Title: Ambiguous angels: gender in the novels of Galdós 
Author: Jagoe, Catherine
Published: University of California Press,  1994
Subjects: Literature | European Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: The contradictory nature of the work of Benito Pérez Galdós, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdós's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood - the angel of the house.Using primary sources such as periodicals, medical texts, and conduct literature, Jagoe's examination of the evolution of feminism makes Ambiguous Angels valuable to anyone interested in gender, culture, and narrative in nineteenth-century Europe.   [brief]
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Title: Vanishing points: Dickens, narrative, and the subject of omniscience 
Author: Jaffe, Audrey
Published: University of California Press,  1991
Subjects: Literature | English Literature | Literary Theory and Criticism
Publisher's Description: In traditional narrative theory, the term "omniscience" refers to a narrator's absolute knowledge and authority. Narrative theory provides no social, historical, or psychological context for omniscience, nor does it attempt to explain the predominance of omniscient narration in nineteenth-century British fiction. Audrey Jaffe uses Dickens's novels and sketches to redefine narrative omniscience as a problematic that has implications for the construction of Victorian subjectivity, giving us new insights into Dickens and into other fiction as well.Jaffe demonstrates that omniscience is the effect of a series of oppositions - between narrator and character, knowledge and its absence, sympathy and irony, privacy and publicity. Showing how these oppositions participate in and enforce Victorian ideas about family, the subject, and private life, this study illuminates connections between ideology and narrative form.   [brief]
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Title: Letters and autobiographical writings 
Author: Mills, C. Wright (Charles Wright) 1916-1962
Published: University of California Press,  2000
Subjects: American Studies | Anthropology | Sociology | Literature | United States History | Letters
Publisher's Description: One of the leading public intellectuals of twentieth-century America and a pioneering and brilliant social scientist, C. Wright Mills left a legacy of interdisciplinary and hard-hitting work including two books that changed the way many people viewed their lives and the structure of power in the United States: White Collar (1951) and The Power Elite (1956). Mills persistently challenged the status quo within his profession--as in The Sociological Imagination (1959)--and within his country, until his untimely death in 1962. This collection of letters and writings, edited by his daughters, allows readers to see behind Mills's public persona for the first time. Mills's letters to prominent figures--including Saul Alinsky, Daniel Bell, Lewis Coser, Carlos Fuentes, Hans Gerth, Irving Howe, Dwight MacDonald, Robert K. Merton, Ralph Miliband, William Miller, David Riesman, and Harvey Swados--are joined by his letters to family members, letter-essays to an imaginary friend in Russia, personal narratives by his daughters, and annotations drawing on published and unpublished material, including the FBI file on Mills.   [brief]
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Title: ABC of influence: Ezra Pound and the remaking of American poetic tradition 
Author: Beach, Christopher
Published: University of California Press,  1992
Subjects: Literature | Literary Theory and Criticism | Poetry | American Studies | American Literature
Publisher's Description: In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the "canon" of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist experiments of the 1910s and 1920s. The work of these poets has served as a counterforce to the established traditions of the "American Sublime" and the Anglo-American formalism represented by T. S. Eliot and the New Criticism. ABC of Influence challenges previous discussions of poetic influence, particularly Harold Bloom's oedipal theory of revisionist "misreading," as insufficient for understanding the influence Pound's modernist practice and his relationship to poetic tradition had in defining the postmodernist poetics of Olson, Duncan, and other postwar American writers. The relation of these poets is most clearly seen on a formal level, but it is also evident in thematic elements of their work and in their stance toward poetic convention, the "canon," political and social engagement, and the inclusion of historical and other nonpoetic materials in the poetic text.This book makes a significant contribution to the study of modern American poetry by exploring modernism's legacy and charting new canonical possibilities in American literature. In reading Pound through the works of later poets, it also provides important new insights into Pound's own work and ideas.   [brief]
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Title: Men, women, and God(s): Nawal El Saadawi and Arab feminist poetics 
Author: Malti-Douglas, Fedwa
Published: University of California Press,  1995
Subjects: Literature | Middle Eastern Studies | Gender Studies | Women's Studies
Publisher's Description: Men, Women, and God(s) is a pioneering study of the Arab world's leading feminist and most controversial woman writer, Nawal El Saadawi. Author of plays, memoirs, and such novels as Woman at Point Zero and The Innocence of the Devil , El Saadawi has become well known in the West as well as in the Arab community for her unforgettable female heroes and explosive narratives, which boldly address sexual violence, female circumcision, theology, and other politically charged themes. Her outspoken feminism and critique of patriarchy have also earned her the wrath of repressive forces in the Middle East. Imprisoned in her native Egypt under Sadat, El Saadawi is now among those on the death lists of Islamic religious conservatives.In Men, Women, and God(s) Fedwa Malti-Douglas makes the work of this important but little-understood writer truly accessible. Contending that El Saadawi's texts cannot be read in isolation from their Islamic and Arabic heritage, Malti-Douglas draws upon a deep knowledge of classical and modern Arabic textual traditions - and on extensive conversations with Nawal El Saadawi - to place the writer within her cultural and historical context. With this impassioned and radical exegesis of El Saadawi's prolific output, Malti-Douglas has written a crucial study of one of the most controversial and influential writers of our time.   [brief]
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Title: Speaking the unspeakable: religion, misogyny, and the uncanny mother in Freud's cultural texts 
Author: Jonte-Pace, Diane E. (Diane Elizabeth) 1951-
Published: University of California Press,  2001
Subjects: Religion | Literature | Gender Studies | Jewish Studies | Psychology
Publisher's Description: In this bold rereading of Freud's cultural texts, Diane Jonte-Pace uncovers an undeveloped "counterthesis," one that repeatedly interrupts or subverts his well-known Oedipal masterplot. The counterthesis is evident in three clusters of themes within Freud's work: maternity, mortality, and immortality; Judaism and anti-Semitism; and mourning and melancholia. Each of these clusters is associated with "the uncanny" and with death and loss. Appearing most frequently in Freud's images, metaphors, and illustrations, the counterthesis is no less present for being unspoken--it is, indeed, "unspeakable." The "uncanny mother" is a primary theme found in Freud's texts involving fantasies of immortality and mothers as instructors in death. In other texts, Jonte-Pace finds a story of Jews for whom the dangers of assimilation to a dominant Gentile culture are associated unconsciously with death and the uncanny mother. The counterthesis appears in the story of anti-Semites for whom the "uncanny impression of circumcision" gives rise not only to castration anxiety but also to matriphobia. It also surfaces in Freud's ability to mourn the social and religious losses accompanying modernity, and his inability to mourn the loss of his own mother. The unfolding of Freud's counterthesis points toward a theory of the cultural and unconscious sources of misogyny and anti-Semitism in "the unspeakable." Jonte-Pace's work opens exciting new vistas for the feminist analysis of Freud's intellectual legacy.   [brief]
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Title: Foregone conclusions: against apocalyptic history 
Author: Bernstein, Michael André 1947-
Published: University of California Press,  1994
Subjects: Philosophy | Jewish Studies | Literature | Literary Theory and Criticism
Publisher's Description: Michael André Bernstein's passionate denunciation of apocalyptic thinking provides a moral, philosophical, and literary challenge to the way most of us make sense of our worlds. In our search for coherence, Bernstein argues, we tend to see our lives as moving toward a predetermined fate. This "foreshadowing" demeans the variety, the richness, and especially the unpredictability of everyday life. Apocalyptic history denies the openness and choice available to its actors.Bernstein chooses the Holocaust as the prime example of our tendency toward foregone conclusions. He argues eloquently against politicians and theologians who depict the Holocaust as foreordained and its victims as somehow implicated in a fate they should have been able to foresee. But his argument ranges wider. From recent biographies of Kafka to the Israeli-P.L.O. peace accords, from campus cultural diversity debates to the Crown Heights riots, Bernstein warns against our passive acceptance of historical or personal victimization.An essential contribution to Holocaust studies, this book is also a lucid call to transform the way we read and write history and the way we make sense of our lives.   [brief]
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Title: Memory and re-creation in troubadour lyric 
Author: Van Vleck, Amelia Eileen
Published: University of California Press,  1991
Subjects: Literature | European Literature | Medieval Studies
Publisher's Description: In spite of the fame of individual singers, many of whose names are legendary, the songs of the troubadours often come to us in multiple versions, each with a different sequence of stanzas. What accounts for this variability? Authorial self-effacement might explain why much anonymous medieval poetry was "reworked," but Amelia Van Vleck argues that this answer will not suffice when the author of the song is well known and admired.Van Vleck outlines a new way of reading troubadour lyric by questioning the belief that chansonniers were compiled from song-sheets tracing back to written "authorized" copies. She challenges the very appropriateness of a concept of "text" as applied to troubadour lyric. Instead of superimposing a nineteenth-century notion of "lyric poetry" on these songs, reading them as "perfect" texts and attempting to re-establish an "authentic" version through textual criticism, we must, she claims, become aware of these songs as potential performances with moveable parts, each version a realization of the whole song. Van Vleck concludes that it was primarily the voice, not the pen, that created (and re-created) this innovative body of poetry that forms the very foundation of the Western European lyric.   [brief]
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Title: Poetic garlands: Hellenistic epigrams in context
Author: Gutzwiller, Kathryn J
Published: University of California Press,  1998
Subjects: Classics | Classical Literature and Language | Comparative Literature | Literature
Publisher's Description: Epigrams, the briefest of Greek poetic forms, had a strong appeal for readers of the Hellenistic period (323-31 B.C.). One of the most characteristic literary forms of the era, the epigram, unlike any other ancient or classical form of poetry, was not only composed for public recitation but was also collected in books intended for private reading. Brief and concise, concerned with the personal and the particular, the epigram emerged in the Hellenistic period as a sophisticated literary form that evinces the period's aesthetic preference for the miniature, the intricate, and the fragmented.Kathryn Gutzwiller offers the first full-length literary study of these important poems by studying the epigrams within the context of the poetry books in which they were originally collected. Drawing upon ancient sources as well as recent papyrological discoveries, Gutzwiller reconstructs the nature of Hellenistic epigram books and interprets individual poems as if they remained part of their original collections. This approach results in illuminating and original readings of many major poets, and demonstrates that individual epigrammatists were differentiated by gender, ethnicity, class status, and philosophical views. In an important final chapter, Gutzwiller reconstructs much of the poetic structure of Meleager's Garland , an ancient anthology of Hellenistic epigrams.   [brief]
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Title: After the lovedeath: sexual violence and the making of culture
Author: Kramer, Lawrence 1946-
Published: University of California Press,  1997
Subjects: Gender Studies | Literature | Music
Publisher's Description: This elegantly written book is a bold attempt to reinterpret the nature of sexual violence and to imagine the possibility of overcoming it. Lawrence Kramer traces today's sexual identities to their nineteenth-century sources, drawing on the music, literature, and thought of the period to show how normal identity both promotes and rationalizes violence against women.To make his case, Kramer uses operatic lovedeaths, Beethoven's "Kreutzer Sonata" and the Tolstoy novella named after it; the writings of Walt Whitman and Alfred Lord Tennyson, psychoanalysis, and the logic of dreams. In formal and informal reflections, he explores the self-contradictions of masculinity, the shifting alignments of femininity, authority, and desire, and the interdependency of hetero- and homosexuality. At the same time, he imagines alternatives that could allow gender to be freed from the existing system of polarities that inevitably promote sexual violence.Kramer's writing avoids the conventional dress of intellectual authority and moves between music and literature in a style that is both intimate and effective. He combines informed scholarship with candid personal utterance and makes clear what is at stake in this crucial debate. After the Lovedeath will have a profound impact on anyone interested in new ways to think about gender.   [brief]
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Title: J.M. Coetzee: South Africa and the politics of writing 
Author: Attwell, David
Published: University of California Press,  1993
Subjects: Literature | African Studies | Literary Theory and Criticism
Publisher's Description: David Attwell defends the literary and political integrity of South African novelist J.M. Coetzee by arguing that Coetzee has absorbed the textual turn of postmodern culture while still addressing the ethical tensions of the South African crisis. As a form of "situational metafiction," Coetzee's writing reconstructs and critiques some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, it takes seriously the condition of the society in which it is produced.Attwell begins by describing the intellectual and political contexts surrounding Coetzee's fiction and then provides a developmental analysis of his six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism and popular culture. Elegantly written, Attwell's analysis deals with both Coetzee's subversion of the dominant culture around him and his ability to see the complexities of giving voice to the anguish of South Africa.   [brief]
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Title: American scream: Allen Ginsberg's Howl and the making of the Beat Generation
Author: Raskin, Jonah 1942-
Published: University of California Press,  2004
Subjects: American Studies | Literature | Sociology | Poetry
Publisher's Description: Written as a cultural weapon and a call to arms, Howl touched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study of Howl brilliantly elucidates the nexus of politics and literature in which it was written and gives striking new portraits of Allen Ginsberg, Jack Kerouac, and William Burroughs. Drawing from newly released psychiatric reports on Ginsberg, from interviews with his psychiatrist, Dr. Philip Hicks, and from the poet's journals, American Scream shows how Howl brought Ginsberg and the world out of the closet of a repressive society. It also gives the first full accounting of the literary figures - Eliot, Rimbaud, and Whitman - who influenced Howl, definitively placing it in the tradition of twentieth-century American poetry for the first time. As he follows the genesis and the evolution of Howl, Jonah Raskin constructs a vivid picture of a poet and an era. He illuminates the development of Beat poetry in New York and San Francisco in the 1950s--focusing on historic occasions such as the first reading of Howl at Six Gallery in San Francisco in 1955 and the obscenity trial over the poem's publication. He looks closely at Ginsberg's life, including his relationships with his parents, friends, and mentors, while he was writing the poem and uses this material to illuminate the themes of madness, nakedness, and secrecy that pervade Howl. A captivating look at the cultural climate of the Cold War and at a great American poet, American Scream finally tells the full story of Howl - a rousing manifesto for a generation and a classic of twentieth-century literature.   [brief]
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Title: An obsession with Anne Frank: Meyer Levin and The diary 
Author: Graver, Lawrence 1931-
Published: University of California Press,  1997
Subjects: Literature | American Literature | American Studies | History | European History
Publisher's Description: Anne Frank's Diary has been acclaimed throughout the world as an indelible portrait of a gifted girl and as a remarkable document of the Holocaust. For Meyer Levin, the respected writer who helped bring the Diary to an American audience, the Jewish girl's moving story became a thirty-year obsession that altered his life and brought him heartbreaking sorrow.Lawrence Graver's fascinating account of Meyer Levin's ordeal is a story within a story. What began as a warm collaboration between Levin and Anne's father, Otto Frank, turned into a notorious dispute that lasted several decades and included litigation and public scandal. Behind this story is another: one man's struggle with himself - as a Jew and as a writer - in postwar America. Looming over both stories is the shadow of the Holocaust and its persistent, complex presence in our lives.Graver's book is based on hundreds of unpublished documents and on interviews with some of the Levin-Frank controversy's major participants. It illuminates important areas of American culture: publishing, law, religion, politics, and the popular media. The "Red Scare," anti-McCarthyism, and the commercial imperatives of Broadway are all players in this book, along with the assimilationist mood among many Jews and the simplistic pieties of American society in the 1950s.Graver also examines the different and often conflicting ways that people the world over, Jewish and Gentile, wanted Anne Frank and her much-loved book to be represented. That her afterlife has in extraordinary ways taken on the shape and implications of myth makes Graver's story - and Meyer Levin's - even more compelling.   [brief]
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Title: Elizabeth Bishop: life and the memory of it
Author: Millier, Brett Candlish
Published: University of California Press,  1992
Subjects: Literature | Autobiographies and Biographies | American Literature | American Studies | Literary Theory and Criticism | United States History | Women's Studies | Poetry
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Title: Joyce in America: cultural politics and the trials of Ulysses 
Author: Segall, Jeffrey
Published: University of California Press,  1993
Subjects: Literature | English Literature | American Studies | Literary Theory and Criticism | American Literature
Publisher's Description: When James Joyce's Ulysses was first published in America, it quickly became a dynamic symbol of both modern art and the modern age. Jeffrey Segall skillfully demonstrates how various political, ideological, and religious allegiances influenced the critical reception and eventual canonization of what is perhaps the twentieth century's greatest novel.In re-creating the polemical debates that erupted, Segall provides a dramatic reminder of just how challenging and controversial Ulysses was - and is. Seventy years after Ulysses was first banned, the novel remains at the center of contemporary debates among feminist, neo-Marxist, and poststructuralist critics.Segall allows us the opportunity to view Ulysses from the perspective of its early readers, and he also elucidates key moments in recent American cultural history.   [brief]
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Title: Dwelling in the text: houses in American fiction 
Author: Chandler, Marilyn R
Published: University of California Press,  1991
Subjects: Literature | American Literature
Publisher's Description: What is a house? And what can architecture tell us about individual psychology, national character and aspiration? The house holds a central place in American mythology, as Marilyn Chandler demonstrates in a series of "house tours" through American novels, beginning with Thoreau's Walden and ending with Toni Morrison's Beloved and Marilynne Robinson's Housekeeping .Chandler illuminates the complex analogies between house and psyche, house and family, house and social environment, and house and text. She traces a historical path from settlement to unsettledness in American culture and explores all the rituals in between: of building, decorating, inhabiting, and abandoning houses. She notes the ambivalence between our desire for rootedness and our romanticization of wide open spaces, relating these poles to the tension between materialism and spirituality in our national character.At a time when housing has become a problem of unprecedented dimensions in America, this look at the place of houses and homes in the American imagination reveals some sources of the attitudes, assumptions, and expectations that underlie the designing and building of the homes we buy, sell, and dream about.   [brief]
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Title: Dryden in revolutionary England 
Author: Bywaters, David A
Published: University of California Press,  1991
Subjects: Literature | English Literature | European History
Publisher's Description: In 1681, when he wrote Absalom and Achitophel , John Dryden was poet laureate and historiographer royal at the court of his patron Charles II, and the acknowledged champion of a successful political cause. Only a few years later, Dryden's conversion to Roman Catholicism, followed by James II's deposition for favoring Catholics, had cost the poet both his honors and his public. In no way, however, did Dryden accept the status of a political has-been. David Bywaters argues convincingly that this post-revolutionary phase of Dryden's career reveals a polemic as consistent as that of earlier periods.Dryden not only lived on in the country that had metaphorically cast him out but also remained a public literary figure, responding in his work to contemporary political changes. Between 1687 and 1700 he developed a subtle and powerful rhetoric in order to reconstruct his political and literary authority. Discussing both major and less-studied works, Dryden in Revolutionary England tells us much about the relation between politics and literature during a crucial, formative moment.   [brief]
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Title: Take my word: autobiographical innovations of ethnic American working women 
Author: Goldman, Anne E 1960-
Published: University of California Press,  1996
Subjects: Literature | Literary Theory and Criticism | Ethnic Studies | Women's Studies | United States History | American Studies
Publisher's Description: In an innovative critique of traditional approaches to autobiography, Anne E. Goldman convincingly demonstrates that ethnic women can and do speak for themselves, even in the most unlikely contexts. Citing a wide variety of nontraditional texts - including the cookbooks of Nuevo Mexicanas, African American memoirs of midwifery and healing, and Jewish women's histories of the garment industry - Goldman illustrates how American women have asserted their ethnic identities and made their voices heard over and sometimes against the interests of publishers, editors, and readers. While the dominant culture has interpreted works of ethnic literature as representative of a people rather than an individual, the working women of this study insist upon their own agency in narrating rich and complicated self-portraits.   [brief]
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Title: Reading voices: literature and the phonotext 
Author: Stewart, Garrett
Published: University of California Press,  1990
Subjects: Literature | Literary Theory and Criticism | English Literature
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Title: Symeon the holy fool: Leontius's Life and the late antique city 
Author: Krueger, Derek
Published: University of California Press,  1996
Subjects: Religion | Literature | Christianity | Classics | Classical Religions
Publisher's Description: This first English translation of Leontius of Neapolis's Life of Symeon the Fool brings to life one of the most colorful of early Christian saints. In this study of a major hagiographer at work, Krueger fleshes out a broad picture of the religious, intellectual, and social environment in which the Life was created and opens a window onto the Christian religious imagination at the end of Late Antiquity. He explores the concept of holy folly by relating Symeon's life to the gospels, to earlier hagiography, and to anecdotes about Diogenes the Cynic.The Life is one of the strangest works of the Late Antique hagiography. Symeon seemed a bizarre choice for sanctification, since it was through very peculiar antics that he converted heretics and reformed sinners. Symeon acted like a fool, walked about naked, ate enormous quantities of beans, and defecated in the streets. When he arrived in Emesa, Symeon tied a dead dog he found on a dunghill to his belt and entered the city gate, dragging the dog behind him. Krueger presents a provocative interpretation of how these bizarre antics came to be instructive examples to everyday Christians.   [brief]
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