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1. | | Title: Speaking the unspeakable: religion, misogyny, and the uncanny mother in Freud's cultural texts Author: Jonte-Pace, Diane E. (Diane Elizabeth) 1951- Published: University of California Press, 2001 Subjects: Religion | Literature | Gender Studies | Jewish Studies | PsychologyPublisher's Description: In this bold rereading of Freud's cultural texts, Diane Jonte-Pace uncovers an undeveloped "counterthesis," one that repeatedly interrupts or subverts his well-known Oedipal masterplot. The counterthesis is evident in three clusters of themes within Freud's work: maternity, mortality, and immortality; Judaism and anti-Semitism; and mourning and melancholia. Each of these clusters is associated with "the uncanny" and with death and loss. Appearing most frequently in Freud's images, metaphors, and illustrations, the counterthesis is no less present for being unspoken--it is, indeed, "unspeakable." The "uncanny mother" is a primary theme found in Freud's texts involving fantasies of immortality and mothers as instructors in death. In other texts, Jonte-Pace finds a story of Jews for whom the dangers of assimilation to a dominant Gentile culture are associated unconsciously with death and the uncanny mother. The counterthesis appears in the story of anti-Semites for whom the "uncanny impression of circumcision" gives rise not only to castration anxiety but also to matriphobia. It also surfaces in Freud's ability to mourn the social and religious losses accompanying modernity, and his inability to mourn the loss of his own mother. The unfolding of Freud's counterthesis points toward a theory of the cultural and unconscious sources of misogyny and anti-Semitism in "the unspeakable." Jonte-Pace's work opens exciting new vistas for the feminist analysis of Freud's intellectual legacy. [brief]Similar Items | 2. | | Title: Reconcilable differences: confronting beauty, pornography, and the future of feminism Author: Chancer, Lynn S 1954- Published: University of California Press, 1998 Subjects: Gender Studies | Sociology | Women's Studies | Social ProblemsPublisher's Description: This volume examines controversial faultlines in contemporary feminism - pornography, the beauty myth, sadomasochism, prostitution, and the issue of rape - from an original and provocative perspective. Lynn Chancer focuses on how, among many feminists, the concepts of sex and sexism became fragmented and mutually exclusive. Exploring the dichotomy between sex and sexism as it has developed through five current feminist debates, Chancer seeks to forge positions that bridge oppositions between unnecessary (and sometimes unwitting) "either/or" binaries. Chancer's book attempts to incorporate both the need for sexual freedom and the depth of sexist subordination into feminist thought and politics. [brief]Similar Items | 3. | | Title: The color of gender: reimaging democracy Author: Eisenstein, Zillah R Published: University of California Press, 1994 Subjects: Gender Studies | European Literature | Literary Theory and Criticism | Women's StudiesPublisher's Description: In this provocative volume, Zillah Eisenstein uncovers the hidden sexual and racial politics of the past decade. Beginning where she left off in her award-winning book The Female Body and the Law , Eisenstein takes the reader on a feminist-inspired road trip, traveling from the thicket of recent abortion decisions to the revolutions of 1989 to the murky chambers of the Anita Hill/Clarence Thomas hearings. Along the way, she enunciates a wholly original conception of individual privacy and sexual rights.Eisenstein brings a range of topics to her discussion: the L.A. riots, crack babies, Murphy Brown, political correctness, the 1992 presidential election, the Gulf War. She seeks to redirect our thinking about democracy away from universal conceptions that mask racial and gender oppression to the specific realities of women and people of color. A respect for multiple differences - as represented in the needs of women of color and their bodies - is, she says, essential to inclusive universal rights. Reproductive freedoms and sexual equality, not abstract notions of civil liberties, provide the wellsprings of a meaningful democratic life. Using this perspective to evaluate the Eastern European revolutions of 1989, Eisenstein finds that the separation between their ideals and the reality of the market system illustrates the failings of democratic theory, especially for women.Eisenstein's controversial arguments will provoke a rethinking of what race and gender mean today. [brief]Similar Items | 4. | | Title: Marketing the menacing fetus in JapanAuthor: Hardacre, Helen 1949- Published: University of California Press, 1997 Subjects: Religion | Anthropology | Women's Studies | Asian StudiesPublisher's Description: Helen Hardacre provides new insights into the spiritual and cultural dimensions of abortion debates around the world in this careful examination of mizuko kuyo - a Japanese religious ritual for aborted fetuses. Popularized during the 1970s, when religious entrepreneurs published frightening accounts of fetal wrath and spirit attacks, mizuko kuyo offers ritual atonement for women who, sometimes decades previously, chose to have abortions. As she explores the complex issues that surround this practice, Hardacre takes into account the history of Japanese attitudes toward abortion, the development of abortion rituals, the marketing of religion, and the nature of power relations in intercourse, contraception, and abortion.Although abortion in Japan is accepted and legal and was commonly used as birth control in the early postwar period, entrepreneurs used images from fetal photography to mount a surprisingly successful tabloid campaign to promote mizuko kuyo . Enthusiastically adopted by some religionists as an economic strategy, it was soundly rejected by others on doctrinal, humanistic, and feminist grounds.In four field studies in different parts of the country, Helen Hardacre observed contemporary examples of mizuko kuyo as it is practiced in Buddhism, Shinto, and the new religions. She also analyzed historical texts and contemporary personal accounts of abortion by women and their male partners and conducted interviews with practitioners to explore how a commercialized ritual form like mizuko kuyo can be marketed through popular culture and manipulated by the same forces at work in the selling of any commodity. Her conclusions reflect upon the deep current of misogyny and sexism running through these rites and through feto-centric discourse in general. [brief]Similar Items | 5. | | Title: Paris as revolution: writing in the nineteenth-century city Author: Ferguson, Priscilla Parkhurst Published: University of California Press, 1997 Subjects: Literature | Social Theory | European Literature | Literary Theory and Criticism | European History | French StudiesPublisher's Description: In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed.In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. [brief]Similar Items | 6. | | Title: Expectations of modernity: myths and meanings of urban life on the Zambian CopperbeltAuthor: Ferguson, James 1959- Published: University of California Press, 1999 Subjects: Anthropology | African Studies | Cultural Anthropology | African History | Postcolonial Studies | Social ProblemsPublisher's Description: Once lauded as the wave of the African future, Zambia's economic boom in the 1960s and early 1970s was fueled by the export of copper and other primary materials. Since the mid-1970s, however, the urban economy has rapidly deteriorated, leaving workers scrambling to get by. Expectations of Modernity explores the social and cultural responses to this prolonged period of sharp economic decline. Focusing on the experiences of mineworkers in the Copperbelt region, James Ferguson traces the failure of standard narratives of urbanization and social change to make sense of the Copperbelt's recent history. He instead develops alternative analytic tools appropriate for an "ethnography of decline."Ferguson shows how the Zambian copper workers understand their own experience of social, cultural, and economic "advance" and "decline." Ferguson's ethnographic study transports us into their lives - the dynamics of their relations with family and friends, as well as copper companies and government agencies.Theoretically sophisticated and vividly written, Expectations of Modernity will appeal not only to those interested in Africa today, but to anyone contemplating the illusory successes of today's globalizing economy. [brief]Similar Items | 7. | | Title: The other modernism: F.T. Marinetti's futurist fiction of powerAuthor: Blum, Cinzia Sartini Published: University of California Press, 1996 Subjects: Art | Literary Theory and Criticism | Women's StudiesPublisher's Description: Drawing on recent feminist and psychoanalytic criticism, Cinzia Sartini Blum provides the first analysis of the rhetoric, politics, and psychology of gender in the avant-garde writings of the Italian Futurist F.T. Marinetti. Her book explores the relations between the seemingly unrelated goals of Italian Futurism: technical revolution, espousal of violence, avowed misogyny, and rejection of literary tradition.Blum argues for the centrality of the rhetoric of gender in Marinetti's work. She also investigates a diverse array of his futurist textual practices that range from formal experimentation with "words in freedom" to nationalist manifestos that advocate intervention in World War I and anticipate subsequent fascist rhetoric of power and virility. A major contribution to the study of the twentieth-century avant-garde and the first full-length study of Marinetti in English, The Other Modernism will interest all those concerned with twentieth-century literature, culture, and society and the problem of modern subjectivity. [brief]Similar Items | 8. | | Title: Chaucer and the fictions of gender Author: Hansen, Elaine Tuttle 1947- Published: University of California Press, 1992 Subjects: Literature | English Literature | Gender Studies | Medieval StudiesPublisher's Description: Hansen challenges both the long-standing myth of Chaucer as the tolerant, wise Father of English poetry and the recent arguments that Chaucer was a protofeminist, subversive of the misogyny of his day. Hansen argues that these mistaken interpretations inhibit readings of Chaucer that respond to feminist and other poststructuralist critiques of traditional literary scholarship.Hansen suggests that the woman's voice in Chaucer reflects an urgent problem of gender identity for two kinds of men, both feminized by fourteenth-century courtly conventions: those who love women, and those who traffic in stories about women. She maintains that Chaucer destabilizes the notion of fixed gender difference but then privileges masculine identity by reconstructing the feminine in orthodox ways. Hansen exhorts readers of Chaucer, and students of the history of gender, to approach Chaucer's fictions with a more sophisticated awareness of their complexity and timeliness. [brief]Similar Items | 9. | | Title: Made in God's image?: Eve and Adam in the Genesis mosaics at San Marco, Venice Author: Jolly, Penny Howell Published: University of California Press, 1997 Subjects: Art | Art History | Medieval Studies | Women's Studies | ReligionPublisher's Description: The stunning mosaics that illustrate the story of Creation in the church of San Marco in Venice are the focus of Penny Howell Jolly's compelling and provocative book. Scholars of medieval art have long been interested in the Genesis mosaics because they copy a nearly destroyed fifth-century illuminated Greek manuscript known as the Cotton Genesis. But instead of seeing the mosaics as a vehicle for reconstructing a lost cycle of paintings, Jolly presents them as a social document revealing the essential misogyny that existed in thirteenth-century Venice. Jolly analyzes more than twenty scenes, one by one in narrative order, and her perceptive reading goes well beyond what the Genesis Vulgate text says about Eve and Adam. The mosaics establish Eve as the culpable character from the very moment of her Creation, says Jolly, and depict her as dangerous and unrepentant at the end. Incorporating both feminist religious and narratological studies, Jolly poses important questions on the nature of visual language as opposed to verbal language. The very ability of visual forms to recall a rich variety of references is one source of their power, and propaganda must have enough breadth of reference to be read by diverse groups. The San Marco cupola, Jolly maintains, is dealing in powerful propaganda, and her pictorial observations offer an articulate and refreshing new view of this well-known work. [brief]Similar Items | 10. | | Title: Gender and morality in Anglo-American culture, 1650-1800Author: Bloch, Ruth H 1949- Published: University of California Press, 2003 Subjects: History | Christianity | Women's Studies | Intellectual HistoryPublisher's Description: Ruth Bloch's stellar essays on the origins of Anglo-American conceptions of gender and morality are brought together in this valuable book, which collects six of her most influential pieces in one place for the first time and includes two new essays. The volume illuminates the overarching theme of her work by addressing a basic historical question: Why did the attitudes toward gender and family relations that we now consider traditional values emerge when they did? Bloch looks deeply into eighteenth-century culture to answer this question, highlighting long-term developments in religion, intellectual history, law, and literature, showing that the eighteenth century was a time of profound transformation for women's roles as wives and mothers, for ideas about sexuality, and for notions of female moral authority. She engages topics from British moral philosophy to colonial laws regarding courtship, and from the popularity of the sentimental novel to the psychology of religious revivalism. Lucid, provocative, and wide-ranging, these eight essays bring a revisionist challenge to both women's studies and cultural studies as they ask us to reconsider the origins of the system of gender relations that has dominated American culture for two hundred years. [brief]Similar Items | 11. | | Title: The dispersion of Egyptian Jewry: culture, politics, and the formation of a modern diaspora Author: Beinin, Joel 1948- Published: University of California Press, 1998 Subjects: History | Middle Eastern History | Religion | Judaism | Middle Eastern Studies | Jewish StudiesPublisher's Description: In this provocative and wide-ranging history, Joel Beinin examines fundamental questions of ethnic identity by focusing on the Egyptian Jewish community since 1948. A complex and heterogeneous people, Egyptian Jews have become even more diverse as their diaspora continues to the present day. Central to Beinin's study is the question of how people handle multiple identities and loyalties that are dislocated and reformed by turbulent political and cultural processes. It is a question he grapples with himself, and his reflections on his experiences as an American Jew in Israel and Egypt offer a candid, personal perspective on the hazards of marginal identities. [brief]Similar Items | 12. | | Title: Fifteen jugglers, five believers: literary politics and the poetics of American social movements Author: Reed, T. V. (Thomas Vernon) Published: University of California Press, 1992 Subjects: Literature | American Literature | Literary Theory and CriticismPublisher's Description: T.V. Reed urges an affiliation between literary theory and political action - and between political action and literary theory. What can the "new literary theory" learn from "new social movements"; and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism?In strikingly new interpretations of texts in four different genres - Agee and Evans's Let Us Now Praise Famous Men , Ellison's Invisible Man, Mailer's Armies of the Night , and the ecofeminist Women's Pentagon Actions of the early 1980s - Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome certain rhetorical traps that have undermined American efforts to combat racism, sexism, and economic inequality. [brief]Similar Items | 13. | | Title: Domestic individualism: imagining self in nineteenth-century AmericaAuthor: Brown, Gillian Published: University of California Press, 1992 Subjects: Literature | Literary Theory and Criticism | American Literature | Gender Studies | United States History | American StudiesPublisher's Description: Gillian Brown's book probes the key relationship between domestic ideology and formulations of the self in nineteenth-century America. Arguing that domesticity institutes gender, class, and racial distinctions that govern masculine as well as feminine identity, Brown brilliantly alters, for literary critics, feminists, and cultural historians, the critical perspective from which nineteenth-century American literature and culture have been viewed.In this study of the domestic constitution of individualism, Brown traces how the values of interiority, order, privacy, and enclosure associated with the American home come to define selfhood in general. By analyzing writings by Stowe, Hawthorne, Melville, Fern, and Gilman, and by examining other contemporary cultural modes - abolitionism, consumerism, architecture, interior decorating, motherhood, mesmerism, hysteria, and agoraphobia - she reconfigures the parameters of both domesticity and the patterns of self it fashions. Unfolding a representational history of the domestic, Brown's work offers striking new readings of the literary texts as well as of the cultural contexts that they embody. [brief]Similar Items | 14. | | Title: Refiguring American film genres: history and theoryAuthor: Browne, Nick Published: University of California Press, 1998 Subjects: American Studies | Film | Cultural AnthropologyPublisher's Description: This collection of essays by leading American film scholars charts a whole new territory in genre film criticism. Rather than assuming that genres are self-evident categories, the contributors offer innovative ways to think about types of films, and patterns within films, in a historical context. Challenging familiar attitudes, the essays offer new conceptual frameworks and a fresh look at how popular culture functions in American society. The range of essays is exceptional, from David J. Russell's insights into the horror genre to Carol J. Clover's provocative take on "trial films" to Leo Braudy's argument for the subject of nature as a genre. Also included are essays on melodrama, race, film noir , and the industrial context of genre production. The contributors confront the poststructuralist critique of genre head-on; together they are certain to shape future debates concerning the viability and vitality of genre in studying American cinema. [brief]Similar Items | 15. | | Title: The erotic Whitman Author: Pollak, Vivian R Published: University of California Press, 2000 Subjects: Literature | American Studies | Gender Studies | American Literature | Literary Theory and CriticismPublisher's Description: In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well. The poet's expansive vision of natural eroticism and of unfettered comradeship between democratic equals was, however, only part of the story. As Whitman waged a conscious campaign to challenge misogynistic and homophobic literary codes, he promoted a raceless, classless ideal of sexual democracy that theoretically equalized all varieties of desire and resisted none. Pollak suggests that this goal remains imperfectly achieved in his writings, which liberates some forbidden voices and silences others. Integrating biography and criticism, Pollak employs a loosely chronological organization to describe the poet's multifaceted "faith in sex." Drawing on his early fiction, journalism, poetry, and self-reviews, as well as letters and notebook entries, she shows how in spite of his personal ambivalence about sustained erotic intimacy, Whitman came to imagine himself as "the phallic choice of America." [brief]Similar Items | 16. | | Title: Mental ills and bodily cures: psychiatric treatment in the first half of the twentieth centuryAuthor: Braslow, Joel T 1959- Published: University of California Press, 1997 Subjects: Science | Psychiatry | Medicine | History and Philosophy of Science | PsychologyPublisher's Description: Mental Ills and Bodily Cures depicts a time when psychiatric medicine went to lengths we now find extreme and perhaps even brutal ways to heal the mind by treating the body. From a treasure trove of California psychiatric hospital records, including many verbatim transcripts of patient interviews, Joel Braslow masterfully reconstructs the world of mental patients and their doctors in the first half of the twentieth century. Hydrotherapy, sterilization, electroshock, lobotomy, and clitoridectomy - these were among the drastic somatic treatments used in these hospitals.By allowing the would-be healers and those in psychological and physical distress to speak for themselves, Braslow captures the intense and emotional interplay surrounding these therapies. His investigation combines revealing clinical detail with the immediacy of "being there" in the institutional setting while decisions are made, procedures undertaken, and results observed by all those involved. We learn how well-intentioned physicians could rationalize and regard as therapeutic treatments that often had dreadful consequences, and how much the social and cultural world is inscribed within the practice of biological psychiatry. The book will interest historians of medicine, practicing psychiatrists, and everyone who knows or has seen what it's like to be in mental distress. [brief]Similar Items | 17. | | Title: From savage to Negro: anthropology and the construction of race, 1896-1954Author: Baker, Lee D 1966- Published: University of California Press, 1998 Subjects: Anthropology | Cultural Anthropology | Ethnic Studies | African American Studies | United States History | SociologyPublisher's Description: Lee D. Baker explores what racial categories mean to the American public and how these meanings are reinforced by anthropology, popular culture, and the law. Focusing on the period between two landmark Supreme Court decisions - Plessy v. Ferguson (the so-called "separate but equal" doctrine established in 1896) and Brown v. Board of Education (the public school desegregation decision of 1954) - Baker shows how racial categories change over time.Baker paints a vivid picture of the relationships between specific African American and white scholars, who orchestrated a paradigm shift within the social sciences from ideas based on Social Darwinism to those based on cultural relativism. He demonstrates that the greatest impact on the way the law codifies racial differences has been made by organizations such as the NAACP, which skillfully appropriated the new social science to exploit the politics of the Cold War. [brief]Similar Items | 18. | | Title: Imaginary communities: utopia, the nation, and the spatial histories of modernityAuthor: Wegner, Phillip E 1964- Published: University of California Press, 2002 Subjects: Literature | Literary Theory and Criticism | Politics | Social and Political ThoughtPublisher's Description: Drawing from literary history, social theory, and political critique, this far-reaching study explores the utopian narrative as a medium for understanding the social space of the modern nation-state. Considering the narrative utopia from its earliest manifestation in Thomas More's sixteenth-century work Utopia to some of the most influential utopias of the late nineteenth and twentieth centuries, this book is an astute study of a literary genre as well as a nuanced dialectical meditation on the history of utopian thinking as a quintessential history of modernity. As he unravels the dialectics at work in the utopian narrative, Wegner gives an ambitious synthetic discussion of theories of modernity, considering and evaluating the ideas of writers such as Ernst Bloch, Louis Marin, Gilles Deleuze, Walter Benjamin, Martin Heidegger, Henri Lefebvre, Paul de Man, Karl Mannheim, Mikhail Bakhtin, Jürgen Habermas, Slavoj Zizek, and Homi Bhabha. [brief]Similar Items | 19. | | Title: In the shadow of catastrophe: German intellectuals between apocalypse and enlightenmentAuthor: Rabinbach, Anson Published: University of California Press, 1997 Subjects: History | German Studies | Social and Political Thought | PhilosophyPublisher's Description: These essays by eminent European intellectual and cultural historian Anson Rabinbach address the writings of key figures in twentieth-century German philosophy. Rabinbach explores their ideas in relation to the two world wars and the horrors facing Europe at that time.Analyzing the work of Benjamin and Bloch, he suggests their indebtedness to the traditions of Jewish messianism. In a discussion of Hugo Ball's little-known Critique of the German Intelligentsia , Rabinbach reveals the curious intellectual career of the Dadaist and antiwar activist turned-nationalist and anti-Semite. His examination of Heidegger's "Letter on Humanism" and Jaspers's The Question of German Guilt illuminates the complex and often obscure political referents of these texts. Turning to Horkheimer and Adorno's Dialectic of Enlightenment , Rabinbach offers an arresting new interpretation of this central text of the critical theory of the Frankfurt School. Subtly and persuasively argued, his book will become an indispensable reference point for all concerned with twentieth-century German history and thought. [brief]Similar Items | 20. | | Title: Classical music and postmodern knowledgeAuthor: Kramer, Lawrence 1946- Published: University of California Press, 1995 Subjects: Music | MusicologyPublisher's Description: A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music - the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints.Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice , he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners.In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel. [brief]Similar Items |
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