Title: In a cold crater: cultural and intellectual life in Berlin, 1945-1948 
Author: Schivelbusch, Wolfgang 1941-
Published: University of California Press,  1998
Subjects: History | German Studies | European History | Literature | Film | Music
Publisher's Description: Although the three conspicuous cultures of Berlin in the twentieth century - Weimar, Nazi, and Cold War - are well documented, little is known about the years between the fall of the Third Reich and the beginning of the Cold War. In a Cold Crater is the history of this volatile postwar moment, when the capital of the world's recently defeated public enemy assumed great emotional and symbolic meaning.This is a story, not of major intellectual and cultural achievements (for there were none in those years), but of enormous hopes and plans that failed. It is the story of members of the once famous volcano-dancing Berlin intelligentsia, torn apart by Nazism and exile, now re-encountering one another. Those who had stayed in Berlin in 1933 crawled out of the rubble, while many of the exiles returned with the Allied armies as members of the various cultural and re-educational units. All of them were eager to rebuild a neo-Weimar republic of letters, arts, and thought. Some were highly qualified and serious. Many were classic opportunists. A few came close to being clowns. After three years of "carnival," recreated by Schivelbusch in all its sound and fury, they were driven from the stage by the Cold War.As Berlin once again becomes the German capital, Schivelbusch's masterful cultural history is certain to captivate historians and general readers alike.   [brief]
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Title: Rosenzweig and Heidegger: between Judaism and German philosophy
Author: Gordon, Peter Eli
Published: University of California Press,  2003
Subjects: History | German Studies | Religion | Judaism | European History | Intellectual History | Jewish Studies | Social and Political Thought
Publisher's Description: Franz Rosenzweig (1886-1929) is widely regarded today as one of the most original and intellectually challenging figures within the so-called renaissance of German-Jewish thought in the Weimar period. The architect of a unique kind of existential theology, and an important influence upon such philosophers as Walter Benjamin, Martin Buber, Leo Strauss, and Emmanuel Levinas, Rosenzweig is remembered chiefly as a "Jewish thinker," often to the neglect of his broader philosophical concerns. Cutting across the artificial divide that the traumatic memory of National Socialism has drawn between German and Jewish philosophy, this book seeks to restore Rosenzweig's thought to the German philosophical horizon in which it first took shape. It is the first English-language study to explore Rosenzweig's enduring debt to Hegel's political theory, neo-Kantianism, and life-philosophy; the book also provides a new, systematic reading of Rosenzweig's major work, The Star of Redemption. Most of all, the book sets out to explore a surprising but deep affinity between Rosenzweig's thought and that of his contemporary, the German philosopher Martin Heidegger. Resisting both apologetics and condemnation, Gordon suggests that Heidegger's engagement with Nazism should not obscure the profound and intellectually compelling bond in the once-shared tradition of modern German and Jewish thought. A remarkably lucid discussion of two notably difficult thinkers, this book represents an eloquent attempt to bridge the forced distinction between modern Jewish thought and the history of modern German philosophy - and to show that such a distinction cannot be sustained without doing violence to both.   [brief]
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Title: Hollywood in Berlin: American cinema and Weimar Germany 
Author: Saunders, Thomas J
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European History
Publisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture.The invasion of Germany by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. On the one hand it fueled an impassioned debate about the properties of cinema and the specter of wholesale Americanization. On the other hand it spawned unprecedented levels of cooperation and exchange.In Berlin, American motion pictures not only entertained all social classes and film tastes but also served as a vehicle for American values and a source of sharp economic competition. Hollywood in Berlin correlates the changing forms of Hollywood's contributions to Weimar culture and the discourses that framed and interpreted them, restoring historical contours to a leading aspect of cultural interchange in this century. At the same time, the book successfully embeds Weimar cinema in its contemporary international setting.   [brief]
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Title: Jewish passages: cycles of Jewish life
Author: Goldberg, Harvey E
Published: University of California Press,  2003
Subjects: Jewish Studies | Middle Eastern Studies | Anthropology
Publisher's Description: American or Middle Eastern, Ashkenazi or Sephardi, insular or immersed in modern life - however diverse their situations or circumstances, Jews draw on common traditions and texts when they mark life's momentous events and rites of passage. The interplay of past and present, of individual practice and collective identity, emerges as a central fact of contemporary Jewish experience in Harvey E. Goldberg's multifaceted account of how Jews celebrate and observe the cycles of life. A leading anthropologist of Jewish culture, Goldberg draws on his own experience as well as classic sources and the latest research to create a nuanced portrait of Jewish rituals and customs that balances the reality of "ordinary Jews" with the authority of tradition. Looking at classic rites of passage such as circumcision and marriage, along with emerging life-milestone practices like pilgrimage and identity-seeking tourism, Jewish Passages aptly reflects the remarkable cultural and religious diversity within Judaism. This work offers a new view of Jewish culture and history with the individual firmly situated at their center by blending anecdote and historical vignettes with rabbinic, midrashic, and anthropological insights; by exploring Sephardi and Ashkenazi traditions as well as modern ideologies; and by bringing into sharp relief the activities of women and relations with Gentile neighbors. As such, this book provides a unique window on the particulars - and the significance - of personal and communal acts of identification among Jews past, present, and future.   [brief]
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Title: Women in the metropolis: gender and modernity in Weimar culture
Author: Ankum, Katharina von
Published: University of California Press,  1997
Subjects: German Studies | Women's Studies | European Literature | Film | European History
Publisher's Description: Bringing together the work of scholars in many disciplines, Women in the Metropolis provides a comprehensive introduction to women's experience of modernism and urbanization in Weimar Germany. It shows women as active participants in artistic, social, and political movements and documents the wide range of their responses to the multifaceted urban culture of Berlin in the 1920s and 1930s.Examining a variety of media ranging from scientific writings to literature and the visual arts, the authors trace gendered discourses as they developed to make sense of and regulate emerging new images of femininity. Besides treating classic films such as Metropolis and Berlin: Symphony of a Great City , the articles discuss other forms of mass culture, including the fashion industry and the revue performances of Josephine Baker. Their emphasis on women's critical involvement in the construction of their own modernity illustrates the significance of the Weimar cultural experience and its relevance to contemporary gender, German, film, and cultural studies.   [brief]
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Title: Diasporas and exiles: varieties of Jewish identity
Author: Wettstein, Howard
Published: University of California Press,  2002
Subjects: Jewish Studies | European History | Social and Political Thought | Sociology | Immigration
Publisher's Description: Diaspora, considered as a context for insights into Jewish identity, brings together a lively, interdisciplinary group of scholars in this innovative volume. Readers needn't expect, however, to find easy agreement on what those insights are. The concept "diaspora" itself has proved controversial; galut, the traditional Hebrew expression for the Jews' perennial condition, is better translated as "exile." The very distinction between diaspora and exile, although difficult to analyze, is important enough to form the basis of several essays in this fine collection. "Identity" is an even more elusive concept. The contributors to Diasporas and Exiles explore Jewish identity - or, more accurately, Jewish identities - from the mutually illuminating perspectives of anthropology, art history, comparative literature, cultural studies, German history, philosophy, political theory, and sociology. These contributors bring exciting new emphases to Jewish and cultural studies, as well as the emerging field of diaspora studies. Diasporas and Exiles mirrors the richness of experience and the attendant virtual impossibility of definition that constitute the challenge of understanding Jewish identity.   [brief]
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Title: Prague territories: national conflict and cultural innovation in Franz Kafka's fin de siècle
Author: Spector, Scott 1959-
Published: University of California Press,  2002
Subjects: History of Food | European History | Jewish Studies | European Studies
Publisher's Description: Scott Spector's adventurous cultural history maps for the first time the "territories" carved out by German-Jewish intellectuals living in Prague at the dawn of the twentieth century. Spector explores the social, cultural, and ideological contexts in which Franz Kafka and his contemporaries flourished, revealing previously unseen relationships between politics and culture. His incisive readings of a broad array of German writers feature the work of Kafka and the so-called "Prague circle" and encompass journalism, political theory, Zionism, and translation as well as literary program and practice. With the collapse of German-liberal cultural and political power in the late-nineteenth-century Habsburg Empire, Prague's bourgeois Jews found themselves squeezed between a growing Czech national movement on the one hand and a racial rather than cultural conception of Germanness on the other. Displaced from the central social and cultural position they had come to occupy, the members of the "postliberal" Kafka generation were dazzlingly productive and original, far out of proportion to their numbers. Seeking a relationship between ideological crisis and cultural innovation, Spector observes the emergence of new forms of territoriality. He identifies three fundamental areas of cultural inventiveness related to this Prague circle's political and cultural dilemma. One was Expressionism, a revolt against all limits and boundaries, the second was a spiritual form of Zionism incorporating a novel approach to Jewish identity that seems to have been at odds with the pragmatic establishment of a Jewish state, and the third was a sort of cultural no-man's-land in which translation and mediation took the place of "territory." Spector's investigation of these areas shows that the intensely particular, idiosyncratic experience of German-speaking Jews in Prague allows access to much broader and more general conditions of modernity. Combining theoretical sophistication with a refreshingly original and readable style, Prague Territories illuminates some early signs of a contemporary crisis from which we have not yet emerged.   [brief]
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Title: Representation and its discontents: the critical legacy of German romanticism 
Author: Seyhan, Azade
Published: University of California Press,  1992
Subjects: Philosophy | Literary Theory and Criticism | German Studies
Publisher's Description: Azade Seyhan provides a concise, elegantly argued introduction to the critical theory of German Romanticism and demonstrates how its approach to the metaphorical and linguistic nature of knowledge is very much alive in contemporary philosophy and literary theory. Her analysis of key thinkers such as Friedrich Schlegel and Novalis explores their views on rhetoric, systematicity, hermeneutics, and cultural interpretation. Seyhan examines German Romanticism as a critical intervention in the debates on representation, which developed in response to the philosophical revolution of German Idealism.Facing a chaotic political and intellectual landscape, the eighteenth-century theorists sought new models of understanding and new objectives for criticism and philosophy. Representation and Its Discontents identifies the legacy of this formative moment in modern criticism and suggests its relevance to contemporary discussions of post-structuralism, orientalism, theories of textuality, and the nature of philosophical discourse.   [brief]
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Title: A nation of provincials: the German idea of Heimat 
Author: Applegate, Celia
Published: University of California Press,  1990
Subjects: History | European History | German Studies
Publisher's Description: At the center of this pioneering work in modern European history is the German word Heimat - the homeland, the local place. Translations barely penetrate the meaning of the word, which has provided the emotional and ideological common ground for a variety of associations and individuals devoted to the cause of local preservation. Celia Applegate examines at both the national and regional levels the cultural meaning of Heimat and why it may be pivotal to the troubled and very timely question of German identity.The ideas and activities clustered around Heimat shed new light particularly on problems of modernization. Instead of viewing the Germans as a dangerously anti-modern people, Applegate argues that they used the cultivation of Heimat to ground an abstract nationalism in their attachment to familiar places and to reconcile the modern industrial and urban world with the rural landscapes and customs they admired. Primarily a characteristic of the middle classes, love of Heimat constituted an alternative vision of German unity to the familiar aggressive, militaristic one. The Heimat vision of Germany emphasized cultural diversity and defined German identity by its internal members rather than its external enemies.Applegate asks that we re-examine the continuities of German history from the perspective of the local places that made up Germany, rather than from that of prominent intellectuals or national policymakers. The local patriotism of Heimat activists emerges as an element of German culture that persisted across the great divides of 1918, 1933, and 1945. She also suggests that this attachment to a particular place is a feature of Europeans in general and is deserving of further attention.   [brief]
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Title: In the shadow of catastrophe: German intellectuals between apocalypse and enlightenment
Author: Rabinbach, Anson
Published: University of California Press,  1997
Subjects: History | German Studies | Social and Political Thought | Philosophy
Publisher's Description: These essays by eminent European intellectual and cultural historian Anson Rabinbach address the writings of key figures in twentieth-century German philosophy. Rabinbach explores their ideas in relation to the two world wars and the horrors facing Europe at that time.Analyzing the work of Benjamin and Bloch, he suggests their indebtedness to the traditions of Jewish messianism. In a discussion of Hugo Ball's little-known Critique of the German Intelligentsia , Rabinbach reveals the curious intellectual career of the Dadaist and antiwar activist turned-nationalist and anti-Semite. His examination of Heidegger's "Letter on Humanism" and Jaspers's The Question of German Guilt illuminates the complex and often obscure political referents of these texts. Turning to Horkheimer and Adorno's Dialectic of Enlightenment , Rabinbach offers an arresting new interpretation of this central text of the critical theory of the Frankfurt School. Subtly and persuasively argued, his book will become an indispensable reference point for all concerned with twentieth-century German history and thought.   [brief]
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Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema.   [brief]
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Title: Jewish memories 
Author: Valensi, Lucette
Published: University of California Press,  1991
Subjects: Jewish Studies | Postcolonial Studies
Publisher's Description: Collective memory: a living, breathing gift from the past, less fragmentary than the recollections of any one individual, more personal by far than "history." The authors of Jewish Memories saw in the large numbers of Jews who migrated to France during the twentieth century the chance to retrieve a past that might otherwise be lost forever. Through dozens of interviews, they listened to men and women talking of their lives and the places they came from, and found an almost uncanny resonance of individual voices with one another. Individual memories became part of a shared memory, projecting major themes of the Jewish tradition - exile and the sense of loss, the duty to remember, and the transmission of Jewish experience to the next generations.Hélène H. tells of dropping the all-important family teakettle during a terrified race to escape skirmishing soldiers. Charles H. talks about the innocent love he shared with a non-Jewish girl who studied with him. Anna D. describes her wordless reunion with her wounded husband after World War II. From communities now disappeared, scenes of home and family life, occupations, happy times and holidays reinforce one another, and we can feel the painful nostalgia for a kind of existence no longer possible.Two distinct but parallel sets of memories run through the narrative, that of Sephardi and that of Ashkenazi Jews, all of whom found their way to France. They arrived from Tunisia, Turkey, Poland, and Russia, from poor and well-to-do families, almost always driven from their homes by difficult circumstances, often with their most recent memories filled with horror and tragedy. The desire to remember it all and to pass it on to others who will also remember shines from every page, and makes this book as memorable for general readers as it is valuable for anthropologists, sociologists, and historians.   [brief]
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Title: Unheroic conduct: the rise of heterosexuality and the invention of the Jewish man
Author: Boyarin, Daniel
Published: University of California Press,  1997
Subjects: Gender Studies | Jewish Studies | Social Theory
Publisher's Description: In a book that will both enlighten and provoke, Daniel Boyarin offers an alternative to the prevailing Euroamerican warrior/patriarch model of masculinity and recovers the Jewish ideal of the gentle, receptive male. The Western notion of the aggressive, sexually dominant male and the passive female reaches back through Freud to Roman times, but as Boyarin makes clear, such gender roles are not universal. Analyzing ancient and modern texts, he reveals early rabbis - studious, family-oriented - as exemplars of manhood and the prime objects of female desire in traditional Jewish society.Challenging those who view the "feminized Jew" as a pathological product of the Diaspora or a figment of anti-Semitic imagination, Boyarin argues that the Diaspora produced valuable alternatives to the dominant cultures' overriding gender norms. He finds the origins of the rabbinic model of masculinity in the Talmud, and though unrelentingly critical of rabbinic society's oppressive aspects, he shows how it could provide greater happiness for women than the passive gentility required by bourgeois European standards.Boyarin also analyzes the self-transformation of three iconic Viennese modern Jews: Sigmund Freud, the father of psychoanalysis; Theodor Herzl, the founder of Zionism; and Bertha Pappenheim (Anna O.), the first psychoanalytic patient and founder of Jewish feminism in Germany. Pappenheim is Boyarin's hero: it is she who provides him with a model for a militant feminist, anti-homophobic transformation of Orthodox Jewish society today.Like his groundbreaking Carnal Israel , this book is talmudic scholarship in a whole new light, with a vitality that will command attention from readers in feminist studies, history of sexuality, Jewish culture, and the history of psychoanalysis.   [brief]
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Title: Pseudo-Hecataeus, On the Jews: legitimizing the Jewish diaspora 
Author: Bar-Kochva, Bezalel
Published: University of California Press,  1997
Subjects: Jewish Studies | History | Ancient History | Jewish Studies
Publisher's Description: Debate over the authenticity of "On the Jews" has persisted for nearly 1,900 years. Bezalel Bar-Kochva attempts to overcome this stalemate in his finely detailed and convincingly argued study that proves the forgery of the book and suggests not only a source for the text, but also a social, political, and cultural setting that explains its conception.Bar-Kochva argues that the author of this treatise belonged to the moderate conservative Jews of Alexandria, whose practices were contrary to the contemporary trends of Hellenistic Judaism. They rejected the application of Greek philosophy and allegorical interpretations of the Holy scriptures and advocated the use of Pentateuch Hebrew as the language for educating and for religious services. They showed a keen interest in Judea and identified themselves with the Jews of the Holy Land. "On the Jews," then, was the manifesto of this group and was written at the peak period of the Hasmonean kingdom. Its main purpose was to legitimize Jewish residence in Egypt, despite being explicitly prohibited in the Pentateuch, and to justify the continued residence of Jews there in a time of prosperity and expansion of the Jewish independent state.   [brief]
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Title: From monuments to traces: artifacts of German memory, 1870-1990
Author: Koshar, Rudy
Published: University of California Press,  2000
Subjects: German Studies | History | Architectural History | European History
Publisher's Description: Rudy Koshar constructs a powerful framework in which to examine the subject of German collective memory, which for more than a half century has been shaped by the experience of Nazism, World War II, and the Holocaust. Finding the assumptions of many writers and scholars shortsighted, Koshar surveys the evidence of postwar German memory in the context of previous traditions. From Monuments to Traces follows the evolution of German "memory landscapes" all the way from national unification in 1870-71 through the world wars and political division to reunification in 1990. The memory landscapes of any society may incorporate monuments, historical buildings, memorials and cemeteries, battlefields, streets, or natural environments that foster shared memories of important events or personalities. They may also be designed to divert public attention from embarrassing or traumatic histories. Koshar argues that in Germany, memory landscapes have taken shape according to four separate paradigms--the national monument, the ruin, the reconstruction, and the trace--which he analyzes in relation to the changing political agendas that have guided them over time. Despite the massive ruptures of Germany's history, we see that significant continuities have served to counterbalance the traumas of the German past.   [brief]
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Title: Jewish life in renaissance Italy
Author: Bonfil, Roberto
Published: University of California Press,  1994
Subjects: Jewish Studies | Renaissance History | European History
Publisher's Description: With this heady exploration of time and space, rumors and silence, colors, tastes, and ideas, Robert Bonfil recreates the richness of Jewish life in Renaissance Italy. He also forces us to rethink conventional interpretations of the period, which feature terms like "assimilation" and "acculturation." Questioning the Italians' presumed capacity for tolerance and civility, he points out that Jews were frequently uprooted and persecuted, and where stable communities did grow up, it was because the hostility of the Christian population had somehow been overcome.After the ghetto was imposed in Venice, Rome, and other Italian cities, Jewish settlement became more concentrated. Bonfil claims that the ghetto experience did more to intensify Jewish self-perception in early modern Europe than the supposed acculturation of the Renaissance. He shows how, paradoxically, ghetto living opened and transformed Jewish culture, hastening secularization and modernization.Bonfil's detailed picture reveals in the Italian Jews a sensitivity and self-awareness that took into account every aspect of the larger society. His inside view of a culture flourishing under stress enables us to understand how identity is perceived through constant interplay - on whatever terms - with the Other.   [brief]
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Title: The Nietzsche legacy in Germany, 1890-1990
Author: Aschheim, Steven E 1942-
Published: University of California Press,  1994
Subjects: German Studies | Intellectual History | Social and Political Thought | Politics | German Studies
Publisher's Description: Countless attempts have been made to appropriate the ideas of Friedrich Nietzsche for diverse cultural and political ends, but nowhere have these efforts been more sustained and of greater consequence than in Germany. Aschheim offers a magisterial chronicle of the philosopher's presence in German li . . . [more]
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Title: Heritage and hellenism: the reinvention of Jewish tradition
Author: Gruen, Erich S
Published: University of California Press,  1998
Subjects: Classics | Classical History | Classical Religions | Judaism | Ancient History | Jewish Studies
Publisher's Description: The interaction of Jew and Greek in antiquity intrigues the imagination. Both civilizations boasted great traditions, their roots stretching back to legendary ancestors and divine sanction. In the wake of Alexander the Great's triumphant successes, Greeks and Macedonians came as conquerors and settled as ruling classes in the lands of the eastern Mediterranean. Hellenic culture, the culture of the ascendant classes in many of the cities of the Near East, held widespread attraction and appeal. Jews were certainly not immune. In this thoroughly researched, lucidly written work, Erich Gruen draws on a wide variety of literary and historical texts of the period to explore a central question: How did the Jews accommodate themselves to the larger cultural world of the Mediterranean while at the same time reasserting the character of their own heritage within it? Erich Gruen's work highlights Jewish creativity, ingenuity, and inventiveness, as the Jews engaged actively with the traditions of Hellas, adapting genres and transforming legends to articulate their own legacy in modes congenial to a Hellenistic setting. Drawing on a diverse array of texts composed in Greek by Jews over a broad period of time, Gruen explores works by Jewish historians, epic poets, tragic dramatists, writers of romance and novels, exegetes, philosophers, apocalyptic visionaries, and composers of fanciful fables - not to mention pseudonymous forgers and fabricators. In these works, Jewish writers reinvented their own past, offering us the best insights into Jewish self-perception in that era.   [brief]
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Title: The new German cinema: music, history, and the matter of style 
Author: Flinn, Caryl
Published: University of California Press,  2003
Subjects: Cinema and Performance Arts | German Studies | Music
Publisher's Description: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity - national, political, personal, and sexual - music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference - including that embodied in Germany's difficult history - rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.   [brief]
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Title: Jewish icons: art and society in modern Europe
Author: Cohen, Richard I
Published: University of California Press,  1998
Subjects: Art | Jewish Studies | European Studies | European History
Publisher's Description: With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.   [brief]
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