Preferred Citation: Ghannam, Farha. Remaking the Modern: Space, Relocation, and the Politics of Identity in a Global Cairo. Berkeley:  University of California Press,  c2002 2002. http://ark.cdlib.org/ark:/13030/ft109nb0bn/


 
Gender and the Struggle over Public Spaces

SEEING AND PRIVACY

As mentioned in chapter 2, the living room is the main space where family members interact with each other and with visitors. They eat, drink tea, and watch television in this room. Like the maglis in Lebanon (Gilsenan 1982) and the mafraj in Yemen (Gerholm 1977), the saala is on the border of the private and public. During daytime, it is public and open to visitors (both men and women), while at night it is privatized and used as a bedroom for family members. Both men and women tend to secure their privacy in this space by dressing modestly. In addition, when the doors of opposite apartments face each other, families who can afford it have added a new half-wall that separates the living room from the kitchen and creates a space called turqa (corridor or hallway). Without this wall, the saala is exposed to the eyes of the neighbors when the door is open (see Figure 8). The new turqa makes it possible for the person who


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figure

FIGURE 8: Families who can afford it add a new half-wall that separates the living room from the kitchen and creates a space called turqa (corridor). This wall blocks one's view of the living room from the apartment doorway or from other rooms in the apartment and provides visual protection for family members, especially when they sit on the floor to eat.

answers the door to have full control over the interaction with the visitor. Here it is important to notice that there is a strong relationship between seeing and the sense of privacy. The new arrangement allows Um Walid to secure the protection of certain actions. She needs visual protection, for instance, to avoid certain undesirable social obligations, especially sharing food, with neighbors. Um Walid not only closes the apartment door before serving the food but also hides the meat under the rounded table (tabliya) until the time for its distribution (usually toward the end of the meal) to her family members. If neighbors see the meat, they should be invited to have some. It is the act of seeing (and not smelling, for instance) that makes it obligatory to share the food. Privacy in this sense “appears as an escape from the demands and burdens of social interaction” (Moore 1984: 14).

Central to the regulation of the relationship between the self and others is the control of what, when, and how the self is to be seen by others. Here it is important to point out that regulating acts of seeing does not mean a total shielding from the eyes of others, as argued in relation to “the Islamic city” (see Abu-Lughod 1987). Rather, it is the attempt to control who sees whom and under which conditions. Thus, while young women are encouraged, and in many cases required, to wear the scarf to have access to the workplace and other public spaces, they are allowed to dress in fancy clothes, wear full makeup, fix their hair, and dance in front


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of male and female guests in weddings and birthday parties that often take place in the street. This is a celebration of their beauty, sexuality, and skills as dancers. As long as it takes place under the gaze of the family and the rest of the community (men and women), dancing is not stigmatized or prevented.

At the same time, sharing a bed with a sister, a mother, or a female visitor is accepted. Daughters may prefer to sleep in the same bed with their mothers in winter to keep warm or simply because they feel lonely when sleeping in separate beds. But, the apartment, which may be the most private space, becomes more “public” for women at night. Female members wear pants under their long dresses (galaliib) because the rooms where they sleep are accessible to their male relatives, and mothers describe how the presence of children prevents them from wearing revealing nightgowns or using makeup. The body becomes the most intimate space that should be protected from the gaze of others. Similarly, sexual relationships change to a large extent after the birth of the first baby. Since children are not required to ask for permission before entering their parents’ room (when the parents have their own separate room), intimate relationships between couples are exclusively limited to nighttime and only after the children are completely asleep. Many women reported that they have not seen their husbands’ naked bodies for fifteen to twenty years. The body in this context becomes the most intimate space that should be protected and regulated. This protection is central to the meaning of privacy in al-Zawiya.

Rather than a separation between two domains, this notion of privacy rests on regulating encounters between the family and outsiders as well as among its members. This regulation is crucial to the negotiation of changes that people introduce to their units and that threaten to violate the privacy of others. This can be elaborated through revisiting the changes that people introduced to the main balcony, briefly examined in chapter 2. Over the last fifteen years, this balcony, which overlooks the public land in the middle of the square (murabba‘), has been changed in various ways that enable family members to see what happens in the center of the murabba‘. Because these balconies open on the middle of the murabba‘, they are not seen as violating the privacy of other families. No negotiations are required between neighbors to implement such changes. The situation is different when one family opens a new window that may expose the bedroom or the kitchen of another family. In this case, negotiations are needed, and families who are threatened by the gaze of the neighbors can prevent such changes. “Our neighbors allowed us to open


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a new window in the bedroom because they know that my sons are wellmannered and that they will not look at their apartment,” Um Hassan explains. This window, which overlooks the bedrooms in the opposite block, remains closed most of the time and is opened only in the night when it is hot to cool the bedroom or when Um Hassan lowers her basket to buy some groceries from the kiosk that is attached to their block. A certain resistance to being exposed to the gaze of others is manifested in balconies (usually on the ground floor) that have been covered with wooden shutters that do not allow passersby to peek inside the unit.

Privacy is a relational concept that is context bounded rather than a rigid dichotomy between two separate domains. Privacy here indicates all the actions that should be protected from the gaze of others (whether family members, neighbors, or officials). This makes it important to examine the role of social actors in negotiating and redefining the meaning of privacy. For example, domestic violence is considered “public” in that people are expected to step in to stop a fight between family members. Neighbors who fail to do so are blamed. Tension may escalate and relationships may be temporarily severed because one family did not interfere to mediate a conflict in the next-door apartment. This was painfully expressed in a story told by a female informant. One man used to beat his wife, but as soon as she started screaming, the neighbors rushed to help her. To avoid this interference, the man shifted to removing all his clothes before beating his wife. In this way, the man “privatized” an action that is considered public and managed to prevent others from helping the wife. Using his naked body, which should not be seen by others, the man managed to discourage others from helping his wife.


Gender and the Struggle over Public Spaces
 

Preferred Citation: Ghannam, Farha. Remaking the Modern: Space, Relocation, and the Politics of Identity in a Global Cairo. Berkeley:  University of California Press,  c2002 2002. http://ark.cdlib.org/ark:/13030/ft109nb0bn/