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1. cover
Title: Body work: beauty and self-image in American culture
Author: Gimlin, Debra L 1967-
Published: University of California Press,  2002
Subjects: Sociology | Gender Studies | American Studies
Publisher's Description: Today women are lifting weights to build muscle, wrapping their bodies in seaweed to reduce unwanted water retention, attending weigh-ins at diet centers, and devoting themselves to many other types of "body work." Filled with the voices of real women, this book unravels the complicated emotional and intellectual motivations that drive them as they confront American culture's unreachable beauty ideals. This powerful feminist study lucidly and compellingly argues against the idea that the popularity of body work means that women are enslaved to a male-fashioned "beauty myth." Essential reading for understanding current debates on beauty, Body Work demonstrates that women actually use body work to escape that beauty myth. Debra Gimlin focuses on four sites where she conducted in-depth research--a beauty salon, aerobics classes, a plastic surgery clinic, and a social and political organization for overweight women. The honest and provocative interviews included in this book uncover these women's feelings about their bodies, their reasons for attempting to change or come to terms with them, and the reactions of others in their lives. These interviews show that women are redefining their identities through their participation in body work, that they are working on their self-images as much as on their bodies. Plastic surgery, for example, ultimately is an empowering life experience for many women who choose it, while hairstyling becomes an arena for laying claim to professional and social class identities. This book develops a convincing picture of how women use body work to negotiate the relationship between body and self, a process that inevitably involves coming to terms with our bodies' deviation from cultural ideals. One of the few studies that includes empirical evidence of women's own interpretations of body work, this important project is also based firmly in cultural studies, symbolic interactionism, and feminism. With this book, Debra Gimlin adds her voice to those of scholars who are now looking beyond the surface of the beauty myth to the complex reality of women's lives.   [brief]
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2. cover
Title: Empire of ecstasy: nudity and movement in German body culture, 1910-1935 online access is available to everyone
Author: Toepfer, Karl Eric 1948-
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | German Studies | Gender Studies | Dance
Publisher's Description: Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars - nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of "modern identity." The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious "inner" conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an "empire" of appropriative impulses toward ecstasy. Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism.   [brief]
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3. cover
Title: Monster/beauty: building the body of love
Author: Frueh, Joanna
Published: University of California Press,  2001
Subjects: Art | Art Theory | Gender Studies | Art Theory | Gender Studies
Publisher's Description: This daring, intensely personal book challenges both conventional and feminist ideas about beauty by asking us to take pleasure in beauty without shame, and to see and feel the erotic in everyday life. Bringing together her varied experiences as a poet, art historian, bodybuilder, and noted performance artist, Joanna Frueh shows us how to move beyond society's equation of youth with beauty toward an aesthetic for the fully erotic human being. A lush combination of autobiography, theory, photography, and poetry, this book continues to develop the ideas about the erotic, beauty, older women, sex, and pleasure that Frueh first addressed in Erotic Faculties. Monster/Beauty examines these issues using a provocative, often explicit, set of examples. Frueh admiringly looks at the bodies and mindsets of midlife female bodybuilders, rethinks the vampire, and revises our ideas about traditional models of beauty, such as Aphrodite. Above all, she boldly brings her personal experience into the text, weaving her reflections on female sensuality with contemporary theory. These linked essays are as much a performance as they are a discussion, breaking down the barriers between the personal and the academic, and the erotic and the intellectual. Frueh writes passionately and beautifully, and the result is a much-needed exploration of beauty myths and taboos.   [brief]
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4. cover
Title: Twilight zones: the hidden life of cultural images from Plato to O.J
Author: Bordo, Susan 1947-
Published: University of California Press,  1997
Subjects: Sociology | Popular Culture | Politics | Social and Political Thought | Gender Studies | Media Studies
Publisher's Description: Considering everything from Nike ads, emaciated models, and surgically altered breasts to the culture wars and the O.J. Simpson trial, Susan Bordo deciphers the hidden life of cultural images and the impact they have on our lives. She builds on the provocative themes introduced in her acclaimed work Unbearable Weight - which explores the social and political underpinnings of women's obsession with bodily image - to offer a singularly readable and perceptive interpretation of our image-saturated culture. As it becomes increasingly difficult to distinguish between appearance and reality, she argues, we need to rehabilitate the notion that not all versions of reality are equally trustworthy. Bordo writes with deep compassion, unnerving honesty, and bracing intelligence. Looking to the body and bodily practices as a concrete arena where cultural fantasies and anxieties are played out, she examines the mystique and the reality of empowerment through cosmetic surgery. Her brilliant discussion of sexual harassment reflects on the Clarence Thomas/Anita Hill controversy as well as the film Disclosure . She suggests that sexuality, although one of the mediums of harassment, is not its essence, and she calls for the recasting of harassers as bullies rather than sex fiends. Bordo also challenges the continuing marginalization of feminist thought, in particular the failure to read feminist work as cultural criticism. Finally, in a powerful and moving essay called "Missing Kitchens" - written in collaboration with her two sisters - Bordo explores notions of bodies, place, and space through a recreation of the topographies of her childhood. Throughout these essays, Bordo avoids dogma and easy caricature. Consistently, and on many levels, she demonstrates the profound relationship between our lives and our theories, our feelings and our thoughts.   [brief]
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5. cover
Title: A finger in the wound: body politics in quincentennial Guatemala
Author: Nelson, Diane M 1963-
Published: University of California Press,  1999
Subjects: Anthropology | Latin American Studies | Latin American History
Publisher's Description: Many Guatemalans speak of Mayan indigenous organizing as "a finger in the wound." Diane Nelson explores the implications of this painfully graphic metaphor in her far-reaching study of the civil war and its aftermath. Why use a body metaphor? What body is wounded, and how does it react to apparent further torture? If this is the condition of the body politic, how do human bodies relate to it - those literally wounded in thirty-five years of war and those locked in the equivocal embrace of sexual conquest, domestic labor, mestizaje , and social change movements?Supported by three and a half years of fieldwork since 1985, Nelson addresses these questions - along with the jokes, ambivalences, and structures of desire that surround them - in both concrete and theoretical terms. She explores the relations among Mayan cultural rights activists, ladino (nonindigenous) Guatemalans, the state as a site of struggle, and transnational forces including Nobel Peace Prizes, UN Conventions, neo-liberal economics, global TV, and gringo anthropologists. Along with indigenous claims and their effect on current attempts at reconstituting civilian authority after decades of military rule, Nelson investigates the notion of Quincentennial Guatemala, which has given focus to the overarching question of Mayan - and Guatemalan - identity. Her work draws from political economy, cultural studies, and psychoanalysis, and has special relevance to ongoing discussions of power, hegemony, and the production of subject positions, as well as gender issues and histories of violence as they relate to postcolonial nation-state formation.   [brief]
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6. cover
Title: From the royal to the republican body: incorporating the political in seventeenth- and eighteenth-century France online access is available to everyone
Author: Melzer, Sara E
Published: University of California Press,  1998
Subjects: History | European History | French Studies | European Literature | Cinema and Performance Arts | Politics
Publisher's Description: In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.   [brief]
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7. cover
Title: Unsnarling the world-knot: consciousness, freedom, and the mind-body problem online access is available to everyone
Author: Griffin, David Ray 1939-
Published: University of California Press,  1998
Subjects: Philosophy | Intellectual History
Publisher's Description: The mind-body problem, which Schopenhauer called the "world-knot," has been a central problem for philosophy since the time of Descartes. Among realists - those who accept the reality of the physical world - the two dominant approaches have been dualism and materialism, but there is a growing consensus that, if we are ever to understand how mind and body are related, a radically new approach is required.David Ray Griffin develops a third form of realism, one that resolves the basic problem (common to dualism and materialism) of the continued acceptance of the Cartesian view of matter. In dialogue with various philosophers, including Dennett, Kim, McGinn, Nagel, Seager, Searle, and Strawson, Griffin shows that materialist physicalism is even more problematic than dualism. He proposes instead a pan-experientialist physicalism grounded in the process philosophy of Alfred North Whitehead. Answering those who have rejected "pan-psychism" as obviously absurd, Griffin argues compellingly that pan-experientialism, by taking experience and spontaneity as fully natural, can finally provide a naturalistic account of the emergence of consciousness - an account that also does justice to the freedom that we all presuppose in practice.   [brief]
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8. cover
Title: The Languages of psyche: mind and body in Enlightenment thought: Clark Library lectures, 1985-1986 online access is available to everyone
Author: Rousseau, G. S. (George Sebastian)
Published: University of California Press,  1991
Subjects: History | Medicine | History and Philosophy of Science | European History | European Literature
Publisher's Description: The Languages of Psyche traces the dualism of mind and body during the "long eighteenth century," from the Restoration in England to the aftermath of the French Revolution. Ten outstanding scholars investigate the complex mind-body relationship in a variety of Enlightenment contexts - science, medicine, philosophy, literature, and everyday society. No other recent book provides such an in-depth, suggestive resource for philosophers, literary critics, intellectual and social historians, and all who are interested in Enlightenment studies.   [brief]
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9. cover
Title: Touching liberty: abolition, feminism, and the politics of the body online access is available to everyone
Author: Sánchez-Eppler, Karen
Published: University of California Press,  1993
Subjects: Literature | Literary Theory and Criticism | Women's Studies | United States History | American Studies
Publisher's Description: In this striking study of the pre-Civil War literary imagination, Karen Sánchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood, one in which the racially distinct and physically constrained slave body converged with the sexually distinct and domestically circumscribed female body.Moving from the public domain of abolitionist politics to the privacy of lyric poetry, Sánchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly.Sánchez-Eppler warns against exaggerating the positive links between literature and politics, however. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing "difference," in the nineteenth century as in the twentieth. Her insightful examination of issues that continue to be relevant today will make a distinctive mark on American literary and cultural studies.   [brief]
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10. cover
Title: The body/body problem: selected essays
Author: Danto, Arthur Coleman 1924-
Published: University of California Press,  1999
Subjects: Philosophy | Art Criticism | Social and Political Thought
Publisher's Description: The overall subject of the essays in The Body/Body Problem is the traditional one of what our ultimate makeup is, as creatures with minds and bodies. The central thesis is that we are beings who represent - and misrepresent - actual and possible worlds. Addressing philosophical questions of mental representation, Danto presents his distinctive approach to some of the most enduring topics in philosophy. He is concerned with the nature of description, the status of the external world, action theory, the philosophy of history, and the philosophical status of psychoanalytic explanation. Representation is a central concept in philosophy, says Danto, with differences among philosophers arising in the ways they account for how representations connect to the world or to the individuals possessing them, and how they connect with one another to form systems of beliefs, feelings, and attitudes. In these essays Danto's own voice, with his arguments and speculations, provides rich philosophical pleasures that will endure, to borrow from Santayana, "under whatever sky."Arthur C. Danto is one of the most original and multitalented philosophers writing today, a thinker whose interests traverse the boundaries of traditional understandings of philosophy. Best known for his contributions to the philosophy of art and aesthetics, Danto is also esteemed for his work in the history of philosophy, the philosophy of history, philosophical psychology, and action theory. These two volumes, each with an introduction by the author, contain essays spanning more than twenty-five years that have been selected to highlight the inseparability of philosophy and art in Danto's work. Together they present the thinking of Arthur C. Danto at his very best.   [brief]
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11. cover
Title: Family size and achievement online access is available to everyone
Author: Blake, Judith
Published: University of California Press,  1992
Subjects: Sociology | Demography
Publisher's Description: The children born since the end of the postwar baby boom are the first in American history to come primarily from small families - families of three or fewer children. Judith Blake calls this momentous change the sibsize revolution, and this book focuses on the cognitive and educational consequences . . . [more]
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12. cover
Title: The frail social body: pornography, homosexuality, and other fantasies in interwar France
Author: Dean, Carolyn J. (Carolyn Janice) 1960-
Published: University of California Press,  2000
Subjects: History | Gender Studies | European History | Literary Theory and Criticism | French Studies
Publisher's Description: Amid the national shame and subjugation following World War I in France, cultural critics there - journalists, novelists, doctors, and legislators, among others - worked to rehabilitate what was perceived as an unhealthy social body. Carolyn J. Dean shows how these critics attempted to reconstruct the “bodily integrity” of the nation by pointing to the dangers of homosexuality and pornography. Dean's provocative work demonstrates the importance of this concept of bodily integrity in France and shows how it was ultimately used to define first-class citizenship. Dean presents fresh historical material - including novels and medical treatises - to show how fantasies about the body-violating qualities of homosexuality and pornography informed social perceptions and political action. Although she focuses on the period from 1890 to 1945, Dean also establishes the relevance of these ideas to current preoccupations with pornography and sexuality in the United States.   [brief]
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13. cover
Title: Images and empires: visuality in colonial and postcolonial Africa
Author: Landau, Paul Stuart 1962-
Published: University of California Press,  2002
Subjects: Anthropology | African Studies | Art History | Cultural Anthropology | History
Publisher's Description: Figurative images have long played a critical, if largely unexamined, role in Africa - mediating relationships between the colonizer and the colonized, the state and the individual, and the global and the local. This pivotal volume considers the meaning and power of images in African history and culture. Paul S. Landau and Deborah Kaspin have assembled a wide-ranging collection of essays dealing with specific visual forms, including monuments, cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits. The contributors, experts in a number of disciplines, discuss various modes of visuality in Africa and of Africa, investigating the interplay of visual images with personal identity, class, gender, politics, and wealth. Integral to the argument of the book are over seventy contextualized illustrations. Africans saw foreigners in margarine wrappers, Tintin cartoons, circus posters, and Hollywood movies; westerners gleaned impressions of Africans from colonial exhibitions, Tarzan films, and naturalist magazines. The authors provide concrete examples of the construction of Africa's image in the modern world. They reveal how imperial iconographies sought to understand, deny, control, or transform authority, as well as the astonishing complexity and hybridity of visual communication within Africa itself.   [brief]
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14. cover
Title: Flesh wounds: the culture of cosmetic surgery
Author: Blum, Virginia L 1956-
Published: University of California Press,  2003
Subjects: American Studies | Gender Studies | Film | Psychology | Literary Theory and Criticism | Sociology | Anthropology | Television and Radio | Women's Studies
Publisher's Description: When did cosmetic surgery become a common practice, the stuff of everyday conversation? In a work that combines a provocative ethnography of plastic surgery and a penetrating analysis of beauty and feminism, Virginia L. Blum searches out the social conditions and imperatives that have made ours a culture of cosmetic surgery. From diverse viewpoints, ranging from cosmetic surgery patient to feminist cultural critic, she looks into the realities and fantasies that have made physical malleability an essential part of our modern-day identity. For a cultural practice to develop such a tenacious grip, Blum argues, it must be fed from multiple directions: some pragmatic, including the profit motive of surgeons and the increasing need to appear young on the job; some philosophical, such as the notion that a new body is something you can buy or that appearance changes your life. Flesh Wounds is an inquiry into the ideas and practices that have forged such a culture. Tying the boom in cosmetic surgery to a culture-wide trend toward celebrity, Blum explores our growing compulsion to emulate what remain for most of us two-dimensional icons. Moving between personal experiences and observations, interviews with patients and surgeons, and readings of literature and cultural moments, her book reveals the ways in which the practice of cosmetic surgery captures the condition of identity in contemporary culture.   [brief]
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15. cover
Title: Carnal Israel: reading sex in Talmudic culture
Author: Boyarin, Daniel
Published: University of California Press,  1993
Subjects: Jewish Studies | Religion | Judaism | Gender Studies | Comparative Religions | Classical Religions
Publisher's Description: Beginning with a startling endorsement of the patristic view of Judaism - that it was a "carnal" religion, in contrast to the spiritual vision of the Church - Daniel Boyarin argues that rabbinic Judaism was based on a set of assumptions about the human body that were profoundly different from those of Christianity. The body - specifically, the sexualized body - could not be renounced, for the Rabbis believed as a religious principle in the generation of offspring and hence in intercourse sanctioned by marriage.This belief bound men and women together and made impossible the various modes of gender separation practiced by early Christians. The commitment to coupling did not imply a resolution of the unequal distribution of power that characterized relations between the sexes in all late-antique societies. But Boyarin argues strenuously that the male construction and treatment of women in rabbinic Judaism did not rest on a loathing of the female body. Thus, without ignoring the currents of sexual domination that course through the Talmudic texts, Boyarin insists that the rabbinic account of human sexuality, different from that of the Hellenistic Judaisms and Pauline Christianity, has something important and empowering to teach us today.   [brief]
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16. cover
Title: Earthly bodies, magical selves: contemporary pagans and the search for community
Author: Pike, Sarah M 1959-
Published: University of California Press,  2001
Subjects: Religion | Anthropology
Publisher's Description: Recent decades have seen a revival of paganism, and every summer people gather across the United States to celebrate this increasingly popular religion. Sarah Pike's engrossing ethnography is the outcome of five years attending neo-pagan festivals, interviewing participants, and sometimes taking part in their ceremonies. Earthly Bodies, Magical Selves incorporates her personal experience and insightful scholarly work concerning ritual, sacred space, self-identity, and narrative. The result is a compelling portrait of this frequently misunderstood religious movement. Neo-paganism began emerging as a new religious movement in the late 1960s. In addition to bringing together followers for self-exploration and participation in group rituals, festivals might offer workshops on subjects such as astrology, tarot, mythology, herbal lore, and African drumming. But while they provide a sense of community for followers, Neo-Pagan festivals often provoke criticism from a variety of sources - among them conservative Christians, Native Americans, New Age spokespersons, and media representatives covering stories of rumored "Satanism" or "witchcraft." Earthly Bodies, Magical Selves explores larger issues in the United States regarding the postmodern self, utopian communities, cultural improvisation, and contemporary spirituality. Pike's accessible writing style and her nonsensationalistic approach do much to demystify neo-paganism and its followers.   [brief]
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17. cover
Title: Visual piety: a history and theory of popular religious images
Author: Morgan, David 1957-
Published: University of California Press,  1997
Subjects: Religion | Art
Publisher's Description: This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual images - from Warner Sallman's "Head of Christ" to velvet renditions of DaVinci's "Last Supper" to illustrations on prayer cards - have assumed central roles in contemporary American lives and communities.Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls "visual piety," or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief. Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, Visual Piety is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.   [brief]
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18. cover
Title: "Ronald Reagan," the movie: and other episodes in political demonology
Author: Rogin, Michael Paul
Published: University of California Press,  1988
Subjects: History | Politics | Popular Culture | United States History
Publisher's Description: The fear of the subversive has governed American politics, from the racial conflicts of the early republic to the Hollywood anti-Communism of Ronald Reagan. Political monsters - the Indian cannibal, the black rapist, the demon rum, the bomb-throwing anarchist, the many-tentacled Communist conspiracy, the agents of international terrorism - are familiar figures in the dream life that so often dominates American political consciousness. What are the meanings and sources of these demons? Why does the American political imagination conjure them up? Michael Rogin answers these questions by examining the American countersubversive tradition.   [brief]
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19. cover
Title: Images and ideologies: self-definition in the Hellenistic world online access is available to everyone
Author: Bulloch, A. W
Published: University of California Press,  1994
Subjects: Classics | Philosophy | Classical Philosophy | Ancient History | Art History
Publisher's Description: This volume captures the individuality, the national and personal identity, the cultural exchange, and the self-consciousness that have long been sensed as peculiarly potent in the Hellenistic world. The fields of history, literature, art, philosophy, and religion are each presented using the format of two essays followed by a response.Conveying the direction and focus of Hellenistic learning, eighteen leading scholars discuss issues of liberty versus domination, appropriation versus accommodation, the increasing diversity of citizen roles and the dress and gesture appropriate to them, and the accompanying religious and philosophical ferment. The result is an arresting view of the incredible and unprecedented diversity of the Hellenistic world.   [brief]
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20. cover
Title: White saris and sweet mangoes: aging, gender, and body in North India online access is available to everyone
Author: Lamb, Sarah 1960-
Published: University of California Press,  2000
Subjects: Anthropology | South Asia | Aging | Cultural Anthropology | Women's Studies
Publisher's Description: This rich ethnography explores beliefs and practices surrounding aging in a rural Bengali village. Sarah Lamb focuses on how villagers' visions of aging are tied to the making and unmaking of gendered selves and social relations over a lifetime. Lamb uses a focus on age as a means not only to open up new ways of thinking about South Asian social life, but also to contribute to contemporary theories of gender, the body, and culture, which have been hampered, the book argues, by a static focus on youth. Lamb's own experiences in the village are an integral part of her book and ably convey the cultural particularities of rural Bengali life and Bengali notions of modernity. In exploring ideals of family life and the intricate interrelationships between and within generations, she enables us to understand how people in the village construct, and deconstruct, their lives. At the same time her study extends beyond India to contemporary attitudes about aging in the United States. This accessible and engaging book is about deeply human issues and will appeal not only to specialists in South Asian culture, but to anyone interested in families, aging, gender, religion, and the body.   [brief]
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