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Your search for
'Writing' in subject
found 5 book(s). | Modify Search | Displaying 1 - 5 of 5 book(s) | |
| 1. |  | Title: Rethinking home: a case for writing local history Author: Amato, Joseph Anthony Published: University of California Press, 2002 Subjects: History | Intellectual History | United States History | Writing Publisher's Description: Joseph A. Amato proposes a bold and innovative approach to writing local history in this imaginative, wide-ranging, and deeply engaging exploration of the meaning of place and home. Arguing that people of every place and time deserve a history, Amato draws on his background as a European cultural historian and a prolific writer of local history to explore such topics as the history of cleanliness, sound, anger, madness, the clandestine, and the environment in southwestern Minnesota. While dedicated to the unique experiences of a place, his lively work demonstrates that contemporary local history provides a vital link for understanding the relation between immediate experience and the metamorphosis of the world at large. In an era of encompassing forces and global sensibilities, Rethinking Home advocates the power of local history to revivify the individual, the concrete, and the particular. This singular book offers fresh perspectives, themes, and approaches for energizing local history at a time when the very notion of place is in jeopardy. Amato explains how local historians shape their work around objects we can touch and institutions we have directly experienced. For them, theory always gives way to facts. His vivid portraits of individual people, places, situations, and cases (which include murders, crop scams, and taking custody of the law) are joined to local illustrations of the use of environmental and ecological history. This book also puts local history in the service of contemporary history with the examination of recent demographic, social, and cultural transformations. Critical concluding chapters on politics and literature--especially Sinclair Lewis's Main Street and Longfellow's Hiawatha --show how metaphor and myth invent, distort, and hold captive local towns, peoples, and places. [brief] Similar Items |
| 2. |  | Title: Writing the character-centered screenplay Author: Horton, Andrew Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | Writing Publisher's Description: "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures.With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and "off-Hollywood" films, as well as television - the book offers creative strategies and essential practical information.Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays. Centering his discussion around four film examples - including Thelma & Louise and The Silence of the Lambs - and the television series, Northern Exposure , he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals.Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts. [brief] Similar Items |
| 3. |  | Title: Laughing out loud: writing the comedy-centered screenplay Author: Horton, Andrew Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Film | Writing Publisher's Description: Whoever wrote "Make 'em laugh!" knew that it's easier said than done. But people love to laugh, and good comedy will always sell. With the help of this complete and entertaining guide, writers and would-be writers for film and television can look forward to writing comedy that goes far beyond stereotypic jokes and characters. In Laughing Out Loud , award-winning screenwriter and author Andrew Horton blends history, theory, and analysis of comedy with invaluable advice.Using examples from Chaplin to Seinfeld, Aristophanes to Woody Allen, Horton describes comedy as a perspective rather than merely as a genre and then goes on to identify the essential elements of comedy. His lively overview of comedy's history traces its two main branches - anarchistic comedy and romantic comedy - from ancient Greece through contemporary Hollywood, by way of commedia dell'arte, vaudeville, and silent movies. Television and international cinema are included in Horton's analysis, which leads into an up-close review of the comedy chemistry in a number of specific films and television shows.The rest of the book is a practical guide to writing feature comedy and episodic TV comedy, complete with schedules and exercises designed to unblock any writer's comic potential. The appendices offer tips on networking, marketing, and even producing comedies, and are followed by a list of recommended comedies and a bibliography. [brief] Similar Items |
| 4. |  | Title: Backstory 3: interviews with screenwriters of the 1960s  Author: McGilligan, Patrick Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Film | Writing Publisher's Description: The Backstory series of unique "oral histories" chronicles the lives and careers of notable Hollywood screenwriters - in their own words. Backstory: Interviews with Screenwriters of Hollywood's Golden Age focused on the early sound era and the 1930s. Backstory 2 featured Interviews with Screenwriters of the 1940s and 1950s. Backstory 3 takes up the history of American screenwriting in the 1960s, through the experiences of fourteen key scenarists. These lively interviews, conducted by Pat McGilligan and others, feature Jay Presson Allen, George Axelrod, Walter Bernstein, Horton Foote, Walon Green, Charles B. Griffith, John Michael Hayes, Ring Lardner Jr., Wendell Mayes, Irving Ravetch and Harriet Frank Jr., Arnold Schulman, Stirling Silliphant, and Terry Southern.The series has proven useful and edifying for film students, scholars, and historians, for screenwriters and other professionals, and for film buffs in general. Applauded by reviewers and named among the "100 essential film books" by a Los Angeles Times -appointed panel, it is cited often and quoted in many film histories. [brief] Similar Items |
| 5. |  | Title: Toward a new poetics: contemporary writing in France: interviews, with an introduction and translated texts Author: Gavronsky, Serge Published: University of California Press, 1994 Subjects: Literature | Poetry | European Literature | Literary Theory and Criticism | Writing | French Studies Publisher's Description: A quiet revolution is taking place in avant-garde French poetry and prose. In this collection of twelve interviews with some of France's most important poets and writers, Serge Gavronsky introduces American readers to these exciting new developments.As Gavronsky explains, a neolyricism is now replacing the formalism of the 1960s, '70s, and '80s. In his substantial introduction, Gavronsky notes how the ideological definition of writing ( écriture ) has given way to more open forms of writing. Human experiences of the most ordinary kinds are finding a place in the text.These interviews offer a view of the poets' and writers' creative processes and range over such topics as current literary theory, the impact of American poetry in France, and the place of feminism in contemporary French writing. Each interview is accompanied by samples of the writer's work in French and in Gavronsky's English translations. Toward a New Poetics provides a highly informative cultural and critical perspective on contemporary writing in France, introducing us to works which are now transforming the idea of literature itself. [brief] Similar Items |