| Chaucer and the Fictions of Gender |
| Acknowledgments |
 | 1 — Introduction |
| • | False Men in the Legend of Good Women |
| • | Feminist Chaucer? |
| • | "Feminization" and "Chaucer" |
| 2 — The Wife of Bath and the Mark of Adam |
| 3 — The Death of the Duchess |
| • | The Feminization of the Black Knight and the Narrator |
| 4 — "We Wrechched Wymmen Konne Noon Art": Dido and Geffrey in the House of Fame |
| • | Dido and the Critics |
| • | Dido and White |
| • | Dido and Geffrey |
| 5 — Female Indecision and Indifference in the Parliament of Fowls |
| 6 — Troilus and Criseyde: "Beth War of Men, and Herkneth What I Seye!" |
| 7 — The Powers of Silence: The Case of the Clerk's Griselda |
| 8 — "Women-as-the-Same" in the A-Fragment |
| • | The Knight's Tale |
| • | The Miller's Tale |
| 9 — The Merchant's Tale, or Another Poor Worm |
| • | January's Fantasy |
| • | May's Awakening |
| 10 — Making Ernest of Game: The Franklin's Tale and Some Partial Conclusions |
| • | Dorigen's Power |
| • | Dorigen's Punishment |
| Index |
| • | A |
| • | B |
| • | C |
| • | D |
| • | E |
| • | F |
| • | G |
| • | H |
| • | I |
| • | J |
| • | K |
| • | L |
| • | M |
| • | N |
| • | O |
| • | P |
| • | Q |
| • | R |
| • | S |
| • | T |
| • | V |
| • | W |
| • | Y |
