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1. cover
Title: Tokyo life, New York dreams: urban Japanese visions of America, 1890-1924 online access is available to everyone
Author: Sawada, Mitziko 1928-
Published: University of California Press,  1996
Subjects: History | Asian Studies | Japan | Asian American Studies
Publisher's Description: Tokyo Life, New York Dreams is a bicultural study focusing on Japanese immigrants in New York and the ideas they had about what they would find there. It is one of the first works to consider Japanese immigration to the East Coast, where immigrants were of a different class and social background from the laborers who came to the West Coast and Hawaii. Beginning with a portrait of immigrants' lives in New York City, Mitziko Sawada returns to Tokyo to examine the pre-immigration experience in depth, using rich sources of popular Japanese literature to trace the origins of immigrant perceptions of the U.S.Along with discussions of economics and politics in Tokyo, Sawada explores the prevalent images, ideologies, social myths, and attitudes of late Meiji and Early Taisho Japan. Her lively narrative draws on guide books, magazines, success literature, and popular novels to illuminate the formation of ideas about work, class, gender relations, and freedom in American society. This study analyzes the Japanese construction of a mythic America, perceived as a homogeneous and exotic "other."   [brief]
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2. cover
Title: New York by gas-light and other urban sketches
Author: Foster, George G d. 1856
Published: University of California Press,  1990
Subjects: History | United States History | Print Media | Urban Studies | Technology and Society
Publisher's Description: First published in 1850, New York by Gas-Light explores the seamy side of the newly emerging metropolis: "the festivities of prostitution, the orgies of pauperism, the haunts of theft and murder, the scenes of drunkenness and beastly debauch, and all the sad realities that go to make up the lower stratum - the underground story - of life in New York!" The author of this lively and fascinating little book, which both attracted and offended large numbers of readers in Victorian America, was George G. Foster, reporter for Horace Greeley's influential New York Tribune, social commentator, poet, and man about town. Foster drew on his daily and nightly rambles through the city's streets and among the characters of the urban demi-monde to produce a sensationalized but extraordinarily revealing portrait of New York at the moment it was emerging as a major metropolis. Reprinted here with sketches from two of Foster's other books, New York by Gas-Light will be welcomed by students of urban social history, popular culture, literature, and journalism.Editor Stuart M. Blumin has provided a penetrating introductory essay that sets Foster's life and work in the contexts of the growing city, the development of the mass-distribution publishing industry, the evolving literary genre of urban sensationalism, and the wider culture of Victorian America. This is an important reintroduction to a significant but neglected work, a prologue to the urban realism that would flourish later in the fiction of Stephen Crane, the painting of George Bellows, and the journalism of Jacob Riis.   [brief]
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3. cover
Title: Random violence: how we talk about new crimes and new victims
Author: Best, Joel
Published: University of California Press,  1999
Subjects: Sociology | Social Problems | Law | Criminology
Publisher's Description: Random Violence is a deft and thought-provoking exploration of the ways we talk about - and why we worry about - new crimes and new forms of victimization. Focusing on so-called random crimes such as freeway shootings, gang violence, hate crimes, stalking, and wilding, Joel Best shows how new crime problems emerge and how some quickly fade from public attention while others spread and become enduring subjects of concern. Best's original and incisive argument illuminates the fact that while these crimes are in actuality neither new, nor epidemic, nor random, the language used to describe them nonetheless shapes both private fears and public policies.Best scrutinizes the melodramatic quality of the American public's attitudes toward crime, exposing the cultural context for the popularity of "random violence" as a catch-all phrase to describe contemporary crime, and the fallacious belief that violence is steadily rising. He points out that the age, race, and sex of homicide victims reveal that violence is highly patterned.Best also details the contemporary ideology of victimization, as well as the social arrangements that create and support a victim industry that can label large numbers of victims. He demonstrates why it has become commonplace to "declare war" on social problems, including drugs, crime, poverty, and cancer, and outlines the complementary influence of media, activists, officials, and experts in institutionalizing crime problems. Intrinsic to all these concerns is the way in which policy choices and outcomes are affected by the language used to describe social problems.   [brief]
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4. cover
Title: Islands in the city: West Indian migration to New York
Author: Foner, Nancy 1945-
Published: University of California Press,  2001
Subjects: Anthropology | Ethnic Studies | Cultural Anthropology | Social Problems
Publisher's Description: This collection of original essays draws on a variety of theoretical perspectives, methodologies, and empirical data to explore the effects of West Indian migration and to develop analytic frameworks to examine it.
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5. cover
Title: Their sisters' keepers: prostitution in New York City, 1830-1870 online access is available to everyone
Author: Hill, Marilynn Wood
Published: University of California Press,  1993
Subjects: History | United States History | Women's Studies | American Studies
Publisher's Description: This intimate study of prostitutes in New York City during the mid-nineteenth century reveals these women in an entirely new light. Unlike traditional studies, Marilynn Wood Hill's account of prostitution's positive attractions, as well as its negative aspects, gives a fresh perspective to this much-discussed occupation.Using a wealth of primary source material, from tax and court records to brothel guidebooks and personal correspondence, Hill shows the common concerns prostitutes shared with women outside the "profession." As mothers, sisters, daughters, and wives, trapped by circumstances, they sought a way to create a life and work culture for themselves and those they cared about.By the 1830s prostitution in New York was no longer hidden. Though officially outside the law, it was well integrated into the city's urban life. Hill documents the discrimination and legal harassment prostitutes suffered, and shows how they asserted their rights to protect themselves and their property. Although their occupation was frequently degrading and dangerous, it offered economic and social opportunities for many of its practitioners. Women controlled the prostitution business until about 1870, and during this period female employers and their employees often achieved economic goals not generally available to other working women.While examining aspects of prostitution that benefited women, Hill's vivid portrayal also makes evident the hardships that prostitutes endured. What emerges is a fully rounded study that will be welcomed by many readers.   [brief]
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6. cover
Title: My music is my flag: Puerto Rican musicians and their New York communities, 1917-1940
Author: Glasser, Ruth
Published: University of California Press,  1995
Subjects: History | American Studies | Music
Publisher's Description: Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape.Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music.Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.   [brief]
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7. cover
Title: New York, the politics of urban regional development online access is available to everyone
Author: Danielson, Michael N
Published: University of California Press,  1982
Subjects: Urban Studies
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8. cover
Title: Critical crossings: the New York intellectuals in postwar America online access is available to everyone
Author: Jumonville, Neil
Published: University of California Press,  1990
Subjects: History | Autobiographies and Biographies | Sociology | Politics | American Studies
Publisher's Description: The period immediately following the Second World War was a time, observed Randall Jarrell, when many American writers looked to the art of criticism as the representative act of the intellectual. Rethinking this interval in our culture, Neil Jumonville focuses on the group of writers and thinkers who founded, edited, and wrote for some of the most influential magazines in the country, including Partisan Review , Politics , Commentary , and Dissent . In their rejection of ideological, visionary, and romantic outlooks, reviewers and essayists such as Sidney Hook, Irving Howe, Lionel Trilling, Harold Rosenberg, and Daniel Bell adopted a pragmatic criticism that had a profound influence on the American intellectual community. By placing pragmatism at the center of intellectual activity, the New York Critics crossed from large belief systems to more tentative answers in the hope of redefining the proper function of the intellectual in the new postwar world.Because members of the New York group always valued being intellectuals more than being political leftists, they adopted a cultural elitism that opposed mass culture. Ready to combat any form of absolutist thought, they found themselves pitted against a series of antagonists, from the 1930s to the present, whom they considered insufficiently rational and analytical to be good intellectuals: the Communists and their sympathizers, the Beat writers, and the New Left. Jumonville tells the story of some of the paradoxes and dilemmas that confront all intellectuals. In this sense the book is as much about what it means to be an intellectual as it is about a specific group of thinkers.   [brief]
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9. cover
Title: Honky
Author: Conley, Dalton 1969-
Published: University of California Press,  2000
Subjects: Sociology | Urban Studies | American Studies | Autobiography
Publisher's Description: This intensely personal and engaging memoir is the coming-of-age story of a white boy growing up in a neighborhood of predominantly African American and Latino housing projects on New York's Lower East Side. Vividly evoking the details of city life from a child's point of view - the streets, buses, and playgrounds - Honky poignantly illuminates the usual vulnerabilities of childhood complicated by unusual circumstances. As he narrates these sharply etched and often funny memories, Conley shows how race and class shaped his life and the lives of his schoolmates and neighbors. A brilliant case study for illuminating the larger issues of inequality in American society, Honky brings us to a deeper understanding of the privilege of whiteness, the social construction of race, the power of education, and the challenges of inner-city life. Conley's father, a struggling artist, and his mother, an aspiring writer, joined Manhattan's bohemian subculture in the late 1960s, living on food stamps and raising their family in a housing project. We come to know his mother: her quirky tastes, her robust style, and the bargains she strikes with Dalton - not to ride on the backs of buses, and to always carry money in his shoe as protection against muggers. We also get to know his father, his face buried in racing forms, and his sister, who in grade school has a burning desire for cornrows. From the hilarious story of three-year-old Dalton kidnapping a black infant so he could have a baby sister to the deeply disturbing shooting of a close childhood friend, this memoir touches us with movingly rendered portraits of people and the unfolding of their lives. Conley's story provides a sophisticated example of the crucial role culture plays in defining race and class. Both of Conley's parents retained the "cultural capital" of the white middle class, and they passed this on to their son in the form of tastes, educational expectations, and a general sense of privilege. It is these advantages that ultimately provide Conley with his ticket to higher education and beyond. A tremendously good read, Honky addresses issues both timely and timeless that pertain to us all.   [brief]
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10. cover
Title: Fieldwork under fire: contemporary studies of violence and survival
Author: Nordstrom, Carolyn 1953-
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Social Problems
Publisher's Description: Fieldwork Under Fire is a path-breaking collection of essays written by anthropologists who have experienced the unpredictability and trauma of political violence firsthand. These essays combine theoretical, ethnographic, and methodological points of view to illuminate the processes and solutions that characterize life in dangerous places. They describe the first, often harrowing, experience of violence, the personal and professional problems that arise as troubles escalate, and the often surprising creative strategies people use to survive.In "writing violence," the authors give voice to all those affected by the conditions of violence: perpetrators as well as victims, civilians and specialists, black marketeers and heroes, jackals and researchers. Focusing on everyday experiences, these essays bring to light the puzzling contradictions of lives disturbed by violence: the simultaneous existence of laughter and suffering, of fear and hope. By doing so, they challenge the narrow conceptualization that associates violence with death and war, arguing that instead it must be considered a dimension of living.   [brief]
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11. cover
Title: Judeo-Spanish ballads from New York online access is available to everyone
Author: Benardete, M. J. (Maír José) 1895-
Published: University of California Press,  1982
Subjects: Anthropology | American Literature | Jewish Studies
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12. cover
Title: From colonia to community: the history of Puerto Ricans in New York City
Author: Sánchez Korrol, Virginia
Published: University of California Press,  1994
Subjects: History | Latino Studies | United States History | Urban Studies
Publisher's Description: First published in 1983, this book remains the only full-length study documenting the historical development of the Puerto Rican community in the United States. Expanded to bring it up to the present, Virginia Sánchez Korrol's work traces the growth of the early Puerto Rican settlements - "colonias" . . . [more]
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13. cover
Title: Immigration and the political economy of home: West Indian Brooklyn and American Indian Minneapolis, 1945-1992 online access is available to everyone
Author: Buff, Rachel 1961-
Published: University of California Press,  2001
Subjects: Ethnic Studies | American Studies | Native American Studies | Native American Ethnicity | United States History
Publisher's Description: Rachel Buff's innovative study of festivals in two American communities launches a substantive inquiry into the nature of citizenship, race, and social power. Drawing on ethnographic fieldwork as well as archival research, Buff compares American Indian powwows in Minneapolis with the West Indian American Day Carnival in New York. She demonstrates the historical, theoretical, and cultural links between two groups who are rarely thought of together and in so doing illuminates our understanding of the meaning of home and citizenship in the post-World War II period. The book also follows the history of federal Indian and immigration policy in this period, tracing the ways that migrant and immigrant identities are created by both national boundaries and transnational cultural memory. In addition to offering fascinating discussions of these lively and colorful festivals, Buff shows that their importance is not just as a form of performance or entertainment, but also as crucial sites for making and remaking meanings about group history and survival. Cultural performances for both groups contain a history of resistance to colonial oppression, but they also change and creatively respond to the experiences of migration and the forces of the global mass-culture industry. Accessible and engaging, Immigration and the Political Economy of Home addresses crucial contemporary issues. Powwow culture and carnival culture emerge as vital, dynamic sites that are central not only to the formation of American Indian and West Indian identities, but also to the understanding modern America itself: the history of its institution of citizenship, its postwar cities, and the nature of metropolitan culture.   [brief]
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14. cover
Title: One of the children: gay black men in Harlem online access is available to everyone
Author: Hawkeswood, William G d. 1992
Published: University of California Press,  1997
Subjects: Gender Studies | GayLesbian and Bisexual Studies | African American Studies | Cultural Anthropology
Publisher's Description: Gay black men, a thriving subculture of the black and gay communities, are doubly marginalized. Along with other black men, they are typically portrayed in the media and literature as "street corner men" - unemployed drifters, absentee fathers, substance abusers. In the larger gay community, they are an invisible minority. One of the Children , the first formal cultural study of gay black men in Harlem, not only illuminates this segment of America's gay population but presents a far richer, more diverse portrait of black men's lives than is commonly perceived.Based on two years' intensive research - during which the author lived in Harlem's gay community - including extensive interviews with fifty-seven community members, this book depicts gay black men's lives in all their social, economic, and cultural complexity. William Hawkeswood takes us from the street into the homes and lives of his subjects. He describes the elaborate network of friends, called "family," that supports these men emotionally and financially, and the community's two-tiered economic structure, comprising gay men and "boys," or hustlers.Hawkeswood also explores what it means for these men to be both gay and black. In the process, he makes the surprising discovery that while the AIDS virus looms all around them, it has not yet significantly affected the community of gay blacks who choose their sexual partners exclusively from among Harlem's other gay black men.   [brief]
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15. cover
Title: Caught in the middle: Korean merchants in America's multiethnic cities
Author: Min, Pyong Gap 1942-
Published: University of California Press,  1996
Subjects: Sociology | Ethnic Studies | Urban Studies | American Studies | California and the West | Social Problems
Publisher's Description: In this unflinching exploration of one of the most politically charged topics of our time, Pyong Gap Min investigates the racial dynamics that exist between Korean merchants, the African American community, and white society in general. Focusing on hostility toward Korean merchants in New York and Los Angeles, Min explains how the "middleman" economic role Koreans often occupy - between low-income, minority customers on the one hand and large corporate suppliers on the other - leads to conflicts with other groups. Further, Min shows how ethnic conflicts strengthen ties within Korean communities as Koreans organize to protect themselves and their businesses.Min scrutinizes the targeting of Korean businesses during the 1992 Los Angeles riots and the 1990 African American boycotts of Korean stores in Brooklyn. He explores Korean merchants' relationships with each other as well as with Latin American employees, Jewish suppliers and landlords, and government agencies. In each case, his nuanced analysis reveals how Korean communities respond to general scapegoating through collective action, political mobilization, and other strategies.Fluent in Korean, Min draws from previously unutilized sources, including Korean American newspapers and in-depth interviews with immigrants. His findings belie the media's sensationalistic coverage of African American-Korean conflicts. Instead, Caught in the Middle yields a sophisticated and clear-sighted understanding of the lives and challenges of immigrant merchants in America.   [brief]
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16. cover
Title: Showing signs of violence: the cultural politics of a twentieth-century headhunting ritual online access is available to everyone
Author: George, Kenneth M 1950-
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Southeast Asia
Publisher's Description: Showing Signs of Violence deals with the ceremonies of pangngae, a mock headhunt that lingers stubbornly at the center of political life in a marginal upland community in Sulawesi, Indonesia. No killing takes place in this ritual - no actual heads are taken - but its rhetoric of violence is unmistakable and real.Kenneth M. George vividly details the rites of pangngae, from the headhunters' secret and predatory journey downriver to the week of public festivity that follows their exuberant return. He puts special emphasis on the songs, speeches, and liturgies of the headhunt and shows how this ritual is neither a relic form of primitive violence nor an obsolete discourse on the social horizons of a remote community. In fact, the themes, purposes, and circumstances of pangngae make it the most public and community-defining form of ceremonial violence for this small mountain enclave as it confronts the dilemmas presented by Indonesian modernity and state culture.   [brief]
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17. cover
Title: Leveling crowds: ethnonationalist conflicts and collective violence in South Asia
Author: Tambiah, Stanley Jeyaraja 1929-
Published: University of California Press,  1997
Subjects: Anthropology | South Asia | Politics | Asian History | Religion
Publisher's Description: Ethno-nationalist conflicts are rampant today, causing immense human loss. Stanley J. Tambiah is concerned with the nature of the ethno-nationalist explosions that have disfigured so many regions of the world in recent years. He focuses primarily on collective violence in the form of civilian "riots" in South Asia, using selected instances in Sri Lanka, Pakistan, and India. He situates these riots in the larger political, economic, and religious contexts in which they took place and also examines the strategic actions and motivations of their principal agents. In applying a wide range of social theory to the problems of ethnic and religious violence, Tambiah pays close attention to the history and culture of the region.On one level this provocative book is a scrupulously detailed anthropological and historical study, but on another it is an attempt to understand the social and political changes needed for a more humane order, not just in South Asia, but throughout the world.   [brief]
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18. cover
Title: The "new woman" revised: painting and gender politics on fourteenth street online access is available to everyone
Author: Todd, Ellen Wiley
Published: University of California Press,  1993
Subjects: Art | Art History | United States History | Women's Studies | American Studies
Publisher's Description: In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters - Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop - placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period.This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.   [brief]
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19. cover
Title: After the lovedeath: sexual violence and the making of culture
Author: Kramer, Lawrence 1946-
Published: University of California Press,  1997
Subjects: Gender Studies | Literature | Music
Publisher's Description: This elegantly written book is a bold attempt to reinterpret the nature of sexual violence and to imagine the possibility of overcoming it. Lawrence Kramer traces today's sexual identities to their nineteenth-century sources, drawing on the music, literature, and thought of the period to show how normal identity both promotes and rationalizes violence against women.To make his case, Kramer uses operatic lovedeaths, Beethoven's "Kreutzer Sonata" and the Tolstoy novella named after it; the writings of Walt Whitman and Alfred Lord Tennyson, psychoanalysis, and the logic of dreams. In formal and informal reflections, he explores the self-contradictions of masculinity, the shifting alignments of femininity, authority, and desire, and the interdependency of hetero- and homosexuality. At the same time, he imagines alternatives that could allow gender to be freed from the existing system of polarities that inevitably promote sexual violence.Kramer's writing avoids the conventional dress of intellectual authority and moves between music and literature in a style that is both intimate and effective. He combines informed scholarship with candid personal utterance and makes clear what is at stake in this crucial debate. After the Lovedeath will have a profound impact on anyone interested in new ways to think about gender.   [brief]
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20. cover
Title: Violence workers: police torturers and murderers reconstruct Brazilian atrocities
Author: Huggins, Martha Knisely 1944-
Published: University of California Press,  2002
Subjects: Anthropology | Latin American Studies | Sociology
Publisher's Description: Of the twenty-three Brazilian policemen interviewed in depth for this landmark study, fourteen were direct perpetrators of torture and murder during the three decades that included the 1964-1985 military regime. These "violence workers" and the other group of "atrocity facilitators" who had not, or claimed they had not, participated directly in the violence, help answer questions that haunt today's world: Why and how are ordinary men transformed into state torturers and murderers? How do atrocity perpetrators explain and justify their violence? What is the impact of their murderous deeds - on them, on their victims, and on society? What memories of their atrocities do they admit and which become public history?   [brief]
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