Title: An empire on display: English, Indian, and Australian exhibitions from the Crystal Palace to the Great War
Author: Hoffenberg, Peter H 1960-
Published: University of California Press,  2001
Subjects: History | European History | Victorian History | Asian History | South Asia | Pacific Rim Studies | European Studies
Publisher's Description: The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special interest in the interactive nature of the exhibition experience, the long-term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration. Hoffenberg shows how exhibitions shaped culture and society within and across borders in the transnational working of the British Empire. The exhibitions were central to establishing and developing a participatory imperial world, and each polity in that world provided distinctive information, visitors, and exhibits. Among the displays were commercial goods, working machines, and ethnographic scenes. Exhibits were intended to promote external commonwealth and internal nationalism. The imperial overlay did not erase significant differences but explained and used them in economic and cultural terms. The exhibitions in cities such as London, Sydney, and Calcutta were living and active public inventories of the Empire and its national political communities. The process of building and consuming such inventories persists today in the cultural bureaucracies, museums, and festivals of modern nation-states, the appeal to tradition and social order, and the actions of transnational bodies.   [brief]
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Title: The frontier in American culture: an exhibition at the Newberry Library, August 26, 1994 - January 7, 1995
Author: White, Richard 1947-
Published: University of California Press,  1994
Subjects: History | United States History | Native American Ethnicity
Publisher's Description: Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image.Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians - and bloody battles - at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity.Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices - those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American.Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.   [brief]
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Title: Politics of the womb: women, reproduction, and the state in Kenya
Author: Thomas, Lynn M
Published: University of California Press,  2003
Subjects: History | Women's Studies | African Studies | Anthropology
Publisher's Description: In more than a metaphorical sense, the womb has proven to be an important site of political struggle in and about Africa. By examining the political significance - and complex ramifications - of reproductive controversies in twentieth-century Kenya, this book explores why and how control of female initiation, abortion, childbirth, and premarital pregnancy have been crucial to the exercise of colonial and postcolonial power. This innovative book enriches the study of gender, reproduction, sexuality, and African history by revealing how reproductive controversies challenged long-standing social hierarchies and contributed to the construction of new ones that continue to influence the fraught politics of abortion, birth control, female genital cutting, and HIV/AIDS in Africa.   [brief]
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Title: When we began there were witchmen: an oral history from Mount Kenya 
Author: Fadiman, Jeffrey
Published: University of California Press,  1994
Subjects: History | Anthropology | African Studies | African History
Publisher's Description: This is the history of the Meru people of Mount Kenya, based on their own traditions, from the earliest times through the colonial period. Many of these tales have been ritually passed down through no fewer than nineteen generations; others were remembered by those personally involved. Jeffrey Fadiman gathered them in interviews with more than 100 of the Meru's oldest men and women.The traditions touch on every era of the Meru past. They include narrations, songs, chants, and riddles. They tell of a mysterious origin, past enslavement, despairing flight, mountain warriorhood, British conquest, and the fight for freedom. The Meru elders spoke most often of urogi, or witchcraft, the incantations, rituals, and potions used to deal with the supernatural aspects of Meru life. As their society evolved, so did their urogi , developing a history of its own as practitioners in every generation sought to cope with the challenges of slavery, migration, war, colonialism, and Christianity.Fadiman has crafted the tales into a compelling narrative, passing on in his turn the stories he was given. This is African history from African perspectives that stretch back over 300 years.   [brief]
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Title: African successes: four public managers of Kenyan rural development 
Author: Leonard, David K
Published: University of California Press,  1991
Subjects: Politics | African Studies
Publisher's Description: For the past twenty-five years Kenya has progressed while much of Africa has stagnated. Instead of the economic disasters, underdevelopment, and serious food shortages that have plagued its neighbors, Kenya has enjoyed an expanding economy and agriculture. And instead of a corrupt and incompetent public administration, Kenya has established several successful rural development programs run by public servants with integrity and professional commitment.What accounts for these Kenyan successes? In this innovative study, David Leonard illustrates the way public policy is made and implemented in Kenya by focusing on four public officials who have had a great impact on rural development. He skillfully weaves his analyses of Kenya's political, economic, and administrative systems into evocative biographical portraits of Charles Karanja, General Manager of the Kenya Tea Development Authority, Harris Mule, administrative head of Finance and Planning, Ishmael Muriithi, head of the Veterinary Department, and Simeon Nyachae, Cabinet Secretary and chief of the Civil Service. The result is a fascinating glimpse of Kenyan political life from the inside, set in the context of the historical and social forces that have shaped that country's government.   [brief]
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Title: Ruth Harriet Louise and Hollywood glamour photography
Author: Dance, Robert 1955-
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | Photography | California and the West
Publisher's Description: When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars. Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today. Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period. Note: The hardcover edition of this book does have a dust jacket. (Some hardcovers of University of California Press books available in paperback do not.)   [brief]
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Title: The rise of a party-state in Kenya: from "Harambee" to "Nyayo!" 
Author: Widner, Jennifer A
Published: University of California Press,  1993
Subjects: Politics | African Studies
Publisher's Description: Although Kenya is often considered an African success story, its political climate became increasingly repressive under its second president, Daniel arap Moi. Widner charts the transformation of the Kenya African National Union (KANU) from a weak, loosely organized political party under Jomo Kenyatta into an arm of the president's office, with "watchdog" youth wings and strong surveillance and control functions, under Moi. She suggests that single-party systems have an inherent tendency to become "party-states," or single-party regimes in which the head of state uses the party as a means of control. The speed and extent of these changes depend on the countervailing power of independent interest groups, such as business associations, farmers, or professionals. Widner's study offers important insights into the dynamics of party systems in Africa.   [brief]
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Title: Real fantasies: Edward Steichen's advertising photography
Author: Johnston, Patricia A 1954-
Published: University of California Press,  1997
Subjects: Art | Art History | History | Cultural Anthropology
Publisher's Description: During the 1920s and 1930s, Edward Steichen was the most successful photographer in the advertising industry. Although much has been said about Steichen's fine-art photography, his commercial work - which appeared regularly in Vanity Fair, Vogue, Ladies Home Journal , and almost every other popular magazine published in the United States - has not received the attention it deserves. At a time when photography was just beginning to replace drawings as the favored medium for advertising, Steichen helped transform the producers of such products as Welch's grape juice and Jergens lotion from small family businesses to national household names. In this book, Patricia Johnston uses Steichen's work as a case study of the history of advertising and the American economy between the wars. She traces the development of Steichen's work from an early naturalistic style through increasingly calculated attempts to construct consumer fantasies. By the 1930s, alluring images of romance and class, developed in collaboration with agency staff and packaged in overtly manipulative and persuasive photographs, became Steichen's stock-in-trade. He was most frequently chosen by agencies for products targeted toward women: his images depicted vivacious singles, earnest new mothers, and other stereotypically female life stages that reveal a great deal about the industry's perceptions of and pitches to this particular audience.Johnston presents an intriguing inside view of advertising agencies, drawing on an array of internal documents to reconstruct the team process that involved clients, art directors, account executives, copywriters, and photographers. Her book is a telling chronicle of the role of mass media imagery in reflecting, shaping, and challenging social values in American culture.   [brief]
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Title: Art of the gold rush
Author: Driesbach, Janice Tolhurst
Published: University of California Press,  1998
Subjects: Art | California and the West | Californian and Western History
Publisher's Description: The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination.Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories - particularly the American belief in the rewards of hard work and enterprise - can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.   [brief]
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Title: The hyena people: Ethiopian Jews in Christian Ethiopia
Author: Salamon, Hagar
Published: University of California Press,  1999
Subjects: Jewish Studies | Anthropology | African Studies
Publisher's Description: The Jews (Falasha) of northwestern Ethiopia are a unique example of a Jewish group living within an ancient, non-Western, predominantly Christian society. Hagar Salamon presents the first in-depth study of this group, called the "Hyena people" by their non-Jewish neighbors. Based on more than 100 interviews with Ethiopian immigrants now living in Israel, Salamon's book explores the Ethiopia within as seen through the lens of individual memories and expressed through ongoing dialogues. It is an ethnography of the fantasies and fears that divide groups and, in particular, Jews and non-Jews.Recurring patterns can be seen in Salamon's interviews, which thematically touch on religious disputations, purity and impurity, the concept of blood, slavery and conversion, supernatural powers, and the metaphors of clay vessels, water, and fire. The Hyena People helps unravel the complex nature of religious coexistence in Ethiopia and also provides important new tools for analyzing and evaluating inter-religious, interethnic, and especially Jewish-Christian relations in a variety of cultural and historical contexts.   [brief]
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Title: The way the world is: cultural processes and social relations among the Mombasa Swahili 
Author: Swartz, Marc J
Published: University of California Press,  1991
Subjects: Anthropology | Cultural Anthropology | African Studies
Publisher's Description: Marc Swartz takes us for the first time into the homes and neighborhoods of the Swahili in the East African port of Mombasa. At the same time he develops a new model for the operation and transmission of culture.In asking how cultural elements influence the social behavior of those who do not share them as well as of those who do, Swartz points to the mediation of status. The many types of status available to individuals provide guidelines that help explain, for example, why the broadly shared elements of Swahili culture (Islamic religion or the nuclear family) do not alone translate into behavior. The Way the World Is demonstrates in a highly original way how culture "works."   [brief]
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Title: Medieval stereotypes and modern antisemitism
Author: Chazan, Robert
Published: University of California Press,  1997
Subjects: Medieval Studies | Jewish Studies | Medieval History | European History | European Studies
Publisher's Description: The twelfth century in Europe, hailed by historians as a time of intellectual and spiritual vitality, had a dark side. As Robert Chazan points out, the marginalization of minorities emerged during the "twelfth-century renaissance" as part of a growing pattern of persecution, and among those stigmatized the Jews figured prominently.The migration of Jews to northern Europe in the late tenth century led to the development of a new set of Jewish communities. This northern Jewry prospered, only to decline sharply two centuries later. Chazan locates the cause of the decline primarily in the creation of new, negative images of Jews. He shows how these damaging twelfth-century stereotypes developed and goes on to chart the powerful, lasting role of the new anti-Jewish imagery in the historical development of antisemitism.This coupling of the twelfth century's notable intellectual bequests to the growth of Western civilization with its legacy of virulent anti-Jewish motifs offers an important new key to understanding modern antisemitism.   [brief]
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Title: Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos
Author: Barbash, Ilisa 1959-
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Ethnic Studies | Photography
Publisher's Description: This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail - information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.   [brief]
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Title: Nomad: a year in the life of a Qashqa'i tribesman in Iran
Author: Beck, Lois 1944-
Published: University of California Press,  1991
Subjects: Anthropology | Cultural Anthropology | Middle Eastern Studies | Middle Eastern History
Publisher's Description: Borzu Qermezi was the headman and political leader of a group of nomadic pastoralists who were part of the Qashqa'i confederacy of southwest Iran. Proud, complex, strong-willed, witty, and cunning, Borzu successfully led his people on their annual migrations for many years. He regulated their travel; mediated conflicts; intervened in (and sometimes exacerbated) tense situations between his people and other nomads; and dealt with the government police agency. Structuring the account around the four seasons, Lois Beck recounts the day-to-day activities of Borzu during the year she spent traveling with his people. She describes the rigors of nomadic life and the consequences of decisions made in haste.During 1970 to 1971, Borzu and his people were faced with many difficulties. When the expected winter rains did not fall, pastures and crops shriveled. Unable to sell their starving livestock for any profit, Borzu's people saw their debts to urban merchants and moneylenders increase. At the same time, Iran exercised more bureaucratic control over the Qashqa'i by applying new policies over migratory schedules and the allocation of scarce pastures, and by introducing non-Qashqa'i agriculturalists and livestock investors as legitimate land users. All these measures threatened the nomad's way of life and eventually undermined the role of headmen such as Borzu. Lois Beck details the vicissitudes endured by Borzu's people and the strategies he devised to cope with them.Blending ethnographic and historical material, this book contains information unavailable for other tribal and nomadic pastoral groups in the Middle East and central Asia. Through Beck's deft analysis, we come to understand why nomadic pastoralism was once an important part of this vast region, and why tribal society has endured.   [brief]
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Title: The origins of indigenism: human rights and the politics of identity
Author: Niezen, Ronald
Published: University of California Press,  2003
Subjects: Anthropology | Ethnic Studies | International Relations | Social Problems
Publisher's Description: "International indigenism" may sound like a contradiction in terms, but it is indeed a global phenomenon and a growing form of activism. In his fluent and accessible narrative, Ronald Niezen examines the ways the relatively recent emergence of an internationally recognized identity - "indigenous peoples" - intersects with another relatively recent international movement - the development of universal human rights laws and principles. This movement makes use of human rights instruments and the international organizations of states to resist the political, cultural, and economic incursions of individual states. The concept "indigenous peoples" gained currency in the social reform efforts of the International Labor Organization in the 1950s, was taken up by indigenous nongovernmental organizations, and is now fully integrated into human rights initiatives and international organizations. Those who today call themselves indigenous peoples share significant similarities in their colonial and postcolonial experiences, such as loss of land and subsistence, abrogation of treaties, and the imposition of psychologically and socially destructive assimilation policies. Niezen shows how, from a new position of legitimacy and influence, they are striving for greater recognition of collective rights, in particular their rights to self-determination in international law. These efforts are influencing local politics in turn and encouraging more ambitious goals of autonomy in indigenous communities worldwide.   [brief]
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Title: Displaying the Orient: architecture of Islam at nineteenth-century world's fairs 
Author: Çelik, Zeynep
Published: University of California Press,  1992
Subjects: Architecture | European History | Cultural Anthropology | Middle Eastern History
Publisher's Description: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place . Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.   [brief]
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Title: The art of Richard Diebenkorn
Author: Livingston, Jane
Published: University of California Press,  1997
Subjects: Art
Publisher's Description: Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California but whose work is beloved throughout the United States and the rest of the world. This catalog is the most comprehensive volume on the artist now available. Jane Livingston's extensively researched biographical essay covers Diebenkorn's entire career and concentrates on the artist's inner life and purposes as revealed in his paintings. Ruth Fine deals primarily with the figurative aspect of Diebenkorn's work (1955-67), and John Elderfield concentrates on the Ocean Park period (1967-93). All three authors provide valuable insights based on their personal relationships with the artist and his widow, Phyllis. On both page and canvas, the reader can sense Diebenkorn's complexity and highly self-conscious working methods, as well as his formidable integrity. The Art of Richard Diebenkorn will give readers with an interest in all phases of modernism new thoughts about the relationship between abstraction and representation. Stunningly illustrated, with 192 full-color reproductions, this book is an exhilarating testament to a distinctive American artist.   [brief]
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Title: Picturing Chinatown: art and orientalism in San Francisco
Author: Lee, Anthony W 1960-
Published: University of California Press,  2001
Subjects: Art | California and the West | Asian American Studies | Photography | Art History
Publisher's Description: This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art history and the social and political history of San Francisco, this vividly detailed study unravels the complex cultural encounter that occurred between the women and men living in Chinatown and the artists who walked its streets, observed its commerce, and visited its nightclubs. Artistic representations of San Francisco's Chinatown include the work of some of the city's most gifted artists, among them the photographers Laura Adams Armer, Arnold Genthe, Dorothea Lange, Eadweard Muybridge, and Carleton Watkins and the painters Edwin Deakin, Yun Gee, Theodore Wores, and the members of the Chinese Revolutionary Artists' Club. Looking at the work of these artists and many others, Anthony Lee shows how their experiences in the district helped encourage, and even structured, some of their most ambitious experiments with brush and lens. In addition to discussing important developments in modern art history, Lee highlights the social and political context behind these striking images. He demonstrates the value of seeing paintings and photographs as cultural documents, and in so doing, opens a fascinating new perspective on San Francisco's Chinatown.   [brief]
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Title: Forget colonialism?: sacrifice and the art of memory in Madagascar
Author: Cole, Jennifer 1966-
Published: University of California Press,  2001
Subjects: Anthropology | African Studies | Geography | African History | Cultural Anthropology | Postcolonial Studies
Publisher's Description: While doing fieldwork in a village in east Madagascar that had suffered both heavy settler colonialism and a bloody anticolonial rebellion, Jennifer Cole found herself confronted by a puzzle. People in the area had lived through almost a century of intrusive French colonial rule, but they appeared to have forgotten the colonial period in their daily lives. Then, during democratic elections in 1992-93, the terrifying memories came flooding back. Cole asks, How do once-colonized peoples remember the colonial period? Drawing on a fine-grained ethnography of the social practices of remembering and forgetting in one community, she develops a practice-based approach to social memory.   [brief]
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Title: The possessed and the dispossessed: spirits, identity, and power in a Madagascar migrant town 
Author: Sharp, Lesley Alexandra
Published: University of California Press,  1994
Subjects: Anthropology | African Studies | Medical Anthropology | Women's Studies | Indigenous Religions
Publisher's Description: This finely drawn portrait of a complex, polycultural urban community in Madagascar emphasizes the role of spirit medium healers, a group heretofore seen as having little power. These women, Leslie Sharp argues, are far from powerless among the peasants and migrant laborers who work the land in this plantation economy. In fact, Sharp's wide-ranging analysis shows that tromba , or spirit possession, is central to understanding the complex identities of insiders and outsiders in this community, which draws people from all over the island and abroad.Sharp's study also reveals the contradictions between indigenous healing and Western-derived Protestant healing and psychiatry. Particular attention to the significance of migrant women's and children's experiences in a context of seeking relief from personal and social ills gives Sharp's investigation importance for gender studies as well as for studies in medical anthropology, Africa and Madagascar, the politics of culture, and religion and ritual.   [brief]
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