Title: The ultimate art: essays around and about opera 
Author: Littlejohn, David 1937-
Published: University of California Press,  1992
Subjects: Music | Opera
Publisher's Description: Anyone who cares about opera will find The Ultimate Art a thoroughly engaging book. David Littlejohn's essays are exciting, provocative, sometimes even outrageous. They reflect his deep love of opera - that exotic, extravagant, and perpetually popular hybrid performing art form - and his fascination with the many worlds from which it sprang.From its seventeenth-century beginnings, opera has been decried by its detractors for its elitism, its artifice, its absurd costliness, and its social irrelevance. But Littlejohn makes us see that opera embraces an extraordinary amount of intense human emotion and experience, Western culture, and individual psychology. It is also the most complex, challenging, and demanding form of public performance ever developed - at its most spectacular it pulls together in one evening a play, a concert, a ballet, and a pageant, not to mention an exhibition of painting and sculpture. Every opera is a veritable piece of cultural history.The book begins with "The Difference Is They Sing," a potentially controversial essay on the nature of opera and its place in modern culture. From there Littlejohn goes on to consider everything from "Sex and Religion in French Opera" to "What Peter Sellars Did to Mozart." He tells us about every major staging of Wagner's Ring cycle since 1876, the troubled fate (in legend, history, and opera) of the city of Nuremberg, and the volatile collaboration of Richard Strauss and Hugo von Hofmannsthal.Littlejohn presents these and many other fascinating moments in the history of opera with conviction and flair. By the end of the book the reader may very well be persuaded that opera is indeed the ultimate art.   [brief]
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Title: Opera in seventeenth-century Venice: the creation of a genre 
Author: Rosand, Ellen
Published: University of California Press,  1990
Subjects: Music | Musicology | Opera | European History
Publisher's Description: Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and economic environment of seventeenth-century Venice and there developed the stylistic and aesthetic characteristics we recognize as opera today. With ninety-one music examples, most of them complete pieces nowhere else in print, and enlivened by twenty-eight illustrations, this landmark study will be essential for all students of opera, amateur and professional, and for students of European cultural history in general.Because opera was new in the seventeenth century, the composers (most notably Monteverdi and Cavalli), librettists, impresarios, singers, and designers were especially aware of dealing with aesthetic issues as they worked. Rosand examines critically for the first time the voluminous literary and musical documentation left by the Venetian makers of opera. She determines how these pioneers viewed their art and explains the mechanics of the proliferation of opera, within only four decades, to stages across Europe. Rosand isolates two features of particular importance to this proliferation: the emergence of conventions - musical, dramatic, practical - that facilitated replication; and the acute self-consciousness of the creators who, in their scores, librettos, letters, and other documents, have left us a running commentary on the origins of a genre.   [brief]
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Title: Darwin in Russian thought 
Author: Vucinich, Alexander 1914-
Published: University of California Press,  1989
Subjects: Science | History and Philosophy of Science
Publisher's Description: Darwin in Russian Thought represents the first comprehensive and systematic study of Charles Darwin's influence on Russian thought from the early 1860s to the October Revolution. While concentrating on the role of Darwin's theory in the development of Russian science and philosophy, Vucinich also explores the dominant ideological and sociological interpretations of evolutionary thought, providing a deft analysis of the views held by the leaders of Russian nihilism, populism, anarchism, and marxism.Darwin's thinking profoundly influenced intellectual discourse in Russia: it effected the emergence of "theoretical theology," a modern effort to provide theological responses to the revolutionary changes in the natural sciences, contributed to the evolution of a modern scientific community, and spurred the rapidly growing concern with the epistemological and ethical foundations of science in general. Scholarly battles were waged among the critics of Darwin - Karl von Baer, Nikolai Iakovlevich Danilevskii and Sergei Ivanovich Korzhinskii, and others - and the defenders of the faith.Vucinich is able to delineate the distinctive national characteristics of Russian Darwinism: the strong influence of Lamarckian thought, the delayed recognition of the contributions of genetics, the near-universal rejection of Social Darwinism, the early anticipation of the triumph of "evolutionary synthesis," and the heavy concentration on the social and moral aspects of evolutionary thought. Vividly argued and rich in detail, Darwin in Russian Thought provides a unique glimpse into the Russian psyche.   [brief]
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Title: Emblems of eloquence: opera and women's voices in seventeenth-century Venice
Author: Heller, Wendy Beth
Published: University of California Press,  2004
Subjects: Music | European Studies | Opera | Classical Music | Women's Studies | Classical Literature and Language | Renaissance History
Publisher's Description: Opera developed during a time when the position of women - their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality - was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts - by Ovid, Virgil, Tacitus, and Diodorus Siculus - form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).   [brief]
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Title: Verdi at the Golden Gate: opera and San Francisco in the Gold Rush years
Author: Martin, George Whitney
Published: University of California Press,  1993
Subjects: Music | History | Opera | Composers | American Studies | California and the West | European History
Publisher's Description: Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide. In the history of the United States there has never been a rougher town than Gold Rush San Francisco, yet there has never been a greater frenzy for opera than developed there in these exciting years.How did this madness for opera take root and grow? Why did the audience's generally drunken, brawling behavior gradually improve? How and why did Verdi emerge as the city's favorite composer? These are the intriguing themes of George Martin's enlightening and wonderfully entertaining story. Among the incidents recounted are the fist fight that stopped an opera performance and ended in a fatal duel; and the brothel madam who, by sitting in the wrong row of a theater, caused a fracas that resulted in the formation of the Vigilantes of 1856.Martin weaves together meticulously gathered social, political, and musical facts to create this lively cultural history. His study contributes to a new understanding of urban culture in the Jacksonian?Manifest Destiny eras, and of the role of opera in cities during this time, especially in the American West. Over it all soars Verdi's somber, romantic music, capturing the melancholy, the feverish joy, and the idealism of his listeners.   [brief]
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Title: The origins of modernism in Russian architecture 
Author: Brumfield, William Craft 1944-
Published: University of California Press,  1991
Subjects: Architecture | Architectural History | Russian and Eastern European Studies
Publisher's Description: The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history.Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture.   [brief]
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Title: Stravinsky and the Russian traditions: a biography of the works through Mavra
Author: Taruskin, Richard
Published: University of California Press,  1996
Subjects: Music | Musicology | Russian and Eastern European Studies
Publisher's Description: This book undoes 50 years of mythmaking about Stravinsky's life in music.During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music.Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity - Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism" - the professional appropriation of motifs and style characteristics from folk art - and how Stravinsky realized this ideal in his music.Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.   [brief]
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Title: The Russian city between tradition and modernity, 1850-1900 
Author: Brower, Daniel R
Published: University of California Press,  1990
Subjects: History | European History | Russian and Eastern European Studies | Urban Studies
Publisher's Description: The Russian City Between Tradition and Modernity provides a comprehensive history of urban development in European Russia during the last half of the nineteenth century. Using both statistical perspectives on urbanization and cultural representations of the city, Brower constructs a synthetic view of the remaking of urban Russia. He argues that the reformed municipalities succeeded in creating an embryonic civil society among the urban elite but failed to fashion a unified, orderly city. By the end of the century, the cities confronted social disorder of a magnitude that resembled latent civil war.Drawing on a wide range of archival and published sources, including census materials and reports from municipal leaders and tsarist officials, Brower offers a new approach to the social history of Russia. The author emphasizes the impact of the massive influx of migrants on the country's urban centers, whose presence dominated the social landscape of the city. He outlines the array of practices by which the migrant laborers adapted to urban living and stresses the cultural barriers that isolated them from the well-to-do urban population. Brower suggests that future scholarship should pay particular attention to the duality between the sweeping visions of social progress of the elite and the unique practices of the urban workforce. This contradiction, he argues, offers a key explanation for the social instability of imperial Russia in the closing decades of the nineteenth century.   [brief]
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Title: Musicology and difference: gender and sexuality in music scholarship
Author: Solie, Ruth A
Published: University of California Press,  1993
Subjects: Music | Musicology | Women's Studies | Men and Masculinity | Gender Studies
Publisher's Description: Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality. Musicology and Difference brings together some of the freshest and most . . . [more]
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Title: Moral communities: the culture of class relations in the Russian printing industry, 1867-1907 
Author: Steinberg, Mark
Published: University of California Press,  1992
Subjects: History | European History | Russian and Eastern European Studies
Publisher's Description: This valuable study offers a rare perspective on the social and political crisis in late Imperial Russia. Mark D. Steinberg focuses on employers, supervisors, and workers in the printing industry as it evolved from a state-dependent handicraft to a capitalist industry. He explores class relations and the values, norms, and perceptions with which they were made meaningful. Using archival and printed sources, Steinberg examines economic changes, workplace relations, professional organizations, unions, strikes, and political activism, as well as shop customs, trade festivals, and everyday life. In rich detail he describes efforts to build a community of masters and men united by shared interests and moral norms. The collapse of this ideal in the face of growing class conflict is also explored, giving a full view of an important moment in Russian history.   [brief]
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Title: Music drama at the Paris Odéon, 1824-1828
Author: Everist, Mark
Published: University of California Press,  2002
Subjects: Music | Musicology | Opera | French Studies | European History
Publisher's Description: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.   [brief]
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Title: Reflections of an American composer 
Author: Berger, Arthur 1912-
Published: University of California Press,  2002
Subjects: Music | American Music | Classical Music | Contemporary Music | Composers | Musicology
Publisher's Description: In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.   [brief]
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Title: The listening composer
Author: Perle, George 1915-
Published: University of California Press,  1990
Subjects: Music | Contemporary Music | Composers
Publisher's Description: George Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music" - a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them.If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven.Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process.Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners.   [brief]
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Title: Symbolist art theories: a critical anthology
Author: Dorra, Henri 1924-
Published: University of California Press,  1995
Subjects: Art | Art History | Art Theory | Art Criticism
Publisher's Description: Henri Dorra, in his comprehensive new book, presents the development and the aesthetic theories of the symbolist movement in art and literature. Included are writings (many never before translated or reprinted) by artists, designers, architects, and critics, along with Dorra's learned commentary. Fifty photographs of symbolist works complement his encyclopedic coverage.Dorra traces symbolism and its roots from artist to artist and critic to critic from the 1860s to the early twentieth century. The decorative arts and architecture are examined as well as painting and sculpture. The Arts and Crafts movement, art nouveau, the work of Eiffel in France and Sullivan in the United States are all well represented.The close relations between symbolist poets and artists are reflected in the chapter on literary developments. Baudelaire, Rimbaud, Verlaine, and Mallarmé are here, but so, too, are writers less well-known. A section on the Post-Impressionists and the "Artists of the Soul" rounds out Dorra's rich and varied text, and his epilogue lays the groundwork for what was to follow symbolism.Dorra beautifully integrates the different aesthetic branches of symbolism, the different media and national variations, without ever losing sight of the whole. The historical context provided makes this a particularly appealing collection for students and scholars of art history and literature, as well as for anyone interested in the evolution of symbolism.   [brief]
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Title: A little corner of freedom: Russian nature protection from Stalin to Gorbachëv 
Author: Weiner, Douglas R 1951-
Published: University of California Press,  1999
Subjects: Russian and Eastern European Studies | Environmental Studies | Politics | History | History and Philosophy of Science | Ecology
Publisher's Description: While researching Russia's historical efforts to protect nature, Douglas Weiner unearthed unexpected findings: a trail of documents that raised fundamental questions about the Soviet political system. These surprising documents attested to the unlikely survival of a critical-minded, scientist-led movement through the Stalin years and beyond. It appeared that, within scientific societies, alternative visions of land use, resrouce exploitation, habitat protection, and development were sustained and even publicly advocated. In sharp contrast to known Soviet practices, these scientific societies prided themselves on their traditions of free elections, foreign contacts, and a pre-revolutionary heritage.Weiner portrays nature protection activists not as do-or-die resisters to the system, nor as inoffensive do-gooders. Rather, they took advantage of an unpoliced realm of speech and activity and of the patronage by middle-level Soviet officials to struggle for a softer path to development. In the process, they defended independent social and professional identities in the face of a system that sought to impose official models of behavior, ethics, and identity for all. Written in a lively style, this absorbing story tells for the first time how organized participation in nature protection provided an arena for affirming and perpetuating self-generated social identities in the USSR and preserving a counterculture whose legacy survives today.   [brief]
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Title: Beyond the pale: the Jewish encounter with late imperial Russia
Author: Nathans, Benjamin
Published: University of California Press,  2002
Subjects: History | Jewish Studies | Russian and Eastern European Studies
Publisher's Description: A surprising number of Jews lived, literally and figuratively, "beyond the Pale" of Jewish Settlement in tsarist Russia during the half-century before the Revolution of 1917. Thanks to the availability of long-closed Russian archives, along with a wide range of other sources, Benjamin Nathans reinterprets the history of the Russian-Jewish encounter. In the wake of Russia's "Great Reforms," Nathans writes, a policy of selective integration stimulated social and geographic mobility among the empire's Jews. The reaction that culminated, toward the turn of the century, in ethnic restrictions on admission to universities, the professions, and other institutions of civil society reflected broad anxieties that Russians were being placed at a disadvantage in their own empire. Nathans's conclusions about the effects of selective integration and the Russian-Jewish encounter during this formative period will be of great interest to all students of modern Jewish and modern Russian history.   [brief]
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Title: William Grant Still: a study in contradictions 
Author: Smith, Catherine Parsons 1933-
Published: University of California Press,  2000
Subjects: Music | Composers | African American Studies | Autobiographies and Biographies
Publisher's Description: During the 1930s and 1940s William Grant Still (1895-1978) was known as the "Dean of Afro-American Composers." He worked as an arranger for early radio, on Broadway, and in Hollywood; major symphony orchestras performed his concert works; and an opera, written in collaboration with Langston Hughes, was produced by the New York City Opera. Despite these successes the composer's name gradually faded into obscurity. This book brings William Grant Still out of the archives and examines his place in America's musical heritage. It also provides a revealing window into our recent cultural past.Until now Still's profound musical creativity and cultural awareness have been obscured by the controversies that dogged much of his personal and professional life. New topics explored by Catherine Parsons Smith and her contributors include the genesis of the Afro American Symphony , Still's best-known work; his troubled years in film and opera; and his outspoken anticommunism.   [brief]
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Title: Russia's women: accommodation, resistance, transformation
Author: Clements, Barbara Evans 1945-
Published: University of California Press,  1991
Subjects: History | European History | Women's Studies | Russian and Eastern European Studies
Publisher's Description: By ignoring gender issues, historians have failed to understand how efforts to control women - and women's reactions to these efforts - have shaped political and social institutions and thus influenced the course of Russian and Soviet history. These original essays challenge a host of traditional assumptions by integrating women into the Russian past. Using recent advances in the study of gender, the family, class, and the status of women, the authors examine various roles of Russian women and offer a broad overview of a vibrant and growing field.   [brief]
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Title: The collective and the individual in Russia: a study of practices
Author: Kharkhordin, Oleg 1964-
Published: University of California Press,  1999
Subjects: History | Social Theory | European History | Russian and Eastern European Studies | Intellectual History
Publisher's Description: Oleg Kharkhordin has constructed a compelling, subtle, and complex genealogy of the Soviet individual that is as much about Michel Foucault as it is about Russia. Examining the period from the Russian Revolution to the fall of Gorbachev, Kharkhordin demonstrates that Party rituals - which forced each Communist to reflect intensely and repeatedly on his or her "self," an entirely novel experience for many of them - had their antecedents in the Orthodox Christian practices of doing penance in the public gaze. Individualization in Soviet Russia occurred through the intensification of these public penitential practices rather than the private confessional practices that are characteristic of Western Christianity. He also finds that objectification of the individual in Russia relied on practices of mutual surveillance among peers, rather than on the hierarchical surveillance of subordinates by superiors that characterized the West. The implications of this book expand well beyond its brilliant analysis of the connection between Bolshevism and Eastern Orthodoxy to shed light on many questions about the nature of Russian society and culture.   [brief]
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Title: Iconography of power: Soviet political posters under Lenin and Stalin
Author: Bonnell, Victoria E
Published: University of California Press,  1998
Subjects: Sociology | Popular Culture | European Studies | Russian and Eastern European Studies | Politics | Art Criticism | History | European History
Publisher's Description: Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them - relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.   [brief]
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