Title: Unpacking Duchamp: art in transit 
Author: Judovitz, Dalia
Published: University of California Press,  1995
Subjects: Art | Literature
Publisher's Description: Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production.Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to material that mimics art without being readily classifiable as such. Her book questions his paradoxical renunciation of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works including The Large Glass , Fountain and Given 1) the waterfall, 2) the illuminating gas. Duchamp, a poser and solver of problems, occupied himself with issues of genre, gender, and representation. His puns, double entendres, and word games become poetic machines, all part of his intellectual quest for the very limits of nature, culture, and perception. Judovitz demonstrates how Duchamp's redefinition of artistic modes of production through reproduction opens up modernism to more speculative explorations, while clearing the ground for the aesthetic of appropriation central to postmodernism.   [brief]
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Title: The politics of desire: Propertius IV 
Author: Janan, Micaela Wakil
Published: University of California Press,  2000
Subjects: Classics | Classical Literature and Language | Poetry
Publisher's Description: Propertius (ca. 54 b.c.--ca. 2 b.c.) was a Roman poet who composed four compelling books of elegies in the chaotic years surrounding Rome's transition from republic to empire. The first three of these books revolve mostly around a tormented love affair with a woman called Cynthia. The fourth book of poetry rests on more diverse subject matter and is notoriously the most opaque and elusive. In The Politics of Desire, Micaela Janan radically reassesses Propertius' last elegies, using contemporary psychoanalytic theory to illuminate these challenging texts. Janan finds that the upheaval of Rome's transformation to empire corresponds to the intellectually unsettled conditions of our own time, so that contemporary methodologies offer an uncannily suitable approach for understanding Propertius. In particular, she uses the work of Jacques Lacan, since it provides the best conceptual tools for examining the relation between political crisis and the struggles of the self, a theme that resonates in these difficult elegies. This book expands our understanding of an important Roman poet, and its innovative and sophisticated methodological approach makes a substantial contribution to feminist and psychoanalytic criticism. In addition, Janan addresses elegy's relationship to larger cultural questions, and broadens our understanding of the social crisis affecting Rome during the early empire.   [brief]
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Title: Another kind of love: male homosexual desire in English discourse, 1850-1920 
Author: Craft, Christopher 1952-
Published: University of California Press,  1994
Subjects: Literature | Sociology | Literary Theory and Criticism | Gender Studies | GayLesbian and Bisexual Studies
Publisher's Description: In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it?Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam , Wilde's The Importance of Being Earnest , Stoker's Dracula , and Lawrence's Women In Love .   [brief]
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Title: Tran sforming desire: erotic knowledge in Books III and IV of the Faerie queene 
Author: Silberman, Lauren
Published: University of California Press,  1995
Subjects: Literature | English Literature | Literary Theory and Criticism | Men and Masculinity | Women's Studies | Poetry | Renaissance Literature
Publisher's Description: The Faerie Queene anticipates postmodernist concerns with destabilizing language, and Lauren Silberman's stimulating study of Books III and IV of the poem proceeds from the assumption that Spenser has something important to say to us in the late twentieth century.In these books, Spenser exposes fictions of total control for what they are - fictions. The text affirms the value of risk and improvisation over the temptation to seek guarantees. The books examine the role of desire in moving us to function in an uncertain world and tempting us to foreclose that uncertainty by strategies that seek to frame knowledge through total mastery of it.   [brief]
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Title: Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E
Author: Ridgway, Brunilde Sismondo 1929-
Published: University of California Press,  1999
Subjects: Classics | Art | Art and Architecture | Art History
Publisher's Description: The meaning of architectural sculpture is essential to our understanding of ancient Greek culture. The embellishment of buildings was common for the ancient Greeks, and often provocative. Some ornamental sculpture was placed where, when the building was finished, no mortal eye could view it. And unlike much architectural ornamentation of other cultures, Greek sculpture was often integral to the building, not just as decoration, and could not be removed without affecting the integrity of the building structure. This book is the first comprehensive treatment of the significance of Greek architectural sculpture. Brunilde Sismondo Ridgway, a world-class authority on ancient Greek sculpture, provides a highly informative tour of many dimensions of Greek public buildings - especially temples, tombs, and treasuries - in a text that is at once lucid, accessible, and authoritative.Ridgway's pragmatism and common sense steer us tactfully and clearly through thickets of uncertainty and scholarly disagreement. She refers to a huge number of monuments, and documents her discussions with copious and up-to-date bibliographies. This book is sure to be acknowledged at once as the standard treatment of its important topic.   [brief]
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Title: Out of Eden: essays on modern art 
Author: Di Piero, W. S
Published: University of California Press,  1991
Subjects: Art | Art Criticism
Publisher's Description: Out of Eden presents the rigorous investigations and musings of a poet-essayist on the ways in which modern artists have confronted and transfigured the realist tradition of representation. Di Piero pursues his theme with an autobiographical force and immediacy. He fixes his attention on painters and photographers as disparate as Cezanne, Boccioni, Pollock, Warhol, Edward Weston, and Robert Frank. There is indeed a satisfying sweep to this collection: Matisse, Giacometti, Morandi, Bacon, the Tuscan Macchiaioli of the late nineteenth century, the Futurists of the early modern period, and the American pop painters.Di Piero's analysis of modern images also probes the relation between new kinds of image making and transcendence. The author argues that Matisse and Giacometti, for example, continued to exercise the religious imagination even in a desacralized age. And because Di Piero believes that the visual arts and poetry live intimate, coordinate lives, his essays speak of the relation of poetry to forms in art.   [brief]
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Title: Masking the blow: the scene of representation in late prehistoric Egyptian art 
Author: Davis, Whitney
Published: University of California Press,  1992
Subjects: Art | Art History
Publisher's Description: The meaning of late prehistoric Egyptian images has until now been tantalizingly mysterious, as little understood as the circumstances of their production. As a result, analyses of these images have been general and often incorrectly illustrated. Whitney Davis now provides a welcome remedy in this detailed reinterpretation of the images carved on ivory knife handles and schist cosmetic palettes. These images are among the most important documents of early Egyptian history and include the Narmer Palette, often considered the very inception of ancient Egyptian image making.Davis deciphers the intriguing pictorial narratives and complex metaphors of images that are concerned with "masking the blow" of the ruler. "Masking the blow" refers to the ways that the images - from hunted animals to human antagonists - represent, elide, or suppress the depiction of a ruler's violent act of conquering an enemy.Examining late prehistoric Egyptian images in light of contemporary visual theory and illustrating his analyses with excellent reproductions, Davis goes beyond the usual concern for stylistic development and iconographic meanings that characterize prior studies. His work will greatly interest art historians, archaeologists, anthropologists, and students of the visual arts.   [brief]
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Title: For love of the automobile: looking back into the history of our desires
Author: Sachs, Wolfgang
Published: University of California Press,  1992
Subjects: Science | European History | Technology and Society | German Studies
Publisher's Description: In his cultural analysis of the motor car in Germany, Wolfgang Sachs starts from the assumption that the automobile is more than a means of transportation and that its history cannot be understood merely as a triumphant march of technological innovation. Instead, Sachs examines the history of the automobile from the late 1880s until today for evidence on the nature of dreams and desires embedded in modern culture. Written in a lively style and illustrated by a wealth of cartoons, advertisements, newspaper stories, and propaganda, this book explores the nature of Germany's love affair with the automobile. A "history of our desires" for speed, wealth, violence, glamour, progress, and power - as refracted through images of the automobile - it is at once fascinating and provocative.Sachs recounts the development of the automobile industry and the impact on German society of the marketing and promotion of the motor car. As cars became more affordable and more common after World War II, advertisers fanned the competition for status, refining their techniques as ownership became ever more widespread.Sachs concludes by demonstrating that the triumphal procession of private motorization has in fact become an intrusion. The grand dreams once attached to the automobile have aged. Sachs appeals for the cultivation of new dreams born of the futility of the old ones, dreams of "a society liberated from progress," in which location, distance, and speed are reconceived in more appropriately humane dimensions.   [brief]
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Title: Permitted and prohibited desires: mothers, comics, and censorship in Japan
Author: Allison, Anne 1950-
Published: University of California Press,  2000
Subjects: Anthropology | Gender Studies | Popular Culture | Japan
Publisher's Description: This provocative study of gender and sexuality in contemporary Japan investigates elements of Japanese popular culture including erotic comic books, stories of mother-son incest, lunchboxes - or obentos - that mothers ritualistically prepare for schoolchildren, and children's cartoons. Anne Allison brings recent feminist psychoanalytic and Marxist theory to bear on representations of sexuality, motherhood, and gender in these and other aspects of Japanese culture. Based on five years of fieldwork in a middle-class Tokyo neighborhood, this theoretically informed, accessible ethnographic study provides a provocative analysis of how sexuality, dominance, and desire are reproduced and enacted in late-capitalistic Japan.   [brief]
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Title: Between memory and desire: the Middle East in a troubled age
Author: Humphreys, R. Stephen
Published: University of California Press,  1999
Subjects: Middle Eastern Studies | Politics | Islam | Middle Eastern History
Publisher's Description: Middle Easterners today are caught between memories of the past and frustrated hopes for the future. They struggle to find solutions to crises of economic stagnation, political gridlock, and cultural identity. In recent decades Islam has become central to this struggle, and almost every issue involves fierce, sometimes violent debates over the role of religion in public life. R. Stephen Humphreys's new book presents a much-needed and thoughtful analysis of Islam's place in today's Middle East. In clear, accessible language, he integrates the medieval and modern history of the region to show how the sacred and secular are tightly interwoven in its political and intellectual life. Humphreys discusses the conflicts over power and resources that engage Middle Eastern politicians and looks at the major ideologies that have shaped these conflicts. He focuses on the impact of Islam on public life and examines Muslim ways of thinking about the "secular" versus the "religious." What values does Islam put into play? What challenges does it pose to "ordinary" politics? What resources does it bring to the struggle for social justice? Humphreys recognizes the Western tendency to dismiss Middle Eastern politics as an incoherent tale of violence and fanaticism, and his book is especially valuable for its analysis of the deeper issues behind the headlines. These issues include the region's apparent inability to evolve democratic institutions, conflicts rooted in the peace settlements after World War I, and the unresolved debates over which cultural and moral values should drive Middle Eastern policy. Between Memory and Desire reminds us that Middle Easterners remember the past in specific ways: the shame of the colonial era; the disappointments since independence; and the glory of the Middle Ages, when Muslim achievements were respected throughout the world. Even if these memories are only partially true, in defining the past, they also define what the future ought to be.   [brief]
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Title: Literary architecture: essays toward a tradition: Walter Pater, Gerard Manley Hopkins, Marcel Proust, Henry James 
Author: Frank, Ellen Eve
Published: University of California Press,  1983
Subjects: Literature | European Literature
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Title: Working families: the transformation of the American home
Author: Hertz, Rosanna
Published: University of California Press,  2001
Subjects: Gender Studies | Women's Studies | Sociology | Social Problems | Anthropology | Economics and Business | Urban Studies | Ethnic Studies | Politics | Politics
Publisher's Description: The dynamics of work and parenthood are in the midst of a revolutionary shift in the United States. Focused around a major factor in this shift - the rise of dual-income families - this groundbreaking volume provides a highly informative snapshot of the intricate fabric of work and family in the United States. With selections written by leading scholars both inside and outside academia, Working Families offers intimate stories of how families manage and how children respond to the rigors of their parents' lives, as well as broad overviews developed from survey and census data. Taken together, these essays present an updated and integral view of the revolutionary changes in patterns of work and family life occurring today. Using a broad range of methodologies, the contributors reach across gender, age, and class differences. They discuss working-class as well as affluent dual-career couples and work sites ranging from factories to offices. Straddling racial divides, the essays range from studies of white day care providers to a close look at a Mexican maid's daughter. The collection as a whole refutes the assumption that there is one normal type of family or workplace. These readable essays capture our attention as they build, cumulatively, to an absorbing picture of today's families and workplaces.   [brief]
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Title: Socialization as cultural communication: development of a theme in the work of Margaret Mead 
Author: Schwartz, Theodore
Published: University of California Press,  1980
Subjects: Anthropology | Cultural Anthropology
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Title: More equal than others: women and men in dual-career marriages 
Author: Hertz, Rosanna
Published: University of California Press,  1986
Subjects: Sociology | Social Problems
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Title: Poets on painters: essays on the art of painting by Twentieth-century poets
Author: McClatchy, J. D 1945-
Published: University of California Press,  1989
Subjects: Literature | Art | Poetry | Art History
Publisher's Description: What are poets looking at , looking for , when they walk into a room of pictures? Poets on Painters attempts to answer this question by bringing together, for the first time, essays by modern American and British poets about painting. The poets bring to their task a fresh eye and a freshened languag . . . [more]
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Title: Taming the wind of desire: psychology, medicine, and aesthetics in Malay shamanistic performance
Author: Laderman, Carol
Published: University of California Press,  1991
Subjects: Anthropology | Asian Studies | Medical Anthropology | Psychology | Southeast Asia | Medicine
Publisher's Description: Charged with restoring harmony and relieving pain, the Malay shaman places his patients in trance and encourages them to express their talents, drives, personality traits - the "Inner Winds" of Malay medical lore - in a kind of performance. These healing ceremonies, formerly viewed by Western anthropologists as exotic curiosities, actually reveal complex multicultural origins and a unique indigenous medical tradition whose psychological content is remarkably relevant to contemporary Western concerns.Accepted as apprentice to a Malay shaman, Carol Laderman learned and recorded every aspect of the healing seance and found it comparable in many ways to the traditional dramas of Southeast Asia and of other cultures such as ancient Greece, Japan, and India. The Malay seance is a total performance, complete with audience, stage, props, plot, music, and dance. The players include the patient along with the shaman and his troupe. At the center of the drama are pivotal relationships - among people, between humans and spirits, and within the self. The best of the Malay shamans are superb poets, dramatists, and performers as well as effective healers of body and soul.   [brief]
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Title: Fountain of fortune: money and monetary policy in China, 1000-1700
Author: Von Glahn, Richard
Published: University of California Press,  1996
Subjects: History | China | Asian History | Economics and Business
Publisher's Description: In this study, the first of its kind in the English language, Richard von Glahn offers a definitive analysis of the economic, political, and social history of money and monetary policy during the Song, Yuan, Ming, and early Qing dynasties. Von Glahn presents a revisionist interpretation of previously held ideas about the effect of money and international trade in bullion on the rise and decline of dynastic power in China.Von Glahn's study also links Chinese monetary history to changing trends in money use and trade in gold and silver in Asia, Europe, and the Western Hemisphere. China's shift to a silver economy had a decisive influence not only on the growth of a market economy in China, but also on the formation of a global economy in the early modern era.Exhaustively researched from original archival sources, Fountain of Fortune critically examines the many facets of China's domestic and foreign monetary policy: the foundations of Chinese monetary theory; mining and minting of bronze coin; the rise and fall of paper currency; and the transition to silver bullion as the monetary standard. Providing keen insight into the economic and social history of Chinese society, this volume will serve as an indispensable reference for the reader seeking to understand China's distinctive history and its relationship to the world at large.   [brief]
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Title: Looking at lovemaking: constructions of sexuality in Roman art, 100 B.C.-A.D. 250
Author: Clarke, John R 1945-
Published: University of California Press,  1998
Subjects: Art | Classics | Art and Architecture | Art History | History | Gender Studies
Publisher's Description: What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question - and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works - many newly discovered and previously unpublished - in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence.Roman artists pictured a great range of human sexual activities - far beyond those mentioned in classical literature - including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.   [brief]
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Title: Remembering the present: painting and popular history in Zaire
Author: Fabian, Johannes
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Art | African History | Politics | African Studies
Publisher's Description: This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition.During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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