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'Photography' in subject
found 6 book(s). | Modify Search | Displaying 1 - 6 of 6 book(s) | |
| 1. |  | Title: Balancing water: restoring the Klamath Basin Author: Blake, Tupper Ansel Published: University of California Press, 2000 Subjects: Environmental Studies | Photography | Water Publisher's Description: The Klamath Basin is a land of teeming wildlife, expansive marshes, blue-ribbon trout streams, tremendous stretches of forests, and large ranches in southern Oregon and northern California. Known to waterfowl, songbirds, and shorebirds, the Klamath Basin's marshlands are a mecca for birds along the Pacific Flyway. This gorgeously illustrated book is a paean to the beauty of the Klamath Basin and at the same time a sophisticated environmental case study of an endangered region whose story parallels that of watershed development throughout the west. A collaboration between two photographers and a writer, Balancing Water tells the story in words and pictures of the complex relationship between the human and natural history of this region. Spectacular images by Tupper Ansel Blake depict resident species of the area, migratory birds, and dramatic landscapes. Madeleine Graham Blake has contributed portraits of local residents, while archival photographs document the history of the area. William Kittredge's essay on the conjunction of conflicting interests in this wildlands paradise is by turns lyrically personal and brimming with historical and scientific facts. He traces the water flowing through the Klamath Basin, the human history of the watershed, and the land-use conflicts that all touch on the availability of water. Ranchers, loggers, town settlers, Native Americans, tourists, and environmentalists are all represented in the narrative, and their diverse perspectives form a complicated web like that of the interactions among organisms in the ecosystem. Kittredge finds hope in the endangered Klamath Basin, both in successful restoration projects recently begun there, and in the community involvement he sees as necessary for watershed restoration and biodiversity preservation. Emphasizing that we must take care of both human economies and the natural environment, he shows how the two are ultimately interconnected. The Klamath Basin can be a model for watershed restoration elsewhere in the west, as we search for creative ways of solving our intertwined ecological and social problems. [brief] Similar Items |
| 2. |  | Title: The ones that are wanted: communication and the politics of representation in a photographic exhibition Author: Kratz, Corinne Ann 1953- Published: University of California Press, 2002 Subjects: Anthropology | Cultural Anthropology | African Studies | Photography | Art Theory Publisher's Description: The Okiek people of Kenya's forested highlands have a long history of hunting, honey gathering, and trading with their Maasai and Kipsigis neighbors; several decades ago, they also began farming and herding. This book follows a traveling exhibition of anthropologist Corinne Kratz's photographs of the Okiek through showings at seven venues, including the National Museum in Nairobi and the Smithsonian Institution in Washington, D.C. Kratz tells the story of the exhibition--the stereotypes it sought to challenge, how commentaries by Okiek people were incorporated, and different ways that viewers in Kenya and the United States understood it. In addition to presenting wonderful images of a little-known people, this inviting book explores the exhibition medium itself, focusing on the complexities and possibilities of cultural representation. Walking a fine line between the photographic intimacy of a family album and the ethnographic distance of documentary photography, The Ones That Are Wanted reproduces the exhibition in full, with its vibrant color photographs, multilingual captions, and lively commentary. Throughout, Kratz incorporates insightful reflections on her changing involvement with the exhibition as anthropologist, photographer, and curator, and she provides perceptive discussions of such topics as photography in Kenya, stereotypes, and the post-1970s proliferation of the politics of representation. [brief] Similar Items |
| 3. |  | Title: Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos Author: Barbash, Ilisa 1959- Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Ethnic Studies | Photography Publisher's Description: This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail - information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom. [brief] Similar Items |
| 4. |  | Title: For documentary: twelve essays Author: Vaughan, Dai Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Anthropology | Photography | Popular Culture Publisher's Description: These essays, which span twenty-five years of writing and a lifetime of experience, offer fresh and challenging insights into documentary. Dai Vaughan, one of the most highly regarded documentary editors to have worked in Britain in recent decades, makes his starting point plain: "Most of us would feel that the word 'documentary' had not justified its place in the dictionary if the films so called did not manifest some relationship with the world not shared by others." That elusive relationship is the subject of his eloquent reflections and analyses.As critic, Vaughan contrasts the Olympic Games films of Riefenstahl (1936) and Ichikawa (1964); as participant, he tells how the introduction of portable 16mm equipment gave rise to cinéma vérité and observational visual anthropology. The twin perspective of analyst and practitioner results in a radical restatement of the documentary project, one in which documentary is seen as engaging the viewer's freedom in a way that fiction does not. A chapter near the end, "From Today, Cinema Is Dead," is uncompromising in its pessimistic view that digitalization threatens the privileged relationship we have always granted between a photograph and its object. Film theorists and filmmakers, indeed everyone who cares about how our society represents itself to itself, will find For Documentary engrossing as well as illuminating. [brief] Similar Items |
| 5. |  | Title: Ruth Harriet Louise and Hollywood glamour photography Author: Dance, Robert 1955- Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | Photography | California and the West Publisher's Description: When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars. Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today. Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period. Note: The hardcover edition of this book does have a dust jacket. (Some hardcovers of University of California Press books available in paperback do not.) [brief] Similar Items |
| 6. |  | Title: Picturing Chinatown: art and orientalism in San Francisco Author: Lee, Anthony W 1960- Published: University of California Press, 2001 Subjects: Art | California and the West | Asian American Studies | Photography | Art History Publisher's Description: This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art history and the social and political history of San Francisco, this vividly detailed study unravels the complex cultural encounter that occurred between the women and men living in Chinatown and the artists who walked its streets, observed its commerce, and visited its nightclubs. Artistic representations of San Francisco's Chinatown include the work of some of the city's most gifted artists, among them the photographers Laura Adams Armer, Arnold Genthe, Dorothea Lange, Eadweard Muybridge, and Carleton Watkins and the painters Edwin Deakin, Yun Gee, Theodore Wores, and the members of the Chinese Revolutionary Artists' Club. Looking at the work of these artists and many others, Anthony Lee shows how their experiences in the district helped encourage, and even structured, some of their most ambitious experiments with brush and lens. In addition to discussing important developments in modern art history, Lee highlights the social and political context behind these striking images. He demonstrates the value of seeing paintings and photographs as cultural documents, and in so doing, opens a fascinating new perspective on San Francisco's Chinatown. [brief] Similar Items |