line) staves per col., 227 X I62 (77·5) mm.}

Copies: H-Budapest, BN2; Esztergom, Metr2 Copies seen: H-Budapest, BN, Inc i78a Manuscript plainchant added Decoration: watercolored Crucifixion Provenance (Hubay, Missalia): Comparatum Sumptibus proprijs Civium Posoniensis Civitatis ad usum Parochi et Capellanorum Ecclesiae eiusdem S Martini Anno 1600 Mense Septembri Binding: stamped and rolled leather over boards, 2 clasps missing and spine repaired Inc I78b Manuscript plainchant added Size: 305 X 215 mm : 22 Missale Strigoniense Venice: Johann Hamman, I II 1493/1494 See Fig 24 H II432; Essling 2I9; Hubay, Missalia 6; Sajo-Soltesz 2315; Sander 4840; W I495 Incipit, f ai, red: Ordo miffalis diui I noru officioru : de tpe et I de fanctis : cu certis officijs folenib9 ac deuotis ) eifde annexis : fm chori fce ecclelie Strigoniefi feliciter incipit Dnica pma in aduentu dni ad I miffam Introitus Explicit, f Q6 (Hubay): Miffale fm choru facte eccl'ie I Strigonieii feliciter eft explici tu Impffi uenetijs p Johane I haman de ladoia Anno salut' I M.ccccxciij Kali Februarij Collation: 2° 7T a-p q r sz8 Ap8 Q6 X4=322 ff., numbered [8] I-CCCX [4] 26 11 2 col.

Illustration (Sander): woodcut Crucifixion, f I29 Music: printed notes and staves Music pages: n3-n7v, o8, pi, p3-qI [q2-q9 missing}, qIo-rI=—38[+?] pp Staves: 7 red 5-line staves per col., I99 X 138 mm Music type: R9 Copies: H-Budapest, BN; BU; Gyor, Sem., variant, with mark of publisher Georg Rum Copies seen: H-Budapest, BN, Inc i8o Lacks ff T I-7T3, 776-7T8, q2-9, t2-t7, M8-X4 Decoration: initials in color, rubricated in green Size: 282 X 196 mm Provenance: Residentiae S Jesu Catalogo inscriptus I685 Binding: blind-stamped leather, 2 clasps, 2 bosses, restored I23 Missale Strigoniense Venice: Johann Emerich of Speier, 31 X i495 C 4238; Essling 220; Hubay, Missalia 7; Sajo-Soltesz, 23 i6; Sander 484 I; W 1496 Title, f 7rI: Miffale fcd'm choru al I me eccl'ie ftrigoniefi Incipit, f ai, red: Incipit miffale diuino I| officiorum tam de tempore I c3 etia3 de fanctis cu certis I officijs annexis : vtputa de I tranffiguratione dni : de pe I ftiletia 7c fm choy alme ec I clefie Strigonien Domi I nica prima in aduetu domi I ni Introitus ad miffam Explicit, f;

D8, red: Finit feliciter Miffale diui I noru officio& tam de tpe q3 I de fanctis cu certis officijs I anexis : utputa de traffigu I ratioe dii de peftilentia Ic f m choru alme eccl'ie Stri-I gonieii bene reuifum ac fi I deli ftudio emendatu Im I preffu Venetijs p Iohane I Emericf de Spira Anno falutifere incarnatiois dni I noftri iefu chrifti M.cccc I lxxxxv pridie kl' nouebris Ad laudem dei eiufq3 geni tricis perpetue virginis cui honor ( gloria in euum I Amen Collation: 40. 7To t10 a-m8 n-o'2 p-z8 aa-ff8 A8 B12 C-D8=296 ff., numbered [20] I-C-CLVI [4} CCLVII-CCLXXI [i] 22 11 2 col Illustration: woodcut Crucifixion (f n x 2); woodcut initials Music: printed staves Music pages: 14-18', m8, ni, n3-ni Ii=30 pp Staves: 7 red 4-line staves per col Copies: H-Budapest, BN3; Piar; Esztergom, Metr Copies seen: H-Budapest, BN, Inc 995a Manuscript leaves of prayers with music bound in at end (to St Barbara, Peter, etc.) Size: 242 X 178 mm Provenance, title page: Capituli Posoniensis, 1645; front paste-down: Ego Matheus Rosarius canonicus Ec-

clesie Posonoiensis emi hunc librum florenis III. In castro Budensi auxilio egregii Johannis Erdely vice Thezaurarii Regiae Maiestatis ut memoriam sui habeam circa (diem) Elizabeth vidue Anno domini millesimo Quadrigentesimo Nonagesimo septimo. Binding: blind-stamped leather over boards (restored), 6 bosses, 2 clasps. Inc. 995b. Provenance: EccleJie T. Lippesensi. Binding: recent leather over wooden boards. 124. Missale Strigoniense. Venice: Johann Emerich of Speier for Johann Paep, 26 II 1498/ I499C 4240; Gff M724; Essling 221; Hubay, Missalia 8; Sajo-Soltesz 2317; Sander 4842 (Suppl. 325); W 1498; M-B 189 Title, f. ITI, red: Mirfale fm chorum I alme eccl'ie StriI gonienfis. I [printer's mark, IP]. Incipit, f. ai, red: Incipit miJJale diuinoru3 I officioru tam de tempore q3 I etia de fanctis cum certis offi I cijs annexis : vtputa de tranf I figuratione dni : de peftilen- I tia 7c. fm chop alme ecclefie I Strigoniefi. Dnica prima in I aduetu dnii Introit9 ab miffa. Explicit, f F8, red: Finit feliciter Miffale diui- I noy officiop tam de tpe q3 d' fanctis cu ceteris officijs ane I xis : vtputa de tra.figuratioe dni : de peftiletia (7. fm cho I alme eccl'ie Strigonien. bn re ) uifu3 ac fideli ftudio emeda- | tu. ImpreJff Venetijs impe I Jis Johannis Paep librarij I Buden. p Johanne emericu I d' Spira.

Anno falutifere in- I carnationis dnii nri iefu chriI Jti M.cccc.lxxxxviij. iiij. kal'n. I Martij. black: Laus deo. Collation: 2°. 7r0 27T2 A8 a-18 m6 n-z8 = 250 ff., numbered [20] I-CCXXX. 38 11. 2 col. Illustration: woodcut Crucifixion, f. m6V; woodcut initials. Music: printed staves. Music pages: k2V-k6, 14-15, 17-m5v, n2-n4=28 pp. Staves: 9 red 4-line staves per col., 230.5-34 X 154 (72-72.5) mm. Bibliography: Imrich Kotvan, Iukunabuly archivov, muzei a niektorych historickych kniinic na Slovensku = Incunabula Archivorum, Museorum, Nonullarumque Bibliothecarum Historicarum Slovaciae, Martin: Matica Slovenska, I964, no. 164, plate 67 of title page. Copies: CS-Bratislava, UK; H-Budapest, Acad; BN3 (i vellum); BU; Esztergom, Metr; Gy6r, Sem (vellum); R-Sibiu, Mus; US-Washington, LC. Copies seen: H-Budapest, BN, Inc. 182a. Manuscript gothic plainchant. Decoration: major initials in gold and colors, minor initials in blue, rubrication. Size: 340 X 231 mm. Binding: blind-stamped leather over boards, io bosses, 2 clasps. Inc. 182b. Lacks f. m6, Crucifixion. Gothic plainchant added in manuscript. Size: 322 X 222 mm. Provenance,

front paste-down: Rdi Martini Varadini Custodis et Canonici Posoniensis olim R. D. Joannis Thomasinouity Arch. Barsien. et Canonici Strigon; title page: Capituli Posoniensis, ad usum quotidianum Joannis Fab(er) Parochi & Canonici . . . gratiose concessum. Anno 1609. Binding: blind-ruled and stamped leather, over wooden boards; io bosses and 2 clasps. US-Washington, LC, Vollbehr. Two leaves of manuscript music in gothic plainchant at end. Size: 334 X 230 mm. Binding: blind-stamped leather, bosses and clasps missing. 125. Missale Strigoniense. Venice: [Johann Emerich of Speier] for Johann Paep, 31 III 1500 or I IV 1502. See Fig. 26. C 4241; Goff M725; Essling, Livres a figures, 6: Suppl. p.i;Hubay, Missalia, 12(aa6(+'); Sajo-Soltesz 2319; Sander 4843; W 1499; M-B190Title, f Ti: Miffale fcd'm cho-I rum alme ecclelie I Strigonienfis I [printer's mark] Incipit, f. ar, red: Incipit miffale diuinoru I officiorum tam de tempore I q3 etia3 de fanctis cu3 certis I officijs annexis: ut puta de I tranffiguratione dni: de pe- I ftiletia 'c. fm chop alme ec- I clefie Strigonien. Domi | nica prima in aduetu domi- I ni Introitus ad miffam. Explicit, f D8, black: Finit Miffale fm choru I alme ecclefie Strigoniei.

ImpreJJum Venetijs I Impenfis Johannis paep I librarij Buden. Anno dni I M.ccccc.ij.kal.Aprilis. Collation: 4°. 710 aa8(+I) 2T8 a-m8 n_o12 pz8 aa8 bb-ff8 A8 B1° C-D8=3oi ff., numbered [27] I-XCVI [23] CXXI-CCLXXI [i]. 22 11.2 col. Illustration: woodcut Crucifixion, f. n 2V; woodcut initials. Music: printed staves. Music pages: 14-18", m8, n3-n I  [n 2?], 04-06=34[+ ? pp. Staves: 7 red 4-line staves per col., 176 X 122 (57.5) mm. Note: the date in the colophon may be interpreted as 3 III 1500 or i IV 1502. Copies: H-Budapest, Acad; BN; US-NH-Hanover, Dartmouth. Copies seen: H-Budapest, BN,

Inc 996 Gothic plainchant added in manuscript Lacks gathering 717 and ff aaI, aa6-9, ni, nx2, xI, x8, ee6, and sheet ni.i2 Size: 230 X 170 mm Provenance, f 18v: Anno Dni I617 43 fl Binding: blind-stamped leather over boards, bosses and clasps missing I26 Missale Toletanum [Venice, 1483?] Haebler, Iberica, 1:209 [1483? 1488?]; W I529 Incipit (Palau y Dulcet), f 9: Incipit missale mixtum secundum ordinem e regulam sancte ecclesie toletane yspaniarum metropolitane Ends, f 250': Amen siguense los articulos de la sancta fe catolica Collation (Palau y Dulcet): 2° (8) (248) 256? fi 38 11 2 col Music: space for music on ff hIV-h3v, 12-15, mI-m4,8 unsigned ff.=26 pp Staves: space for 9 staves per column Bibliography: Antonio Palau y Dulcet, Manuel del librero Hispano-Americano, 2d ed., rev and annotated by Augustin Palau, 28 vols Barcelona: Libreria Palau, 1948-1977, 9 (1956):415-16 Antonio Odriozola, "Las primeras impresiones de libros liturgicos espanoles y un curioso y desconocido Breviario para la Diocesis de Orense ( I480?)," Gutenberg-Jahrbuch, 1)65:87-92 Note: apparently, Cardinal Ximenes ordered the edition to be destroyed because it contained many mistakes.

Copies: E-Toledo, Cat Copies seen: E-Toledo, Cat, MS 80-i Microfilm of music pages Lacks one leaf in the first gathering and incomplete at the end 127 Missale Ultramontanorum Verona: [Pierre Maufer?], 27 VIII 1480 C 4125; Hubay, Missalia, I; IBP 38o0; Sander 4856; W 1607 Incipit, f [bi], red: Incipit ordo miJ'a lis fecundum ritum I dominoru vltram I tanoru cum qbufda3 I officiis nouis Dni I ca prima in aduentu Introitus Explicit, f [N6'], red: Impreffus uerone ui gelima feptia augujti M.CCCC.octogefimo A S C U 2 10 12 10 Collation: 2° [a6 b-g'° h1 i-r° s-t12 v-z° A-M" N61=358 ff 29 11 2 ol Illustration: woodcut Crucifixion f [q8V} Music: space for music Music pages: [q4V-q7v rr-I]=-9 pp Bibliography: Imrich Kotvan, "Missale Strigoniense-Hain 11428," Beitrige zur Inkunabelkunde 3, no 3 (I967): 88, and plates 52 and 54 Copies: CS-Bratislova, BU; Spisska Nova Ves, Kap; D-Dresden, LB; H-Budapest, Acad; BN5; BU2; Esztergom, Metr; Sapron, Arch; P-Wroclaw, BU; Kap; R-Alba Julia, Cat USSR-Moscow, Len Copies seen: H-Budapest, BN, Inc I75a Size: 308 X 225 mm Binding: purple velvet over boards with 4 metal clasps decorated with enameled images

of saints Inc i75b Decoration: major initials in gold and colors, minor initials in red and blue Size: 346 X 235 mm Binding: blind-stamped leather over boards, io bosses and 2 clasps (restored) Inc I75c Size: 3 I6 X 240 mm Binding: blind-stamped and ruled leather over boards, 2 clasps missing Inc i75d Lacks some leaves, including f [q8], Crucifixion Plainchant added on f [r ] Provenance on back board: Missale istud emi Cibinii Anno 1788 Die 30 Martii a quodam Saxone ego Antonius Bartalis Presbyter Secularis Binding: blind-stamped leather over wooden boards, io bosses and 2 clasps Inc i75e Lacks many leaves Decoration: major initials in gold and colors, minor initials in red Size: 300 X 212 mm Binding: blind-ruled leather over boards, 2 clasps missing Reissue Missale Strigoniense Verona: [Pierre Maufer], 27 VIII 1480 H 11428; WI488* Incipit, f [bI], red: Incipit ordo I miffa I lis f ritu3 alme Ec I clefie Strigoniefi cu quibufda officijs no I uis Dominica pma I in aduetu Introitus Music: spacae for music Music pages: [q4V-q7V, r I-] = 9 pp Bibliography: Imrich Kotvan, "Missale Strigoniense-Hain 11428," Beitrage zur Inkunabelkunde 3, no 3 (1967): i88 and plate 53.

Note: this is a reissue of the above with a new incipit for distribution of copies in the archdiocese of Gran, Hungary It differs from the first issue only in the first and last leaves of quire [b} Copies: CS-Bardejov, Mus Copies seen: none (see plate and description in Kotvan) Missale Ultramontanorum [Brunn: Conrad Stahel & Mathias Preunlein, ca 1490] C 4129; Oates 4035 ([Brunn: Conrad Stahel & Mathias Preunlein, s.a.]; W 606= 8 i Calendar, f [a3?]: [KL'] Jani prima dies.et Septima fine minatur I Januarius habet dies xxxj.Luna.xxx Incipit, f bi (i), red: Dnica prima

In aduentu I [A]D te leuaui ani ma mea F 74 ', red: E black: t vita3 venturi fecu I li Amen Collation: 2o [a]8 b-n8 o[06 X6 p-z8 A-H8 I1° K8 7r(i, ii, iii, iiii)6 = 278 ff., foliated 35 11 2 col Music: space for music Music pages: i2, k2, k8, 14, m4-m6v, nI-n3, n6V-n7, n8V-[o4] X4X5v, K7-K8 = 3 I pp Staves: space for io staves per col Note: the Missale Ultramontanorum is also known as Missale Ordinis Eremitarum S Pauli Copies: CH-Basel, UB; D-Erlangen, UB; GB-Cambridge, UL; H-Budapest, BN (vellum) Copies seen: CH-Basel, UB, AN VIII 56 Lacks ff [ai-a2], [o6], X5-, and X8 Woodcut Crucifixion from Wenssler's Missale Basiliense, 18 III I488, inserted in place of f [06] Manuscript gothic chant on 4-line red staves; chant in campo aperto above the text lines of the gospels of Passion Sunday Size: 260 X 200 mm Binding: blindstamped leather over wood, 2 clasps missing D-Erlangen, UB, Inc I630 Microfilm of calendar and music leaves I28 Missale Valentinum Venice: Johann Hamman for Andrea de Zavarisio, i VI 1492 See Fig 27 C 4261 (1490); Garcia Rojo 1308 (220 ff.); W i6I6

Incipit (Olmos y Canalda), f i: Iannuarius habet dies XXXI Luna XXX Explicit (Olmos y Canalda), f Es: Missale iuxta morem et consuetudi nem laudabilem sacrosancte sedis Va I lentiae felici numine est explicitum Mi rifica quidem arte impressionis viri so ) lertissimi Iohanis halman; et cura vigilantissima emen I dationis prout ipsum opus cuilibet in ) tuncti attestavitur; viri prestantis I Andree de cavacis mantuani; di I cte sedis ac eius cleri venerandi I amore precipuo pre ceteris celato ris Ad gloriam laudemque sanctissime tri I nitatis; dive et virginis totiusque hierar I chie celestis, eiusdemque prefate se I dis observantiam reverendissimam Anno dominice incarnationes post I millesimum quaterque centessimum nona I gessimo secundo Kalendas Iunias; feli ci auspicio Venetiis est completum Collation (Garcia Rojo): 2° 7T6 [a8] b-h8 i6 k-m8 n10 12 p8q6 ry8 A-C8 D-E6=220 ff., numbered [6] I-CCXXIII [2] 41 II 2 col Illustration: woodcut Crucifixion, f o6 Music: printed notes and staves Music pages: within quires n and o Music type: R9 Bibliography: Elias Olmos y Canalda, Incunables de la catedral de Valencia, Madrid: Semana Grafica, 195I, 55-56; Diosdado Garcia Rojo and Gonzalo Ortiz de Montalvan, Catalogo de incunables de la Biblioteca nacional, Apendice,

Madrid, 1958, pp 336-37 Copies: E-Madrid, BN; Valencia, Cat2, one vellum Copies seen: E-Madrid, BN, photo of f o6 (cxx) Size: 355 X 235 mm Missale Ordinis Eremitarum S Pauli See Missale Ultramontanorum [Brunn: Conrad Stahel & Mathias Preunlein, ca I490.] I29.* Missale Ordinis Eremitarum S Augustini [Venice, I480-1490.] C4128; W i8o3 Collation (C): 2° a-o A-O=202 ff 37 11 2 col Copies: None known I30 Missale Ordinis Carmelitarum Brescia: Bonino Bonini, 14 VIII 1490 See Fig 62 C 4105; R 5:I95 (248 ff.); Goff M 642; IGI 6560; CIBN M394; Pellechet 8103 (8033); Sander 4686; W 1884; M-B 2 I9 Incipit, f; ai (i), red: [I]N dei nomie ac indiuidue trinitatis I Incipit miJJale fecu du ordine Frm Carmeli I taru3 Explicit, f: S5' (clxxxxvjv): Explicit Mi'fale Jm ordi-I nem Fratru3 diue ac Im I maculate virginis Marie ) de monte Carmelo rite 7 recte correctu ac caftigatu Impffiu Brixie Tgeio ac fo I lerti cura Bonini de Bo I ninis de Ragufia ano do I mini Mcccclxxxx die xiiii Menfis Augufti [printer's mark, BB] Collation: 2° 7T6 a-i8 k614 m6 n-o8 p6 A-L8 M6 N-08 p6 Q_R8 S6=254 ff., numbered [6]

i-lxxxii [28] lx-clxxxxvj [i] 35 11 2 col Illustration: Crucifixion, f p2v. Music: printed notes and staves Music pages: mIrV, m2"-mS, m6"-n4v, OI"v02", 04"-8, p2, p4-p5V=34 pp Staves: 9 red 4-line staves per page,220 X 138-40(63-65).Musictype:R3i Copies: D-Stuttgart, WL; F-Paris, BN; I-Milan, BN; US-TX-Dallas, SMU Copies seen: D-Stuttgart, WL, Inc II275B Lacks ff pi, p3-p6 Sequences on 14 manuscript leaves at end Manuscript canon on vellum F-Paris, BN, Res Vel 262 Vellum Lacks gathering p; inserted in place of it are 5 vellum leaves in manuscript beginning "Te igitur" which contain no music Decoration: major initials in gold and colors, medium initials in blue Size: 307 X 205

mm Provenance, f 7r I: stamped Bibliotheque Imperiale Binding: vellum (reused manuscript and printed leaves) I-Milan, BN, AK-XIII-22 Lacks gathering IT6 and ff k6, 03, 06 Because the Crucifixion has been copied by pricking, the music leaves preceding it are marred Size: 291 X I93 mm Binding: three-quarter leather with paper Missale Ordinis Carmelitarum Venice: [Johann Emerich of Speier for] Luca Antonio Giunta, 5 I I50oo/I5o C 4io6; Essling 272; Marais 594, io78A; Pellechet 8104 (8034); Sander 4687; Voullieme B 4457; W i885; M-B 220 Title, f A , red: MifJale fm vfum I carmelitarum [woodcut in black of "Vexilum Carmelitarum"; printer's mark in red, LA] Incipit, f ai, red: ¢(Incipit miJfale fratrum Jacri I ordinis gloriofiJfime dei genitri cis femperq3 virginis marie de I monte carmeli extractum et ex I cerptu de approbato vfu dfiici I epulchri fcte hierofolymitane ecclefie Explicit, f 76 (CLXXXII), red: (Explicit miJfale fm ordinem I fratru gloriofiJJime dei genitri-| cis fempq3 virgns marle do mo ) te carmello : per venerabilem Ja I cre theologie magiftru fratre3 I ioanne

mariam de polucijs feu I prandinis de noualaria eiufde ] facri ordinis: magna cu3 dilige tia emendatu Quod impenfa I fua ac folerti cura nobilis vir I Lucafantonius de giunta flore I tinus in Uenetoru ciuitate flo retiJfima ipreJJit Anno natalis ] dni M.ccccc Nonis Ianuarij Collation: 2° A-Bl° a-k8 16e m-o8 pl1 q-z8 =2I12 ff numbered [20] I-CLXXXII [2] 39 11 2 col Illustration: woodcut Crucifixion, f 12; woodcut initials Music: printed notes and staves Music pages: h5, h7'-h8, iI-i2', i4-i7, k2-k4v, k6-lI, [12?], 14v-l15"=3[+I?] pp Staves: io red 4-line staves per column, 260 X I76-77 (83-84) mm Music type: RI9 Bibliography: see no 722 and plate 98 of title page in Isak Colijn, Katalog der Inkunabeln de Kgl Bibliothek in Stockholm, Stockholm: Almquist & Wiksells, 1914 Copies: D-Berlin, SPK; F-Paris, Maz; S-Stockholm, K:B Copies seen: F-Paris, Maz, o078 A Lacks f 12; 2d col of f 15r-V missing, supplied in manuscript Watercolored initials, rubricated in red Size:-,3o X 243 mm Binding: blind-stamped leather over boards, restored at spine, clasps missing Missale Ordinis Humiliatorum Milan: Antonio Zarotto for Antonio de Capella, 25 I I504.

C 4138 (ca 1490); CIBN 2:267; Ganda 169 ([ca I490]); Pellechet 8114 (8044); W 800o = i8oi (ca 1490); M-B 209 (ca 1490) Title, f; rri, red: Mijfale fecundum morem et confti I tutiones fratru3 ordinis humi I liatorum: jub diui benedi j cti regula militantium I [date pumiced from copy seen] Incipit, f ai, red: In nomine domini noftri ieJu chrifti I Incipit ordo miJfalis: fecundu3 for I mam fratrum ordinis humiliatoi I Dnica prima de aduentu Officiu3 Explicit, f W8, red: Infpice tu qui facro delectaris ftudio: nec me I Jquallidum fcriptura: nec inemendatum I negligentia cognofces: que me her I cle prefentiffima in litteris com I moda: fi nouis operibus boa impreoi preftitiffet indu f tria Iam pene coclama I ta latine lingue uolumiI na: fic reparari aut I uindicari non ] indigerent I 't(t black: Impreffum Mediolani per Antoniu Zarotu par Impenfis Venerabilis pa I tris domini Antonii de Capellis: fancti georgii: ecclefie ad puteum album mo I deratoris: ductu 7 aufpicio ReuerendiJfimi domini fratris primi crifpi braide I prepofiti: ac eiufdem ordinis humiliatorum generalis vicarii Collation: 2° 7r8 a-18 m6 n-z8 78= 98 ff., numbered [8] I-LXXXV [io5] 44 11 2 col Illustration: woodcut Crucifixion, f m3v; woodcut initials.

Music: printed notes and staves Music pages: notes and staves in first two gatherings; from f f2, only staves: a6-a8, b3 -v, f2-gI, g3-g4, g7-g8, h2r'-, h3V-h4, h6-k2, k4v-li, 13-m2v, [m3 blank], m5-nI, r5-r8v, x3-x5 = 99 ff Staves: 9 red 4-line staves per col., 231 X i66 (76-80) mm Music type: A3 Note: since the last three lines of the title with the date had been pumiced from the Paris copy, Van Praet assigned a date (ca 1490) that was followed by C, W, and Ganda CIBN 2: 267 assigns the correct date to the copy M-B described the work as having printed staves and "musical notes very carefully written, resembling type." The notes on the first seven pages of music use Zarotto's music type Copies: F-Paris, BN; I-Milan, BN Copies seen: F-

Paris, BN, Res Vel 260 Vellum With manuscript music Size: 332 X 230 mm Binding: gold-stamped black morocco Van Praet, i: 246, 345I3I Missale Ordinis Praedicatorum Venice: Ottaviano Scoto, 24 XII 1482 See Fig 40 H 11289*; P 4572; BMC V:277; Goff M 636; IGI 6578; IDL 3240; Essling 248; LD 569; Sander 4711; W i8i5; M-B 212 Incipit, f bi, red: Incipit miffale fecudu ordine3 I fratru predicatoru3 Explicit, f ,io: Explicit MiJfale fecundu or I dinem fratrum pdicato¢ Im I preffJu venetijs opera 7 expefis I Octauiani Scoti Modoetie I fis MCCCCLXXXII Nono Kalendas Ianuarij Collation: 4° a° b-z8 78 98 102I2 ff.; k4 signed k2 34 11 2 col Gathering a: unsigned, ai, unsigned, a3, a4, and five unsigned leaves; ff ai and a io have different watermarks Illustration: woodcut Crucifixion, f 18" Music: printed notes and staves; staves only on part off i8 (Sanctus and Ite Missa Est) Music pages: k3r-", k4V-k5, 11-18, m2-m3 = 22 pp Staves: 8 red 4-line staves per col., 142 x io8 (5-53) mm Music type: R4 Copies: D-Cologne, SB; D-Berlin, Kup; Stuttgart, WL; Wurzburg, UB; Leipzig, UB; E-Montserrat, Ben; GB-London, BL; Oxford, UL; I-Bologna, BU;

Florence, BN; Milan, BN; Siena, BC; NL-The Hague, KB; US-CA-San Marino, Hunt Copies seen: GB-London, BL, Hirsch III 930 Binding: leather over cardboard IA 2I 86 Six leaves added at end for Offices Decoration: initials colored in red and blue, colored Crucifixion Size: 217 X 156 mm Provenance, front paste-down: Istud missale pertinet ad conuentum bambergensem ordinis fratru pdicato¢ Binding: blind-stamped leather over boards (restored); 2 clasps Oxford, UL, Auct IQ.VII.I2 Manuscript prayers on f/io": Collecta d' Sto Sebastiano pro peste Decoration: initials colored in red and flourished Provenance, f aio: fratru predicatoe Franckfordie Binding: calf edged in gold (J Wright) I-Bologna, BU, A.V.KK IX.io Decoration initials in red and blue, some flourished Provenance, f aI: Domus Cathedralis bononiensis Date of rubrication, 24 Oct 1492, under colophon Binding: blind-stamped leather with rolled frame (restored); 2 clasps Florence, BN, A 7.io Manuscript prayers for St Catherine, f/iov. Provenance, f [ail: Questo libro sia dato a fra Rubto Ioanj Binding: marbled paper over cardboard Milan, BN, Gerli

Inc 38 Lacks part of f\i Provenance: Duke of Parma Siena, BC, M VI.9 Provenance: Questo messale e della sagrestia di Santo Spirito cistadino Girolamo 2 di maggio 1537 US-CA-San Marino, Hunt, 92517 Decoration: initials in blue Size: 217 X 155 mm Provenance, label: Ch Fairfax Murray Binding: blind-tooled and stamped pigskin over boards with bosses and clasps 132 Missale Ordinis Praedicatorum Edited by Francesco of Milan & Pietro Giustino Filelfo Milan: Antonio Zarotto, 1482 Goff M 637; IGI 6577 (vol 4, plate 21); M-B 211 Incipit, f ai, red: Incipit miJfale fecundum ordine fratrum predicatorum Explicit, f; 05: Explicit Miffale secundum ordi I nem fratrum predicatorum im I preffum Mediolani per Anto I nium zarothum Recognitum uero 7 emendatum per fratre3 I Francifcum mediolanenfe eiuf I dem ordinis 7 Petrumiuftinu I philelfum Anno domini Mille I fimoquadringentefimooctoge I fimofecundo Collation: 2° 7T6 a-h8 i6 A-I8 L-N8 06= 178 ff 41 11 2 col Illustration: woodcut Crucifixion? (f i6 missing); woodcut initials Music: space for music Music pages: h8-i5, [i6?], AI-A2 = 14(+ ?) pp.

Copies: I-Cupramontana, BC; Florence, Laur; US-Washington, LC Copies seen: US-Washington, LC, Vollbehr Lacks ff i6 (Crucifixion?) Leaf inserted after f h4 for Holy Saturday; it includes space for the music of the Ecce lignum Decoration: major initials in blue with red flourishing; minor initials in blue Size: 319 X 237 mm Binding: blind-stamped leather over boards, 2 clasps missing 133 Missale Ordinis Praedicatorum Naples: Matthias Moravus for Francesco Palmieri, 29 III I483 See Fig 17 H 11290; P 6703; BMC VI:864 (printed staves); Goff M638; IGI 6579; CIBN M398; Fava and Bresciano I30; Pellechet 8io8 (8038); W 1816; M-B 213 (printed staves) Incipit, f [ai], red: Incipit ordo mijfalis fecudu I confuetudine ordinis fratru I pdicatoru Dominica prima [ in aduentu domini Introit9 Explicit, f [pp5 ]: Maiores nri 7 Romani ciues plu ( rimu elaborarut ut noie pfalte: Qmf uite non poterat: indebiles [sic: indelebiles? I fieret: 7 laude adipiJceret9 eterna I 7 h' aut Iris aut uir-

tutib9 aut opi I bus cofeqbant9: quoru ueftigia I emulat9 Fracifc9 palmerius Nea I politan9 ciuis itegerrim9 ad hui9 ) cemoi gl'e faftigiu aJpirans: fibi I nome ppetuu uedicauit Di pdi I catorie religiois uiris fummu bin ficiu pftitit: Qnquide ftuduit ut I fuis impefis h' diuia opa impme ret9: Ea ob re pfati ordis cultors I 7 fres deo pces fudere aftrigat9: qtus Fracifc9 diuti9 uiuat foJpes 1 incolumis I ImpJfit Mathias morauus Neap Anno falutis M cccc Lxxxiij Die.xxviiij Martij Collation: 4°. Unsigned (BMC) [A-B8 C6 a-t' 10 8 6-1 Co1 v aa-oo pp= 302 ff 33 11 2 col Music: space for music Music pages: [b5-ci, n2"-n6, o3-pIv, p2"-p4] =35 PP Copies: F-Paris, BN; GB-London, BL; I-Naples, BN; Rome, Ang Copies seen: F-Paris, BN, Vel 1704 Vellum Lacks gathering o The red staves have been carefully drawn by raster; M-B described them as printed Manuscript plainchant on 3-line staves Decoration: initials in gold and colors Provenance: Comte Boutourlin Binding: red morocco stamped in gold GB-London, BL, IB 29423 Manuscript plainchant on 4-line staves drawn by raster [34 Missale Ordinis Praedicatorum Venice: Nikolaus von Frankfurt, 1484 H 1 291*; P 4800; BMC V:335; IGI 6577-A; IDL 324 I; CIBNM399; Essling 249; IBP 3795; LD 572; Livres de liturgie, 308; Pellechet 8109 (8039); Polain 2727; Sander 4712; W i8i7; M-B ! 14

Incipit, f a , red: Incipit miffale fm ordi I nem fratru predicatoru Dnica prima in aduentu I domini Officium Explicit, f NIV, red: ImprefJu3 venetijs arte et impenfis Nicholai de I Frankfordia Anno do I mini M.cccc.lxxxiiij I Deo gratias Collation: 8° 7r '24 a_y A-M8 N12298 ff 31 I11 2 col Illustration: Crucifixion, f p2" Music: printed staves Music pages: 17V, m3V-m4,m6- , m7v-n5, , o, 2-p2, p4-5 = 37 PP Staves: 8 red 4-line (and 3-line) staves per col., 109.5-11.5 X 69-72 (32-34) mm" Copies: F-Paris, BN; GB-London, BL; I-Rome, Ang; NL.Nijmegen, TB; P-Cracow, PAN; Gniezno, AA; Poznan, AA; Wroclaw, BU US-CA-Los Angeles, UC Copies seen: F-Paris, BN, B I 5I5 Lacks 8 leaves of first gathering and f N12 Decoration: initials in blue, flourished in red Size: 164 X II9 mm Provenance: f r i: Ex bibliotheca conuentu SS Annuncion Parissis ordini FF Praedicatorum; stamp of the Jacobins of S Honore Binding: rolled leather, 2 clasps missing GB-London, BL, IA 22033 Manuscript music added Lacks gathering 71r and f 27r4 At end, 41 leaves of manuscript

prayers Binding: stamped pigskin 135 Missale Ordinis Praedicatorum Venice: Simone Gabi, called Bevilaqua, 13 V 1487 H 11292 f (8°); Essling 250; Maittaire I:488; Panzer 3:247, 1032; W i818 Explicit (H): Per Symonem Papiensem dictum Bibilaquam Collation (W): 4°. Tr8 aa-dd8 [ee'] ff-mm8 oozz 778 998 ,8 AA-CC8=232 ff., numbered (8) 222 (2) 36, 23 11 2 col Bibliography: Michael Maittaire, Annales Typographici ad Artis Inventae ad Annum MCCLXIV, 5 vols., The Hague, 1719-1725; Amsterdam, 1733; London, 1741, 1:488 Note: BMC V:xlviii: "The Dominican Missal appears as dubious now as it did to Hain I 1292, obelized for doubt." The entry could be an error for the work published by Bevilaqua on the same day and in the same month of 1497 (D 138; identical signature) However, the 1487 Missale Romanum (D 73) now attributed to Bevilaqua was reprinted by him with the same signatures in 1499, so it is quite possible that the Missale Ordinis Praedicatorum described by Maittaire and H

did exist and was reprinted by Bevilaqua in 1497 Copies: none known Missale Ordinis Praedicatorum Venice: Johann Hamman for Ottaviano Scoto, 29 I 1493/1494 Molitor, Deutsche, p 4 ; W 1821 Explicit (W), fi 272": Venetiis, Johannes Hamman dictus Herzog, impensis Octaviani Scoti, 1493, IV.kal.feb Collation (W): 8° 272 ff Music (Molitor, Deutsche): printed notes and staves Staves: 7 red 4-line staves per col Music type: roman plainchant; virga 4 mm high with a head of 2 mm Note: probably a ghost Molitor's description of the edition, passed on to Weale, agrees with the Scoto edition of i II 1494/1495, with the excep-

tion of the interpretation of the word "quarto", which he translated as referring to the day of the month instead of the year: "nonagesimo quarto Kalendis februarij." Copies: none known W lists a copy at D-Freiburg im Breisgau, UB, but a letter from Librarian Martha Spies reports that the collection has no copy 136 Missale Ordinis Praedicatorum Venice: Johann Hamman for Ottaviano Scoto, i II 1494/1495H 11293; P 5192; BMC V:425; Goff M639 IGI 6580; Essling 251; IBP 3797; LD 575; Pellechet 8iio (8040); Sander 4713; W I822; MB 215 Title, f 7i, red: MIffale fecundu ordi nem fratrum predicatoe ordinis Jci Dominici I ncipit, f 1,3, red: Incipit miffale fecundu or I dinem fratru pdicatoru ordi I nis fancti Dominici Dfnica I prima in aduetu dni officiu Explicit, f 29, 6V (272 ), red: Miffale Scd'm morem 7 cofue I tudinem fratru predicatorum I ordinis fancti dominici dili genti ftudio reuifum emenda I tumq3: IuJfu et impenfis no I bilis Octauiani Scoti ciuis I Modoetiefis: impreffum Ve I netijs per Iohanne hamman I dictu3 hertzog: feliciter expli I cit Anno falutifere natiuita tis poft millefimum quaterq3 centejimu nonagefimoquarto I Kalendis februarij.

Collation: 8° TI8 I-Io8 128 14-298 = 232 f., numbered [8] 1-272, with large omissions after quires 1 i and 27 36 11 2 col Illustration: Crucifixion, f I2,3v (99V) Music: printed notes and staves Music pages: 9,8; Io, I; 10,2-Io,7V ; 12,3-212,3; 212,6-22,7v; 22, 8v = 34 pp Staves: 7 red 4-line staves per col., iii X 8i (38-38.5) mm Music type: Rio Copies: D-Gottingen, UB; F-Paris, BN; GB-London, BL; I-Brescia, BC; Florence, BN; Milan, Ambr; BN2; Rome, Ang; P-Warsaw, BN; Wloclawek, Sem; Wroclaw, BU; S-Stockholm, KB; US-CN-New Haven, YUL Copies seen: F-Paris, BN, Res B 11516 Lacks f irI Decoration: initials in blue with red flourishing; watercolored Crucifixion Provenance, f 77T2; Ex libris ff ri Praedicatorum Pavidiensem; stamp of Jacobins R S Honore; f 29,8: Conuentus Vallencenensis ordinis predicatorum Binding: leather stamped with angels playing instruments GB-London, BL, IA 23366 Six manuscript leaves of prayers at end Size: 170 X I 12 mm Provenance, f iT i: Frat' Iohanes d'orrfchot ordinis frm predicatoe 9ventus Bujtoduern Binding: gold-stamped leather (i7th century) I-Brescia, BC, B

VI.i3 Decoration: major initials in gold and colors Size: 174 X 1 8 mm Florence, BN, M 7.45 Stubs placed between gathering 12 and 14 for nonexistent gathering 13 Size: 178 X 117 mm Provenance, f 7r I: Conuetus s." Iacobj et s." Miniati fl Milan, Ambr, Inc 515. Two leaves at end for "Missa quindecim auxiliatorum." Provenance, f 29,6v: Istud Missale est S Marie Gratiarum dati Binding: ruled and rolled frame on leather (restored), 2 clasps missing Gerli Inc 75 Provenance: Duke of Parma I37 Missale Ordinis Praedicatorum Venice: Andrea Torresani, 30 XII I496 See Fig 5 i H 11294*; P 4742; BMC V:312; GoffM64o; IGI 658I; CIBN M4oi; Essling 252 (248ff, y gathering of 12); IBP 3798; Pellechet 8112 (8042); Sander 4714; W 823; M-B 216 Title, f A i, red: MIffale jm confuetudinem fra trum predicatorum cum I omnibus additionibus tam ad conuentua I lem g ad priua I tam mirfam pertinenti [ bu ( s ( Incipit, f; ai, red: Incipit Miffale fm ordinem I fratrum predicatoru Dfnica I prima in aduentu dni Offfm Explicit,

f z8", red: Miffale fm cojuetudinem fratru pdicato I cum omnibus additionib9 tam ad 9uenI tualem q ad priuata miffam pertinetib9 | ex exemplari caftigatiffimo exceptum per magiftru Andrea de torrefanis I de Afula tepore 13(m patris fratris I Iohachini turriani ueneti facre I theoe eximij pfefforis ac totius I ordinis pdicti gnalis magri folertiJfime impifum anno I falutis M°cccc°xvcj°. die v'o penultimo menfis I decebris feliciffime explicit I [printer's mark] Collation: 2° A8 B12 a8 b-ul xy8 z1=244 ff, numbered [20] 1-222 [2] 36 I1 2 col Illustration: woodcut Crucifixion, f i5 Music: printed notes and staves Music pages: a7v, bio, f5v, g9v, h2V-h3, h4, h5, h9-i5, i7-i8v, 11, 010=27 pp Staves: 9 red 4-line staves per col., 258 X 173 (80) mm Music type: R22 Copies: D-Munich, SB; Stuttgart, WL; DK-Copenhagen, KB; F-Paris, BN (vellum); GB-London, BL (vellum fragment); Oxford, UL; I-Brescia, BC2; Florence, BN; Milan, BN; Rome, Ang; Verona, BC (vellum); P-Wroclaw, BU; US-NY-New York, PL; Washington, LC (vellum); Y-Dubrovnik, D.

Copies seen: F-Paris, BN, Vel 263 Vellum Lacks f zio Provenance: Joannes Chrysostemus de Casali, 1663; :745 Di Giacopo Soranzo Size: 352 X 249 mm Binding: vellum GB-London, BL, IB 21741 Vellum Lacks f zio Decoration: initials in gold and colors Provenance (bookplate): Liber Willellmi Maskell Clerici; BL purchased in 1848 Binding: green velvet C 24 f II Vellum Fragment of ff 9-20 (signature B) I-Milan, BN, AL-XIV-8 Lacks f i5 Manuscript prayers at end (I4 ff.), dated 1579 Size: 363 x 240 mm Provenance, flyleaf: Est Conuentus S"' Eustorgii Mediolanen' fr'um ordis Pred 1496 Binding: marbled paper over paper boards., leather spine Verona, BC, Inc i 18 Lacks f i5 (Crucifixion) and f zio Decoration: initials in gold and colors Binding: blind-rolled and ruled leather over boards (restored), clasps missing US-Washington, LC, Vollbehr Vellum Lacks gatherings A8, B" and ff z9-zio; h4 mis-signed h3 Decoration: initials in gold and colors Size: 335 x 239 mm Provenance: dedication copy for Pope Alexander VI Binding: black morocco stamped in gold.

138 Missale Ordinis Praedicatorum Venice: Simone Gabi, called Bevilaqua, 13 V 1497 H 11295; IGI 6582 (232 ff.); CIBN M402; Essling 253; IBP 3799; Pellechet 8i , (8041); Sander 4715; W i824A (240ff.); M-B 217 Title, f 7TrJi, red: Miffale fecundum ordinem fratrum predicatorum Or I dinis fancti Dominici f aa3, (3), red: ¢( Incipit miffale fcdm ordi I nem fratru predicatoe ordinis f Jancti Dominici Dnica pria I in aduentu domini officium Explicit, f CC6v, (272V, red: Miffale fecundum morerm I confuetudinem fratrum pre I dicatorum ordinis fancti Do I minici ImprefJum venetijs I per Symonem Papienfem I dictu3 Bibilaqua Anno do I mini M.cccc lxxxxvij die ve I ro xiij.Madij f CC8', red: [printer's mark, SIMON BIVILAQVA] Collation: 80 T8 aa-dd8 lee]8 ff-mm8 oo-zz8 778 998 A8 AA-CC8 = 232 ff., numbered [8] 1-272 [2] 36 11 2 col Illustration: woodcut Crucifixion, f mm3v (99V) Music: printed notes and staves Music pages: i8, kkiv, kk2v-kk7v, 113-mm3, mm6'-mm7v, mm8V:=34 pp Staves: 7 red 4-line staves per col., 112 X 81 (38-39) mm Music type: R7 Copies D-Cologne, SB; Stuttgart, WL; F-Paris,

BN; H-Budapest, BN; I-Brescia, BC; Lucca, G; Milan, Servi; Ravenna, BC; Verona, BC; P-Wroclaw, BO; S-Uppsala, UB; US-CA-Los Angeles, UC Copies seen: H-Budapest, BN, Inc ri98 Lacks f 7ir Size: 60o X ii5 mm Provenance, back paste-down: est Fris Dnici Tincti de Exio Praedicatoris; f 72 Societtis Joh ex liberalitte Sm(?) S Brigitta Bosnyat 1628 Binding: blind-stamped black leather, gold edges I-Brescia, BC, A VI.5 Lacks ff 71T, mm2-mm7, CC8 Decoration: initials in gold and colors Size: 164 X 14 mm Binding: blind-ruled and gold-stamped leather Verona, BC, Inc 27 Size: 160 X 113 mm Provenance, front paste-down: Ad usum F Vincentii M"a Cantoni de Mediolano Ordinis Praedicatori, Anno 173o. Binding: blind-ruled and gold-stamped leather (FEP), 2 clasps intact US-CA-Los Angeles, UC, 112417 Two manuscript leaves at back, humanistic hand, "Ante diem festum pasc.;" spoken parts for Peter, Christ, Thomas, etc Binding: blind-stamped black leather over paper boards, 2 clasps 139 Missale Ordinis Praedicatorum Venice: Johann Emerich of Speier for Nikolaus von Frankfurt, 6 III 1500 H 11296; P55o3; BMCXII:38; GoffM64i; IGI 6583; Essling 254; Pellechet 8II3; Polain 2728; Sander 47I6; W I825; M-B 218

Title, f 7ri, red: Miffale fm ordine I fancti dominici I [woodcut of St Dominici] Incipit, f I,3 (3), red: ¢( Incipit miffale fecundu or I dinem fratru pdicatoru ordi nis fancti Dominici Dnica prima in aduetu dni Officiu Colophon, f 28,6" (272 ), red: Miffale fcdm morem 7 cofue tudinem fratru predicatorum I ordinis fancti dominici dilige ti Studio reuifJ emendatuq3: Impreffum venetijs iuffu et impefis mgri Nicolai de frac I fort Alemani: Arte aut~( inge I nio Ioanis Emerici de Spira ( feliciter explicit Anno falutife Ire natiuitatis dni M.ccccc I pridie nonis Martij Collation: 8° 78 1-288 t8=240 ff., badly numbered [8] 1-96, 105-2 6, 259-72 [2] [8] (missigned i6 for i9; misnumbered L i for 7I, 27 for 72, L 9 for 79, i68 for 198; 307 for 207, etc.) 36 11 2 col Illustration: woodcut Crucifixion, f 12,3v (9 I); woodcut initials Music: printed notes and staves Music pages: 9,8; IO,I" I0,2-io0,7; 11,3-12,3; I2,6,-I2,7"; 12,8v= 34 pp Staves: 7 red 4-line staves per col., iio X 80(38) mm Music type: R20.

Copies: B-Brussels, BR; D-Berlin, SPK; Frankfurt Main, SB3; Munich, SB; F-Paris, Maz; GB-London, BL; Oxford, UL; I-Florence, Laur; Parma, Pal; Rome, Ang; Cas; Venice, Cini; S-Stockholm, KB Copies seen: B-Brussels, BR, A 12I9 Manuscript gathering at end with Kyrie incipits in gothic plainchant Provenance, f r i: FF Praedicatorum Louaniensum Binding: blind-stamped leather, 2 clasps missing D-Munich, SB, 8° Inc c.a.354f Provenance, f 7TTV: Reverendissimus pater frater Menradus Muschgay ordinis praedicatorum hoc missale fratri Adamo Hainrichmayr eiusdem ordinis dono dedit Ao [I5]88 (see Ilona Hubay, Incunabula aus der Staatlichen Bibliothek Neuburg/Donau, In der Benedictinerabtei Ottobeuren, Wiesbaden: Harrassowitz, 1970, p 435) Binding: rolled pig-skin, FAH 1I589 F-Paris, Maz, Inc Io83 Lacks f 12,3V (Crucifixion) Decoration: initials in gold and colors Size: 161 X 103 mm Provenance: Yves Mayeuc, Bishop of Rennes from i507 to 154 ; bookplate of Joseph Xaup, 1765, canon and archdeacon at Perpignan Binding: tree calf GB-London, BL, Hirsch 111.928 Oxford, UL, Douce B.B 85 Size: x58 X o05 mm Provenance: Ad usum f Theodori Thiboll Anholdiensis Cruciferi coloniensis I623; bookplate of Francis Douce Binding: red morocco stamped in gold I-Venice, Cini, 364 Lacks ff 7r2 and 7r7 Size i68 X IIi mm Binding: brown morocco (Lortic) with Essling coat of arms.

I40.* Missale Ordinis Praedicatorum Venice: Luca Antonio Giunta, 8 III 1500 C4 123; Essling 255; Sander 47I7; W 1826 Incipit (C): Per Alb Castellanum o Praed revisum Explicit (C): xxv kal apr 1500 Collation: (C): 8°. 40 ff., not numbered, + 352 ff., numbered= 392 ff Note: a note in the margin of the GW ms entry mentions: "Wohl Verwechslung mit der Ausgabe 1522, Kal April., Weale-Bohatta I842." It may be possible to interpret the colophon date as 25 cal April I5oo or cal April 1525 [not I522} Copies: none known I4I.* Missale Ordinis Praedicatorum Venice: Simone Gabi, called Bevilaqua, 1500 H 114 7; Essling 55; Gspan-Badalic 458; W 959* Collation (W): 8°. Copies: none known Gspan-Badalic cited a copy at the Archepiscopal Archive of Maribor, Yugoslavia; none can be found there today I42 Niger, Francesco Grammatica Venice: Theodor Franck of Wirzburg for Johann Lucilius Santritter, 21 III 1480 See Fig 36, 38.

H 11858*; P 4498; BMC V:28I; GoffN226; IGI 6908; CIBN NI42; Pellechet 8563 (8452); RISM B6 2:618 (8°, 247 ff.); Sajo-Soltsz 2441 Incipit, f ai: P FRANCISCVS NIGER.A VENETVS SACERDOS.ARTIVMQVE DOCTOR LEONARDO BOTTAE EQVESTRIS I ORDINIS VIRO PRO MEDIOLANEN I SI DVCE.APVD VENETVM SENA-I TVM ORATORI FACVNDISSIMO SA I PIENTISSIMOQVE FOELICITATEM Explicit, f dd4 : P FRANCISCI NIGRI.A VENETI SACeR dotis artiumq3 doctoris:aruntina grammatica ad fplendidifJimu equitem leonardu bottam I pro fereniffimo duce mediolani apud illuftrif I SIMVM VENETORVM SENATVM O RATOREM FACVNDISSIMVM FOELI CITER EXPLICITA EST PLAVDITE f dd5: C Ioannes Lucilius Santreiter de Fonte salutis: I omnib ftudiofis adolefcentib foelicitate dicit: Impreffi libros & monumenta fui O foelix patriae tempus & omne meae Nunc tua me laetu excipiunt bona moenia ciuem Inq3 finu patriae iam moriturus ero Sed prius a nobis parua haec manufcula fume: Quae mihi doctoris funt monumenta mei Cui referes dignas quum tanto munere grates Lucili memores patria chara tui Valete art AHK ca Santritter helbronna genitus de gente ioannes

Lucilius: prompfit grammata docta nigri Herbipolifq fatus focio fudore: lacunis Hoc uenetis francus fert theodorus opus ANNO SALVTIS M.CCCC.LXXX XII CAL APRIL Impressu e hoc op9 VENETIIS I DVCE VIRTVTE & COMITE FORTVNA Collation: 4. a-i8 k(8+') l-f8 s-z8 98 &8 px8 aa-cc8 dd6=247 ff 24 11 I col Music: printed notes without staves Music pages: 96-98= 6 pp Music type: Mi.

Copies: over 50 copies known (see RISM B6, IGI, etc.) Copies seen: H-Budapest, BN, 1o15 (2) Binding: blind-stamped leather, bound with Niger's Parnassiae I-Venice, Cor Lacks ff y2 and y7 Size: 210 X i50 mm Provenance, front paste-down: ex libris of Cicogna (Venice) Binding: paper over paper boards leather spine Y-Ljubljana, BN, Tesoro Inc 5685 Size: I97 X 139 mm Binding: brown paper with leather spine Niger, Francesco Grammatica [Basil: Michael Wenssler, ca 1485.] H i8 857 [s1., a., t.]; Goff N227 [Basel: Michael Wenssler, about I485] Music: woodcut music Bibliography: Maria Przywecka-Samecka, "Problematik des Musiknotendruckes in der Inkunabelzeit," Gutenberg-Jahrbuch (1978): 55 Note: now attributed to Wenssler in Basel, the book is the second known example of woodcut music, after the 1477/i478 Liber horarum of Lucas Brandis, Lubeck Copies: P-Wloclawek, Sem; US-Washington, LC Officium Beatissime Virginis Marie Bologna: Ugo Ruggerio, 23 II 1498 R 271 = I591; LB 85

Incipit, f a2, red: INcipit officiu3 beatifJime virginis marie:Secun I du conaJetudine romane curie:ad matutinu verfus I Explicit, f e4: Irm prelfo nelinclita 7 alma cita de bo I logna: per me red: Ugo black: di rugerii da re | 30 ftampatore::neli anni del noftro fi [ gnore mefer ihefu chrifto.Mcccclxx I xxviii.adi.xxiii.de febraro priego I ui preghiati idio per me 7c Collation: Z° a8 b6-d6 e4= 3 ff Music: Antiphon incipits are printed in tiny type, possibly to leave space for tiny manuscript plainchant incipits Copies: US-CA-San Marino, Hunt Copies seen: US-CA-San Marino, Hunt, o03886 Lacks f ai Decoration: initials in red and blue Size: 293 X 206 mm Provenance: Ex libris R Ambrosini Binding: limp vellum 13' Officium Immaculate Conceptionis Virginis Marie Edited by Leonardo Nogarolo Rome: Ulrich Han, io XII 1477 BMC IV:25 Incipit, f [a2]: Ad fanctiffimum ac beatiffimum domi I num D Sixtum:iii pontificem fnmu3 facrumq3 confiftorium f [a6V], red: Incipit officium immaculate conceptiI onis virginis marie editum per reue-I rendu patre dnm Leonardu nogarolu I Protonotariu apoftolicu

famoJifJimum Colophon, f c8: Rome impreffum per ingeniofum I uiru3 Magiftru Vdalricu3 Gallum I Alamanum Anno domini Millefimoquadringentefimofeptuagefimo f eptimo die-'xmefis Decembris.: Collation: 4°. [a6 b-c ]=22 ff 30, 24 11 Music: space for music Music pages: [b6V] I p Staves: space for 3 staves (rubric "loco eius cantatur a choro Tota pulcra es.") Copies: GB-London, BL Copies seen: GB-London, BL, IA 17347 Lacks f aI Size: 205 X i45 mm Binding; modern cloth, quarter leather Ordo ad Catechumenum Faciendum Milan: Leonard Pachel & Ulrich Scinzenzeller, 22 V I482 Accurti, Editiones Saeculi XV, I3 Music: no space for music Copies: Vatican City, BV Copies seen: Vatican City, BV, Incun IV.640 I44 Ordo ad Catechumenum Faciendum Bologna: Dionysio de Odo, 20 III 1487 See Fig 6 C 4514; BMC VI:832 (plate LXII); Goff R2oI; LB 723; M-B 254 Incipit, f [a2] (2), red: Incipit ordo ad cathecumi nu3 faciendu3 fcd'm gfuetudine3 ro I mane curie Imprimis Iacerdos I Jtans in eccl'ie limYe cathetizandu3 Explicit, f [g8] (58), red: Bononie

impressu3 Mcccclxxxvii I die xx Martii per dyonifiuum de I Odis Collation: 4°. [a-g8= 56 ff., mis-numbered [I}2-58, omitting 55 and 56 18 11 I col Music: printed notes and staves Music pages: [e3-e8V]= 2 pp., for the "Ordo ad fepeliendu3." Staves: 4 red 4-line staves per page; 128 X 98 mm Music type: R3o Copies: GB-London, BL; US-CA-San Marino, Hunt; IL-Chicago, New Copies seen: US-CA-San Marino, Hunt, IoI441. Lacks f 47 Size: 195 X 147 mm Provenance, f [g8V]: Adi 17 de februarij I519 fiolo de Ant' garello in el pozo Adi 3 de mazo

1523 Rubto Galioto Iohani filiolo de P(?) Malatesta e baptizato Ex libris, Bibliotheca Richteriana Binding: half calf and wooden boards with clasp (repaired) I45 Pontificale Romanum Edited by Augustinus Patritius & Johann Burchard Rome: Stephan Planck, 20 XII 1485 See Fig 32 H 13285; P 3670; BMCIV:86; Goff P933; IGI 8020; LB 777; CIBN P579; Pelleche 9690; M-B 229 Incipit, f [1r3], red: [Plontificalis ordinis I liber incipit In quo I ea tantu ordinata funt I [table of contents]fi [a ], red: Incipit prima pars Explicit, f [09V], red: Explicit Potificalis Li | ber-magna diligentia Re ) ueredi in xpo patris dni i Auguftini Patricij de Pi [ colominib9 Epi Pientiin I IIcinefnAc Venerabi I lis Viri dni Iohannis Burckardi-Prepofiti et Canonici ecclefie fancti Florentij Hafelacefi Ar gentineiidiocefCapelle I Sanctffimi'd-n-pape Ce I remoniaru magistri cor I rect9 7 emedatus Impref I fus Rome opera difcreti y viri Magiftri Stephani Plannck cl'ici Patauiefi I diocef ei9 artis exptiffimi I Anno a Natiuitate domi I ni-Mcccclxxxv Indictio ] ne'iij-die vero'xx'menis Decebris Pontificatus I Sanctiffimi i xpo pris 7 I dii nFi dii Innocentij' ] diuina puidetia pa.viij'

anno fecudo Et cu adeo I difficile fit qd impoffibi le dici poffit qd i libro | impreffionib9 ppter Ira& ' caractei paritate I mul titudinem-error aliqfi no comittat9 colleget9 oes in I vni'in hui9 libri impref ) fione errores comiffi ut quiJq3 illos poffit intelli I gere comode.7 reformare Collation: 2° [7T4 a-z8 A-N8 001 = 302 ff 34 11 2 col In some copies, the gatherings are signed in ink Music: printed notes and staves Music pages: about 238 pp Staves: 7 red 5-line staves per col., 209 X i47 (66) mm Music type: RI Copies: DK-Copenhagen, KB; F-Paris, BN3; SG; GB-London, BL; I-Bologna, BU; Fabriano, BC; Milan, Ambr; BN; Mondovi, Sem; Naples, BN2; BU; Novara, Cap; Padua, BU; Rome, BU; Siena, BC; Subiaco, Ben; Trent, BC; US-CA-San Marino, Hunt Copies seen: F-Paris, BN, Res B 92 Lacks f [T i], blank Decoration: major initials in gold and colors, minor initials in red and blue Binding: vellum Res B 93 Lacks f [7T i], blank Provenance, f [rT3], Cathedral of Pavia: Iste liber est Ecclie maioris ppfi; f [OioV]: Et Anno Domini I60o iterum opere confutinationis restitutus Studio Ioannis baptistae Carpani Canonici papiensis, et Presbiteri, ut penes alios libros ecclesiasticos Sacrarij dicta ecclesia maioris papiensis perpetua asservatur ad rei memoria est n annotationibus ex iure potissimis canonico excerptis Binding: calf, green leather

spine, marbled endpapers Res B 94 Decoration: major initials in gold and colors, minor in red or blue Eleven leaves of prayers at back with lines drawn for music but no plainchant Size: 335 X 227 mm Provenance: Bibliotheque Royale Binding: blind-stamped leather over boards, 4 clasps missing GB-London, BL, IB I843I Lacks first signature Decoration: initials in gold and colors, flourished Size: 330 X 237 mm Provenance, ff [ai] and [O9V]: Contus SSme Trinitatis Viterbij Binding: vellum I-Bologna, BU, A.V.KK V.I Decoration: many initials in gold and colors Size: 328 X 230 mm Provenance, f [ai]: Monastery.s.saluatoris bonon num." 443 Binding: blind-stamped leather over paper boards, 4 clasps missing Milan, Ambr, Inc 182 Size: 307 X 215 mm Decoration: major initials in gold and colors, minor initials in blue and red Binding: gold-stamped leather, marbled endpapers BN, Gerli Inc I5 Lacks one leaf between penciled ff 147 and 149 Decoration: major initials in gold and colors, rubricated in blue and red; copious marginal notes Many accidentals added to the plainchant (for example, f 87, Regnum Mundi, with flats) Size:

332 X 230 mm Provenance: Duke of Parma, no I62 Binding: black leather over paper boards Padua, BU, Sec XV.44I Lacks ff [1TI-2] and [O io] Decoration: major initials in gold and colors, rubricated in red and blue Size: 312 X 230 mm Binding: paper boards with leather spine, not contemporary US-CA-San Marino, Hunt, 955'5 Lacks f [7ri} Decoration: first initial, little else Size: 326 X 227 mm Provenance, f [OioV]: 1547 1 Questo sia del Domo di [?]; f [OioV]: Iste liber est meus anibal saibru Binding: brown morocco (Riviere) I46 Pontificale Romanum Edited by Jacobus de Lutiis & Johann Burchard Rome: Stephan Planck, i6 VIII I497 H I3287* = 13286; P 3721; BMC IV:99; Goff P934; IGI 802 ; LB 778; CIBN P58o; Pellechet 969i (95II); Polain 4669; Sajo-Soltesz 2822; M-B 230 Incipit, f 7T3, red: Pontificalis ordinis liber I in-

cipit In quo ea tantu I ordinata funt: que ad officiu I Pontificis pertinet f ai, red: ¢ Incipit prima pars Et pri I mo de chrilmadis in fronte Explicit, f F4 v, red: Finit liber Pontificalis eme I datus diligetia Reuerendi in | xpo patris dni Iacobi de Lu I tiis vtriufq3 Iuris doctoris I Epi Caiacen et dni Ioannis ) Burckardi Capelle-'S'DN pape Ceremoniaru magiftri I Impreffus Rome per magi I ftrum Stephanum Plannck I fedente Alexandro 'vi Ponti I fice Maximo anno eius vM-cccc'lxxxxvij'Die xvi Au ) gufti Collation: 2° Ir4 a-z8 A-D8 E-F6=232 ff, numbered [4] i-ccxxvi [2] 37 11 2 col Illustration: woodcut initials Music: printed notes and staves Music pages: about half of the total Staves: 8 red 5-line staves per col., 24I X I56 (92-93) mm Music type: Ri Copies: D-Munich, SB; E-Barcelona, BU; F-Paris, BN2; SG; GB-London, BL; H-Gyor, Sem; I-Brescia, BC; Florence, BN; Grosseto, BC; Lodi, Sem; Macerata, BC; Milan, Cap; Naples, BN; Piacenza, BC; Rome, BN; Siena, BC; Trent, Sem; Turin, BN; S-Stockholm, KB; US-CA-San Marino, Hunt; Washington, LC; USSR-Moscow, Len Copies seen: F-Paris, BN, Res B 95 Lacks f 7 i Decoration: initials in blue, flourished in red Size: 320 X 214 mm Provenance: Joannes Sinck; Capuchins of Armentieres Binding: leather with rolled panel of St George (Ernest Philip

Goldschmidt, Gothic and Renaissance Bookbindings, 2 vols., Boston: Houghton Mifflin, 1928, I: no 189, "Flemish (?) or French (?), about 1540") Res B 96 Decoration: initials in gold and colors Size: 315 x 210 mm Provenance, stamps: Bibl Imp., Bibl Regiae Binding: red morocco with gold royal arms GB-London, BL, IB i858i Lacks f F6, blank Size: 320o X 221 mm Binding: vellum I-Brescia, BC, F I.io Lacks ff n2, n7 Size: 331 X 230 mm Provenance, flyleaf: Ex libris Pauli Guerrini presb brixiani Binding: blind-stamped leather, 2 clasps missing Milan, Cap, 2G-2-5 Lacks ff I7I-2, y6, F6 Size: 283 X I98 mm Binding: gold-stamped leather over paper boards Siena, BC, N II I Size: 326 X 232 mm Provenance: Hic liber est mon9 plis sc' narie montes In agro senensi que si donauit 1( in chr° Pr Dnis Ventura d senensis In bancho xtm" ex parte orientis librarie eisdem mon sig m.iiij US-CA-San Marino, Hunt, 95514 Size: 310o 217 mm Binding: sprinkled calf Washington, LC, Incun I497.C32 Lacks f F6, blank Size: 303 X 220 mm Provenance, f 7r2: stamp, LOCI NOVI CAPVC.PERVS Binding: vellum; label on cover: Cirimonie Romane, costa f 23 47 Processionarium Ordinis Praedicatorum Venice: Johann Emerich of Speier for Luca Antonio Guinta, 9 X 1494 H I338I*; P 5496; BMC V:539; Goff P998;

IGI 8071; IDL 3796; LB 782; CIBN P6I7; Essling, Livres a figures, 75I; Sander 5903; M-B 235=234 (I493) Title, f 7T , red: Proceffionariu3 ordinis I fratru predicatorum [printer's mark, LA] Incipit, f A i, red: INcipit pceJfionariu3 fcd'm I ordine fratrfi pdicato cum | rubricis fuis 7 alijs reJitis ad I libellu pcffionale: ta d' feftiuita I tibus q p defunctis cu3 multis I additionib9 Explicit, f pri , red: AUxiliante deo I dno nro iefu xpo pceffiona I lis libellus fm ritu ordinis fratru pdicatoru I defuiens pceffionib9: ta3 de solenitatib9 q3 p de I functis cu additioib9 opportunis : vt pat3 1 tabu I la in pncipio pofita : ad laude eiufde dei d dni nri iefu xpi: 7 btiffime femp vginis gl'iofe: 7 olm fancto 7( fcta3 dei: I necno 7 fraty ipi9 ordinis comoditate : tpe gene I ralat9 ReuerediJfimi pris fris ioachini turiani ve I neti: sacre theologie eximii pfefJoris: pfidente co gregatioi Lobardie reueredo pre fratre vincetio de caftro nouo euifde facultatis pfeffore doctiffimo : p queda3 eiufde ordinis pfeJfore cogregati onis pfate obfvatie regularis diligetiJJime ordi| nat9 7 JolertiJfime correct9 quo ad cantu 7 reliq I eo 9tenta: ac p folertiJfimu viru Ioanne Emericu I alemanu de Spira : in alma venetiarum vrbe acu I tiffime impreffum explicit Anno ab incarnatio I ne dnica Mcccc.xciiij feptimo id9 octobris I Deo omipotenti 7 maximo laus 7 gl'ia:Ame [printer's mark, IE].

Collation: 8° 7T4 A-B8 a-o8 p2 144 f numbered [20] I-CXXII [2] 29 11 I col Several leaves are signed in red, all contain music; A2, BI, B3 mis-signed B2, C2, and C4 Illustration: full-page woodcut illustrations; woodcut initials The woodcut Crucifixion, f Io6v, is from the block used in the Emerich I493 Missale (D 93), and also appears in an unsigned Covalca (GB-London, BL, IA 2I443) completed by Torti on the same day as the present book.

Music: printed notes and staves Music pages: 7r4, AIV-A2, A3-Bi, B2-a5, a7-d5 , d6V-e2v, e3v-f2, f3-f5, f6v-f7v, f8-gI, g21, g3-g7, g8-v, hIV-h2, h3-h7v, k4v-k6, 12V-3, 02, 03-4v, o7V-p8 I 7 pp Staves: 5 red 4-line staves per page, 125 X 85 (82-84) mm Music type: Ri8 Copies: CS-Bratislava, UK; D-Berlin, Kup; F-Paris, BN2; GB-London, BL; I-Florence, BN3; Mantua, BC; Milan, Ambr; Pavia, BU; Pesaro, Oliv; Reggio Emilia, BC; Rome, Cas; Venice, BN; Cini; Cor; Vicenza, BC; NL-Groningen, UB; US-CA-San Marino, Hunt; NY-Poughkeepsie, Vassar; Rochester, Eastman; Y-Dubrovnik, D2; Stari Grad, D Copies seen: F-Paris, BN, Res B 27720 Lacks many leaves Size: 171 X 120 mm Provenance f pi2: Dominicans of Perugia; Dfis Mains Molino Xeius et patris amatissimus ac deuotissimus in dio filius Donauit xii 2cessionaria quo, unu hoc Binding: vellum Res B 27879 Lacks f l 1, sheet k4.5 Size: 169 X 117 mm Provenance: Dominicans of Perugia Binding: blind-stamped leather over paper boards GB-London, BL, IA 24214 Size: 180 X 123 mm Provenance, f 7Ti: Soc Jesu Binding: blind-stamped leather over boards, 2 clasps I-Florence, BN, F 6 5 Lacks f p 12 Provenance, f rT I: Questo processionario e di I Suor fiamecta freschobaldi di sa Domenico pe dello ordine de

fratj Predicatorij: Vallombrosa (in pencil) Binding: blind-stamped leather, not contemporary K 7.54Lacks first gathering Size: 172 X 120 mm Binding: marbled paper over paper boards Inc Nenc 80 Frequent bar lines added in manuscript Size: 176 X 120 mm Provenance: Ex libris Ioannis Nencini I874 Binding: blind-stamped leather over boards, 2 shell clasps Pavia, BU, III A.12 Lacks ff rTT, 7r4, and pI2 Size: I50 X 114 mm Provenance: Suor Vittoria Madalena Caponaga Binding: recent vellum Venice, BN, Inc V.853 Lacks ff 7rI, gi, pi2 Size: i66 X 120 mm Binding: modern quarter calf with marbled paper Cini, 477 Binding: red morocco with Essling coat of arms Cor, 127 Lacks ff 7T2-Tr4 and gathering p Manuscript additions include accidentals and directions for singers, organ, and chorus Size: 161 X 113 mm Provenance, f 7rT: Cons Sti Dnici ) Marz 1593; ex libris: Provenienza Cicogna Binding: paper over paper boards, leather spine US-CA-Los Angeles, UC, A i C27p 1484 Provenance: Bibliotheque Aug Tiot Binding: modern leather, gold edges San Marino, Hunt, 10170 I48 Psalterium Ambrosianum Milan: Leonard Pachel & Ulrich Scinzenzeller for Gasparo Lampugnano, 28 IV 1486 See Fig 60 C 4937; BMC VI:752-53; Goff Pio6o; IGI 8148; LB 946; M-B 22 (Hymnarium) and p 42 (without the presence of printed music) Incipit, f ad, red: t [guide letter] black: E deu laudamus red: T black: e dominu cofitemur Explicit,

f m4: Pfalteriu Ambrofiani cu hymnif oiu3 fco6 notatis I caftigatis ac diligeter emedatis ImpJJfu3 ml'i p Leo ) nardu3 pachel 7 Uldericu fclzezeller ipefis pbri Ga I Jparis lapugnani iuris potificij pfeJforis finiti quar I to kaledas maij olimpiadib9 dnicis Mcccc lxxxvj Collation: 4°. a-8 m4= 92 ff 29 11 I col In every copy examined, one sheet or two leaves of a Magnificat (D 21) printed with Zarotto's text type with space for music were inserted as the inmost sheet of gathering i, giving the book a total of 94 ff Music: printed notes and staves Music pages: kIV-m4=38 pp Staves: 7 red 4-line staves per page, 175 X I21 mm Music type: R27 Note: Meyer-Baer incorrectly described the work as without printed music Her Hymnarium (M-B 22) is an integral part (ff kiv-m4) of the Psalter Ambrosianum Copies: A-Vienna, NB; GB-London, BL; I-Milan, Ambr; US-CA-San Marino, Hunt Copies seen: A-Vienna, NB, Ink 37-227 GB-London, BL, IB 26533 Decoration: blue initials flourished in red Size: 283 X I97 mm Provenance, label on inside front cover: Bibliotheca Ambrosii Firmini Didoti i850 Binding: red sheepskin (i8th century?) with green

leather spine I-Milan, Ambr, i459 Size: 242 X 187 mm Provenance: Ex libris Herculis de Silva Binding: vellum with gold-stamped label on spine US-CA-San Marino, Hunt, 10I724 Provenance, f gl: pbr Batta de marliano vice rector sti Lazarii mlI 1569 Binding: three-quarter vellum (modern) I49 Psalterium Ambrosianum Milan: Antonio Zarotto for Nicolo Gorgonzola, I VII 1496 P 58I9A; IGI 8149; LB 945 (ca 1485); Accurti, Editiones Saeculi XV, I35; Ganda 196; Sander 5940 Incipit, f ai: [woodcut initial cut out] E deum laudam9 red: T black: e dominu [hole] 6fitemur red: T black: e dominum patrem I omnia terra uenerat9 f ai , red: Pfalterium David fecundum [hole] I brofij cu3 officio comuni fanct [hole] Explicit, f; q4 : ImpreJfum Mediolani p magiftrum Antonium Zarotum parmefem ImpeJis venerabilis dni I pbri Nico-

lay gorgonzole ducalis capellani I Anno dfi M.cccc.lxxxxvi Primo Iulii Collation: 4' T'4 a-18 m-o6 p-q4= i i8 ff., numbered [4] i-cxiiij 291 I col Illustration: full-page woodcut illustrations and initials Music: printed notes and staves Music pages: k4V-k5., k6V-nI, n5, 02, 05=34 pp.; f m6V has printed staves without notes (Pange Lingua, feast of St Catherine) and f m3v has notes on only one staff Staves: room for 5 staves but no more than 4 red 4-line staves per page, Io3 mm wide Music type: A3 Copies: GB London, BL (fragment of 2 folios); I-Parma, Pal Copies seen: I-Parma, Pal, Inc Parm I7I Lacks f h8 Size: 212 X I49 mm Binding: leather stamped in gold: BIBLIOTHECAE REGIAE I PARMENSIS Psalterium Ambrosianum [Venice: Johann Hamman, ca 1497.] IGI 8I50 (plate LXVIII, incipit) Incipit, f ar, red: ¢ Incipit pfalterium mona Jticui Ambrofianfu fm ordine officij ferialis Explicit, f i9, red: Finit pfalterium ambrofia I num cum canticis fuis f iio, red: In ferialibus fit

officiu3 de I pfalmifta Antiphone ad magnificat f i12, red: FINIS Collation: 4°. a-h8 i12=76 ff 32 II 2 col Illustration: woodcut initials Note: no space for music Copies: I-Milan, Ambr Copies seen: I-Milan, Ambr, Inc i8o Provenance: Per Benedettine Monastero Maggiore in Milano Binding: gold-stamped red morocco Psalterium Romanum Milan: Antonio Zarotto, I5 VIII 1487 R 1850; IGI 8157; LB 9I5 Note: no space for music Copies: I-Milan, Ambr; Triv Copies seen: I-Milan, Ambr, 202 Psalterium Romanum [Strasbourg: Johann Pruss, between 1499 and i5o6?] CIBN P 666; M-B 236 (s.l., ca I490) Music: space for music on about half of the pages Copies: F-Paris, BN Copies seen: F-Paris, BN, VIl i30, Vellum Incomplete from f CLV Manuscript music on raster-drawn staves Size: 370 X 270 mm Binding: red morocco.

Psalterium Romanum Milan: Leonard Pachel, 13 VIII I491 C 4943; IGI 8i60 Note: no space for music Copies: I-Milan, Ambr; Rome, Ang Copies seen: I-Milan, Ambr, Inc 169 Provenance, f ai: Hieronymi Minetti ex dono Ioannis Cazzolli; Ex libris Frid Minetti: Presb Mediol., Kal Iulii I874 Binding: rough paper boards Psaltir s postedovaniem (Serbian) Cetinje (Montenegri): [Hi]jeromonah Makarije & Gjurgja of Crne Gori, 22 IX I495 LB 1046 Bibliography: Pavel Mikhailovich Stroev, Obstoiatel'noe opisanie staropechatnykh knig Slavianskikh i Rossiiskikh, Khraniashchikhsia v Biblioteke Grafa F A Tolstova, Moscow, Tip S Selivanskago, 1829 Note: no space for music Copies: Y-Ljubljana, BN Copies seen: Y-Ljubljana, NU, Ti 9829 Size: 204 X i53 mm Binding: gold-stamped leather (not contemporary) Psaltiri (Catalan) Venice: Johann Hamman [for Hans Rix of Churl, 30 IV I490 Incipit (Aguilo y Ftster), red: Psaltiri trelladat de lati en romanq per I lo reuerent mestre corella Explicit (Aguilo y Fuister), f X io, red: Aci feneix lo psaltiri arromacat p lo I Reuerent mestre Johan royq d' corella I mestre en sacra theologia Corregit e fe I elment smenat per Johan ferrando de )

guiuara preuere Empremtat en vene I cia per mestre Johan hertezog tudesch ) A xxx dies de abril Any de la natiuitat I de nostre senyor deu Iesu crist Mil e I cccclxxxx I Laus deo I [printer's mark] Collation (Aguilo y Fister): 8° a-r8 X0 = 46 ff Bibliography: Mariano Aguilo y Fister, Catalogo de obras en lengua catalana impresas desde I474 hasta I860, Madrid: Sucesores de Rivadeneyra, 1923, pp i5-i6, no 5 Note: no space for music The unique surviving copy was preserved at the request of the Inquisitors: I5 July i802, El Arzobispo Inquisidor

General ordena, a instancia de don Mathias Bertran, inquisidor mayor, que se traslade a la Biblioteca de la Real Universidad de Valencia el libro que se halla en este Tribunal, cuyo titulo es: Psaltiri trelledat del Lati en Romanf per lo Reverent Mestre Corella (Aguilo y Fuster, p I5) Copies: E-Madrid, BN I50 Ramis de Pareja, Bartolome Musica Utriusque Cantus Practica Bologna: [Baltasar di Hyrberia and Heinrich von Koln], 12 V 1482 See Fig I9 R, Appendices I343 (Giovanni Schriber and Enrico di Colonia); IGI 8279; Sander 6085 (2°) Incipit, f a2: Prologus I [B]Oetii mufices difciplina I quinq3 voluminibus comprehenfa quoniam profundiffi I mis f a3: Finite prologo incipit trctatus ubi primo quid fit mufica quid harmonia diJpurat9 I [H]Armonia atq3 mufica idem effe multi I credut ueru3 nos loge aliter fentenius Explicit, f [fi ]: Explicit mufica practica Bartholomei Rami de Pareia Hifpani I ex Betica prouincia 7 Ciuitate Baecza Giefi dioceJ vel fuffraga na oriundi Alme vrbis Bononie dum ea3 ibidem publice legeret I Impreffa anno domini millefimo quatrigentefimo octuagefimo fecu I do quarto idus Maij.

Collation: 4°. a-b6 c8 [d-f6 g4 h2]=44 f 37 11 I col Illustration: woodcut diagrams Music: printed staff Music pages: b6v Staves: black 3-line staff, apparently printed from metal rules Bibliography: Albano Sorbelli, "Le due edizioni della Musica practica di Bartolome Ramis de Pareja," Gutenberg-Jahrbuch (1930): 104-I4 Note: Sorbelli (p I i i) concluded that the work was printed by Baltasar di Hyberia (Baldassare da Rubiera) and not by Johann Schriber; the least leaf was printed by Heinrich von Koln, in two of his well-known types Copies: I-Bologna, LM; Florence, BN Copies seen: I-Bologna, LM, A 8o Lacks ff e6, h2 (blank) Decoration: major initials in gold and colors, minor initials in blue Size: 238 X i66 mm Provenance: personal copy of Franchino Gaffurio; see, for example, the marginal note on f d6": In practica noftra declaram gpit hoc etiam lpbat9 exemplo [musical example] Binding: vellum I5I Ramis de Pareja, Bartolome Musica Utriusque Cantus Practica Bologna: Baltasar di Hyrberia, 5 VI I482 See Fig i8 IGI 8278; Panzer 4: 417 (Salamanca); RISM B6 2:687

Incipit (copy seen lacks f ai) Explicit, f [hi V]: Explicit feliciter prima ps mufice egregii 7 famofi mufici domini bar I tolomei parea hifpani du, publice mufica bononie legeret in qua tota practica cantoy ptractat' impreffa vero ope& iduftria ac expefis Magi I tri baltafaris de hiriberia ano domini m cccc lxxxii die 5°. iunii Collation: 4°. a-b6 c8 [d-f6 g4 h2]=44 ff 37 11 I col Illustration: woodcut diagrams Music: printed staff Music pages: b6v Staves: black 3-line staff, apparently printed from metal rules Bibliography: Albano Sorbelli, "Le due edizioni della 'Musica practica' di Bartolome Ramis de Pareja," Gutenberg-Jahrbuch (1930): 104-I4 Note: this edition is a reprint of the previous item; ff b3-4 have been recomposed and differently paged, and the colophon varies Copies: D-Regensburg, Proske; I-Bologna, LM Copies seen: I-Bologna, LM, A 8i Lacks ff ai, d3, d5-d6, and h2 Decoration: major initial in gold and colors, minor initials in blue Size: 225.5 X I63 mm Binding: vellum.

Regule Cantus Plane Venice: [s typ., I505?} C 5091 [500o?]; RISM B6 2:978 Collation (C): 8°. 4 ff 30 11 Note: the only copy known was "destroyed by bombing in the war," according to the catalogue card at the British Library Copies: GB-London, BL Copies seen: none GB-London, BL, 7897.a.33 Missing The library catalogue card dates the book [io55?] and includes the note "destroyed by bombing in the war." Reisch, Gregorius Margarita Philosophica [Heidelberg,] 3 kal ian 1496.

H I385'2 (s.l., a., t.); RISM B6 2: iooi (chronological index to early works) Note: apparently a ghost H gives no printer, place, or year but includes after the title "Ex Heidelberga III.Kal.Ianuarius MCCCCLXXXVI." that same information is written as a manuscript addition to the foreword of a copy of a 1504 edition at D-Berlin, SPK (A 4402) The first edition of Reisch's work was printed in 503 in Freiburg by Johann Schott-Rituale Ambrosianum [Milan: Leonard Pachel & Ulrich Scinzenzeller, ca I478] IGI 8382 Incipit, f ai, red: Incipit ordo officii ad faciendu aqua I benedictam f b5 : Incipit ordo officij ad cathecumini faciendu3 sino hef oleu ab epo 9gecratu caufa neceffita tuf pri9 benedic oleu p hoc exorcifmiiu ic dicedo I Benedici io fup agni ul' carneJ i pascha Explicit (IGI), f i6v: Sequitur euangelui [sic] secudu iohane ad altare I In principio erat uerbu 7 uerbu erat apud C FINIS Collation: 4°. a-f8 g h8 i6=68 ff 30 11 i col Bibliography: M Magistretti, "Di due edizioni sconosciute del Rituale dei Sacramenti secondo il Rito Ambrosiano," in Miscellanea Ceriani, Milan: Hoepli, I9Io, pp 121-26.

Note: no space for music Copies: I-Milan, Cap2 Copies seen: I-Milan, Cap, 2G-2-17 Size: 222 X I50 mm Binding: blind-ruled leather, 2 clasps missing (restored) 2G-2-I8 Binding: blind-stamped leather over paper boards 1i2 Rituale Ambrosianum [Milan: Antonio Zarotto, ca I487.] See Fig 59 IGI 838i (after 1475); Ganda 55 (ca 1476) Incipit, f a , red: IN xpi nomine Incipit I liber facrameto, eccle I Jie: in quo qde duo fpecialiter cotinent9 facramnte: uidelicet I facramentum baptiJfmi ianua I olum facrameto,: T primu I re I mediu cotra originalis pecca I ti flagitiu Ends (IGI), f f8v: pro ultimo articulo mortis I tue In nomine pris 7 filij spiritus sancti Amen [Dies Irae follows.] Collation: 40. T2 a-g6 h8=52ff 36-37 11 2 col., I col Illustration: one woodcut initial Music: printed notes and staves Music pages: e4-g6, h4-8= 36 pp Staves: 7 red 4-line staves per page, 178-80 X Ii3 mm Music type: A3 Bibliography: M Magistretti, "Di due edizioni sconosciute del Rituale dei Sacramenti secondo il Rito Ambrosiano," in Miscellanea Ceriani, Milan: Hoepli, 1910, pp 121-26.

Note: the date usually assigned to the ritual is 1476, but that date is well before the first dated use of Zarotto's music type, 1488 (D 26) Zarotto missals from 1474 to 1482 and a Magnificat of about 1486 (D 21) contain blank space for music If Zarotto's music type was first used in the undated Rituale Ambrosianum, the earliest date for the book's printing is very likely after the works with blank space for music, or about 1487 Copies: I-Milan, Cap3 Copies seen: I-Milan, Cap, 2G-2-6 Provenance: Istud sacramentarium est mei petri de canubio cantore; S Martino Nosseggia P.N Binding: oak boards with leather spine (restored) 2G-2-7 Size: 275 X 198 mm Binding: oak boards with leather spine, i clasp missing 2G-2-8 Provenance: Sancti Raphaelis P O Mll; Sagrestia Meridionale (later hand) Binding: oak boards with leather spine nailed on, 3 clasps missing Rituale Romanum Florence: Antonio Miscomini, 5 III I476[?] R 715; IGI 8383; LB 1053 Incipit, f; ai, red: Incipit ordo ad faciendum baptiS I mum fecundum curiam romanam Explicit, f k6: Impreffum Florentie per Anto I nium Francifci uenetum Anno ab incarnatione domini M I CCCCLXXVI tertio nonas martii Collation: 4°. '4 a-e8 f4 g8 h-kO=74 ff 2I 11.

I col Note: no space for music The work is probably misdated, since other work by the printer is from 1487 or 1488 (BMC VI:677) Copies: I-Florence, BN; Milan, BN; Naples, BN Copies seen: I-Florence, BN, F.6 I3 Size: 210 X 140 mm Decoration: blue initials, major initials flourished Binding: blind-stamped leather (restored).

-Rituale Romanum Florence: [Francesco Bonaccorsi] for Michelangelo Biagi de Emporio, 31 III 1495 R 1367; IGI 8384; LB 1054 Incipit, f Ai, red: [I]Ncipit ordo ad baptizandum I fecundum curia3 Romanam I Cu3 uenerit Explicit, f n8': ImpreJfum florentie per preJbiter I michaelangelus blafij de eporio I anno Jalutis Mcccclxxxxv I pridie kalendas aprilis Collation: 4°. A6 a-d8 e6 f-n8= 00 ff 21 11 I col Note: no space for music Copies: I-Florence, BN Copies seen : I-Florence, BN, B.R.I34 Size: 195 X I33 mm Binding: blind-stamped brown morocco, gold-stamped spine 153 Spataro, Giovanni Honesto Defensio Bologna: Francesco Benedetti, called Plato, I6 V 1491- See Fig 66 H 14895; Goff S636; CIBN S325; Pellechet 10629; RISM B6 2:798 (8°); Sander 7024 Incipit, f Ai: AD REVERENdiJfimum in Xpo patrem et.D.d I Antonium Galeaz de Bentiuolis

Sedis apoftolicae I prothonotarium B.M Iohannis fpadarii in mufica I humilimi profeJforis eiufde mufices ac Bartolomei I Rami pareie eius preceptoris honefta defenfio In Ni I colai Burtii parmenfis opufculum Explicit, f Fio: Impreffo nel alma: et Inclyta cita di Bologna per mi I Plato de Benedecti Regnate lo Inclyto : et illuftre Si I gnor S Zohane di Betiuogli de lano Mcccclxxxxi I adi xvi de Mazo I [printer's mark, PLA} Collation: 4°. A-E8 F'l=5o ff 26 11 i col Illustration: woodcut diagrams Music: printed notes in text Music pages: B6, EI=2 pp.; also B quadratus on f D3" Music type: a proto-font of a punctum (3 mm square), a circle and a C for tempus imperfectum (dots for perfect prolation added in manuscript when necessary, as are all other notes and staff lines) Bibliography: edition by Joseph Vecchi, vol I of Spataro's Opera Omnia, Antiquae Musicae Italicae, Monumenta Bononiensia, Bologna: Forni, 1967; Albano Sorbelli, "II magazzino librario e la privata biblioteca di un grande tipografo del secolo XV (Plato Benedetti)," Gutenberg-Jahrbuch (1935): 93-99; Sorbelli, "La libreria di uno stampatore bibliofilo del Quattrocento," Studi e ricerche sulla storia della stampa del Quattrocento: Omaggio dell' Italia a Giovanni Gutenberg nel V centenario della sua scoperta, Milan: Hoepli,

1942, pp 259-336 Note: as official printer and bookseller to the University of Bologna, Plato carried the two music books of Burzio and Spataro (see inventory of over i,ooo volumes at death in 1496) Copies: D-Berlin, SPK ("nicht nachweisbar"); F-Paris, BN; GB-Cambridge, UL; I-Bologna, BC; US-NY-Rochester, Eastman Copies seen; F-Paris, BN, Res V.I498 Size: 196 X 141 mm Binding: marbled paper over paper boards, fabric spine I54.* Spechtshart, Hugo (Reutlingensis) Flores Musicae Venice: Francisco de' Madi, 1485 RISM B6 1:427 Incipit (RISM B6): Flores musice omnis cantus gregoriani Explicit (RISM B6): Venezia Fransciscus de Madiis, 1485 Collation (RISM B6): 8°. Music: printed notes and staves, according to a list of music incunabula by Domenico Masseo Bibliography: Domenico Masseo, ("La stampa musicale nel periodo degli incunaboli: Catalogo degli incunaboli musicali non liturgici," thesis, Scuola di Paleografia e Filologia Musicale, University of Pavia, 1977 Not all of the incunabula were examined by Masseo Copies (RISM B6): A-Vienna, NB According to a

letter from Dr Evan Irblich, the Osterreichische Nationalbibliothek has no such edition Tractatus Musices [Venice: Bernardino Vitali for] Giovanni Battista Sessa, [ca I5o5] C 5863 [1500]; P I2555; GW 6:814 (nach den Typen, i6 Jh.); Goff Suppl T4Isb (after 00oo); IGI 5:208; RISM B6 2:925; Sander 7347 (Plate 260 off ai) Incipit, f ai, wooduct: [TRACTATVS MVSICES, Guidonian hand with printed text within] PRoprietas in mufica eft deriuatio pluriam vocu I ab vno eodeq3 principio.

Exijtentibus igitur mo I dis [woodcut, IBS] Explicit, f b4: Explicit mufices non inutile Compendium:ad Saluatoris Honorem: I primorumq3 diJcentium vtilitatem confectum ImpreJfum per Ioannem Baptiftam SefJa [printer's mark, IBS] Collation: 4°. a-b4=8 ff 39 11 i col Variant (LC Washington, LCM, and Sander), colophon ends: ImprefJum Uenetijs per Ioannem Baptiftam Seffa [printer's mark, IBS] Illustration: woodcut diagram, music, and initial Music: printed notes and staves from woodcuts Music pages: ai, a2V-b3v= 12 pp Staves: 4 and 5-line staves Bibliography: David Crawford, "A Chant Manual in Sixteenth-Century Italy," Musica Disciplina 36 (I)82): 175-90 Edition: Compendium Mvsices: Venetiis, I499-I597, ed David Crawford, Corpus Scriptorum de Musica, 33 Stuttgart: American Institute of Musicology, 1985 Note: second edition of Compendium Musices (D io) Copies: F-Paris, BN; GB-London, BL; I-Bologna, BC; US-IL-Chicago, New; NY-New York, PL (lacks f b4; without foliation); Washington, LC Copies seen: GB-London, BL, K.l.g io (2) Size: 192 X 140 mm Provenance: personal copy of Pietro Aron; four leaves of manuscript music at the

front begin: Delli principij de tuti li toni Jecondo mi I pietro aro I [1 primo tono; f b4V: Est Io Petri Ar Binding: red morocco stamped in gold; bound with Bonaventura da Brescia, Regula Musice Plane, 30 IV I507 US-Washington, LCM, ML I7i T8i Manuscript foliation 1 o8-15 I55.*Verardus, Carolus Historia Baetica Rome, [s.t.], 1492 H I5940 Collation (H): 4°. Copies: none known-Verardus, Carolus Historia Baetica [Deventer: Richard Paffraet, after 22 IV 1492.1 H I5939 ((s 1., t., a.]); C 1:48I ([Deventer: Richard Paffraet, after 22 IV 1492] Title, f AI: In laudem JereniJfimi Fer I dinandi HiJpaniarum regis Bethice et regni Gra I natae, obfidio, victoria et triumphus Ends, f C5: Anno a Natali Saluatoris M CCCC xcii Undecimo Ka I lendas Maij Note: no space for music Copies: DK-Copenhagen, KB Copies seen: DK-Copenhagen, KB, Inc 4095

156 Verardus, Carolus Historia Baetica Rome: Eucharius Silber, 7 III 1493 H I5941*; P 3867; BMC IV:114; Goff VI24; IGI 10146; CIBN V9o; Pellechet 1457 Incipit, f [a2]: Caroli Verardi Caefenatis Cubicularii Pontifi I cii in hiftoriam Baeticam ad R P Raphaelem ) Riarium S Georgii Diaconum Cardinalem: S.R.E.Camorarium Praefatio: Colophon, f [e7]: ImpreJfum Romae per Magiftrum Eucha I rium Silber: alias Franck: Anno Domini I M.CCCC.XCIII.Die uero VII Martii Collation: 4°. [a-e']=40 ff 26 11 i col Music: printed notes and staves from wood Music pages: [e7'-e8]=2 pp (discantus, tenor, bassus, altus) Copies: A-Vienna, NB; F-Paris, BN4; Maz; GB-Cambridge, UL (vellum); London, BL; I-Bologna, LM; Brescia, BC; Cesena, BC2; Florence, BN; Milan, Ambr; Parma, Pal2; Perugia, BC; Ravenna, BC; Rome, Cors; Venice, BN; Verona, BC; P-Wroclaw, BU2; US-RI-Providence, ABL; Vatican City, BV2 Copies seen: GB-London, BL, IA I8975 I-Parma, Pal, Inc 63/2-3 Lacks f [ai] (blank) Binding: paper with vellum spine Rome, Cors, 53 E.3o Lacks f [ai] Size: 214 X i34 mm Binding: vellum Venice, BN, Min 1288.3 Lacks quires a-d, but contains quire e with the music Size: 202 X i45 mm Binding: vellum (bound with 22 items).

Verardus, Carolus Historia Baetica Rome, i6 VIII 1494 [Valladolid: Pedro Giraldi & Miguel de Planes, ca I497.] H 15943; Goff Vi26 ([Valladolid: Pedro Giraldi & Miguel de Planes, about 1497]); Vindel 6:I7; Voullieme B 4966 Title, f a i : Hiftoria betica I Incipit, f a2 : ¢ Caroli Uerardi Cefenatis Cubicularij I Pontificij in hiJtoriam Beticam ad R ) P Raphaelem Riarium S Georgij I Diaconum Cardinalem I Prefatio | f c8: ¢ Acta Ludis Romanis In nocentio octauo in folio Pe ) tri sedente Anno a Natali

I Saluatoris Mil CCCC I Xcij Undecimo Kalendas Maij Colophon, f e8: ¢ Factum rome Anno domini Millefimo I quadringentefimo Nonage fimo quarto I Die vero decimafexta Menfis augufti Collation (Vindel): 4°. a-e=40 ff 32-33 11 I col Bibliography: Francisco Vindel, El arte tipografico en Espana durante el siglo XV, 9 vols., Madrid: Direcion General de Relaciones Culturales, 1950, 6: 36-38, no I7; facsimile, Gesellschaft fur Typenkunde, plate 359 (f ai) Note: no space for music Despite the information in the colophon, the book, which is printed in the types of the de Planes brothers of Valladolid, is now attributed to them and dated about I497 Copies: E-Valencia, Cat; D-Berlin, SPK; US-CA-San Marino, Hunt Copies seen: US-CA-San Marino, Hunt, 98609 Size: 208 X i47 mm Provenance, f e8v: Michael floretibus.

XVI—
Indexes and Concordance

Chronological Index

Abbreviations B: blank space for music; M: printed notes and staves; M(W): printed notes and staves from woodcuts; N: printed notes; S: printed staves; ?: unknown Place: Date Author, Title Printer, Publisher Music D No [147,!?} Missale Romanum [Central Italy?] B 38 6 XII 1474 Missale Romanum Milan: Zarotto B 39 23 ]II 1475 Missale Ambrosianum Milan: Zarotto B 23 21 IV i475 Missale Romanum Rome: Han B 40 26 I 1476 Missale Romanum Milan: Zarotto B 41 12 X 1476 Missale Romanum Rome: Han M 42 Io IV 1477 Graduale Romanum Parma: Moilli M I6 20 IX I477 Missale Romanum Venice: A & D Siliprandi B 43 o0 XII 1477 Officium Imm Conceptionis BVM Rome: Han B 144 1477 Missale Romanum Naples: Moravus B 44 I :7 I478 Missale Romanum Milan: Zarotto B 45 22 IV 1479 Missale Romanum [Milan: Carcano] B 46 for Suardi I V I479 Missale Romanum Venice: [Jenson] B 47 27 IX 1479 Missale Romanum Milan: Zarotto B 48 16 XII 1479 Missale Romanum Milan: Pachel B 49 & Scinzenzeller

21 III 480 Niger, Grammatica Venice: Franck N 142 for Santritter 3I V 1480 Missale Messanense Messina: Alding B 33 31 VII 1480 Missale Romanum Milan: Pachel B 50 & Scinzenzeller 23 ViII 1480 Missale Romanum Venice: [J Koln B 5 & Manthen]

Place: Date Author, Title Printer, Publisher Music D No 27 VIII 1480 Missale Strigoniense Verona: [Maufer] B 127 27 VIII 1480 Missale Ultramontanorum Verona: [Maufer] B 127 8 x 1480 Gaffurio, Theorica Musicae Naples: Dino B 14 [1480-1490} Missale Ord Eremitarum [Venice] ? 129* S Augustini 31 VIII 1481 Missale Romanum Venice: Torti & Soc B 52 i8 IX 148I Missale Romanum Milan: Pachel B 53 & Scinzenzeller 8 XI 1481 Missale Romanum Milan: Zarotto B 54 29 XII 1481 Missale Romanum Venice: Scoto B 55 5 III 1482 Missale Romanum Rome: Planck M 56 15 III 1482 Missale Ambrosianum Milan: Valdarfer M 24 I6 III 1482 Missale Romanum Naples: Moravus B 57 i2 V 1482 Ramis de Pareja, Musica Bologna: [Hyrberia S i50 Utriusque Cantus Practica & Heinrich von Koln] 5 VI 1482 Ramis de Pareja, Musica Bologna: Hyrberia s 151 Utriusque Cantus Practica 2 VII 1482 Missale Romanum Venice: Blavi, B 58 Torresani & Salodio VIII I482 Missale Romanum Milan: Pachel ? 59*

& Scinzenzeller 3 I VIII 1482 Missale Romanum Venice: Scoto s 60 I IX 1482 Missale Romanum Milan: Valdarfer M 61 28 XI 1482 Missale Romanum Venice: Scoto s or M 62 24 XII 1482 Missale Ord Praedicatorum Venice: Scoto M 131 1482 Missale Ord Praedicatorum Milan: Zarotto B 132 4 XII I482/I483 Missale Romanum Venice: Benali, M 63 or 29 I I483/1484 Arrivabene, Paganini 29 III 1483 Missale Ord Praedicatorum Naples: Moravus B I33 for Palmieri [ca 1483] Missale Romanum [Venice: Ratdolt] ? 64* [1483?] Missale Toletanum [Venice] B 126 I IV 1484 & Missale Romanum Venice: Girardengo M 65 13 IV 1484 Reissue of above Pavia: Girardengo M 65 15 VIII 1484 Missale Romanum Venice: Benali M 66 27 IX 1484 Missale Romanum Venice: Arrivabene S or M 67 & Paganini 1484 Missale Romanum Venice: Frankfurt s 68 1484 Missale Ord Praedicatorum Venice: Frankfurt s 134 Io xI 1485 Missale Romanum Venice: Piasi M 69 20 XII I485 Pontificale Romanum Rome Planck M I45

Place: Date Author, Title Printer, Publisher Music D No 1485 Missale Romanum Venice: Frankfurt S 70 1485 Spechtshart, Flores Musicae Venice: Madi ? I54* [ca 1485i-1490? Missale Romanum [Venice?] B 71 II 11 485/1486 Missale Romanum Venice: Paltasichi s 72 I8 III [486 Missale Strigoniense Venice: Ratdolt S 121 28 IV [486 Psalterium Ambrosianum Milan: Pachel M 148 & Scinzenzeller for Lampugnano [28 IV 1486] Magnificat [Milan: Zarotto] B 21 I VIII 1486 Missale Ambrosianum Milan: Pachel B 25 & Scinzenzeller 20 III ,187 Ordo ad Catechumenum Faciendum Bologna: Odo M i44 27 IV I487 Missale Romanum Venice: [Bevilaqua M 73 for] Paganini 30 IV 1487 Burzio, Musices Opusculum Bologna: Ruggerio M(W) 8 for Faelli I3 V i487 Missale Ord Praedicatorum Venice: Gabi ? 135* 0o xI 1487 Missale Parisiense Venice: Hamman s 35 & Emerich I487 Missale Romanum Venice: Frankfurt s 74 [1487] Rituale Ambrosianum [Milan: Zarotto] M 152 I III 4188 Missale Ambrosianum Milan: Zarotto M 26 for Bosis

I 1488 Missale Romanum Milan: Zarotto M 75 V 14.88 Missale Romanum Milan: Pachel ? 76* I5 X I188 Missale Romanum Venice: Hamman M 77 22 XII 1488 Missale Romanum [Rome: Planck] M 78 29 X i489 Missale Romanum Venice: Torti M 79 3 IX I1489 Missale Romanum Venice: Pensi M 80 15 XII 1489 Missale Romanum Venice: Ragazzoni M 8I 14 III 14190 Missale Burgense Venice: Hamman s 3 14 VIII 1490 Missale Ord Carmelitarum Brescia: Bonini M 130 13 IX 1I90 Missale Romanum Venice: Pensi M 82 1490 Missale Ambrosianum Milan: Zarotto ? 27* [1490] Missale Romanum [Naples: Preller M 83 for Gontier?] [1490] Missale Romanum [Venice: Benali? M 84 for Giunta] Io IV 1491 Missale Romanum Venice: Novimagio M 85 i6 V i.49i Spataro, Honesto Defensio Bologna: Benedetti (N) 153

Place: Date Author, Title Printer, Publisher Music D No 6 VI 1491 Missale Romanum Pavia: Girardengo S 86 & Beretta 13 VII 1491 Missale Romanum Venice: Hamman M 87 i VI 1492 Missale Valentinum Venice: Hamman M 128 for Zavarisio 5 VI 1492 Caza, Trattato vulgare Milan: Pachel B 9 for Lomazzo 4 VII 1492 Missale Romanum Milan: Pachel M 88 i VIII 1492 Missale Romanum Milan: Zarotto M 89 I IX I492 Missale Romanum Brescia: A & G M 90 Britannico 11 IX 1492 Missale Romanum [Turin?: Suigo B 9I & Benedicti?] 29 IX I492 Missale Claromontense Venice: Beretta B 32 & Girardengo 15 XII 1492 Gaffurio, Theorica Musicae Milan: Mantegazza M(W) 15 for Lomazzo 25 XII 1492 Breviarium Ord Praedicatorum Venice: Emerich B 7 1492 Missale Romanum Rome: Planck ? 92* 1492 Verardus, Historia Baetica Rome ? I55* 7 III 493 Verardus, Historia Baetica Rome: Silber M(W) 156 28 IV I493 Missale Romanum Venice: Emerich M(W) 93 i VII I493 Missale Romanum Venice: Hamman M 94 for Frankfurt

I xII I493 Missale Romanum Venice: Hamman M 95 for Scoto I II I493/1494 Missale Strigoniense Venice: Hamman M 122 11 III 1494 Manuale Baptisterium Secundum Rome: Planck M(W) 22 Morem Romanae Ecclesiae 29 III I494 Missale Romanum Venice: Pinzi M 96 5 VI I494 Missale Romanum Naples: Cantono ? 97 13 VIII 1494 Missale Romanum Venice: Emerich M 98 for Giunta I IX I494 Missale Sarisburiense Venice: Hamman M 118 for Egmont & Barrevelt 9 X 1494 Processionarium Ord Praedicatorum Venice: Emerich M I47 for Giunta 27 X 1494 Missale Romanum Rome: Planck M 99 I XII 1494 Missale Sarisburiense Venice: Hamman M 119 for Egmont [I4941 Missale Ambrosianum [Milan: Onate] M(W) 28

Place: Date Author, Title Printer, Publisher Music D No I II 1494/1495 Missale Ord Praedicatorum Venice: Hamman M 136 for Scoto i6 III 495 Missale Romanum Venice: Pinzi M Ioo for Trino 30 IV 1495 Liber Catechumeni Venice: Emerich M I8 for Giunta 31 x 1495 Missale Strigoniense Venice: Emerich S I23 1495 Missale Auscitanum Pavia: Girardengo M 30 23 I 1495/1496 Agenda Aquileiensis Venice: Hamman s i for Volkarth i VII 1496 Psalterium Ambrosianum Milan: Zarotto M I49 for Gorgonzola 14 VII 1496 Missale Romanum Venice: Emerich M IOi for Giunta 30 IX 1496 Gaffurio, Practica Musicae Milan: Le Signerre M(W) 12 for Lomazzo 31 X 1496 Missale Romanum Rome: Planck M 102 30 XII 1496 Missale Ord Praedicatorum Venice: Torresani M 137 I3 v I497 Missale Ord Praedicatorum Venice: Gabi M 138 i5 V I497 Missale Romanum Venice: Torresani M I03 5 VI I4.97 Missale Romanum Venice: Hamman M 104 for Scoto 27 VII 1497 Bonaventura da Brescia, [Brescia]: Britannico M(W) 3 Breviloquium Musicale I6 VIII 1497 Pontificale Romanum Rome: Planck M 146 23 IX 1497 Gaffurio, Practica Musicae Brescia: Britannico M(W) 13 27 IX 1497 Bonaventura da Brescia, [Brescia]: Britannico M(W) 4

Regula Musicae Planae 8 x 1497 Missale Romanum Venice: Sessa M 1O5 10 XI 1497 Missale Romanum Venice: Emerich M IO6 for Giunta I 31 1497/1498 Missale Romanum Venice: Gabi M 107 15 III 1498 Missale Romanum Venice: Gabi ? o18* for Paganini 28 VI 1498 Missale Romanum Venice: Emerich M IO9 for Giunta 31 VII 1498 Liber Catechumeni Venice: Sessa M 19 I3 IX 1498 Agenda Pataviensis Venice: Hamman M 2 for Petri i X 1498 Missale Romanum Milan: Zarotto M IIO 15 X 1498 Missale Romanum Venice: Emerich M 1I for Giunta

Place: Date Author, Title Printer, Publisher Music D No 26 II 1498/1499 Missale Strigoniense Venice: Emerich S 124 for Paep 1490 [not before Missale Romanum Venice: Sessa M 112 1493 or after I4981 io III I499 Missale Romanum Venice: Gabi M 13 for Paganini i6 IV 1499 Missale Romanum Milan: Pachel M I14 24 IV 1499 Missale Quinque Ecclesiae Venice: [Emerich] s 36 for Paep 29 V 1499 Missale Romanum Venice: Arrivabene M I15 28 VI I499 Missale Messanense Venice: Emerich M 34 27 VIII 1499 Missale Ambrosianum Milan: Pachel M 29 for Nicolao 28 IX 1499 Graduale Romanum Venice: Emerich M 17 I III I5oo for Giunta 21 XI I499 Compendium Musices Venice: Sessa M(W) IO I499 Missale Romanum Venice ? 116* 6 III 1500 Missale Ord Praedicatorum Venice: Emerich M 139 for Frankfurt 8 III I500 Missale Ord Praedicatorum Venice: Giunta ? 140* 31 II 111500 Missale Strigoniense Venice: [Emerich] S 125 or i IV I502 for Paep

6 vI I5oo Liber Catechumeni Venice: [Emerich} M 20 for Giunta 24 VII I500 Missale Segoviense Venice: Emerich M 120 for Lavezari & Soc 3 IX [i5oo0 Bonaventura da Brescia, [Brescia]: Britannico M(W) 5 Regula Musicae Planae Io IX I5oo Bonaventura da Brescia, [Milan]: Pachel M(W) 6 Regula Musicae Planae for Legnano 0 XI 500oo Gaffurio, Opus Musicae Milan: Ponte ? II* i5 XII I500 Missale Romanum [Venice?] ? II7* I500oo Missale Ord Praedicatorum Venice: Gabi ? I41* [14??} Missale Romanum [Venice: Emerich] ? 37*

Index of Printers by Location

Abbreviations: B: blank space for music; M: printed notes and staves; M(W): printed notes and staves from woodcuts; N: printed notes; (N): incipient font; S: printed staves; ?: unknown Printer, Date Author, Title Music Duggan No.

Bologna

Benedetti, Francesco (called Plato) 16 v i491 Spataro, Honesto Defensio (N) 153 Faelli, Benedetto See Ruggerio, Ugo [Hyrberia, Baltasar di] 12 V 1482 Ramis de Pareja, Musica Utriusque S i50 Cantus Practica [with Heinrich von Koln] 5 VI 1482 Ramis de Pareja, Musica Utriusque S I51 Cantus Practica Koln, Heinrich von 12 V 1482 Ramis de Pareja, Musica Utriusque S i50 Cantus Practica (with Baltasar di Hyrberia) Odo, Dionysio de 20 III 1487 Ordo ad Catechumenum Faciendum M I44 Rubiera, Baldasarre da See Hyrberia, Baltasar di Ruggerio, Ugo 30 IV 1487 Burzio, Musices Opusculum M(W) 8 (for Benedetto Faelli)

Brescia

Bonini, Bonino I4 VIII 1490 Missale Ord Carmelitarum M I30 Britannico, Angelo 27 VII 1497 Bonaventura, Breviloquium Musicale M(W) 3 :23 IX 1497 Gaffurio, Practica Musicae M(W) 13 2;7 IX 1497 Bonaventura, Regular Musicae Planae M(W) 4 3 IX {I500] Bonaventura, Regula Musicae Planae M(W) 5

Printer, Date Author, Title Music Duggan No Brescia, cont Britannico, Giacomo, & Angelo Britannico i IX 1492 Missale Romanum M 90

Messina

Alding, Heinrich 31 V 1480 Missale Messanense B 33

Milan

Bosis, Andrea de See Zarotto, Antonio Carcano, Antonio 22 IV 1479 Missale Romanum B 46 (for Paola Suardi) Gorgonzola, Nicolo See Zarrotto, Antonio Lampugnano, Gasparo See Pachel, Leonard; See Scinzenzeller, Ulrich Legnano, Giovanni de See Pachel, Leonard Le Signerre, Guillaume 30 IX 1496 Gaffurio, Practica Musicae M(W) 12 (for Giovanni Pietro da Lomazzo)

Lomazzo, Giovanni Pietro da See Le Signerre, Guillaume; Mantegazza, Filippo; See Pachel, Leonard Mantegazza, Filippo 15 xII 1492 Gaffurio, Theorica Musicae M(W) I5 (for Giovanni Pietro da Lomazzo) Nicolao, priest See Pachel, Leonard Onate, Giovanni Antonio d' [I494] Missale Ambrosianum M(W) 28 Pachel, Leonard I6 XII 1479 Missale Romanum B 49 (with Ulrich Scinzenzeller) 31 VII 1480 Missale Romanum B 50 (with Ulrich Scinzenzeller)

Printer, Date Author, Title Music Duggan No Milan, cont 8 IX 1481 Missale Romanum B 53 (with Ulrich Scinzenzeller) VIII 1482 Missale Romanum ? 59 (with Ulrich Scinzenzeller) 28 VI 1486 Psalterium Ambrosianum M 148 (with Ulrich Scinzenzeller for Gasparo Lampugnano) I VIII 1486 Missale Ambroisanum B 25 (with Ulrich Scinzenzeller) V 1488 Missale Romanum ? 76* '5 VI 1492 Caza, Trattato vulgare B 9 (for Giovanni Pietro da Lomazzo) 4 VII I492 Missale Romanum M 88 16 IV 1499 Missale Romanum M 114 27 VIII 1499 Missale Ambrosianum M 29 (for Nicolao, priest) Io IX 1500 Bonaventura, Regula Musicae Planae M(W) 6 (for Giovanni de Legnano) Ponte, Gottardo da io XI 1500 Gaffurio, Opus Musicae ? 11* Scinzenzeller, Ulrich I6 XII 1479 Missale Romanum B 49 (with Leonard Pachel) 31 VII 1480 Missale Romanum B 50 (with Leonard Pachel) 18 IX 1481 Missale Romanum B 53

(with Leonard Pachel) VIII 1482 Missale Romanum ? 59 (with Leonard Pachel) 28 IV 1486 Psalterium Ambrosianum M 148 (with Leonard Pachel for Gasparo Lampugnano) I VIII 1486 Missale Ambrosianum B 25 (with Leonard Pachel) Suardi, Paoli See Carcano, Antonio Valdarfer, Christoph 15 III 1482 Missale Ambrosianum M 24 I XI 1482 Missale Romanum M 61 Zarotto, Antonio 6 XII 1474 Missale Romanum B 39 [for Montano & Orsoni] 23 III 1475 Missale Ambrosianum B 23 [for Marco Roma]

Printer, Date Author, Title Music Duggan No Milan, cont 26 IV 1476 Missale Romanum B 41 [for Marco Roma] I7 1 1478 Missale Romanum B 45 [for Marco Roma] 27 IX 1479 Missale Romanum B 48 8 xI 1481 Missale Romanum B 54 1482 Missale Ord Praedicatorum B 132 [28 IV 1486] Magnificat B 21 [1487] Rituale Ambrosianum M 152 I III 1488 Missale Ambrosianum M 26 (for Andrea de Bosis) I V 1488 Missale Romanum M 75 1490 Missale Ambrosianum ? 27* i VIII 1492 Missale Romanum M 90 I VII I496 Psalterium Ambrosianum M I49 (for Nicolo Gorgonzola) I x 1498 Missale Romanum M IIo

Naples

Bantono, Ayolfus de See Cantono, Ajolfo de Cantono, Ajolfo de 5 VI I494 Missale Romanum ? 97* Dino, Francesco di 8 x 1480 Gaffurio, Theorica Musicae B 14

Gontier, Antoine See Preller, Christian Moravus, Matthias 1477 Missale Romanum B 44 16 III 1482 Missale Romanum B 57 29 III 1483 Missale Ord Praedicatorum B 133 (for Francesco Palmieri) Palmieri, Francesco See Moravus, Matthias Preller, Christian [1490] Missale Romanum M 83 [for Antoine Gontier?]

Parma

Moilli, Damiano, & Bernardo Moilli Io IV 1477 Graduale Romanum M 16

Printer, Date Author, Title Music Duggan No.

Pavia

Beretta, Giovanni Antonio 6 VI 149 Missale Romanum S 86 (with Francesco Girardengo) Girardengo, Francesco i IV 1484 Missale Romanum M 65 13 IV 1484 Reissue of above 6 VI 1491 Missale Romanum S 86 (with Giovanni Antonio Beretta) 1495 Missale Auscitanum M 30

Rome

Han, Ulrich 2 IV 1475 Missale Romanum B 40 2 x 1476 Missale Romanum M 42 0o XII 1477 Officium Imm Concep BVM B 143 Planck, Stephan 5 III 1482 Missale Romanum M 56 20 XII 485 Pontificale Romanum M I45 22 XII 1488 Missale Romanum M 78 1492 Missale Romanum ? 92* 27'X I494 Missale Romanum M 99 11 III 1494 Manuale Baptisterium Secundum Morem M 22 Romanae Ecclesiae 31 X 1496 Missale Romanum M I02 I6 VIII 1497 Pontificale Romanum M 146 Silber, Eucharius 7 III 1493 Verardus, Historia Baetica M(W) 156 printer unknown 1492 Verardus, Historia Baetica ? I55*

Turin

Benedicti, N de ii [X I492 Missale Romanum B 9I (with Giacomino Suigo) Suigo, Giacomino iI [X 1492 Missale Romanum B 91 (with N de Benedicti)

Printer, Date Author, Title Music Duggan No.

Venice

Arrivabene, Giorgio 4 XII 1482/1483 Missale Romanum M 63 (with Bernardino Benali & Paganino Paganini) 27 IX 1484 Missale Romanum M or S 67 (with Paganino Paganini) 29 V I499 Missale Romanum M iI5 Barrevelt, Gerard See Hamman, Johann Benali, Bernardino 4 XII 1482/1483 Missale Romanum M 63 (with Giorgio Arrivabene & Paganino Paganini) i5 VIII 1484 Missale Romanum M 66 [14901 Missale Romanum M 84 (for Luca Antonio Giunta) Beretta, Giovanni Antonio 29 IX 1492 Missale Claromontense B 32 (with Francesco Girardengo) Bevilaqua, Simone See Gabi, Simone (called Bevilaqua) Blavi, Bartolomei de' 2 VII 1482 Missale Romanum B 58 (with Andrea Torresani & Maffeo de Salodio) Emerich, Johann, of Speier [14??] Missale Romanum ? 37* o1 XI 1487 Missale Parisiense S 35 (with Johann Hamman) 25 XII 1492 Breviarium Ord Praedicatorum B 7 28 IV 1493 Missale Romanum M(W) 93 I3 VIII 1494 Missale Romanum M 98 (for Luca Antonio Giunta)

9 X 1494 Processionarium Ord Praedicatorum M 147 (for Luca Antonio Giunta) 30 IV I495 Liber Catechumeni M 18 (for Luca Antonio Giunta) 3 X 1495 Missale Strigoniense S 123 14 VII 1496 Missale Romanum M io (for Luca Antonio Giunta)

Printer, Date Author, Title Music Duggan No. Venice, cont.I0 XI 1497 Missale Romanum M Io6 (for Luca Antonio Giunta) 28 VI 1498 Missale Romanum M 109 (for Luca Antonio Giunta) 15 X 1498 Missale Romanum M III (for Luca Antonio Giunta) 26 II 1498/1499 Missale Strigoniense S124 (for Johann Paep) 24 IV 1499 Missale Quinque Ecclesiae S 36 (for Johann Paep) 29 VI 1499 Missale Messanense M 34 28 IX 1499/1 III I500 Graduale Romanum M 17 (for Luca Antonio Giunta) 5 III 1500 Missale Ord. Praedicatorum M 139 (for Nikolaus von Frankfurt) 31 III 500oo or I IV 1502 Missale Strigoniense S 125 (for Johann Paep) 6 VI 1500 Liber Catechumeni M 20 (for Luca Antonio Giunta) 24 VII 1500 Missale Segoviense M 121 (for Guido de Lavezari & Soc.) Franck, Theodor, of Wurzburg 21 III 1480 Niger, Grammatica N 142

(for Johann Lucilius Santritter) Frankfurt, Nikolaus von 1484 Missale Romanum S 68 1484 Missale Ord. Praedicatorum S 134 1485 Missale Romanum S 7i 1487 Missale Romanum S 74 See also Emerich, Johann, of Speier; Hamman, Johann Frederic of Egmont See Hamman, Johann Gabi, Simone (called Bevilaqua) Romanum 27 IV 1487 Missale M 73 ([for] Paganino Paganini) [3 V I487 Missale Ord. Praedicatorum ? 135* i3 V 1497 Missale Ord. Praedicatorum M 138 31 11497/1498 Missale Romanum M I07 15 III I498 Missale Romanum ? 108* (for Paganino Paganini) 10 I 1499 Missale Romanum M 113 (for Paganino Paganini) I500 Missale Ord. Praedicatorum ? 141*

Printer, Date Author, Title Music Duggan No Girardengo, Francesco I IV i484 Missale Romanum M 65 13 IV 1484 Reissue of above 29 IX 1492 Missale Claromontense B 32 (with Giovanni Antonio Beretta) Giunta, Luca Antonio 8 III 1500 Missale Ord Praedicatorum ? 40* See also Benali, Bernardino; Emerich, Johann, of Speier Hamman, Johann Io XI 1487 Missale Parisiense S 35 (with Johann Emerich of Speier) 15 X 1488 Missale Romanum M 77 14 III 1490 Missale Burgense S 31 I3 VII 1491 Missale Romanum M 87 I VI 1492 Missale Valentinum M 128 (for Andrea de Zavarisio) i VII 1493 Missale Romanum M 94 (for Nikolaus von Frankfurt) I XII I493 Missale Romanum M 95 (for Ottaviano Scoto) II 1493/I494 Missale Strigoniense M 122 I IX 1494 Missale Sarisburiense M I18 (for Frederic of Egmont & Gerard Barrevelt) i XII 1494 Missale Sarisburiense M 119 (for Frederick of Egmont) I II 494/1495 Missale Ord Praedicatorum M I36 (for Ottaviano Scoto) 23 I I495/1496 Agenda Aquileiensis S I (for Johann Volkarth) 5 VI 1497 Missale Romanum M 104

(for Ottaviano Scoto) 13 IX 1498 Agenda Pataviensis M 2 (for Johann Petri) Jenson, Nicolas I V 1479 Missale Romanum B 47 Koln, Johann von 23 VIII I480 Missale Romanum B 5 (with Johann Manthen) Lavezari, Guido de See Emerich, Johann, of Speier Madi, Francesco de' 1485 Spechtshart, Flores Musicae ? I54* Manthen, Johann 23 VIII 1480 Missale Romanum B 5 (with Johann von Koln) Modes, Franciscus See Madi, Francesco de'

Printer, Date Author, Title Music Duggan No. Venice, cont. Novimagio, Rinaldo de io IV I491 Missale Romanum M 85 Paep, Johann See Emerich, Johann, of Speier Paganini, Paganino 27 IV 1487 Missale Romanum M 73 See also Arrivabene, Giorgio; Benali, Bernardino; Gabi, Simone Paltasichi, Andrea I I I1I 485/I486 Missale Romanum S 72 Paolo of Trent (Comin da Trino) See Pinzi, Filippo Pensi, Cristoforo de 3 X 1489 Missale Romanum M 80 13 IX 1490 Missale Romanum M 82 Petri, Johann See Hamman, Johann Piasi, Piero di 10 XI 1485 Missale Romanum M 69 Pinzi, Filippo 29 III 1494 Missale Romanum M 96 i6 III 1495 Missale Romanum M o00 (for Comin da Trino) Ragazzoni, Teodoro 15 xII 1489 Missale Romanum M 81

Ratdolt, Erhard [14831 Missale Romanum ? 64* i8 III 1486 Missale Strigoniense S121 S aladio, Maffei de 2 VII 1482 Missale Romanum B 58 (with Bartolomei de' Blavi & Andrea Torresani) Santritter, Johann Lucilius See Franck, Theodor, of Wurzberg Scoto, Ottaviano 29 XII 1481 Missale Romanum B 55 31 V[II 1482 Missale Romanum S 60 28 KI 1482 Missale Romanum S or M 62 24 XII 1482 Missale Ord. Praedicatorum M 3 I

Printer, Date Author, Title Music Duggan No Venice, cont See also Hamman, Johann Sessa, Giovanni Battista 1490 Missale Romanum M 112 [not before 1493 or after 1498] 8 X 1497 Missale Romanum M I05 31 XII 1498 Liber Catechumeni M 19 21 XI 1499 Compendium Musices M(W) io Siliprandi, Alvise, & Domenico Siliprandi 20 IX 1477 Missale Romanum B 43 Torresani, Andrea 2 VII 1482 Missale Romanum B 58 (with Bartolomei de' Blavi & Maffeo de Salodio) 30 XII 1496 Missale Ord Praedicatorum M 137 15 V 1497 Missale Romanum M I03 Torti, Battista 29 X 1489 Missale Romanum M 79 Torti, Battista, & Soc 3 VIII 1481 Missale Romanum B 52 Trino, Comin da See Pinzi, Filippo Volkarth, Johann See Hamman, Johann Zavarisio, Andrea de See Hamman, Johann Printer unknown [1480-1490] Missale Ord Eremitarum S Augustini ? 129* [1483?] Missale Toletanum B 126 [1485-1490] Missale Romanum B 71 1499 Missale Romanum ? 16* 15 XII I500 Missale Romanum ? 117*

Verona

Maufer, Pierre 27 VIII 1480 Missale Strigoniense B 127 27 VIII 1480 Missale Ultramontanorum B 127

[Central Italy, s.t., a.]

Printer unknown [ca 1472?] Missale Romanum B 38

Concordance

1—
Duggan Numbers (D) and Catalogues of Incunabula:
Hain (H), Copinger (C), Reichling (R), Gesamtkatalog der Wiegendrucke (GW), Accurti (Aliae Ed., Ed S XV)

H D H D H D 366 I 11363-36 11399 91 373-I 1364 40 I1400* 93 374 2 11365 41 I140* 94 2767 2 I1366 42 11402 95 3576* 5 11367* 44 I1404* 95 4145* 8 I1368 45 11405 96 4819 9 11369 48 11406 98 7404 14 11370 47 11407 99 7405 15 11371-49 11408* 100 7406 15 11372 51 11409 104 7407 12 I1373-55 11410 I06 7408 13 11375 55 11411 103 7409 II* 11376 60 11412* 105 7844 17 11377* 56 11413 107 I 0121-20 11378* 58 11414* III 10122-20 11379 91 11415 114 11254 23 11380 63 11417 141* 11255 24 11381 63 11422 118

11256 26 11382 68 11428 127 [1257 29 11383 65 11432 122 11289* 131 11385 65 11857-142 [1290 133 11386* 67 11858* 142 11291* 134 11387* 72 13285 145 11292t 135* 11389* 74 13286 146 1293 136 11391* 78 13287* 146 11294* 137 11392* 77 13381* 147 11295 138 11393 79 13852-151 11296 139 11394 82 14895 153 11304 33* 11395* 112 15939 —155* [1340 35 11396 86 15940 155* 11355 36 11397 87 15941* 156 (1361?-82 11398 90 15943-156 NOTE: A number preceded by a dash indicates the unnumbered item that follows that number.

R D R D R D 271 142 1176 i6 III 109 24 591 20 1277 75 III 109 26 632 64* 1367-I52 III 109 28 715-152 1580 80 V 195 I30 995 25 1591-142 V 197 57 997 39 1786-17 I 96 52 998 51 i850-149 App 1343 I50 II5I 4 11203 i8 C D C D C D 128-I 4185 83 4208 i06 486a-2 4186 43 4211 109 1200-6 4187 53 4212 108* 1290 7 4188 52 4213 113 3571 18 4189 57 4214 115 3572 19 4190 60 4216 116* 4079 28 4190-62 4217 I17 4098-30 4191 62 4228 119 4105 I30 4192-62 4235-120 4106-130 4193 63 4237 121 4112 32 4196-62 4238 123 4113 32 4197 66 4240 124 4123 140* 4198 70 4241 125 4125 127 4199 69 4261 128 4128 129* 4200 73 4514 144 4129-26 4202 8I 4937 148 4138-130 4203 85 4943-149 4168 34 4204 86 5091-151 4182 71 4206 89 5863-154 4183 84 4207 102 III 275 36 GW D GW D GW D 453-1 5227 7 1216-I 459 I 5796 8 IV 496-6 473 2 6441 9 ms 22 2061-2 7263 Io ms 37 2066-2 10434 12 ms 57 4833 4 10435 3 ms 58 4834 5 10436 14 ms 97 4835 6 10437 15

Accurti D Accurti D Accurti D Aliae Ed., p 5o 31 Ed S XV, ii3 1I43 Ed S XV, 135 149 Aliae Ed., p 63-2

2—
Duggan Numbers and Union Catalogues of Incunabula:
Proctor (P), BMC, IGI, Goff, Pellechet, CIBN

P D P D P D 3670 145 5194 120 5819a 21 3721 146 5I95 119 5835a-20 3867 156 5493 7 5933 50 4451 43 5496 147 6055 15 4498 142 5499 o06 6067 12 4572 131 5502 17 6565 8 4742 138 5503 139 6703 133 4800 135 5505-2 6995 13 4803 74 5589-6 7077 86 4908 67 5594 10 7423 91 5189a 94 5689 84 12555-154 519I 95 5790 23 13014-120 5192 128 BMC D BMC D BMC D IV 25 144 V 425 94 V 789 12 Iv 86 I45 v 426 118 vI 807 8 IV 99 146 v 480-81 112 VI 832 144 IV 114 156 v 538 7 VI 864 133 v lii 6 V 538-89 93 vI 867 14 v I96 55 v 539 I47 VII lviii n 2 65 V 260 43 V 540 106 VII 979 13 V 277 131 V 541 III VII 1i05 86 V 277 62 V 541 17 VII 1130 102 V 281 142 V 542-2 VII 114o 94 V 32 137 V 591 84 XII 18-60 v 326 79 VI 152 21 XII 51 74 v 335 I34 I 713 23 xII 55 9 V 335 74 I 734-20 Xl 55 I5 v 353 72 VI 748 50 xII 56 12 v 382 67 VI 752-53 148 xII 58 8 v 425 136 vI 785 15 xi 63 14

IGI D IGI D IGI D 118 I 6592 46 6633 98 1952 3 6593 47 6634 99 1953 4 6594 49 6635 Ioo 1954 5 6595 50 6636 iOI 1955 6 6596 51 6637 102 2278 8 6597-55 6638 107 4112 12 6598 52 6639 104 4113 13 6599 53 6640 105 4114 14 6600 54 6642 106 4115 15 6600 55 6643 112 4355 16 6602-62 6643A 109 4357 17 6603 56 6644 IIO 5753-17 6604 57 6645 III 5754 18 6605 58 6646 113 5755 19 6606 59* 6647 114 5756 20 6607 60 6648 115 5767-20 6608 62 6649 117 5768-20 6610-62 6651 118 6542 23 6611 63 6652 119 6543 24 6613 68 6908 142 6544 25 6614 67 8020 145 6545 26 6615 70 8021 146 6546 28 6616 72 8071 147 6547 29 6617 69 8148 148 6560 130 6618 76* 8149 149 6570 34 6619 77 8500-149 6577 132 6620 79 8157-149 6577A 134 6621 80 81600 49 6578 131 6622 81 8278 151 6579 133 6623 82 8279 150 6580 136 6624 85 8381 152 6581 137 6625 86 8382-151 6582 138 6626 87 8383-152 6583 139 6627 88 8384-152 6586 39 6628 89 10146 156 6587 40 6629 90 1252-6 6588 41 6630 93 V 208 154 6589 42 6631 94 V1241 55 6590 44 6632 95 V1241 94 6591 45

Goff D Goff D Goff D A158-I M690 52 M711 104 A165 2 M691 55 M712 105 B973-6 M692-55 M713 106 B1331 8 M692a 58 M714 III G3 12 M693 62 M7 15 14 G4 13 M696 63 M7 6 115 G5 14 M698 72 M717 71 G6 15 M699 69 M724 124 G332 17 M700 70 M725 125 L198 20 M701 74 M735-82 L230-20 M701a 17* N226 142 L231-20 M702 78 N227-142 M636 131 M703 112 P933 145 M637 132 M704 83 P934 146 M638 133 M705 89 P998 147 M639 136 M706 91 P1060 148 M640 137 M707 93 R201 144 M641 139 M708 94 S636 153 M642 130 M709 95 T415b 54* M643 38 M710 Ioo V124 156 M689 42 M710a IOI V126-156 Pellechet D Pellechet D Pellechet D 811-2 8073 (8005) 44 8096(8026) 107 2719 5 8074 (8006) 43 8097 (8027) III 3098 8 8075 (8007) 47 8098 (8028) 115 4947 14 8076 (8008) 48 8103 (8033) 130 4948 15 8077 (8009)-55 8104 (8034)-30 4949 12 8078 (8009)-55 8018 (8038) 133 4950 13 8079 (8010) 55 8009 (8039) 134 5288 17 8080 (8001) 63 8110(8040) 136 7976 (7912) 23 8082 (8013) 65 8111 (8041) 138 7977 (7913) 24 8083 (8013) 65 8112 (8042) 137 7978 (7914) 29 8084(8014) 66 8113(8043) 139 7989 (7924)-30 8085 (8015) 72 814 (8044)-30 8002 (7935) 32 8087 (8017) 75 8115 (8045) 62 8003 (7936) 32 8088 (8018) 77 8563 (8452) 142 8032 (7937)-34 8089 (8019) 78 9690 (9510) 145 8038 (7970) 35 8091 (8021) 85 9691 (951) 146 8056 (7987) 119 8092 (8022) 87 01629 153 8071 (8003) 41 8093 (8023) 90 11457 156 8072 (8004) 42 8094 (8024) 96

CIBN D CIBN D CIBN D M392 23 M450 55 M465 98 M394 130 M451 -55 M466 107 M398 133 M452 -62 M467 105 M399 134 M453 62 M468 III M400 136 M454 65 M469 115 M401 137 M455 66 N142 142 M402 148 M458 75 P579 145 M437 35 M459 77 P580 146 M444 41 M460 78 P617 147 M445 42 M461 71 P666 149 M446 43 M462 85 S325 153 M447 44 M463 90 V90 156 M448 47 M464 94 11267 -130 M449 48

3—
Duggan Numbers (D) and Catalogues of Liturgical Incunabula:
Weale-Bohatta, Catalogus Missalium (W); Weale-Bohatta, Liturgische Bibliographie (LB)

W D W D W D 18 2 887 84 945 109 26 23 888 66 946 III 27 24 889 67 947 105 28 25 891* 65 947 III 29 -25 891a 65 948 113 30 26 892 68 949 114 31* 27* 895 69 950 115 32 28 896 72 952* 116* 33 29 897 70 953 71 120 30 898 117 957* 117* 176 -30 899 73 958 117* 177 32 900 74 959* -117* 592 33 902 75 959* 141* 661 -34 903 76* 961 -117* 700 35 904 77 968 71 804 36 905 78 1330 -62 840* -82 907 79 1390 118 842* 36 908 80 1391 119 849 III 909 81 1455 120 851 37* 912 84 1473 120 852 39 913 82 1488* 127 853 40 914 -84 1491* 120 854 41 914 112 1492 121

W D W D W D 855 42 915 85 1495 122 856 43 916 86 1496 123 857 44 917 87 1498 124 858* 45 920 89 1499 125 859 47 921* 91 1529 126 860 48 922 90 1606-126 864 50 923* 92* 1607 127 865 51 924 93 1616 128 866 52 925 94 1800-130 867 53 926 95 800-130 868 54 927 96 1803 129* 870 56 928 97* 1815 131 871-56 929 98 1816 133 872 55 930 99 1817 134 873 57 931 100 1818 135* 874 58 933 Ioi 1821-135 875 60 934 102 1822 136 876* 92 935 102 1823 137 877 62 937 103 1824A 138 878-62 938 014 1825 139 879* 60 939 105 1826 140* 880*-62 941 106 1884 130 882 64* 942 107 1885 130 883-62 943 112 p.329 49 884 63 944* 18* LB D LB D LB D 2-I 724 18 915-150 15-2 725 19 945 149 17-I 726 20 946 148 27-2 777 145 1046-149 28-2 778 146 1053-152 360 7 782 147 1054-152 704 17 723 144

4—
Duggan Numbers and Catalogue of Music Incunabula:
Meyer-Baer (M-B)

M-B D M-B D M-B D 7 2 136 72 167 71 10-2 137 74 179 120 II-2 138 75 180 119 20 17 139 77 189 124 22-17 140 78 190 125 22 147 141 79 209-130 23 20 142 84 211 132 24 21 143-84 212 131 34 23 143 112 213 133 35 24 144 85 214 134 36 29 145 86 215 136 58 32 147 89 216 137 59 32 148 91 217 138 97 35 149 90 218 139 118 41 150 93 219 130 119 42 151 94 220-130 120 43 152 95 221 38 121 44 153 98 229 145 122 47 154 100 230 146 123 48 155 102 234-147 124 50 156 104 235 147 125 55 157 105 236-149 126 55 158 106 254 144 127 62 159 107 P.7-20 129 63 160 112 p.21 55 130 84 161 112 p.22-62 131 66 162 109 p.22-62 132 67 163 III p.23 69 133 65 164 114 p.42 148 134 65 165 115 p 61 117*