previous sub-section
next sub-section

O

O'Brien, Geoffrey, 192

Obsession (1976), 29

Oedipal narrative:

of Always, 8 , 18 , 117 fig., 122 , 124 ;

of La Bamba,110 ;

of Close Encounters,124 ;

of Dracula films, 268 –69;

of East of Eden,121 –22;

of E.T., 123 , 124 ;

of High Heels,207 –9;

of Hook, 124 , 128 n14;

of Indiana Jones,124 , 128 n13;

of The Jazz Singer 1927, 96 , 97 ;

of Kusturica's films, 182 –83;

of The Man Who Knew Too Much 1955, 59 –60, 62 , 63 –64;

reconciliatory conclusion of, 98 –100;

remakes' ties to, 7 –8, 18 , 125 –26, 129 nn16,17, 182 , 329 , 332 .

See also Reconciliation

Oland, Warner, 192

Oldham, Gary, 252 fig., 266 , 274 n12

Oliver, King, 113 n9

Olivier, Laurence, 104

"One More Look at You" (song), 89 , 90

"Openings" (musical theme), 157 , 158

Originals:

autographic arts as, 297 –98, 300 ;

history's tension with, 328 –30;

literary works as, 295 , 296 ;

mythological narrative and, 287 –89;

status of, in adaptations, 284 –86, 289 –90, 333 –34n2.

See also Film originals

Orpheus (1949), 273 n4

Ortega y Gasset, José, 163

Ory, Kid, 107 , 112 –13n8

Ostrander, John, 292 –93n14

Outland (1981), 30

Out of the Past (1948), 29

Overture to Glory (1940), 100


previous sub-section
next sub-section