Title: Songs without music: aesthetic dimensions of law and justice
Author: Manderson, Desmond
Published: University of California Press,  2000
Subjects: Law | Philosophy | Ethics | Social and Political Thought | Intellectual History
Publisher's Description: In this pathbreaking and provocative analysis of the aesthetics of law, the historian, legal theorist, and musician Desmond Manderson argues that by treating a text, legal or otherwise, as if it were merely a sequence of logical propositions, readers miss its formal and symbolic meanings. Creatively using music as a model, he demonstrates that law is not a sterile, rational structure, but a cultural form to be valued and enhanced through rhetoric and metaphors, form, images, and symbols. To further develop this argument, the book is divided into chapters, each of which is based on a different musical form. Law, for Manderson, should strive for neither coherence nor integrity. Rather, it is imperfectly realized, constantly reinterpreted, and always in flux. Songs without Music is written in an original, engaging, and often humorous style, and exhibits a deep knowledge of both law and music. It successfully traverses several disciplines and builds an original and persuasive argument for a legal aesthetic. The book will appeal to a broad readership in law, political theory, literary criticism, and cultural studies.   [brief]
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Title: Art of the gold rush
Author: Driesbach, Janice Tolhurst
Published: University of California Press,  1998
Subjects: Art | California and the West | Californian and Western History
Publisher's Description: The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination.Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories - particularly the American belief in the rewards of hard work and enterprise - can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.   [brief]
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Title: Revenge of the aesthetic: the place of literature in theory today 
Author: Clark, Michael 1950-
Published: University of California Press,  2000
Subjects: Literature | Literary Theory and Criticism | Philosophy
Publisher's Description: This cutting-edge collection of essays showcases the work of some of the most influential theorists of the past thirty years as they grapple with the question of how literature should be treated in contemporary theory. The contributors challenge trends that have recently dominated the field--especially those that emphasize social and political issues over close reading and other analytic methods traditionally associated with literary criticism. Written especially for this collection, these essays argue for the importance of aesthetics, poetics, and aesthetic theory as they present new and stimulating perspectives on the directions which theory and criticism will take in the future. In addition to providing a selection of distinguished critics writing at their best, this collection is valuable because it represents a variety of fields and perspectives that are not usually found together in the same volume. Michael Clark's introduction provides a concise, cogent history of major developments and trends in literary theory from World War II to the present, making the entire volume essential reading for students and scholars of literature, literary theory, and philosophy.   [brief]
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Title: Light moving in time: studies in the visual aesthetics of avant-garde film 
Author: Wees, William C. (William Charles) 1935-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film
Publisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision.Beginning with the proposition that the images of cinema and vision derive from the same basic elements - light, movement, and time - Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores.Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.   [brief]
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Title: Gold: the California story
Author: Hill, Mary 1923-
Published: University of California Press,  2000
Subjects: California and the West | Californian and Western History | Geology | Natural History
Publisher's Description: The discovery of gold in 1848 catapulted California into statehood and triggered environmental, social, political, and economic events whose repercussions are still felt today. Mary Hill combines her scientific training with a flair for storytelling to present the history of gold in California from the distant geological past through the wild days of the Gold Rush to the present.The early days of gold fever drew would-be miners from around the world, many enduring great hardships to reach California. Once here, they found mining to be backbreaking work and devised machines to help recover gold. These machines pawed gravel from river bottoms and tore apart mountainsides, wreaking environmental havoc that silted rivers, ruined farmlands, and provoked the world's first environmental conflict settled in the courts. Native Americans were nearly wiped out by invading miners or their diseases, and many Spanish-speaking settlers - Californios - were pushed aside.Hill writes of gold's uses in today's world for everything from coins to coffins, gourmet foods to spacecraft. Her comprehensive overview of gold's impact on California includes illustrated explanations of geology and mining in nontechnical language as well as numerous illustrations, maps, and photographs.   [brief]
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Title: The new Cold War?: religious nationalism confronts the secular state
Author: Juergensmeyer, Mark
Published: University of California Press,  1993
Subjects: Politics | Asian Studies | Religion | Social Problems | Middle Eastern Studies | South Asia
Publisher's Description: Will the religious confrontations with secular authorities around the world lead to a new Cold War? Mark Juergensmeyer paints a provocative picture of the new religious revolutionaries altering the political landscape in the Middle East, South Asia, Central Asia, and Eastern Europe. Impassioned Muslim leaders in Egypt, Palestine, and Algeria, political rabbis in Israel, militant Sikhs in India, and triumphant Catholic clergy in Eastern Europe are all players in Juergensmeyer's study of the explosive growth of religious movements that decisively reject Western ideas of secular nationalism.Juergensmeyer revises our notions of religious revolutions. Instead of viewing religious nationalists as wild-eyed, anti-American fanatics, he reveals them as modern activists pursuing a legitimate form of politics. He explores the positive role religion can play in the political life of modern nations, even while acknowledging some religious nationalists' proclivity to violence and disregard of Western notions of human rights. Finally, he situates the growth of religious nationalism in the context of the political malaise of the modern West. Noting that the synthesis of traditional religion and secular nationalism yields a religious version of the modern nation-state, Juergensmeyer claims that such a political entity could conceivably embrace democratic values and human rights.   [brief]
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Title: Religious nationalism: Hindus and Muslims in India
Author: Veer, Peter van der
Published: University of California Press,  1994
Subjects: Anthropology | Cultural Anthropology | Hinduism | South Asia
Publisher's Description: Religious nationalism is a subject of critical importance in much of the world today. Peter van der Veer's timely study on the relationship between religion and politics in India goes well beyond other books on this subject. He brings together several disciplines - anthropology, history, social theory, literary studies - to show how Indian religious identities have been shaped by pilgrimage, migration, language development, and more recently, print and visual media.Van der Veer's central focus is the lengthy dispute over the Babari mosque in Ayodhya, site of a bloody confrontation between Hindus and Muslims in December 1992. A thought-provoking range of other examples describes the historical construction of religious identities: cow protection societies and Sufi tombs, purdah and the political appropriation of images of the female body, Salman Rushdie and the role of the novel in nationalism, Mahatma Gandhi and Swami Vivekananda, the Khalsa movement among Sikhs, and nationalist archaeology and the televised Ramayana .Van der Veer offers a new perspective on the importance of religious organization and the role of ritual in the formation of nationalism. His work advances our understanding of contemporary India while also offering significant theoretical insights into one of the most troubling issues of this century.   [brief]
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Title: Days of gold: the California Gold Rush and the American nation
Author: Rohrbough, Malcolm J
Published: University of California Press,  1997
Subjects: History | California and the West | Californian and Western History | United States History | American Studies | Gender Studies
Publisher's Description: On the morning of January 24, 1848, James W. Marshall discovered gold in California. The news spread across the continent, launching hundreds of ships and hitching a thousand prairie schooners filled with adventurers in search of heretofore unimagined wealth. Those who joined the procession - soon called 49ers - included the wealthy and the poor from every state and territory, including slaves brought by their owners. In numbers, they represented the greatest mass migration in the history of the Republic.In this first comprehensive history of the Gold Rush, Malcolm J. Rohrbough demonstrates that in its far-reaching repercussions, it was the most significant event in the first half of the nineteenth century. No other series of events between the Louisiana Purchase and the Civil War produced such a vast movement of people; called into question basic values of marriage, family, work, wealth, and leisure; led to so many varied consequences; and left such vivid memories among its participants.Through extensive research in diaries, letters, and other archival sources, Rohrbough uncovers the personal dilemmas and confusion that the Gold Rush brought. His engaging narrative depicts the complexity of human motivation behind the event and reveals the effects of the Gold Rush as it spread outward in ever-widening circles to touch the lives of families and communities everywhere in the United States. For those who joined the 49ers, the decision to go raised questions about marital obligations and family responsibilities. For those men - and women, whose experiences of being left behind have been largely ignored until now - who remained on the farm or in the shop, the absences of tens of thousands of men over a period of years had a profound impact, reshaping a thousand communities across the breadth of the American nation.   [brief]
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Title: Going for gold: men, mines, and migration
Author: Moodie, T. Dunbar
Published: University of California Press,  1994
Subjects: Sociology | African Studies | Social Theory | Men and Masculinity
Publisher's Description: This book tells the story of the lives of migrant black African men who work on the South African gold mines, told from their own point of view and, as much as possible, in their own words. Dunbar Moodie examines the operation of local power structures and resistances, changes in production techniques, the limits and successes of unionization, and the nature of ethnic conflicts at different periods and on different terrains of struggle. He treats his subject thematically and historically, examining how notions of integrity, manhood, sexuality, work, power, solidarity, and violence have all changed over time, especially with the shift to a proletarianized work force on the mines in the 1970s. Moodie integrates analyses of individual life-strategies with theories of social change, illuminating the ways in which these play off each other in historically significant ways. He shows how human beings (in this case, African men) build integrity and construct their own social order, even in situations of apparent total repression.   [brief]
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Title: A golden state: mining and economic development in gold rush California 
Author: Rawls, James J
Published: University of California Press,  1999
Subjects: California and the West | American Studies | Natural History | Geography | Californian and Western History | United States History
Publisher's Description: California's storied Gold Rush triggered momentous changes not only for the state, but also for the nation and the world. The economic impact of that epoch-making event is the focus of the second volume of the California History Sesquicentennial Series. The chapter contributors offer a range of perspectives, including commentaries that reflect the new scholarship of environmental and resource history. Together, the essays and more than 90 illustrations show how the Gold Rush precipitated a veritable economic revolution whose effects continue to this day.Among the topics given a fresh interpretation are the relationship between technology and society; the environmental impact from mining and the sudden increase in California's population; the influence of the Gold Rush on agriculture, manufacturing, banking, and transportation; and its impact on the peoples and economies of Latin America, Europe, and Asia. The popular image of the independent prospector is also examined anew, as is the role of different groups of industrial workers, including Chinese, Mexicans, and women.The Gold Rush was a multiplier, an event that accelerated a chain of interrelated consequences that in turn accelerated economic growth. But it also touched a deep-seated nerve in the human psyche and unleashed economic forces, for good or ill, that transformed California forever into a Golden State.   [brief]
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Title: Fascist spectacle: the aesthetics of power in Mussolini's Italy
Author: Falasca-Zamponi, Simonetta 1957-
Published: University of California Press,  1997
Subjects: History | European History | Popular Culture | European Studies | Politics
Publisher's Description: This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history.Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.   [brief]
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Title: Windows on the house of Islam: Muslim sources on spirituality and religious life
Author: Renard, John 1944-
Published: University of California Press,  1998
Subjects: Religion | Middle Eastern Studies | History | Islam
Publisher's Description: Over the centuries and across the globe, Muslim authors and artists have given moving testimony to their experience of being members of the Islamic community. Their many vantage points come together in this collection, one that represents major Islamic groups from the past through the present and covers a range of themes essential to understanding Islamic spirituality and religious life. More than thirty leading Islam scholars present translations originating from a dozen languages, including Arabic, Persian, Chinese, and Indonesian. Texts include samples of virtually every major literary form of significance to the Muslim faith: the Qur'an, hadith, scriptural commentary, letters, treatises, lyric and didactic poetry, hagiography, historical chronicle, aphorism, endowment deeds, and personal diary entries. In addition, over five dozen illustrations thematically document a full range of artistic forms and historical periods, from ritual objects and architecture to manuscripts of religious texts. This volume and its companion, John Renard's 1996 book, Seven Doors to Islam , are the only books available that integrate such a wide range of Islamic literary and visual forms. Together they offer a superb introduction to the primary religious sources as well as a general understanding of Islamic spirituality and culture.   [brief]
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Title: Seven doors to Islam: spirituality and the religious life of Muslims
Author: Renard, John 1944-
Published: University of California Press,  1996
Subjects: Religion | Middle Eastern Studies | Middle Eastern History | Islam | Medieval Studies
Publisher's Description: Seven Doors to Islam reveals the religious worldview and spiritual tradition of the world's one billion Muslims. Spanning the breadth of Islamic civilization from Morocco to Indonesia, this book demonstrates how Muslims have used the literary and visual arts in all their richness and diversity to communicate religious values. Each of the seven chapters opens a "door" that leads progressively closer to the very heart of Islam, from the foundational revelation in the Qur'an to the transcendent experience of the Sufi mystics. However, unlike most studies of Islam, which see spirituality as the concern of a minority of mystical seekers, Seven Doors demonstrates its central role in every aspect of the Islamic tradition.   [brief]
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Title: Visual piety: a history and theory of popular religious images
Author: Morgan, David 1957-
Published: University of California Press,  1997
Subjects: Religion | Art
Publisher's Description: This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual images - from Warner Sallman's "Head of Christ" to velvet renditions of DaVinci's "Last Supper" to illustrations on prayer cards - have assumed central roles in contemporary American lives and communities.Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls "visual piety," or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief. Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, Visual Piety is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.   [brief]
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Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
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Title: Dedication to hunger: the anorexic aesthetic in modern culture 
Author: Heywood, Leslie
Published: University of California Press,  1996
Subjects: Gender Studies | Literary Theory and Criticism | Women's Studies | Literature
Publisher's Description: Writing as a competitive athlete, an academic, and a woman, Leslie Heywood merges personal history and scholarship to expose the "anorexic logic" that underlies Western high culture. She maneuvers deftly across the terrain of modern literature, illustrating how this logic - the privileging of mind over body, of hard over soft, of masculine over feminine - is at the heart of the modernist style. Her argument ranges from Plato to women's bodybuilding, from Franz Kafka to Nike ads.In penetrating examinations of Kafka, Pound, Eliot, William Carlos Williams, and Conrad, Heywood demonstrates how the anorexic aesthetic is embodied in high modernism. In a compelling chapter on Jean Rhys, Heywood portrays an author who struggles to develop a clean, spare, "anorexic" style in the midst of a shatteringly messy emotional life. As Heywood points out, students are trained in the aesthetic of high modernism, and academics are pressured into its straitjacket. The resulting complications are reflected in structures as diverse as gender identity formation, sexual harassment, and eating disorders.Direct, engaging, and intensely informed by the author's personal involvement with her subject, Dedication to Hunger offers a powerful challenge to cultural assumptions about language, gender, subjectivity, and identity.   [brief]
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Title: The lure of the edge: scientific passions, religious beliefs, and the pursuit of UFOs
Author: Denzler, Brenda 1953-
Published: University of California Press,  2001
Subjects: Religion | Science | Sociology
Publisher's Description: UFO phenomena entered American consciousness at the beginning of the Cold War, when reports from astonished witnesses of encounters with unknown aerial objects captured the attention of the United States military and the imagination of the press and the public. But when UFOs appeared not to be hostile, and when some scientists pronounced the sightings to be of natural meteorological phenomena misidentified due to "Cold War jitters," military interest declined sharply and, with it, further overt scientific interest. Yet sighting reports didn't stop and UFOs entered the public imagination as a cultural myth of the twentieth century. Brenda Denzler's comprehensive, clearly written, and compelling narrative provides the first sustained overview and valuation of the UFO/alien abduction movement as a social phenomenon positioned between scientific and religious perspectives. Demonstrating the unique place ufology occupies in the twentieth-century nexus between science and religion, Denzler surveys the sociological contours of its community, assesses its persistent attempt to achieve scientific legitimacy, and concludes with an examination of the movement's metaphysical or spiritual outlook. Her book is a substantial contribution to our understanding of American popular culture and the boundaries of American religion and to the debate about the nature of science and religion. Denzler presents a thorough and fascinating history of the UFO/abduction movement and traces the tensions between those who are deeply ambivalent about abduction narratives that seemingly erode their quest for scientific credibility, and the growing cultural power of those who claim to have been abducted. She locates the phenomenon within the context of American religious history and, using data gathered in surveys, sheds new light on the social profile of these UFO communities. The Lure of the Edge succeeds brilliantly in repositioning a cultural phenomenon considered by many to be bizarre and marginal into a central debate about the nature of science, technology, and the production of a modern myth.   [brief]
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Title: High culture fever: politics, aesthetics, and ideology in Deng's China 
Author: Wang, Jing 1950-
Published: University of California Press,  1996
Subjects: Asian Studies | Asian Literature | Asian History | Politics | China
Publisher's Description: Jing Wang offers the first overview of the feverish decade of the 1980s in China, from early reexaminations of Maoism through the crackdown in Tiananmen Square. Wang's energetic, creative, and highly intelligent take on Chinese culture provides a broad portrait of the post-revolutionary era and a provocative inquiry into the nature of Chinese modernity.In seven linked essays, the author examines the cultural dynamics that have given rise to the epochal discourse. She traces the Chinese Marxists' short debate over "socialist alienation" and examines the various schools of thought - Li Zehou and the Marxist Reconstruction of Confucianism, the neo-Confucian Revivalists, and the Enlightenment School - that came into play in the Culture Fever. She also critiques the controversial mini-series Yellow River Elegy . In mapping out China's post-revolutionary aesthetics, Wang introduces the debate over "pseudo-modernism," refutes the pseudo-proposition of "Chinese postmodernism," and looks at the dawning of popular culture in the 1990s.This book delivers a ten-year intertwined history of Chinese intellectuals, writers, literary critics, and cultural critics that gives us a deeper understanding of the China of the 1980s, the 1990s, and beyond.   [brief]
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Title: In quest of spirit: thoughts on music
Author: Harvey, Jonathan 1939-
Published: University of California Press,  1999
Subjects: Music | Composers | Contemporary Music | Religion
Publisher's Description: The interests of the British composer Jonathan Harvey are wide and varied, embracing Christianity, Buddhism, eastern and western philosophy, aesthetics, science, and mysticism. All affect his musical thinking and are a part of this unusual and personal book, which is accompanied by a compact disc featuring works discussed by the author.Harvey explores aspects of music that he connects with spirituality: self-identity, ambiguity, unity, stasis, and silence. In the course of his explorations he offers corroborating statements about music and spirituality from sources ranging from Nietzsche to Oliver Sacks. The book and CD include samples of his own music as well as compositions by Mozart, Scriabin, Stockhausen, and others that help to illustrate the profoundness of what Harvey deems "the good listening experience."For Harvey, composing is his way of trying to live a life "skillfully" in the Buddhist sense. In Quest of Spirit is a window into his creative world and provides a sense of what music can mean at the moment of its inception.   [brief]
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Title: Classical music and postmodern knowledge
Author: Kramer, Lawrence 1946-
Published: University of California Press,  1995
Subjects: Music | Musicology
Publisher's Description: A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music - the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints.Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice , he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners.In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel.   [brief]
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