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Your request for similar items found 20 book(s). | Modify Search | Displaying 1 - 20 of 20 book(s) | |
| 1. |  | Title: Overhearing film dialogue Author: Kozloff, Sarah Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Literary Theory and Criticism | American Studies | Film Publisher's Description: Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film d . . . [more] Similar Items |
| 2. |  | Title: Redefining Black film Author: Reid, Mark (Mark A.) Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film | African American Studies Publisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous bl . . . [more] Similar Items |
| 3. |  | Title: More than night: film noir in its contexts Author: Naremore, James Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | Literature Publisher's Description: "Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s - melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night , James Naremore discusses these pictures, but he also shows that the central term is more compl . . . [more] Similar Items |
| 4. |  | Title: First cut: conversations with film editors Author: Oldham, Gabriella Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Media Studies Publisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more] Similar Items |
| 5. |  | Title: Film quarterly: forty years--a selection  Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Film Publisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more] Similar Items |
| 6. |  | Title: Hollywood in Berlin: American cinema and Weimar Germany Author: Saunders, Thomas J Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European History Publisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture. . . . [more] Similar Items |
| 7. |  | Title: Placing movies: the practice of film criticism Author: Rosenbaum, Jonathan Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film Publisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more] Similar Items |
| 8. |  | Title: Overtones and undertones: reading film music Author: Brown, Royal S Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | Music Publisher's Description: Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Ro . . . [more] Similar Items |
| 9. |  | Title: Hollywood quarterly: film culture in postwar America, 1945-1957 Author: Smoodin, Eric Loren Published: University of California Press, 2002 Subjects: Cinema and Performance Arts Publisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blac . . . [more] Similar Items |
| 10. |  | Title: Light moving in time: studies in the visual aesthetics of avant-garde film Author: Wees, William C. (William Charles) 1935- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film Publisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing th . . . [more] Similar Items |
| 11. |  | Title: Romance and the "yellow peril": race, sex, and discursive strategies in Hollywood fiction Author: Marchetti, Gina Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | Women's Studies Publisher's Description: Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in A . . . [more] Similar Items |
| 12. |  | Title: Play it again, Sam: retakes on remakes Author: Horton, Andrew Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film Publisher's Description: Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood . . . [more] Similar Items |
| 13. |  | Title: Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos Author: Barbash, Ilisa 1959- Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Ethnic Studies | Photography Publisher's Description: This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail - information never before ass . . . [more] Similar Items |
| 14. |  | Title: Sundance to Sarajevo: film festivals and the world they made Author: Turan, Kenneth Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | Film Publisher's Description: Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema ma . . . [more] Similar Items |
| 15. |  | Title: Writing the character-centered screenplay Author: Horton, Andrew Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | Writing Publisher's Description: "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on . . . [more] Similar Items |
| 16. |  | Title: Echo and Narcissus: women's voices in classical Hollywood cinema Author: Lawrence, Amy Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | Women's Studies Publisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of wom . . . [more] Similar Items |
| 17. |  | Title: Eloquent gestures: the transformation of performance style in the Griffith Biograph films Author: Pearson, Roberta E Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film Publisher's Description: Between 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the . . . [more] Similar Items |
| 18. |  | Title: The memory of Tiresias: intertextuality and film Author: I︠A︡mpolʹskiĭ, M. B Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Literature | Popular Culture Publisher's Description: The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias , Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertex . . . [more] Similar Items |
| 19. |  | Title: Black African cinema Author: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more] Similar Items |
| 20. |  | Title: Endless night: cinema and psychoanalysis, parallel histories Author: Bergstrom, Janet 1946- Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Art Theory | Psychology Publisher's Description: The "endless night" that film theory and psychoanalysis share is the darkness that these two disciplines face in their quest for the logics of intelligibility. This collection emphasizes the history of theory to demonstrate that film theory must be written with a strong sense of historical conscious . . . [more] Similar Items |