Play It Again, Sam "d0e15546"

F

Fairbanks, Douglas, 70

Fairy tale allusions, 139

Fairy tale musical, 92 n4, 98 . See also Musical remakes

Farewell, My Lovely (1975), 29

Farrar, David, 226

Farrell, Mike, 322

Fassbinder, Rainer Werner, 202

Fatal Attraction (1987), 49

Faulkner, William, 23 , 152 , 153

Fell, John, 280

Fellini, Federico, 124 , 280 , 292 n6

Feminist critique:

of female fetishism, 211 ;

of postmodernism, 209 –10, 213 , 215 n11

Femme fatale cliché, 214

La Femme Nikita (1990), 29

Ferrara, Abel, 16

Fetishism:

bestial origins and, 271 –72;

foot, 208 –9;

motherhood and, 210 –12

Fiction. See Novel, the

Field, Sally, 324

Film:

centennial celebration of, 10 ;

comics' adaptation of, 281 , 282 fig., 283 , 292 n8;

cultural identity issues of, 16 –18, 20 ;

dialogue/gesture relationship in, 299 –300;

imagery's significance to, 132 –33;

iterability structure of, 147 –48, 149 , 154 ;

life span of, 310 ;

perception/representation in, 258 ;

presence/absence paradigm of, 238 –39, 242 –43, 245 –46;

prose fiction and, 286 ;

radio's promotion of, 295 –97, 307 –8;

self-referentiality of, 242 , 248 ;

semiotic field of, 25 ;

television's ties to, 179 –80, 311 ;

translation of comics to, 9 , 283 –84, 285 –86, 290 ;

use of allusion in, 35 –38, 50 –51n2.

See also Film originals; Film remakes; Foreign films; Hollywood films

Film clips:

as cinematic allusions, 134 , 135 , 136

Film director:

auteur theory of, 286 ;

as celebrity, 35

radio-program role of, 296 –97, 307 –8

Film originals:

cultural identity issues of, 15 –18, 20 ;

indeterminate status of, 230 , 231 ;

oedipal significance of, 8 , 125 –26, 129 nn15–17, 329 ;

remake categories based on, 126 n1;

re-representation of, 2 , 5 –6, 173 –74;

semiotic field of, 25

Film remakes:

adaptations vs. , 31 , 284 ;

canonized vs. popular sources of, 284 –85;

categories of, 126 n1;

as cross-cultural makeovers, 4 –5, 8 , 172 –73;

of director's own work, 52 , 67 n1;

of foreign films, 5 , 8 , 149 –51, 171 n8;

historical/cultural context of, 6 , 16 –18, 20 , 97 , 163 , 327 –28, 329 ;

intertextual processes of, 2 –5;

iterability structure of, 147 –48, 149 , 154 ;

motivations for making, 5 –6, 18 –19, 115 , 126 nn1,2, 328 ;

as mythmaking expression, 166 –67, 328 ;

oedipal inflections of, 7 –8, 18 , 125 –26, 129 nn16,17, 182 , 329 , 332 ;

re-representation process of, 2 , 5 –6, 173 –74;

semiotic field of, 25 ;

and sequels-series films, 91 –92n1;

taxonomy of, 28 –31, 284 ;

unexamined aspects of, 332 –33, 334 n3.

See also Film; Adaptations; Allusions; Makeovers; Musical remakes; Translation

First Blood (1982), 170

Fischer, Lucy, 8 , 27 , 332

Fisher, Terence. See The Horror of Dracula (1956, Fischer)

A Fistful of Dollars (1964), 29 , 170

Fitzcarraldo (1982), 134

Five Easy Pieces (1970), 134

Flash Gordon (1936 film serial), 285

Flash Gordon (1980), 285

Fleischer, Richard, 95 , 105

Fleming, Victor, 116 , 122

The Flintstones (1994), 29

The Fly (1958, 1986), 169

Flynn, Errol, 71 , 72 fig.

― 347 ―

Folklore:

"basic story" of, 96

Folk musical, 92 n4, 98 . See also Musical remakes

Fonda, Henry, 296

Fonoroff, Paul, 192

Foot fetishism, 208 –9. See also Fetishism

Ford, Harrison, 117

Ford, John, 4 , 35 , 178 ;

and codes of behavior, 305 ;

Kusturica's ties to, 180 –81;

radio-adapted films of, 295 ;

radio-program role of, 296 –97, 300 ;

as television director, 307 ;

use of offscreen space by, 305 –6.