R

Racine, Jean, 89

Raft, George, 42

Rainer, Luise, 221 , 223 , 230 , 313

Rains, Claude, 259

Ralston, Vera Hruba, 263 , 361

Ransohoff, Martin, 326 -327, 328 -329

Raphaelson, Samson, 226

Rapper, Irving, 331

Rawlinson, A. R., 230

Ray, Aldo, 318 , 357

Ray, Nicholas, 7 , 182 , 286 -290, 292 , 307 -308, 315 , 331 , 332 , 351 -354, 356 -359, 362 , 367 -368, 370 , 371 -372, 380

Reagan, Nancy (Davis), 177 , 263

Reagan, Ronald, 170 , 263

Red Channels,49

Red Cross, 314

Redford, Robert, 130 , 151 -152, 153, 326

Reed, Carol, 252

Reed, Donna, 309 , 318 -321, 321

Reik, Theodor, 145

Reiner, Carl, 262

Reinhardt, Gottfried, 142 , 346

Reinhardt, Max, 212 , 225 , 346

Reinhardt, Wolfgang, 142 , 346

Reis, Irving, 322

Reisch, Walter, 7 , 8 , 9 , 10 , 43 , 123 , 205,239 , 255 ;

interview, 201 -245;

filmography in Europe, 206 -207;

filmography in U.S., 207 -208;

early career in Austria, 208 -211;

on Alexander Korda and Michael Curtiz, 210 -211;

on Count Kolowrat, 201 , 210 -211, 217 ;

first film script, 211 ;

approach to writing silent scenarios, 211 -212;

working in Berlin, 212 -218;

on Hans Albers, 213 -214;

working with director Carl Froelich, 214 ;

working with director Geza von Bolvary, 215 ;

writing song lyrics, 215 -216;

Erich Pommer and UFA, 216 -217;

F.P. 1 Does Not Answer (F.P. 1 antwortet nicht),217 ;

working with Gustav Ucicky, 217 -218;

return to Vienna and working with Willi Forst, 218 -219;

working for Korda in England, 219 -220;

coming to Hollywood, 220 -223;

boat trip with Louis B. Mayer, 220 -222;

discovery of Hedy Lamarr, 221 -222;

script collaboration at MGM, 223 -225;

Ernst Lubitsch and Ninotchka,225 -227;

on Charles Brackett, 203 , 204 , 205 , 226 -229, 232 -233, 236 -239, 240 -244, 245 ;

Comrade X, 228 ;

That Uncertain Feeling,228 -229;

The Heavenly Body,229 -230;

George Cukor and Gaslight,230 -232;

directing Song of Scheherazade,231 -232;

The Mating Season,232 -233;

adapting to Darryl Zanuck and Twentieth Century-Fox, 233 -235;

The Model and the Marriage Broker,235 -236;

Niagara, 236 -238;

Titanic, 237 -239;

return to directing in Germany, 239 -240;

The Girl in the Red Velvet Swing,240 -242;

Jules Verne and Journey to the Center of the Earth,243 -244;

approach to and philosophy of scriptwriting, 244 -245

Remarque, Erich Maria, 257

Resnais, Alain, 74

Revuers, The, 73 , 76 , 85

Reynolds, Debbie, 81,239

Richards, Sylvia, 316

Rilke, Rainer Maria, 204 , 240

Rimsky-Korsakov, Nikolay, 202 , 204 , 232

Ritt, Martin, 171 , 376

Ritter, Thelma, 232 -233, 235 -236, 238 -239

Rivkin, Allen, 263

Robbins, Jerome, 142 , 145 , 151

Roberts, Marguerite, 120

Robespierre, Maximilien, 357

Robinson, Edward G., 45 -47

Robson, Mark, 372 , 375 -376, 377 -379

Rochlin, Margy, 274

Rogers, Ginger, 141 , 243

Rogers, Will, 117

Romance, Viviane, 51

Romanoff, Mike, 241

Rooney, Mickey, 119

Roosevelt, Pres. Franklin D., 48 , 164

Rose, William, 191

Rosenberg, Aaron, 325 -326

Rosenberg, Ruby, 266 -267

Rosenman, Leonard, 286

Ross, Herb, 154

Rossellini, Roberto, 252

Ruhmann, Heinz, 255

Rukeyser, Muriel, 169

Russell, Harold, 314

Russell, Rosalind, 151 , 285

Ryan, Robert, 41 , 140,141 -142, 357

Rydell, Mark, 22 , 23 -24