Y

Yablans, Frank, 328 -329

Yates, George Worthington, 265 -266

Yates, Herbert, 263 , 350 , 351 , 361 -362

Yordan, Philip, 4 , 6 , 8 , 9 , 11 , 157 -158, 179 -184, 337, 369 , 377 ;

interview, 330 -381;

introduction, 330 -338;

filmography, 338 -340;

"anti-filmography," 341 -343;

coming to Hollywood, 343 -344;

acting and writing background, 344 -346;

middle-class Chicago roots, 345 ;

on William Dieterle and The Devil and Daniel Webster,331 , 343 -344, 346 -347, 348 , 360 -361, 362 -363, 371 ;

the King brothers and Monogram, 346 -350;

writing habits, 350 -352;

Johnny Guitar,351 -354;

The Bravados,354 -356;

Nicholas Ray vs. Anthony Mann, 356 -359;

"surrogate writing," 359 -364;

on Ben Maddow, 332 -334, 359 -361;

the blacklist, 360 -361;

on Irving Lerner, 331 , 332 , 359 -363, 375 ;

on Sidney Harmon, 331 , 360 -362, 375 , 380 ;

an Oscar for Broken Lance,363 -364;

Dillinger's Oscar nomination, 364 ;

genre versatility, 364 -371;

Sam Bronston and working in Europe, 367 -370;

recent credits, 370 -371;

self-appraisal, 371 -377;

on George Pal, 373 -374;

favorite films, 374 -377;

Detective Story,374 -375;

Studs Lonigan,375 ;

King of Kings,330 , 366 , 367 -369, 372 ;

The Harder They Fall,330 , 375 -376, 379 ;

Edge of Doom,377 -378;

challenges and gratification, 380 -381

Young, Loretta, 123