Title: Postmodernism and the postsocialist condition: politicized art under late socialism
Author: Erjavec, Aleš
Published: University of California Press,  2003
Subjects: Art | Art History | Art Theory | Intellectual History | Russian and Eastern European Studies
Publisher's Description: The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path; the world was witnessing political and social transformations without precedent. Artists, seeing it all firsthand, responded with a revolution of their own. What form this revolution took - how artists in the 1980s marked their societies' traumatic transition from decaying socialism to an insecure future - emerges in this remarkable volume. With in-depth perspectives on art and artists in the former Soviet Union, the Balkans and Mitteleuropa, China, and Cuba - all from scholars and art critics who were players in the tumultuous cultural landscapes they describe - this stunningly illustrated collection captures a singular period in the history of world art, and a critical moment in the cultural and political transition from the last century to our own. Authors Ales Erjavec, Gao Minglu, Boris Groys, Péter György, Gerardo Mosquera, and Misko Suvakovic observe distinct national differences in artistic responses to the social and political challenges of the time. But their essays also reveal a clear pattern in the ways in which artists registered the exhaustion of the socialist vision and absorbed the influence of art movements such as constructivism, pop art, and conceptual art, as well as the provocations of western pop culture. Indebted to but not derived from capitalist postmodernism, the result was a unique version of postsocialist postmodernism, an artistic/political innovation clearly identified and illustrated for the first time in these pages.   [brief]
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Title: Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E
Author: Ridgway, Brunilde Sismondo 1929-
Published: University of California Press,  1999
Subjects: Classics | Art | Art and Architecture | Art History
Publisher's Description: The meaning of architectural sculpture is essential to our understanding of ancient Greek culture. The embellishment of buildings was common for the ancient Greeks, and often provocative. Some ornamental sculpture was placed where, when the building was finished, no mortal eye could view it. And unlike much architectural ornamentation of other cultures, Greek sculpture was often integral to the building, not just as decoration, and could not be removed without affecting the integrity of the building structure. This book is the first comprehensive treatment of the significance of Greek architectural sculpture. Brunilde Sismondo Ridgway, a world-class authority on ancient Greek sculpture, provides a highly informative tour of many dimensions of Greek public buildings - especially temples, tombs, and treasuries - in a text that is at once lucid, accessible, and authoritative.Ridgway's pragmatism and common sense steer us tactfully and clearly through thickets of uncertainty and scholarly disagreement. She refers to a huge number of monuments, and documents her discussions with copious and up-to-date bibliographies. This book is sure to be acknowledged at once as the standard treatment of its important topic.   [brief]
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Title: The private worlds of Marcel Duchamp: desire, liberation, and the self in modern culture 
Author: Seigel, Jerrold
Published: University of California Press,  1997
Subjects: Art | History | Popular Culture
Publisher's Description: Marcel Duchamp is a founding figure of twentieth-century art and culture, the common source to which many contemporary movements trace their roots. His career has often been celebrated for its contradictions and discontinuities, its disparate parts unified only by their assault on the traditions of art. Jerrold Seigel offers a wholly different view, revealing a web of interrelated themes that unify Duchamp's work and tie it to his life.At the book's center is a reinterpretation of the famous "readymades," of which the urinal "Fountain" and the defaced Mona Lisa were the most shocking. By recovering their history, Seigel shows that their playful and rebellious surface veiled the meanings that linked them to Duchamp's pictures (especially the famous "Large Glass," here illuminated by a comprehensive new reading) and to his experiments with language. The result gives the artist's career the unity of a colorful and intricate puzzle.Behind that puzzle were the great modernist themes of isolation, perpetuated desire, and the imagined dissolution of the self. These themes entered Duchamp's mind both from his social and cultural environment and from the shaping experience of his family; around them were woven the patterns of working and loving that Seigel uncovers in his life. Duchamp emerges not just as a coherent, understandable personality, but as an exemplary one, his very eccentricities reflecting essential dimensions of modern experience.A mythic presence in modern culture, a hero whose story we tell for the sake of its valuable lessons, Duchamp opened the floodgates to a sea of questions about the nature and meaning of art. Seigel demands that we think again about these questions, and about the answers that Duchamp's heirs and followers have tried to give to them.   [brief]
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Title: Real fantasies: Edward Steichen's advertising photography
Author: Johnston, Patricia A 1954-
Published: University of California Press,  1997
Subjects: Art | Art History | History | Cultural Anthropology
Publisher's Description: During the 1920s and 1930s, Edward Steichen was the most successful photographer in the advertising industry. Although much has been said about Steichen's fine-art photography, his commercial work - which appeared regularly in Vanity Fair, Vogue, Ladies Home Journal , and almost every other popular magazine published in the United States - has not received the attention it deserves. At a time when photography was just beginning to replace drawings as the favored medium for advertising, Steichen helped transform the producers of such products as Welch's grape juice and Jergens lotion from small family businesses to national household names. In this book, Patricia Johnston uses Steichen's work as a case study of the history of advertising and the American economy between the wars. She traces the development of Steichen's work from an early naturalistic style through increasingly calculated attempts to construct consumer fantasies. By the 1930s, alluring images of romance and class, developed in collaboration with agency staff and packaged in overtly manipulative and persuasive photographs, became Steichen's stock-in-trade. He was most frequently chosen by agencies for products targeted toward women: his images depicted vivacious singles, earnest new mothers, and other stereotypically female life stages that reveal a great deal about the industry's perceptions of and pitches to this particular audience.Johnston presents an intriguing inside view of advertising agencies, drawing on an array of internal documents to reconstruct the team process that involved clients, art directors, account executives, copywriters, and photographers. Her book is a telling chronicle of the role of mass media imagery in reflecting, shaping, and challenging social values in American culture.   [brief]
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Title: Recording conceptual art: early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner, by Patricia Norvell
Author: Barry, Robert 1936-
Published: University of California Press,  2001
Subjects: Art | Art History | Art Theory
Publisher's Description: Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals - eight artists and one art dealer - are now known as major contributors to Conceptual art. These fascinating dialogues, conducted by Patricia Norvell, provide tantalizing moments of spontaneous philosophizing and brilliant insights, as well as moments of unabashed self-importance, with highly imaginative and colorful individuals.   [brief]
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Title: Red city, blue period: social movements in Picasso's Barcelona 
Author: Kaplan, Temma 1942-
Published: University of California Press,  1992
Subjects: History | Art | European History | Cultural Anthropology | Gender Studies | Art History
Publisher's Description: In Red City, Blue Period , Kaplan combines the methods of anthropology and the new cultural history to examine the civic culture of Barcelona between 1888 and 1939. She analyzes the peculiar sense of solidarity the citizens forged and explains why shared experiences of civic culture and pageantry sometimes galvanized resistance to authoritarian national governments but could not always overcome local class and gender struggles. She sheds light on the process by which principles of regional freedom and economic equity developed and changed in a city long known for its commitment to human dignity and artistic achievement.Although scholars increasingly recognize the relationship between so-called high art and popular culture, little has been done to explain what opens the eyes of artists to folk figures and religious art. Kaplan shows how artists like Picasso and Joan Miró, playwright Santiago Russinyol, the cellist Pablo Casals, and the architect Antonio Gaudí, as well as anarchists and other political activists, both shaped and were influenced by the artistic and political culture of Barcelona.   [brief]
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Title: Remembering the present: painting and popular history in Zaire
Author: Fabian, Johannes
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Art | African History | Politics | African Studies
Publisher's Description: This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition.During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.   [brief]
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Title: Renaissance Paris: architecture and growth, 1475-1600 
Author: Thomson, David 1912-
Published: University of California Press,  1985
Subjects: Art | Architecture
Publisher's Description: In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after François I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores t . . . [more]
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Title: The royal image: illustrations of the Grandes chroniques de France, 1274-1422 
Author: Hedeman, Anne Dawson
Published: University of California Press,  1991
Subjects: Art | Art History | Medieval Studies | French Studies
Publisher's Description: The Grandes Chroniques de France is a vernacular, frequently illustrated history of the medieval French monarchs. Originally describing the lives of the kings from their origins in Troy in 1274 to the reign of Philip Augustus, it was updated in several stages to the life of Charles VI. Copied and amended for a variety of royal and courtly patrons, approximately 130 of these manuscripts exist today. Anne Hedeman provides the first critical and comprehensive study of the chronicle's illustrations.Hedeman concentrates on the illustrations in twenty manuscripts, analyzing their artistic and cultural significance and offering new methods for studying illustrated manuscripts. She discusses the chronicle in relation to the political ideology of Louis IX, vernacular history, and the Latin chronicle tradition at Saint-Denis. Looking at the manuscripts of various periods, the author compares their representations of historical events, kingship, and individuals in and around the royal court. She also contrasts the styles of several authors and illustrators of the chronicle. The Royal Image includes a catalogue of over seventy-five illustrated manuscripts, and an appendix listing the artists. An additional appendix lists surviving manuscripts.   [brief]
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Title: Singular women: writing the artist 
Author: Frederickson, Kristen 1965-
Published: University of California Press,  2003
Subjects: Art | Art History | Art Criticism | Art Theory | Women's Studies
Publisher's Description: In this groundbreaking volume, contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers.   [brief]
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Title: The Society of Six: California colorists
Author: Boas, Nancy 1934-
Published: University of California Press,  1997
Subjects: Art | Art History | California and the West | Californian and Western History
Publisher's Description: Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six - Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest - created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism.The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.   [brief]
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Title: Subtle bodies: representing angels in Byzantium
Author: Peers, Glenn
Published: University of California Press,  2001
Subjects: Art | Medieval Studies | Art History | Christianity | Art and Architecture
Publisher's Description: Throughout the course of Byzantine history, Christian doctrine taught that angels have a powerful place in cosmology. It also taught that angels were immaterial, bodiless, invisible beings. But if that were the case, how could they be visualized and depicted in icons and other works of art? This book describes the strategies used by Byzantine artists to represent the incorporeal forms of angels and the rationalizations in defense of their representations mustered by theologians in the face of iconoclastic opposition. Glenn Peers demonstrates that these problems of representation provide a unique window on Late Antique thought in general.   [brief]
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Title: Symbolist art theories: a critical anthology
Author: Dorra, Henri 1924-
Published: University of California Press,  1995
Subjects: Art | Art History | Art Theory | Art Criticism
Publisher's Description: Henri Dorra, in his comprehensive new book, presents the development and the aesthetic theories of the symbolist movement in art and literature. Included are writings (many never before translated or reprinted) by artists, designers, architects, and critics, along with Dorra's learned commentary. Fifty photographs of symbolist works complement his encyclopedic coverage.Dorra traces symbolism and its roots from artist to artist and critic to critic from the 1860s to the early twentieth century. The decorative arts and architecture are examined as well as painting and sculpture. The Arts and Crafts movement, art nouveau, the work of Eiffel in France and Sullivan in the United States are all well represented.The close relations between symbolist poets and artists are reflected in the chapter on literary developments. Baudelaire, Rimbaud, Verlaine, and Mallarmé are here, but so, too, are writers less well-known. A section on the Post-Impressionists and the "Artists of the Soul" rounds out Dorra's rich and varied text, and his epilogue lays the groundwork for what was to follow symbolism.Dorra beautifully integrates the different aesthetic branches of symbolism, the different media and national variations, without ever losing sight of the whole. The historical context provided makes this a particularly appealing collection for students and scholars of art history and literature, as well as for anyone interested in the evolution of symbolism.   [brief]
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Title: Tangled memories: the Vietnam War, the AIDS epidemic, and the politics of remembering
Author: Sturken, Marita 1957-
Published: University of California Press,  1997
Subjects: American Studies | Sociology | Art | Media Studies | Popular Culture
Publisher's Description: Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events.Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall - one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war - is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation.   [brief]
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Title: Telematic embrace: visionary theories of art, technology, and consciousness
Author: Ascott, Roy
Published: University of California Press,  2003
Subjects: Art | Art Theory | Electronic Media
Publisher's Description: Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and theorist, coined the term "telematic art" to describe the use of online computer networks as an artistic medium. In Telematic Embrace Edward A. Shanken gathers, for the first time, an impressive compilation of more than three decades of Ascott's philosophies on aesthetics, interactivity, and the sense of self and community in the telematic world of cyberspace. This book explores Ascott's ideas on how networked communication has shaped behavior and consciousness within and beyond the realm of what is conventionally defined as art. Telematics, a powerful marriage of computers and telecommunication, made technologies we now take for granted - such as e-mail and automated teller machines (ATMs) - part of our daily life, and made art a more interactive form of expression. Telematic art challenges traditional relationships between artist, artwork, and audience by allowing nonlocal audiences to influence the emergent qualities of the artwork, which consists of the ebb and flow of electronic information. These essays constitute a unique archaeology of ideas, tracing Ascott's meditations on the formation of consciousness through the intertwined cultural histories of art and technology from the 1960s to the present. Shanken's introduction situates Ascott's work within a history of ideas in art, technology, and philosophy. Given the increasing role of the Internet and the World Wide Web in the creation of commerce and community at the dawn of this new millennium, scholars, students, laypeople, policymakers, and artists will find this collection informative and thought-provoking.   [brief]
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Title: Three artists (three women): modernism and the art of Hesse, Krasner, and O'Keeffe
Author: Wagner, Anne Middleton 1949-
Published: University of California Press,  1996
Subjects: Art | Art History | Women's Studies
Publisher's Description: This original and sharply obser-vant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women - the main element linking the three - is as much the index of difference among their art and experience as it is a passkey to what they share.   [brief]
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Title: To the rescue of art: twenty-six essays
Author: Arnheim, Rudolf
Published: University of California Press,  1991
Subjects: Art | Art History
Publisher's Description: Never before published essays by the widely admired psychologist of art. Arnheim spiritedly asserts art's fundamental achievements.Rudolf Arnheim has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself.The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature monographs on a variety of great works of art. In other essays, Arnheim uncovers enlightening perspectives in the art of the blind, in architectural space, in caricature, and in the work of psychotics and autistic children. He also presents new scientific aspects on the psychology of art and widens our range of vision by connecting art with language, literature, and religion.   [brief]
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Title: To weave and sing: art, symbol, and narrative in the South American rainforest
Author: Guss, David M
Published: University of California Press,  1990
Subjects: Anthropology | Cultural Anthropology | Art | Latin American Studies
Publisher's Description: To Weave and Sing is the first in-depth analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco. Within their homeland of Ihuruna, the Yekuana have succeeded in maintaining the integrity and unity of their culture, resisting the devastating effects of acculturation that have befallen so many neighboring groups. Yet their success must be attributed to more than natural barriers of rapids and waterfalls, to more than lack of "contact" with our "modern" world. The ethnographic history recounted here includes not only the Spanish discovery of the Yekuana but detailed indigenous accounts of the entire history of Yekuana contact with Western culture, revealing an adaptive technique of mythopoesis by which the symbols of a new and hostile European ideology have been consistently defused through their incorporation into traditional indigenous structures.The author's initial point of departure is the Watunna , the Yekuana creation epic, but he finds his principal entrance into this mythic world through basketry, focusing on the eleborate kinetic designs of the round waja baskets and the stories told about them. Guss argues that the problem of understanding Yekuana basketry is the problem of understanding all traditional art forms within a tribal context, and critiques the cultural assumptions inherent in our systems of classification. He demonstrates that the symbols woven into the baskets function not in isolation but collectively, as a powerful system cutting across the entire culture. To Weave and Sing addresses all Yekuana material culture and the greater reality it both incorporates and masks, discerning a unifying configuration of symbols in chapters on architectural forms, the geography of the body, and the use of herbs, face paints, and chants. A narrow view of slash-and-burn gardens as places of mere subsistence is challenged by Guss's portrait of these exclusively female spaces as systematic inversions of the male world, "the sacred turned on its head." Throughout, a wealth of narrative and ritual materials provides us with the closest approximation we have to a native exegesis of these phenomena. What we are offered here is a new Poetics of Culture, ethnography not as a static given but as a series of shifting fields, wherein culture (and our image of it) is constantly recreated in all of its parts, by all of its members.   [brief]
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Title: Toward a simpler way of life: the arts & crafts architects of California
Author: Winter, Robert
Published: University of California Press,  1997
Subjects: Art | Architecture | Architectural History | Californian and Western History
Publisher's Description: This book celebrates one of the richest and most enduring themes in American architecture - California's Arts and Crafts Movement. Echoing the writings of Helen Hunt Jackson, Charles F. Lummis, and Charles Keeler, this movement represented a retreat into a quieter place from the materialism of American society. Anti-commercial, anti-modern, Arts and Crafts practitioners drew on the decorative schemes of English Tudor, Swiss chalet, Japanese temple, and Spanish mission, evoking an earlier time before modern industry and technology intruded. And if only one word is used to describe virtually every Arts and Crafts house in California, that word is "woodsy": wood shingles outside, wood paneling inside, a wood fire burning in the homey, welcoming fireplace.Most chapters in this impressive and very readable book focus on one building by a particular architect or designer and illustrate that person's development and influences. Familiar architects such as Bernard Maybeck, Charles and Henry Greene, John Galen Howard, and Julia Morgan are here, but so too are less well-known names who were a vibrant part of the Arts and Crafts Movement. These late Romantics designed houses to complement nature rather than contrast with it. Their eclecticism and historicism reflected a Romantic bent as well, no doubt cultivated by their familiarity with the Ecole des Beaux-Arts in Paris, where, in fact, Howard, Maybeck, and Morgan studied.The book's contributors also give attention to the builders, contractors, and craftsmen whose skills contributed to the lasting impact of the California Arts and Crafts Movement. Superb illustrations provide examples of elevations, composition details, interior fixtures, and gardens, all designed to promote the "simple living and high thinking" of the Craftsman style, an esthetic that continues to influence architecture today.   [brief]
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Title: The two-headed deer: illustrations of the Rāmāyaṇa in Orissa 
Author: Williams, Joanna Gottfried 1939-
Published: University of California Press,  1996
Subjects: Art | Art History | South Asia
Publisher's Description: India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their adventures and dilemmas, and demons. Joanna Williams studies the art of the Ramayana in Orissa, a region known for its elegantly carved temples. There she researched both literary and visual art works, interviewed artists, and observed them at work.With depth and originality, Williams considers how Indian art tells a story in distinctive ways. Her narratological study takes into account many familiar genres of visual art: illustrated manuscripts, drawings on palm leaf paper, wall paintings, shadow plays, temple sculpture, and painted cloth pata . Included are discussions of pan-Indian versions of the epic, which include film, video, and the comic strip; and those local to Orissa, including rural theater and festivals.Noting that we often treat images designed to be seen in sequence as separate pictures, Williams argues that considering several Ramayana images in sequence reveals their qualities of variety, surprise, and emotional development, promoting an understanding of how the story is told. She discusses the artists' narrative strategies and offers interpretations of how and why artists made their choices.Williams persuasively argues against critics who believe that Indian art, indeed any traditional art, is conventional and lacks individual technique or vision. Her analysis across a variety of genres offers a new model for art historians; at the same time anthropologists, folklorists, and scholars of literature and narratology will find her work of great value.   [brief]
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