Title: Students, professors, and the state in tsarist Russia 
Author: Kassow, Samuel D
Published: University of California Press,  1989
Subjects: History | European History
Publisher's Description: Between 1899 and 1911, student strikes and demonstrations disrupted Russia's higher educational institutions. The universities marched to their own peculiar tempo, however, and it was not until the strike of 1905 that student unrest coincided with mass movements outside the academic world. Students, Professors, and the State in Tsarist Russia , the first comprehensive study of the student movement during the waning decades of tsarist rule, centers on the interplay among student protest, faculty politics, and government policy toward the universities. The author examines the changing responses of students, faculty, and government officials to the crisis of the university and the old regime, throwing new light on the chronic political and social instability of the tsarist system. Kassow's familiarity with source material and his use of narratives from participants and observers alike provide both a trenchant analysis and a lively portrait of the times. Original and incisive, this book will be welcomed not only by specialists in the Russian field, but also by anyone interested in the dynamics of student protest and the role of the intellectual in popular movements.   [brief]
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Title: Revealing masks: exotic influences and ritualized performance in modernist music theater
Author: Sheppard, William Anthony 1969-
Published: University of California Press,  2001
Subjects: Music | American Music | Contemporary Music | Ethnomusicology | Opera | Musicology | Intellectual History
Publisher's Description: W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.   [brief]
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Title: Modern drama and the rhetoric of theater 
Author: Worthen, William B 1955-
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Theatre | Rhetoric
Publisher's Description: The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play.Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.   [brief]
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Title: Beyond the pale: the Jewish encounter with late imperial Russia
Author: Nathans, Benjamin
Published: University of California Press,  2002
Subjects: History | Jewish Studies | Russian and Eastern European Studies
Publisher's Description: A surprising number of Jews lived, literally and figuratively, "beyond the Pale" of Jewish Settlement in tsarist Russia during the half-century before the Revolution of 1917. Thanks to the availability of long-closed Russian archives, along with a wide range of other sources, Benjamin Nathans reinterprets the history of the Russian-Jewish encounter. In the wake of Russia's "Great Reforms," Nathans writes, a policy of selective integration stimulated social and geographic mobility among the empire's Jews. The reaction that culminated, toward the turn of the century, in ethnic restrictions on admission to universities, the professions, and other institutions of civil society reflected broad anxieties that Russians were being placed at a disadvantage in their own empire. Nathans's conclusions about the effects of selective integration and the Russian-Jewish encounter during this formative period will be of great interest to all students of modern Jewish and modern Russian history.   [brief]
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Title: Not by bread alone: social support in the new Russia
Author: Caldwell, Melissa L 1969-
Published: University of California Press,  2004
Subjects: Anthropology | Russian and Eastern European Studies | European Studies
Publisher's Description: What Muscovites get in a soup kitchen run by the Christian Church of Moscow is something far more subtle and complex - if no less necessary and nourishing - than the food that feeds their hunger. In Not by Bread Alone, the first full-length ethnographic study of poverty and social welfare in the postsocialist world, Melissa L. Caldwell focuses on the everyday operations and civil transactions at CCM soup kitchens to reveal the new realities, the enduring features, and the intriguing subtext of social support in Russia today. In an international food aid community, Caldwell explores how Muscovites employ a number of improvisational tactics to satisfy their material needs. She shows how the relationships that develop among members of this community - elderly Muscovite recipients, Russian aid workers, African student volunteers, and North American and European donors and volunteers - provide forms of social support that are highly valued and ultimately far more important than material resources. In Not by Bread Alone we see how the soup kitchens become sites of social stability and refuge for all who interact there - not just those with limited financial means - and how Muscovites articulate definitions of hunger and poverty that depend far more on the extent of one's social contacts than on material factors. By rethinking the ways in which relationships between social and economic practices are theorized - by identifying social relations and social status as Russia's true economic currency - this book challenges prevailing ideas about the role of the state, the nature of poverty and welfare, the feasibility of Western-style reforms, and the primacy of social connections in the daily lives of ordinary people in post-Soviet Russia.   [brief]
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Title: Sonia's daughters: prostitutes and their regulation in imperial Russia 
Author: Bernstein, Laurie
Published: University of California Press,  1995
Subjects: History | European History | European Studies | Women's Studies | Russian and Eastern European Studies
Publisher's Description: Prostitution in Imperial Russia was so tenacious that it survived not only the tsarist regime's most tumultuous years but the Bolshevik revolution itself. Laurie Bernstein's comprehensive study is the first to look at how the state and society responded to the issue of prostitution - the attitudes of prostitutes themselves, state regulation, societal reactions, and attempts at reform. She finds that prostitution and its regulation were integral to Russia's structures of gender, class, and politics.The first historian from outside the former Soviet Union to be granted access to these archival materials on prostitution, Bernstein takes the reader to the streets of Russia's cities, to the state-licensed brothels, medical clinics, hospital wards, halfway houses for "fallen women," and to the highest circles of the tsarist administration.   [brief]
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Title: Bolshevik festivals, 1917-1920 
Author: Von Geldern, James
Published: University of California Press,  1993
Subjects: History | European History | European Literature | Russian and Eastern European Studies
Publisher's Description: In the early years of the USSR, socialist festivals - events entailing enormous expense and the deployment of thousands of people - were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging and an economy in ruins, did the regime sponsor such spectacles?In this first comprehensive investigation of the way festivals helped build a new political culture, James von Geldern examines the mass spectacles that captured the Bolsheviks' historical vision. Spectacle directors borrowed from a tradition that included tsarist pomp, avant-garde theater, and popular celebrations. They transformed the ideology of revolution into a mythologized sequence of events that provided new foundations for the Bolsheviks' claim to power.   [brief]
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Title: Crime, cultural conflict, and justice in rural Russia, 1856-1914
Author: Frank, Stephen 1955-
Published: University of California Press,  1999
Subjects: History | Russian and Eastern European Studies | Cultural Anthropology | Social Problems | European History | Law | Criminology
Publisher's Description: This book is the first to explore the largely unknown world of rural crime and justice in post-emancipation Imperial Russia. Drawing upon previously untapped provincial archives and a wealth of other neglected primary material, Stephen P. Frank offers a major reassessment of the interactions between peasantry and the state in the decades leading up to World War I. Viewing crime and punishment as contested metaphors about social order, his revisionist study documents the varied understandings of criminality and justice that underlay deep conflicts in Russian society, and it contrasts official and elite representations of rural criminality - and of peasants - with the realities of everyday crime at the village level.   [brief]
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Title: Politics and theater: the crisis of legitimacy in restoration France, 1815-1830
Author: Kroen, Sheryl 1961-
Published: University of California Press,  2000
Subjects: History | European History | French Studies
Publisher's Description: Moliére's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820s to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. She re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memory and commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices.   [brief]
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Title: Hooliganism: crime, culture, and power in St. Petersburg, 1900-1914 
Author: Neuberger, Joan
Published: University of California Press,  1993
Subjects: History | Politics | Russian and Eastern European Studies | Criminology
Publisher's Description: n this pioneering analysis of diffuse underclass anger that simmers in many societies, Joan Neuberger takes us to the streets of St. Petersburg in 1900-1914 to show us how the phenomenon labeled hooliganism came to symbolize all that was wrong with the modern city: increasing hostility between class . . . [more]
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Title: Takarazuka: sexual politics and popular culture in modern Japan
Author: Robertson, Jennifer Ellen
Published: University of California Press,  1998
Subjects: Anthropology | Japan | Cultural Anthropology | GayLesbian and Bisexual Studies | Women's Studies | Theatre | Popular Culture
Publisher's Description: The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.   [brief]
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Title: Grounds for play: the Nauṭaṅkī theatre of North India 
Author: Hansen, Kathryn
Published: University of California Press,  1991
Subjects: Literature | Cultural Anthropology | South Asia
Publisher's Description: The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play , Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives.Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media - records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.   [brief]
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Title: Popular music and national culture in Israel
Author: Regev, Motti
Published: University of California Press,  2004
Subjects: Music | Ethnomusicology | Middle Eastern Studies | Popular Culture | Jewish Studies
Publisher's Description: A unique Israeli national culture - indeed, the very nature of "Israeliness" - remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills. Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the contemporary, global-cosmopolitan Israeli rock; and the ethnic-oriental musica mizrahit. The result is the first ever comprehensive study of popular music in Israel. Motti Regev, a sociologist, and Edwin Seroussi, an ethnomusicologist, approach their subject from alternative perspectives, producing a truly interdisciplinary, sociocultural account of music as a feature and a force in the shaping of Israeliness. A major ethnographic undertaking, describing and analyzing the particular history, characteristics, and practices of each music culture, Popular Music and National Culture in Israel maps not only the complex field of Israeli popular music but also Israeli culture in general.   [brief]
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Title: Moral communities: the culture of class relations in the Russian printing industry, 1867-1907 
Author: Steinberg, Mark
Published: University of California Press,  1992
Subjects: History | European History | Russian and Eastern European Studies
Publisher's Description: This valuable study offers a rare perspective on the social and political crisis in late Imperial Russia. Mark D. Steinberg focuses on employers, supervisors, and workers in the printing industry as it evolved from a state-dependent handicraft to a capitalist industry. He explores class relations and the values, norms, and perceptions with which they were made meaningful. Using archival and printed sources, Steinberg examines economic changes, workplace relations, professional organizations, unions, strikes, and political activism, as well as shop customs, trade festivals, and everyday life. In rich detail he describes efforts to build a community of masters and men united by shared interests and moral norms. The collapse of this ideal in the face of growing class conflict is also explored, giving a full view of an important moment in Russian history.   [brief]
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Title: China's new voices: popular music, ethnicity, gender, and politics, 1978-1997
Author: Baranovitch, Nimrod 1965-
Published: University of California Press,  2003
Subjects: Music | China | Popular Music | Ethnomusicology | Politics | Gender Studies
Publisher's Description: This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there. Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music. keywords: Ethnicity   [brief]
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Title: Chaucer's Dante: allegory and epic theater in The Canterbury tales 
Author: Neuse, Richard
Published: University of California Press,  1991
Subjects: Literature | English Literature | European Literature | Medieval Studies
Publisher's Description: Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales . He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human.Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century.   [brief]
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Title: Religion and popular culture in America
Author: Forbes, Bruce David
Published: University of California Press,  2000
Subjects: Religion | Popular Culture | United States History
Publisher's Description: The connections between American popular culture and religion is the subject of this multifaceted and innovative collection. Ranging from religious themes in cowboy fiction to Madonna's "Like a Prayer," from televangelism to the world of sports, the book's contributors offer fascinating insights into what popular culture reveals about the nature of American religion today. Bruce David Forbes provides an introductory essay that states the book's organizing principles. The first group of essays examines the appearance of explicit religious content or implicit religious themes in popular culture, focusing on such particulars as Christmas television specials and the fiction of Louis L'Amour and Cormac McCarthy. The second group of essays considers ways that popular culture influences traditional religions, especially evangelical Christianity. A third group illustrates how aspects of popular culture develop their own myths, symbol systems, and ritual patterns; included are discussions of Star Trek fandom, women's weight loss rituals, and sports. The fourth group offers examples of ways that religion and popular culture might critique each another: the disguise of vengeance in Pale Rider , rap music's take on African-American Christian theology, and a Christian feminist perspective on the role of gender in cyberspace. Jeffrey H. Mahan's concluding essay looks at the academic and general audiences engaged in discussions of social and cultural reform.   [brief]
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Title: Music drama at the Paris Odéon, 1824-1828
Author: Everist, Mark
Published: University of California Press,  2002
Subjects: Music | Musicology | Opera | French Studies | European History
Publisher's Description: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.   [brief]
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Title: The Russian city between tradition and modernity, 1850-1900 
Author: Brower, Daniel R
Published: University of California Press,  1990
Subjects: History | European History | Russian and Eastern European Studies | Urban Studies
Publisher's Description: The Russian City Between Tradition and Modernity provides a comprehensive history of urban development in European Russia during the last half of the nineteenth century. Using both statistical perspectives on urbanization and cultural representations of the city, Brower constructs a synthetic view of the remaking of urban Russia. He argues that the reformed municipalities succeeded in creating an embryonic civil society among the urban elite but failed to fashion a unified, orderly city. By the end of the century, the cities confronted social disorder of a magnitude that resembled latent civil war.Drawing on a wide range of archival and published sources, including census materials and reports from municipal leaders and tsarist officials, Brower offers a new approach to the social history of Russia. The author emphasizes the impact of the massive influx of migrants on the country's urban centers, whose presence dominated the social landscape of the city. He outlines the array of practices by which the migrant laborers adapted to urban living and stresses the cultural barriers that isolated them from the well-to-do urban population. Brower suggests that future scholarship should pay particular attention to the duality between the sweeping visions of social progress of the elite and the unique practices of the urban workforce. This contradiction, he argues, offers a key explanation for the social instability of imperial Russia in the closing decades of the nineteenth century.   [brief]
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Title: Stalin's forgotten Zion: Birobidzhan and the making of a Soviet Jewish homeland: an illustrated history, 1928-1996
Author: Weinberg, Robert E
Published: University of California Press,  1998
Subjects: Jewish Studies | Russian and Eastern European Studies | History | Politics | Judaism
Publisher's Description: Robert Weinberg and Bradley Berman's carefully documented and extensively illustrated book explores the Soviet government's failed experiment to create a socialist Jewish homeland. In 1934 an area popularly known as Birobidzhan, a sparsely populated region along the Sino-Soviet border some five thousand miles east of Moscow, was designated the national homeland of Soviet Jewry. Establishing the Jewish Autonomous Region was part of the Kremlin's plan to create an enclave where secular Jewish culture rooted in Yiddish and socialism could serve as an alternative to Palestine. The Kremlin also considered the region a solution to various perceived problems besetting Soviet Jews. Birobidzhan still exists today, but despite its continued official status Jews are a small minority of the inhabitants of the region. Drawing upon documents from archives in Moscow and Birobidzhan, as well as photograph collections never seen outside Birobidzhan, Weinberg's story of the Soviet Zion sheds new light on a host of important historical and contemporary issues regarding Jewish identity, community, and culture. Given the persistence of the "Jewish question" in Russia, the history of Birobidzhan provides an unusual point of entry into examining the fate of Soviet Jewry under communist rule.   [brief]
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