Title: Japan under construction: corruption, politics, and public works 
Author: Woodall, Brian
Published: University of California Press,  1996
Subjects: Politics | Japan
Publisher's Description: In 1987, Japan excluded American firms from bidding on the multibillion-dollar New Kansai International Airport, sparking yet another trade dispute between the United States and Japan. The State Department, Congress, and the President himself were caught up in the dispute, which still smolders even after Congress passed a threatening resolution to retaliate. Scandal after scandal - both domestic and international - splashes across headlines in Japan, generating wave after wave of attempts at reform. Why is this industry so rife with bid-rigging, collusion, and pork-barrel politics? What are the political forces behind the industry? Brian Woodall answers these questions in this book, based on extensive research and over one hundred candid and revealing interviews with contractors, industry association officials, public works bureaucrats, elected politicians and aides, political party officials, journalists, and scholars.This inside view begins with a profile of the institutionalized system of bid-rigging in the public construction market. It explores the powerful positions of unelected bureaucrats, who are often hired by private-sector firms after retirement. Career politicians within the Liberal Democratic Party are revealed to use the construction industry to exploit party factions toward their own electoral ends. Recent events - the Sagawa affair and the massive "general contractors" (zenekon) scandal as well as the political reform movements that followed them - are examined in detail. Throughout, Brian Woodall illuminates the construction rift between Japan and the United States and demonstrates how international pressures were subverted within the shadowy domestic system. Japan Under Construction is must reading for anyone interested in Japanese politics, United States-Japan trade relations, and political corruption and reform anywhere in the world.   [brief]
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Title: Takarazuka: sexual politics and popular culture in modern Japan
Author: Robertson, Jennifer Ellen
Published: University of California Press,  1998
Subjects: Anthropology | Japan | Cultural Anthropology | GayLesbian and Bisexual Studies | Women's Studies | Theatre | Popular Culture
Publisher's Description: The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.   [brief]
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Title: Labor and imperial democracy in prewar Japan
Author: Gordon, Andrew 1952-
Published: University of California Press,  1991
Subjects: Asian Studies | Japan | Politics | Asian History | Labor Studies
Publisher's Description: Labor and Imperial Democracy in Prewar Japan examines the political role played by working men and women in prewar Tokyo and offers a reinterpretation of the broader dynamics of Japan's prewar political history. Gordon argues that such phenomena as riots, labor disputes, and union organizing can best be understood as part of an early twentieth-century movement for "imperial democracy" shaped by the nineteenth-century drive to promote capitalism and build a modern nation and empire. When the propertied, educated leaders of this movement gained a share of power in the 1920s, they disagreed on how far to go toward incorporating working men and women into an expanded body politic. For their part, workers became ambivalent toward working within the imperial democratic system. In this context, the intense polarization of laborers and owners during the Depression helped ultimately to destroy the legitimacy of imperial democracy.Gordon suggests that the thought and behavior of Japanese workers both reflected and furthered the intense concern with popular participation and national power that has marked Japan's modern history. He points to a post-World War II legacy for imperial democracy in both the organization of the working class movement and the popular willingness to see GNP growth as an index of national glory. Importantly, Gordon shows how historians might reconsider the roles of tenant farmers, students, and female activists, for example, in the rise and transformation of imperial democracy.   [brief]
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Title: Songs to make the dust dance: the Ryōjin hishō of twelfth-century Japan 
Author: Kwon, Yung-Hee K
Published: University of California Press,  1994
Subjects: Literature | Asian Literature | Literary Theory and Criticism | Japan | Asian Studies
Publisher's Description: Breaking through the long-established image of Heian Japan (794-1185) as a culture dominated by ritualized aristocratic values, Yung-Hee Kim presents the picture of a country in transition, filled with a wide variety of common people responding to very ordinary situations. In popular songs called imayo , they expressed their concerns about religion, love, aging, and even current affairs.In 1179 Emperor Go-Shirakawa compiled Ryojin hisho , a twenty-volume collection of this song genre that juxtaposes the sacred with the profane, the high with the low, the male with the female, the old with the new. Kim makes these songs the core of her book, in translations that faithfully reflect the sounds and images of the originals and bring them to life within their own literary and cultural context.   [brief]
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