Title: Society and individual in Renaissance Florence
Author: Connell, William J
Published: University of California Press,  2002
Subjects: History | Renaissance History | European History
Publisher's Description: Renaissance Florence has often been described as the birthplace of modern individualism, as reflected in the individual genius of its great artists, scholars, and statesmen. The historical research of recent decades has instead shown that Florentines during the Renaissance remained enmeshed in relationships of family, neighborhood, guild, patronage, and religion that, from a twenty-first-century perspective, greatly limited the scope of individual thought and action. The sixteen essays in this volume expand the groundbreaking work of Gene Brucker, the historian in recent decades who has been most responsible for the discovery and exploration of these pre-modern qualities of the Florentine Renaissance. Exploring new approaches to the social world of Florentines during this fascinating era, the essays are arranged in three groups. The first deals with the exceptionally resilient and homogenous Florentine merchant elite, the true protagonist of much of Florentine history. The second considers Florentine religion and Florence's turbulent relations with the Church. The last group of essays looks at criminals, expatriates, and other outsiders to Florentine society.   [brief]
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Title: Reinventing American Protestantism: Christianity in the new millennium
Author: Miller, Donald E. (Donald Earl) 1946-
Published: University of California Press,  1997
Subjects: Religion | Sociology
Publisher's Description: During the past thirty years the American religious landscape has undergone a dramatic change. More and more churches meet in converted warehouses, many have ministers who've never attended a seminary, and congregations are singing songs whose melodies might be heard in bars or nightclubs. Donald E. Miller's provocative examination of these "new paradigm churches" - sometimes called megachurches or postdenominational churches shows how they are reinventing the way Christianity is experienced in the United States today.Drawing on over five years of research and hundreds of interviews, Miller explores three of the movements that have created new paradigm churches: Calvary Chapel, Vineyard Christian Fellowship, and Hope Chapel. Together, these groups have over one thousand congregations and are growing rapidly, attracting large numbers of worshipers who have felt alienated from institutional religion. While attempting to reconnect with first-century Christianity, these churches meet in nonreligious structures and use the medium of contemporary twentieth-century America to spread their message through contemporary forms of worship, Christian rock music, and a variety of support and interest groups.In the first book to examine postdenominational churches in depth, Miller argues that these churches are involved in a second Reformation, one that challenges the bureaucracy and rigidity of mainstream Christianity. The religion of the new millennium, says Miller, will connect people to the sacred by reinventing traditional worship and redefining the institutional forms associated with denominational Christian churches. Nothing less than a transformation of religion in the United States may be taking place, and Miller convincingly demonstrates how "postmodern traditionalists" are at the forefront of this change.   [brief]
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Title: The houses of Roman Italy, 100 B.C.-A.D. 250: ritual, space, and decoration
Author: Clarke, John R 1945-
Published: University of California Press,  1992
Subjects: Classics | Art and Architecture | Architectural History | Art History
Publisher's Description: In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.   [brief]
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Title: Selected letters of Alessandra Strozzi
Author: Macinghi Strozzi, Alessandra 1407-1471
Published: University of California Press,  1997
Subjects: History | Renaissance History | Women's Studies | European Studies | Literature in Translation | Autobiography | European History | Letters
Publisher's Description: The letters of Alessandra Strozzi provide a vivid and spirited portrayal of life in fifteenth-century Florence. Among the richest autobiographical materials to survive from the Italian Renaissance, the letters reveal a woman who fought stubbornly to preserve her family's property and position in adverse circumstances, and who was an acute observer of Medicean society. Her letters speak of political and social status, of the concept of honor, and of the harshness of life, including the plague and the loss of children. They are also a guide to Alessandra's inner life over a period of twenty-three years, revealing the pain and sorrow, and, more rarely, the joy and triumph, with which she responded to the events unfolding around her.This edition includes translations, in full or in part, of 35 of the 73 extant letters. The selections carry forward the story of Alessandra's life and illustrate the range of attitudes, concerns, and activities which were characteristic of their author.   [brief]
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Title: Giambologna: narrator of the Catholic Reformation 
Author: Gibbons, Mary Weitzel 1929-
Published: University of California Press,  1995
Subjects: Art | Art History
Publisher's Description: Arguably the pre-eminent European sculptor of his age, but historically considered little more than the facile court sculptor to the grand dukes of Florence, Giambologna played a major role in the artistic transformations of the late sixteenth century. Mary Weitzel Gibbons seeks to broaden our hitherto limited view of Giambologna's work by considering his neglected Genoese masterpiece, the Grimaldi Chapel. Although the chapel itself was destroyed during the Napoleonic period, its dazzling bronzes of Virtues and angel-putti and a Passion cycle in relief have survived. The fine detail and rich color of the bronzes are featured in color plates and black-and-white images photographed especially for this book.Gibbons reassesses Giambologna's work, clearly defining his relation to the narrative tradition and his role as an artist of the Catholic Reformation. Her new insights into the artist's work will appeal to all those intrigued by this turbulent era in Western European history.   [brief]
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Title: Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E
Author: Ridgway, Brunilde Sismondo 1929-
Published: University of California Press,  1999
Subjects: Classics | Art | Art and Architecture | Art History
Publisher's Description: The meaning of architectural sculpture is essential to our understanding of ancient Greek culture. The embellishment of buildings was common for the ancient Greeks, and often provocative. Some ornamental sculpture was placed where, when the building was finished, no mortal eye could view it. And unlike much architectural ornamentation of other cultures, Greek sculpture was often integral to the building, not just as decoration, and could not be removed without affecting the integrity of the building structure. This book is the first comprehensive treatment of the significance of Greek architectural sculpture. Brunilde Sismondo Ridgway, a world-class authority on ancient Greek sculpture, provides a highly informative tour of many dimensions of Greek public buildings - especially temples, tombs, and treasuries - in a text that is at once lucid, accessible, and authoritative.Ridgway's pragmatism and common sense steer us tactfully and clearly through thickets of uncertainty and scholarly disagreement. She refers to a huge number of monuments, and documents her discussions with copious and up-to-date bibliographies. This book is sure to be acknowledged at once as the standard treatment of its important topic.   [brief]
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Title: The humanities in American life: report of the Commission on the Humanities 
Author: Commission on the Humanities (1978- )
Published: University of California Press,  1980
Subjects: Social Science
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Title: Michelangelo's Last Judgment: the Renaissance response
Author: Barnes, Bernadine Ann
Published: University of California Press,  1998
Subjects: Art
Publisher's Description: In her analysis of Michelangelo's Last Judgment , Bernadine Barnes provides an original and stimulating view of this renowned fresco and of the audience for which it was created. Because Michelangelo is so often regarded as a nearly superhuman artistic genius, we tend to forget that his works were not created to illustrate his life. The Last Judgment did have great personal meaning for him, but his representation of this religious event was not purely self-directed, says Barnes. She argues that Michelangelo had a particular type of viewer in mind as he designed his work. The Last Judgment dealt with an especially evocative subject, and Michelangelo engaged viewers by creating highly imaginative scenes tempering fear with hope and by referring to contemporary events. The painting's original, elite audience - the papal court and a handful of distinguished lay persons - was sophisticated about art and poetry, almost exclusively male, and orthodox in its religious beliefs. That audience later broadened and included artists allowed into the Chapel to copy Michelangelo's work. These artists helped to create another, less sophisticated audience, one that knew the fresco only through reproductions and written descriptions. The response of this latter audience eventually prompted the church to censor the painting. Beautifully illustrated with photographs of the recently restored Sistine Chapel, Barnes's study greatly enhances our understanding of changing Renaissance attitudes toward art. Her book also provides valuable insights into one of Michelangelo's greatest works.   [brief]
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Title: A Renaissance court: Milan under Galeazzo Maria Sforza
Author: Lubkin, Gregory
Published: University of California Press,  1994
Subjects: History | Renaissance History
Publisher's Description: Ambitious, extravagant, progressive, and sexually notorious, Galeazzo Maria Sforza inherited the ducal throne of Milan in 1466, at the age of twenty-two. Although his reign ended tragically only ten years later, the young prince's court was a dynamic community where arts, policy making, and the panoply of state were integrated with the rhythms and preoccupations of daily life. Gregory Lubkin explores this vital but overlooked center of power, allowing the members of the Milanese court to speak for themselves and showing how dramatically Milan and its ruler exemplified the political, cultural, religious, and economic aspirations of Renaissance Italy.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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Title: The rest is silence: death as annihilation in the English Renaissance 
Author: Watson, Robert N
Published: University of California Press,  1995
Subjects: Literature | English Literature | Literary Theory and Criticism | Renaissance Literature
Publisher's Description: How did the fear of death coexist with the promise of Christian afterlife in the culture and literature of the English Renaissance? Robert Watson exposes a sharp edge of blasphemous protest against mortality that runs through revenge plays such as The Spanish Tragedy and Hamlet , and through plays of procreation such as Measure for Measure and Macbeth . Tactics of denial appear in the vengefulness that John Donne directs toward female bodies for failing to bestow immortality, and in the promise of renewal that George Herbert sets against the threat of closure.Placing these literary manifestations in the context of specific Jacobean deathbed crises and modern cultural distortions, Watson explores the psychological roots and political consequences of denying that death permanently erases sensation and consciousness.   [brief]
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Title: The Prophet's pulpit: Islamic preaching in contemporary Egypt
Author: Gaffney, Patrick D 1947-
Published: University of California Press,  1994
Subjects: Anthropology | Cultural Anthropology | Middle Eastern Studies | Islam
Publisher's Description: Muslim preaching has been central in forming public opinion, building grassroots organizations, and developing leadership cadres for the wider Islamist agenda. Based on in-depth field research in Egypt, Patrick Gaffney focuses on the preacher and the sermon as the single most important medium for propounding the message of Islam. He draws on social history, political commentary, and theological sources to reveal the subtle connections between religious rhetoric and political dissent.Many of the sermons discussed were given during the rise of Islamic fundamentalism, and Gaffney attempts to describe this militant movement and to compare it with official Islam. Finally, Gaffney presents examples of the sermons, so readers can better understand the full range of contemporary Islamic expression.   [brief]
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Title: Printing, propaganda, and Martin Luther 
Author: Edwards, Mark U
Published: University of California Press,  1994
Subjects: History | Christianity
Publisher's Description: Martin Luther, the first Protestant, was also the central figure in the West's first media campaign. But to what extent was the Reformation a "print event"? And what, finally, was Luther's role in the movement? With Mark Edwards's study of Protestant and Catholic pamphlets published in the early years of the Reformation (1518-1530), these and other questions surrounding Reformation printing are at last given their full due.Edwards couples his findings with a provocative analysis of the ways in which they challenge the accepted history of the Reformation. His determination of who knew what, and when, as well as how readers interpreted Luther's message makes Edwards's work one that will influence the study of printing and the early Reformation for years to come.   [brief]
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Title: Iconography of power: Soviet political posters under Lenin and Stalin
Author: Bonnell, Victoria E
Published: University of California Press,  1998
Subjects: Sociology | Popular Culture | European Studies | Russian and Eastern European Studies | Politics | Art Criticism | History | European History
Publisher's Description: Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them - relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.   [brief]
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Title: Origins of architectural pleasure
Author: Hildebrand, Grant 1934-
Published: University of California Press,  1999
Subjects: Architecture | Environmental Studies | Psychology
Publisher's Description: Do survival instincts have anything to do with our architectural choices - our liking for a certain room, a special stairway, a plaza in a particular city? In this engaging study Grant Hildebrand discusses ways in which architectural forms emulate some archetypal settings that humans have found appealing - and useful to survival - from ancient times to the present.Speculating that nature has "designed" us to prefer certain conditions and experiences, Hildebrand is interested in how the characteristics of our most satisfying built environments mesh with Darwinian selection. In examining the appeal of such survival-based characteristics he cites architectural examples spanning five continents and five millennia. Among those included are the Palace of Minos, the Alhambra, Wells cathedral, the Shinto shrine at Ise, the Piazza San Marco, Brunelleschi's Pazzi Chapel, Frank Lloyd Wright's Fallingwater, a Seattle condominium, and recent houses by Eric Owen Moss and Arne Bystrom.Just what characteristics bestow evolutionary benefits? "Refuge and prospect" offer a protective place of concealment close to a foraging and hunting ground. "Enticement" invites the safe exploration of an information-rich setting where worthwhile discoveries await. "Peril" elicits an emotion of pleasurable fear and so tests and increases our competence in the face of danger: thus the attraction of a skyscraper or a house poised over a vertiginous ravine. "Order and complexity" tease our intuitions for sorting complex information into survival-useful categories.Gracefully written, with excellent illustrations that complement the text, Origins of Architectural Pleasure will open the reader's eyes to new ways of seeing a home, a workplace, a vacation setting, even a particular table in a restaurant. It also suggests important design considerations for buildings with a more pressing mandate for human appeal, such as hospitals, retirement homes, and hospices.   [brief]
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Title: Parables of sun light: observations on psychology, the arts, and the rest
Author: Arnheim, Rudolf
Published: University of California Press,  1990
Subjects: Art | Art Theory
Publisher's Description: For many years Rudolf Arnheim, known as the leading psychologist of art, has been keeping notebooks in which to jot down observations, ideas, questions, and even (after a stay in Japan for a year) poems in the haiku pattern. Some of these notes found their way into his books - known and prized the world over - such as Art and Visual Perception , Visual Thinking , and The Power of the Center (see list below). Now he has selected, from the remaining riches of his notebooks, the items in this volume. The book will be a joy to ramble through for all lovers of Arnheim's work, and indeed for anyone who shares Arnheim's contagious interest in the order that lies behind art, nature, and human life. It is a seedbed of ideas and observations in his special fields of psychology and the arts. "I have avoided mere images and I have avoided mere thoughts," says Arnheim in the Introduction, "but whenever an episode observed or a striking sentence read yielded a piece of insight I had not met before, I wrote it down and preserved it." There are also glimpses of his personal life - his wife, his cats, his students, his neighbors and colleagues. He is always concrete, in the manner that has become his trademark, often witty, and sometimes a bit wicked.In the blend of life and thought caught in these jottings, psychology and the arts are of course prominent. But philosophy, religion, and the natural sciences add to the medley of topics - always addressed in a way to sharpen the senses of the reader who, sharing Arnheim's cue from Dylan Thomas, may accompany him through "the parables of sun light and the legends of the green chapels and the twice told fields of childhood."All of Rudolf Arnheim's books have been published by the University of California Press.   [brief]
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Title: Contemplating the ancients: aesthetic and social issues in early Chinese portraiture 
Author: Spiro, Audrey
Published: University of California Press,  1990
Subjects: Art | Architecture | China
Publisher's Description: Drawing on a wide variety of contemporaneous sources from Chinese history, literature, religious writings, and art and literary criticism, Spiro provides the modern reader with an aesthetic and social context for understanding early Chinese portraiture. Contemplating the Ancients introduces portraits that were never intended to be physical likenesses of their subjects and illuminates the meaning they held for the viewers for whom they were made.Spiro focusses on fourth- and fifth-century sets of almost identi- cal portraits of individuals known collectively in Chinese history as the Seven Worthies of the Bamboo Grove. Unlike the earlier Han dynasty portraits whose messages were universal, these exemplary portraits addressed a specific elitist audience. The subjects of these portraits served as idealized representations for a largely nouvel-arrivé aristocracy.Spiro examines the complex and sometimes ironic changes that occur when historical individuals are transformed by tradition into classical exemplars. She shows how the visual arts translate ideals of personal character into stylistic cues and how these cues, in turn, affect the values and behavior of human beings.   [brief]
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Title: Burying uncertainty: risk and the case against geological disposal of nuclear waste 
Author: Shrader-Frechette, K. S. (Kristin Sharon)
Published: University of California Press,  1993
Subjects: Science | Ecology | Public Policy
Publisher's Description: Shrader-Frechette looks at current U.S. government policy regarding the nation's high-level radioactive waste both scientifically and ethically.What should be done with our nation's high-level radioactive waste, which will remain hazardous for thousands of years? This is one of the most pressing problems faced by the nuclear power industry, and current U.S. government policy is to bury "radwastes" in specially designed deep repositories.K. S. Shrader-Frechette argues that this policy is profoundly misguided on both scientific and ethical grounds. Scientifically - because we cannot trust the precision of 10,000-year predictions that promise containment of the waste. Ethically - because geological disposal ignores the rights of present and future generations to equal treatment, due process, and free informed consent.Shrader-Frechette focuses her argument on the world's first proposed high-level radioactive waste facility at Yucca Mountain, Nevada. Analyzing a mass of technical literature, she demonstrates the weaknesses in the professional risk-assessors' arguments that claim the site is sufficiently safe for such a plan. We should postpone the question of geological disposal for at least a century and use monitored, retrievable, above-ground storage of the waste until then. Her message regarding radwaste is clear: what you can't see can hurt you.   [brief]
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Title: Writing signs: the Fatimid public text 
Author: Bierman, Irene A
Published: University of California Press,  1998
Subjects: Art | Middle Eastern Studies | Middle Eastern History | Literature
Publisher's Description: Irene Bierman explores the complex relationship between alphabet and language as well as the ways the two elements are socially defined by time and place. She focuses her exploration on the Eastern Mediterranean in the sixth through twelfth centuries, notably Cairo's Fatimid dynasty of 969-1171. Examining the inscriptions on Fatimid architecture and textiles, Bierman offers insight into all elements of that society, from religion to the economy, and the enormous changes the dynasty underwent during that period. Bierman addresses fundamental issues of what buildings mean, how inscriptions affect that meaning, and the role of written messages and the ceremonies into which they are incorporated in service of propagandist goals. Her method and conclusions provide a pioneering model for studying public writing in other societies and offer powerful evidence to show that writing is a highly charged and deeply embedded social practice.   [brief]
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Title: Luminous debris: reflecting on vestige in Provence and Languedoc 
Author: Sobin, Gustaf
Published: University of California Press,  2000
Subjects: Literature | Cultural Anthropology | European Studies | Ancient History | Philosophy | French Studies
Publisher's Description: Interpreting vestige with the eloquence of a poet and the knowledge of a field archaeologist, Gustaf Sobin explores his elected terrain: the landscapes of Provence and Languedoc. Drawing on prehistory, protohistory, and Gallo-Roman antiquity, the twenty-six essays in this book focus on a particular place or artifact for the relevance inherent in each. A Bronze Age earring or the rippling wave pattern in Massiolite ceramic are more than archival curiosities for Sobin. Instead they invite inquiry and speculation on existence itself: Artifacts are read as realia, and history as an uninterrupted sequence of object lessons.As much travel writing as meditative discourse, Luminous Debris is enhanced by a prose that tracks, questions, and reflects on the materials invoked. Sobin engages the reader with precise descriptions of those very materials and the messages to be gleaned from their examination, be they existential, ethical, or political.An American expatriate living in Provence for the past thirty-five years, Gustaf Sobin shares his enthusiasm for his adopted landscape and for a vertical interpretation of its strata. In Luminous Debris he creates meaning out of matter and celebrates instances of reality, past and present.   [brief]
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