Title: Victorian literature and the Victorian visual imagination 
Author: Christ, Carol T
Published: University of California Press,  1995
Subjects: Literature | Art History | English Literature | Victorian History | Literary Theory and Criticism
Publisher's Description: Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period.   [brief]
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Title: Christian America?: what evangelicals really want
Author: Smith, Christian (Christian Stephen) 1960-
Published: University of California Press,  2000
Subjects: Religion | American Studies | United States History | Sociology | Anthropology
Publisher's Description: In recent decades Protestant evangelicalism has become a conspicuous and--to many Americans, worrisome--part of this country's cultural and political landscape. But just how unified is the supposed constituency of the Christian Coalition? And who exactly are the people the Christian Right claims to represent? In the most extensive study of American evangelicals ever conducted, Christian Smith explores the beliefs, values, commitments, and goals of the ordinary men and women who make up this often misunderstood religious group. The result is a much-needed contribution to the discussion of issues surrounding fundamental American freedoms and the basic identity of the United States as a pluralistic nation. Based on data from a three-year national study, including more than 200 in-depth interviews of evangelicals around the country, Christian America? assesses the common stereotype of evangelicals as intolerant, right-wing, religious zealots seeking to impose a Christian moral order through political force. What Smith finds instead are people vastly more diverse and ambivalent than this stereotype suggests. On issues such as religion in education, "family values," Christian political activism, and tolerance of other religions and moralities, evangelicals are highly disparate and conflicted. As the voices of interviewees make clear, the labels "conservative" and "liberal" are too simplistic for understanding their approaches to public life and political action.   [brief]
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Title: God's daughters: evangelical women and the power of submission
Author: Griffith, R. Marie (Ruth Marie) 1967-
Published: University of California Press,  1997
Subjects: Religion | Gender Studies | American Studies
Publisher's Description: In recent decades, religious conservatives and secular liberals have battled over the "appropriate" role of women in society. In this absorbing exploration of Women's Aglow Fellowship, the largest women's evangelical organization in the world, R. Marie Griffith challenges the simple generalizations often made about charismatic or "spirit-filled" Christian women and uncovers important connections between Aglow members and the feminists to whom they so often seem opposed. Women's Aglow is an international, interdenominational group of "spirit-filled" women who meet outside the formal church structure for healing prayer, worship, and testimony. Aglow represents a wider evangelical culture that has gained recent media attention as women inspired by the Christian men's group, Promise Keepers, have initiated parallel groups such as Praise Keepers and Promise Reapers. These groups are generally newcomers to an institutional landscape that Aglow has occupied for thirty years, but their beliefs and commitments are very similar to Aglow's. While historians have examined earlier women's prayer groups, they've tended to ignore these modern-day evangelical groups because of their assumed connection to the "religious right." God's Daughters reveals a devotional world in which oral and written testimonies recount the afflictions of human life and the means for seeking relief and divine assistance. A relationship with God, envisioned as father, husband or lover, and friend, is a way to come to terms with pain, dysfunctional family relationships, and a desire for intimacy. Griffith's book is also valuable in showing the complex role that women play within Pentecostalism, a movement that has become one of the most important in twentieth-century world religions.   [brief]
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Title: Weimar surfaces: urban visual culture in 1920s Germany
Author: Ward, Janet 1963-
Published: University of California Press,  2001
Subjects: Literature | Architecture | Film | European Studies | European History | Popular Culture
Publisher's Description: Germany of the 1920s offers a stunning moment in modernity, a time when surface values first became determinants of taste, activity, and occupation: modernity was still modern, spectacle was still spectacular. Janet Ward's luminous study revisits Weimar Germany via the lens of metropolitan visual cu . . . [more]
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Title: Images and empires: visuality in colonial and postcolonial Africa
Author: Landau, Paul Stuart 1962-
Published: University of California Press,  2002
Subjects: Anthropology | African Studies | Art History | Cultural Anthropology | History
Publisher's Description: Figurative images have long played a critical, if largely unexamined, role in Africa - mediating relationships between the colonizer and the colonized, the state and the individual, and the global and the local. This pivotal volume considers the meaning and power of images in African history and culture. Paul S. Landau and Deborah Kaspin have assembled a wide-ranging collection of essays dealing with specific visual forms, including monuments, cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits. The contributors, experts in a number of disciplines, discuss various modes of visuality in Africa and of Africa, investigating the interplay of visual images with personal identity, class, gender, politics, and wealth. Integral to the argument of the book are over seventy contextualized illustrations. Africans saw foreigners in margarine wrappers, Tintin cartoons, circus posters, and Hollywood movies; westerners gleaned impressions of Africans from colonial exhibitions, Tarzan films, and naturalist magazines. The authors provide concrete examples of the construction of Africa's image in the modern world. They reveal how imperial iconographies sought to understand, deny, control, or transform authority, as well as the astonishing complexity and hybridity of visual communication within Africa itself.   [brief]
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Title: Visual piety: a history and theory of popular religious images
Author: Morgan, David 1957-
Published: University of California Press,  1997
Subjects: Religion | Art
Publisher's Description: This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual images - from Warner Sallman's "Head of Christ" to velvet renditions of DaVinci's "Last Supper" to illustrations on prayer cards - have assumed central roles in contemporary American lives and communities.Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls "visual piety," or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief. Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, Visual Piety is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.   [brief]
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Title: Light moving in time: studies in the visual aesthetics of avant-garde film 
Author: Wees, William C. (William Charles) 1935-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film
Publisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision.Beginning with the proposition that the images of cinema and vision derive from the same basic elements - light, movement, and time - Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores.Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.   [brief]
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Title: Nuns as artists: the visual culture of a medieval convent
Author: Hamburger, Jeffrey F 1957-
Published: University of California Press,  1997
Subjects: Art | Religion | Gender Studies | Art History | Medieval History
Publisher's Description: Jeffrey F. Hamburger's groundbreaking study of the art of female monasticism explores the place of images and image-making in the spirituality of medieval nuns during the later Middle Ages. Working from a previously unknown group of late-fifteenth-century devotional drawings made by a Benedictine nun for her cloistered companions, Hamburger discusses the distinctive visual culture of female communities. The drawings discovered by Hamburger and the genre to which they belong have never been given serious consideration by art historians, yet they serve as icons of the nuns' religious vocation in all its complexity. Setting the drawings and related imagery - manuscript illumination, prints, textiles, and metalwork - within the context of religious life and reform in late medieval Germany, Hamburger reconstructs the artistic, literary, and institutional traditions that shaped the lives of cloistered women.Hamburger convincingly demonstrates the overwhelming importance of "seeing" in devotional practice, challenging traditional assumptions about the primacy of text over image in monastic piety. His presentation of the "visual culture of the convent" makes a fundamental contribution to the history of medieval art and, more generally, of late medieval monasticism and spirituality.   [brief]
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Title: Wondrous in his saints: counter-Reformation propaganda in Bavaria 
Author: Soergel, Philip M
Published: University of California Press,  1993
Subjects: History | European History | Christianity | Medieval History
Publisher's Description: At the close of the sixteenth century, despite Protestant attempts to discourage popular devotion to saints and shrines, the Roman Church in Bavaria initiated a propagandistic campaign through the publishing of pilgrimage books and pamphlets. Philip Soergel's cogent exploration of this little-known pilgrimage literature yields a vivid portrait of religion before, during, and after the Reformation and Counter-Reformation.These "advertisements," combining testimonies of miracles with fantastic legends about shrines, fueled the conflict between Catholics and Protestants and helped shape a distinctive Catholic historical consciousness. Soergel stresses the power of the printed word as a defense of traditional authority, testing other historians' assertions about the neglect of printing and literacy in the Counter-Reformation.   [brief]
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Title: Willie Brown: a biography 
Author: Richardson, James 1953-
Published: University of California Press,  1996
Subjects: Politics | History | United States History | Californian and Western History | Autobiographies and Biographies
Publisher's Description: This is the first comprehensive biography of Willie Brown, one of California's most enduring and controversial politicians. Audacious, driven, talented - Brown has dominated California politics longer and more completely than any other public figure. James Richardson, a senior writer for The Sacramento Bee , takes us from Brown's childhood, through his years as Speaker of the State Assembly, to his election as San Francisco's mayor. Along the way we get a riveting, behind-the-scenes account of three decades of California politics.   [brief]
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Title: Imaging Aristotle: verbal and visual representation in fourteenth-century France 
Author: Sherman, Claire Richter
Published: University of California Press,  1995
Subjects: Art | Art History | Medieval Studies
Publisher's Description: Nicole Oresme's translation of Aristotle's Nicomachean Ethics, Politics, and Economics into French from Latin in the 1370s is the subject of Claire Sherman's stunningly illustrated book. Though both the text translations and their images have been studied separately, this is the first time they are published in their entirety and considered together.Intended for an audience of Charles V, his counselors, and high-ranking lay people, these manuscripts are significant for their linguistic and political implications, for moving Aristotle's work beyond clerical and university boundaries, and for reflecting the dynamics of monarchic control of French language and culture. Sherman shows the importance of Oresme's role as translator and book designer. She also explores the gender and class representations in the imagery, relating them not only to the views of Oresme and his audience but also to the contemporary secular culture.   [brief]
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Title: In/different spaces: place and memory in visual culture
Author: Burgin, Victor
Published: University of California Press,  1996
Subjects: Art | Art Criticism | Social Science
Publisher's Description: Recent discussions about the culture of images have focused on issues of identity - sexual, racial, national - and the boundaries that define subjectivity. In this context Victor Burgin adopts an original critical strategy. He understands images less in traditional terms of the specific institutions that produce them, such as cinema, photography, advertising, and television, and more as hybrid mental constructs composed of fragments derived from the heterogeneous sources that together constitute the "media." Through deft analyses of a photograph by Helmut Newton, Parisian cityscapes, the space of the department store, a film by Ousmane Sembéne, and the writings of Henri Lefebvre, Andrè Breton, and Roland Barthes, Burgin develops an incisive theory of our culture of images and spectacle. In/Different Spaces explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us" - in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.   [brief]
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Title: Jewel of the desert: Japanese American internment at Topaz 
Author: Taylor, Sandra C
Published: University of California Press,  1993
Subjects: History | Californian and Western History | Asian American Studies | American Studies
Publisher's Description: In the spring of 1942, under the guise of "military necessity," the U.S. government evacuated 110,000 Japanese Americans from their homes on the West Coast. About 7,000 people from the San Francisco Bay Area - the vast majority of whom were American citizens - were moved to an assembly center at Tanforan Racetrack and then to a concentration camp in Topaz, Utah. Dubbed the "jewel of the desert," the camp remained in operation until October 1945. This compelling book tells the history of Japanese Americans of San Francisco and the Bay Area, and of their experiences of relocation and internment.Sandra C. Taylor first examines the lives of the Japanese Americans who settled in and around San Francisco near the end of the nineteenth century. As their numbers grew, so, too, did their sense of community. They were a people bound together not only by common values, history, and institutions, but also by their shared status as outsiders. Taylor looks particularly at how Japanese Americans kept their sense of community and self-worth alive in spite of the upheavals of internment.The author draws on interviews with fifty former Topaz residents, and on the archives of the War Relocation Authority and newspaper reports, to show how relocation and its aftermath shaped the lives of these Japanese Americans. Written at a time when the United States once again regards Japan as a threat, Taylor's study testifies to the ongoing effects of prejudice toward Americans whose face is also the face of "the enemy."   [brief]
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Title: Land without ghosts: Chinese impressions of America from the mid-nineteenth century to the present
Author: Arkush, R. David 1940-
Published: University of California Press,  1993
Subjects: History | Politics | United States History | China | American Studies | Californian and Western History
Publisher's Description: Americans have long been fascinated with European views of the United States. The many Chinese commentaries on America, however, have remained largely unavailable to the English reader. Land without Ghosts presents for the first time selections on America from Chinese writings over the last 150 year . . . [more]
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Title: Hindu places of pilgrimage in India ; a study in cultural geography
Author: Bhardwaj, Surinder Mohan
Published: University of California Press,  1983
Subjects: Asian Studies | Hinduism | South Asia | Geography
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Title: Masking the blow: the scene of representation in late prehistoric Egyptian art 
Author: Davis, Whitney
Published: University of California Press,  1992
Subjects: Art | Art History
Publisher's Description: The meaning of late prehistoric Egyptian images has until now been tantalizingly mysterious, as little understood as the circumstances of their production. As a result, analyses of these images have been general and often incorrectly illustrated. Whitney Davis now provides a welcome remedy in this detailed reinterpretation of the images carved on ivory knife handles and schist cosmetic palettes. These images are among the most important documents of early Egyptian history and include the Narmer Palette, often considered the very inception of ancient Egyptian image making.Davis deciphers the intriguing pictorial narratives and complex metaphors of images that are concerned with "masking the blow" of the ruler. "Masking the blow" refers to the ways that the images - from hunted animals to human antagonists - represent, elide, or suppress the depiction of a ruler's violent act of conquering an enemy.Examining late prehistoric Egyptian images in light of contemporary visual theory and illustrating his analyses with excellent reproductions, Davis goes beyond the usual concern for stylistic development and iconographic meanings that characterize prior studies. His work will greatly interest art historians, archaeologists, anthropologists, and students of the visual arts.   [brief]
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Title: Picturing Chinatown: art and orientalism in San Francisco
Author: Lee, Anthony W 1960-
Published: University of California Press,  2001
Subjects: Art | California and the West | Asian American Studies | Photography | Art History
Publisher's Description: This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art history and the social and political history of San Francisco, this vividly detailed study unravels the complex cultural encounter that occurred between the women and men living in Chinatown and the artists who walked its streets, observed its commerce, and visited its nightclubs. Artistic representations of San Francisco's Chinatown include the work of some of the city's most gifted artists, among them the photographers Laura Adams Armer, Arnold Genthe, Dorothea Lange, Eadweard Muybridge, and Carleton Watkins and the painters Edwin Deakin, Yun Gee, Theodore Wores, and the members of the Chinese Revolutionary Artists' Club. Looking at the work of these artists and many others, Anthony Lee shows how their experiences in the district helped encourage, and even structured, some of their most ambitious experiments with brush and lens. In addition to discussing important developments in modern art history, Lee highlights the social and political context behind these striking images. He demonstrates the value of seeing paintings and photographs as cultural documents, and in so doing, opens a fascinating new perspective on San Francisco's Chinatown.   [brief]
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Title: Art of the gold rush
Author: Driesbach, Janice Tolhurst
Published: University of California Press,  1998
Subjects: Art | California and the West | Californian and Western History
Publisher's Description: The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination.Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories - particularly the American belief in the rewards of hard work and enterprise - can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.   [brief]
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Title: Jewish icons: art and society in modern Europe
Author: Cohen, Richard I
Published: University of California Press,  1998
Subjects: Art | Jewish Studies | European Studies | European History
Publisher's Description: With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.   [brief]
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Title: Iconography of power: Soviet political posters under Lenin and Stalin
Author: Bonnell, Victoria E
Published: University of California Press,  1998
Subjects: Sociology | Popular Culture | European Studies | Russian and Eastern European Studies | Politics | Art Criticism | History | European History
Publisher's Description: Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them - relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.   [brief]
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