Title: The Codex Mendoza
Author: Berdan, Frances
Published: University of California Press,  1992
Subjects: Anthropology | Cultural Anthropology | Latin American Studies | Native American Studies | Latin American History | Art
Publisher's Description: This book is available in two editions: a four-volume deluxe hardcover edition and a single-volume paperback abridgment. The four-volume hardcover facsimile edition of Codex Mendoza places the most comprehensive, most extensively illustrated document of Aztec civilization within reach of a broad audience. Compiled in Mexico City around 1541 under the supervision of Spanish clerics, the Codex was intended to inform King Charles V about his newly conquered subjects. The manuscript contains pictorial accounts of Aztec emperors' conquests and tribute paid by the conquered, as well as a remarkable ethnographic record of Aztec daily life from cradle to grave. This four-volume publication is an unsurpassed source of information about Aztec history, geography, economy, social and political organization, glyphic writing, costumes, textiles, military attire, and indigenous art styles.Volume 1 contains interpretive essays by the authors and other leading specialists on every aspect of Codex Mendoza . Volume 2 offers a thorough description and discussion of each pictorial page, and Volume 3 is a complete color facsimile of the manuscript itself. Volume 4, a parallel image volume, is the most innovative and in some ways the most useful of the four. It provides an exact duplicate in black and white of the facsimile Volume 3, with the sixteenth-century Spanish text transcribed and then translated into English. In addition, all the glosses are translated and positioned exactly as on the original pictorial pages. The extensive and useful appendices add such things as pictorial charts of costumes and textiles, translations and discussions of all the glyphs in the codex, and a table of comparative chronologies.In making this extraordinary sixteenth-century work accessible (the original manuscript resides in the Bodleian Library, Oxford, England), the authors have performed an invaluable service to Mesoamerican scholars and all those interested in pre-Columbian peoples. The abridged paperback edition comprises volumes two and four of the hardcover, augmented by sixteen color images from volume 3.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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Title: Bad girls and sick boys: fantasies in contemporary art and culture
Author: Kauffman, Linda S 1949-
Published: University of California Press,  1998
Subjects: Art | Literature | Cinema and Performance Arts | Popular Culture | American Studies | Gender Studies
Publisher's Description: Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.   [brief]
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Title: Beyond recognition: representation, power, and culture
Author: Owens, Craig
Published: University of California Press,  1992
Subjects: Art | Art Theory | Gender Studies | Sociology | GayLesbian and Bisexual Studies | Art Criticism
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