Title: Seducing the French: the dilemma of Americanization 
Author: Kuisel, Richard F
Published: University of California Press,  1993
Subjects: History | European History | Popular Culture | French Studies
Publisher's Description: When Coca-Cola was introduced in France in the late 1940s, the country's most prestigious newspaper warned that Coke threatened France's cultural landscape. This is one of the examples cited in Richard Kuisel's engaging exploration of France's response to American influence after World War II. In analyzing early French resistance and then the gradual adaptation to all things American that evolved by the mid-1980s, he offers an intriguing study of national identity and the protection of cultural boundaries.The French have historically struggled against Americanization in order to safeguard "Frenchness." What would happen to the French way of life if gaining American prosperity brought vulgar materialism and social conformity? A clash between American consumerism and French civilisation seemed inevitable.Cold War anti-Communism, the Marshall Plan, the Coca-Cola controversy, and de Gaulle's efforts to curb American investment illustrate ways that anti-Americanization was played out. Kuisel also raises issues that extend beyond France, including the economic, social, and cultural effects of the Americanized consumer society that have become a global phenomenon.Kuisel's lively account reaches across French society to include politicians, businessmen, trade unionists, Parisian intelligentsia, and ordinary citizens. The result reveals much about the French - and about Americans. As Euro Disney welcomes travellers to its Parisian fantasyland, and with French recently declared the official language of France (to defend it from the encroachments of English), Kuisel's book is especially relevant.   [brief]
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Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
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Title: Modernity and the hegemony of vision
Author: Levin, David Michael 1939-
Published: University of California Press,  1993
Subjects: Philosophy | Literature | Ethics
Publisher's Description: This collection of original essays by preeminent interpreters of continental philosophy explores the question of whether Western thought and culture have been dominated by a vision-centered paradigm of knowledge, ethics, and power. It focuses on the character of vision in modern philosophy and on arguments for and against the view that contemporary life and thought are distinctively "ocularcentric." The authors examine these ideas in the context of the history of philosophy and consider the character of visual discourse in the writings of Plato, Descartes, Hegel, Nietzsche, Husserl, Heidegger, Benjamin, Sartre, Merleau-Ponty, Levinas, Derrida, Foucault, Gadamer, Wittgenstein, and Habermas. With essays on television, the visual arts, and feminism, the book will interest readers in cultural studies, gender studies, and art history as well as philosophers.   [brief]
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Title: Shanghai on the Metro: spies, intrigue, and the French between the wars 
Author: Miller, Michael Barry 1945-
Published: University of California Press,  1995
Subjects: History | European History | French Studies
Publisher's Description: Secret agents, gun runners, White Russians, adventurers, and con men - they all play a part in Michael Miller's strikingly original study of interwar France. Based on extensive research in security files and a mass of printed sources, this book shows how a distinctive milieu of spies and spy literature emerged between the two world wars, reflecting the atmosphere and concerns of these years.Miller argues that French fascination with intrigue between the wars reveals a far more assured and playful national mood than historians have hitherto discerned in the final decades of the Third Republic. But the larger history set in motion by World War I and the subsequent reading of French history into global history are the true subjects of this work. Reconstituting through his own narratives the histories of interwar travel and adventure and the willful turning of contemporary affairs into a source of romance, Miller recovers the ambiance and special qualities of the age that produced its intrigues and its tales of spies.   [brief]
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Title: The Jews of modern France
Author: Hyman, Paula 1946-
Published: University of California Press,  1998
Subjects: Jewish Studies | French Studies | European Studies | History | European History | Judaism | Urban Studies
Publisher's Description: The Jews of Modern France explores the endlessly complex encounter of France and its Jews from just before the Revolution to the eve of the twenty-first century. In the late eighteenth century, some forty thousand Jews lived in scattered communities on the peripheries of the French state, not considered French by others or by themselves. Two hundred years later, in 1989, France celebrated the anniversary of the Revolution with the largest, most vital Jewish population in western and central Europe.Paula Hyman looks closely at the period that began when France's Jews were offered citizenship during the Revolution. She shows how they and succeeding generations embraced the opportunities of integration and acculturation, redefined their identities, adapted their Judaism to the pragmatic and ideological demands of the time, and participated fully in French culture and politics. Within this same period, Jews in France fell victim to a secular political antisemitism that mocked the gains of emancipation, culminating first in the Dreyfus Affair and later in the murder of one-fourth of them in the Holocaust. Yet up to the present day, through successive waves of immigration, Jews have asserted the compatibility of their French identity with various versions of Jewish particularity, including Zionism. This remarkable view in microcosm of the modern Jewish experience will interest general readers and scholars alike.   [brief]
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Title: Urban forms and colonial confrontations: Algiers under French rule 
Author: Çelik, Zeynep
Published: University of California Press,  1997
Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French Studies | Postcolonial Studies
Publisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation.   [brief]
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Title: Obstinate Hebrews: representations of Jews in France, 1715-1815
Author: Schechter, Ronald
Published: University of California Press,  2003
Subjects: History | European History | Jewish Studies | Intellectual History | French Studies
Publisher's Description: Enlightenment writers, revolutionaries, and even Napoleon discussed and wrote about France's tiny Jewish population at great length. Why was there so much thinking about Jews when they were a minority of less than one percent and had little economic and virtually no political power? In this unusually wide-ranging study of representations of Jews in eighteenth-century France - both by Gentiles and Jews themselves - Ronald Schechteroffers fresh perspectives on the Enlightenment and French Revolution, on Jewish history, and on the nature of racism and intolerance. Informed by the latest historical scholarship and by the insights of cultural theory, Obstinate Hebrews is a fascinating tale of cultural appropriation cast in the light of modern society's preoccupation with the "other." Schechter argues that the French paid attention to the Jews because thinking about the Jews helped them reflect on general issues of the day. These included the role of tradition in religion, the perfectibility of human nature, national identity, and the nature of citizenship. In a conclusion comparing and contrasting the "Jewish question" in France with discourses about women, blacks, and Native Americans, Schechter provocatively widens his inquiry, calling for a more historically precise approach to these important questions of difference.   [brief]
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Title: Between Marxism and Anarchism: Benoît Malon and French reformist socialism
Author: Vincent, K. Steven
Published: University of California Press,  1992
Subjects: History | French Studies | European History
Publisher's Description: Here is the first scholarly study of the life and thought of Benoît Malon (1841-1893), the most persuasive and visible spokesman for reformist socialism during the early years of the French Third Republic.Active in the generation of the French Left that came of age under the Second Empire, Malon was a prominent member of the First International in Paris and later joined the Paris Commune. As a result, he was forced into exile in Switzerland and Italy during the 1870s, where he became entangled in the struggles within the International. Malon attempted to steer a course between Marxist authoritarianism and anarchist utopianism, which he continued on his return to France in 1880.Vincent analyzes Malon's role as activist, editor, and author, arguing that Malon drew on a strong tradition of left-wing French republicanism. In his mature works, Malon articulated a socialism that emphasized broad moral and socioeconomic reform and advocated parliamentary rule as the appropriate source of national sovereignty. In helping the republican socialist Left shed its revolutionary associations, he pointed the way for later reformist socialists from Jean Jaurès to François Mitterrand.   [brief]
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Title: State capitalism and working-class radicalism in the French aircraft industry 
Author: Chapman, Herrick
Published: University of California Press,  1990
Subjects: History | European History | Politics | Technology and Society | French Studies
Publisher's Description: In the 1950s and 1960s France experienced an economic miracle. As the state's role expanded with efforts to create a more modern economy, however, labor relations remained more volatile and workers more radical than elsewhere in western Europe. Herrick Chapman argues in this important new book that state capitalism and working-class radicalism went hand-in-hand and that both have antecedents in the tumultuous events of the 1930s and 1940s.The author focuses on a key industry - aviation - which held center stage in France from the Great Depression to the Cold War. While manufacturers and state officials struggled to modernize, the aviation industry became a bastion of the Communist Party and an arena of combat where workers, employers, and officials promoted competing visions of industrial reform. This gave rise to a new environment where state intervention and working-class radicalism became mutually reinforcing, and by the postwar era a peculiarly contentious form of industrial politics had become firmly entrenched.Using local and national archives, the author analyzes not only how an industry transformed but also how people reacted to the Popular Front, the defeat of 1940, the Nazi Occupation, and the onset of the Cold War. He also sheds light on such central themes in modern French history as the style of entrepreneurship, the sources of state interventionism, the response of workers to technological change and the nature of the Communist movement.   [brief]
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Title: The master and Minerva: disputing women in French medieval culture 
Author: Solterer, Helen
Published: University of California Press,  1995
Subjects: Literature | European Literature | Literary Theory and Criticism | Medieval Studies | Women's Studies | French Studies
Publisher's Description: Can words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes , she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.   [brief]
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Title: Toward a new poetics: contemporary writing in France: interviews, with an introduction and translated texts 
Author: Gavronsky, Serge
Published: University of California Press,  1994
Subjects: Literature | Poetry | European Literature | Literary Theory and Criticism | Writing | French Studies
Publisher's Description: A quiet revolution is taking place in avant-garde French poetry and prose. In this collection of twelve interviews with some of France's most important poets and writers, Serge Gavronsky introduces American readers to these exciting new developments.As Gavronsky explains, a neolyricism is now replacing the formalism of the 1960s, '70s, and '80s. In his substantial introduction, Gavronsky notes how the ideological definition of writing ( écriture ) has given way to more open forms of writing. Human experiences of the most ordinary kinds are finding a place in the text.These interviews offer a view of the poets' and writers' creative processes and range over such topics as current literary theory, the impact of American poetry in France, and the place of feminism in contemporary French writing. Each interview is accompanied by samples of the writer's work in French and in Gavronsky's English translations. Toward a New Poetics provides a highly informative cultural and critical perspective on contemporary writing in France, introducing us to works which are now transforming the idea of literature itself.   [brief]
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Title: The French worker: autobiographies from the early industrial era
Author: Traugott, Mark
Published: University of California Press,  1993
Subjects: History | Sociology | European History | Gender Studies | French Studies
Publisher's Description: This anthology, drawn from the autobiographies of seven men and women whose lives span the nineteenth century, provides a rare glimpse of the everyday lives of workers in the age of early industrialization in France. Appearing for the first time in English, these stories vividly convey the ambitions, hardships, and reversals of ordinary people struggling to gain a measure of respectability.The workers' livelihoods are diverse: chair-maker, embroiderer, joiner, mason, silk weaver, machinist, seamstress. Their stories of daily activities, work life, and popular politics are filled with lively, often poignant moments. We learn of dismal, unsanitary housing; of disease; workplace accidents; and terrible hardship, especially for the children of the poor. We read of exploitation and injustice, of courtship and marriage, and of the sociability of the wine-merchant's shop and the boardinghouse.Traugott's analytic introduction discusses the many shifts in French society during the nineteenth century. Used in combination with other sources, these autobiographies illuminate the relationship between changes in working conditions and in the forms of political participation and protest occurring as the century came to a close.   [brief]
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Title: The ciné goes to town: French cinema, 1896-1914
Author: Abel, Richard 1941-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular Culture
Publisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents.
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Title: The family on trial in revolutionary France
Author: Desan, Suzanne 1957-
Published: University of California Press,  2004
Subjects: History | European Studies | French Studies | Women's Studies
Publisher's Description: In a groundbreaking book that challenges many assumptions about gender and politics in the French Revolution, Suzanne Desan offers an insightful analysis of the ways the Revolution radically redefined the family and its internal dynamics. She shows how revolutionary politics and laws brought about a social revolution within households and created space for thousands of French women and men to reimagine their most intimate relationships. Families negotiated new social practices, including divorce, the reduction of paternal authority, egalitarian inheritance for sons and daughters alike, and the granting of civil rights to illegitimate children. Contrary to arguments that claim the Revolution bound women within a domestic sphere, The Family on Trial maintains that the new civil laws and gender politics offered many women unexpected opportunities to gain power, property, or independence. The family became a political arena, a practical terrain for creating the Republic in day-to-day life. From 1789, citizens across France - sons and daughters, unhappily married spouses and illegitimate children, pamphleteers and moralists, deputies and judges - all disputed how the family should be reformed to remake the new France. They debated how revolutionary ideals and institutions should transform the emotional bonds, gender dynamics, legal customs, and economic arrangements that structured the family. They asked how to bring the principles of liberty, equality, and regeneration into the home. And as French citizens confronted each other in the home, in court, and in print, they gradually negotiated new domestic practices that balanced Old Regime customs with revolutionary innovations in law and culture. In a narrative that combines national-level analysis with a case study of family contestation in Normandy, Desan explores these struggles to bring politics into households and to envision and put into practice a new set of familial relationships.   [brief]
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Title: Peasants and king in Burgundy: agrarian foundations of French absolutism 
Author: Root, Hilton L
Published: University of California Press,  1992
Subjects: History | European History | Politics | French Studies
Publisher's Description: The example of Old Regime France provides a source for many of the ideas about capitalism, modernization, and peasant protest that concern social scientists today. Hilton Root challenges traditional assumptions and proposes a new interpretation of the relationship between state and society.
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Title: Broken tablets: the cult of the law in French art from David to Delacroix 
Author: Ribner, Jonathan P
Published: University of California Press,  1993
Subjects: Art | Art History | French Studies | European Literature | European History | Law
Publisher's Description: In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws.Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.   [brief]
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Title: Private lives and public affairs: the causes célèbres of prerevolutionary France
Author: Maza, Sarah C 1953-
Published: University of California Press,  1993
Subjects: History | Law | European History | European Literature | French Studies
Publisher's Description: From 1770 to 1789 a succession of highly publicized cases riveted the attention of the French public. Maza argues that the reporting of these private scandals had a decisive effect on the way in which the French public came to understand public issues in the years before the Revolution.
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Title: France at the Crystal Palace: bourgeois taste and artisan manufacture in the nineteenth century
Author: Walton, Whitney
Published: University of California Press,  1992
Subjects: History | European History | Women's Studies | French Studies
Publisher's Description: Whitney Walton approaches the nineteenth-century French industrial development from a new perspective - that of consumption. She analyzes the French performance at the Crystal Palace Exhibition of 1851 to illustrate how bourgeois consumers influenced France's distinctive pattern of industrial development. She also demonstrates the importance of consumption and gender in class formation and reveals how women influenced industry in their role as consumers.Walton examines important consumer goods industries that have been rarely studied by historians, such as the manufacture of wallpaper, furniture, and bronze statues. Using archival sources on household possessions of the Parisian bourgeoisie as well as published works, she shows how consumers' taste for fashionable, artistic, well-made furnishings and apparel promoted a specialization unique to nineteenth-century France.   [brief]
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Title: Romancing the past: the rise of vernacular prose historiography in thirteenth-century France 
Author: Spiegel, Gabrielle M
Published: University of California Press,  1993
Subjects: History | Medieval History | European History | Literary Theory and Criticism
Publisher's Description: In a poststructuralist study of thirteenth-century French historical texts, Gabrielle Spiegel investigates the reasons for the rise of French vernacular prose historiography at this particular time. She argues that the vernacular prose histories that have until now been regarded as royalist were act . . . [more]
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Title: The royal image: illustrations of the Grandes chroniques de France, 1274-1422 
Author: Hedeman, Anne Dawson
Published: University of California Press,  1991
Subjects: Art | Art History | Medieval Studies | French Studies
Publisher's Description: The Grandes Chroniques de France is a vernacular, frequently illustrated history of the medieval French monarchs. Originally describing the lives of the kings from their origins in Troy in 1274 to the reign of Philip Augustus, it was updated in several stages to the life of Charles VI. Copied and amended for a variety of royal and courtly patrons, approximately 130 of these manuscripts exist today. Anne Hedeman provides the first critical and comprehensive study of the chronicle's illustrations.Hedeman concentrates on the illustrations in twenty manuscripts, analyzing their artistic and cultural significance and offering new methods for studying illustrated manuscripts. She discusses the chronicle in relation to the political ideology of Louis IX, vernacular history, and the Latin chronicle tradition at Saint-Denis. Looking at the manuscripts of various periods, the author compares their representations of historical events, kingship, and individuals in and around the royal court. She also contrasts the styles of several authors and illustrators of the chronicle. The Royal Image includes a catalogue of over seventy-five illustrated manuscripts, and an appendix listing the artists. An additional appendix lists surviving manuscripts.   [brief]
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