Title: Islands in the city: West Indian migration to New York
Author: Foner, Nancy 1945-
Published: University of California Press,  2001
Subjects: Anthropology | Ethnic Studies | Cultural Anthropology | Social Problems
Publisher's Description: This collection of original essays draws on a variety of theoretical perspectives, methodologies, and empirical data to explore the effects of West Indian migration and to develop analytic frameworks to examine it.
Similar Items

Title: Tokyo life, New York dreams: urban Japanese visions of America, 1890-1924 
Author: Sawada, Mitziko 1928-
Published: University of California Press,  1996
Subjects: History | Asian Studies | Japan | Asian American Studies
Publisher's Description: Tokyo Life, New York Dreams is a bicultural study focusing on Japanese immigrants in New York and the ideas they had about what they would find there. It is one of the first works to consider Japanese immigration to the East Coast, where immigrants were of a different class and social background from the laborers who came to the West Coast and Hawaii. Beginning with a portrait of immigrants' lives in New York City, Mitziko Sawada returns to Tokyo to examine the pre-immigration experience in depth, using rich sources of popular Japanese literature to trace the origins of immigrant perceptions of the U.S.Along with discussions of economics and politics in Tokyo, Sawada explores the prevalent images, ideologies, social myths, and attitudes of late Meiji and Early Taisho Japan. Her lively narrative draws on guide books, magazines, success literature, and popular novels to illuminate the formation of ideas about work, class, gender relations, and freedom in American society. This study analyzes the Japanese construction of a mythic America, perceived as a homogeneous and exotic "other."   [brief]
Similar Items

Title: Honky
Author: Conley, Dalton 1969-
Published: University of California Press,  2000
Subjects: Sociology | Urban Studies | American Studies | Autobiography
Publisher's Description: This intensely personal and engaging memoir is the coming-of-age story of a white boy growing up in a neighborhood of predominantly African American and Latino housing projects on New York's Lower East Side. Vividly evoking the details of city life from a child's point of view - the streets, buses, and playgrounds - Honky poignantly illuminates the usual vulnerabilities of childhood complicated by unusual circumstances. As he narrates these sharply etched and often funny memories, Conley shows how race and class shaped his life and the lives of his schoolmates and neighbors. A brilliant case study for illuminating the larger issues of inequality in American society, Honky brings us to a deeper understanding of the privilege of whiteness, the social construction of race, the power of education, and the challenges of inner-city life. Conley's father, a struggling artist, and his mother, an aspiring writer, joined Manhattan's bohemian subculture in the late 1960s, living on food stamps and raising their family in a housing project. We come to know his mother: her quirky tastes, her robust style, and the bargains she strikes with Dalton - not to ride on the backs of buses, and to always carry money in his shoe as protection against muggers. We also get to know his father, his face buried in racing forms, and his sister, who in grade school has a burning desire for cornrows. From the hilarious story of three-year-old Dalton kidnapping a black infant so he could have a baby sister to the deeply disturbing shooting of a close childhood friend, this memoir touches us with movingly rendered portraits of people and the unfolding of their lives. Conley's story provides a sophisticated example of the crucial role culture plays in defining race and class. Both of Conley's parents retained the "cultural capital" of the white middle class, and they passed this on to their son in the form of tastes, educational expectations, and a general sense of privilege. It is these advantages that ultimately provide Conley with his ticket to higher education and beyond. A tremendously good read, Honky addresses issues both timely and timeless that pertain to us all.   [brief]
Similar Items

Title: New York by gas-light and other urban sketches
Author: Foster, George G d. 1856
Published: University of California Press,  1990
Subjects: History | United States History | Print Media | Urban Studies | Technology and Society
Publisher's Description: First published in 1850, New York by Gas-Light explores the seamy side of the newly emerging metropolis: "the festivities of prostitution, the orgies of pauperism, the haunts of theft and murder, the scenes of drunkenness and beastly debauch, and all the sad realities that go to make up the lower stratum - the underground story - of life in New York!" The author of this lively and fascinating little book, which both attracted and offended large numbers of readers in Victorian America, was George G. Foster, reporter for Horace Greeley's influential New York Tribune, social commentator, poet, and man about town. Foster drew on his daily and nightly rambles through the city's streets and among the characters of the urban demi-monde to produce a sensationalized but extraordinarily revealing portrait of New York at the moment it was emerging as a major metropolis. Reprinted here with sketches from two of Foster's other books, New York by Gas-Light will be welcomed by students of urban social history, popular culture, literature, and journalism.Editor Stuart M. Blumin has provided a penetrating introductory essay that sets Foster's life and work in the contexts of the growing city, the development of the mass-distribution publishing industry, the evolving literary genre of urban sensationalism, and the wider culture of Victorian America. This is an important reintroduction to a significant but neglected work, a prologue to the urban realism that would flourish later in the fiction of Stephen Crane, the painting of George Bellows, and the journalism of Jacob Riis.   [brief]
Similar Items

Title: Redefining Black film
Author: Reid, Mark (Mark A.)
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | African American Studies
Publisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks.Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community.In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces.Reid's innovative critical approach, which transcends the "black-image" language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.   [brief]
Similar Items

Title: Their sisters' keepers: prostitution in New York City, 1830-1870 
Author: Hill, Marilynn Wood
Published: University of California Press,  1993
Subjects: History | United States History | Women's Studies | American Studies
Publisher's Description: This intimate study of prostitutes in New York City during the mid-nineteenth century reveals these women in an entirely new light. Unlike traditional studies, Marilynn Wood Hill's account of prostitution's positive attractions, as well as its negative aspects, gives a fresh perspective to this much-discussed occupation.Using a wealth of primary source material, from tax and court records to brothel guidebooks and personal correspondence, Hill shows the common concerns prostitutes shared with women outside the "profession." As mothers, sisters, daughters, and wives, trapped by circumstances, they sought a way to create a life and work culture for themselves and those they cared about.By the 1830s prostitution in New York was no longer hidden. Though officially outside the law, it was well integrated into the city's urban life. Hill documents the discrimination and legal harassment prostitutes suffered, and shows how they asserted their rights to protect themselves and their property. Although their occupation was frequently degrading and dangerous, it offered economic and social opportunities for many of its practitioners. Women controlled the prostitution business until about 1870, and during this period female employers and their employees often achieved economic goals not generally available to other working women.While examining aspects of prostitution that benefited women, Hill's vivid portrayal also makes evident the hardships that prostitutes endured. What emerges is a fully rounded study that will be welcomed by many readers.   [brief]
Similar Items

Title: My music is my flag: Puerto Rican musicians and their New York communities, 1917-1940
Author: Glasser, Ruth
Published: University of California Press,  1995
Subjects: History | American Studies | Music
Publisher's Description: Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape.Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music.Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.   [brief]
Similar Items

Title: New York, the politics of urban regional development 
Author: Danielson, Michael N
Published: University of California Press,  1982
Subjects: Urban Studies
Similar Items

Title: Murder in New York City
Author: Monkkonen, Eric H 1942-
Published: University of California Press,  2001
Subjects: American Studies | Psychology | Criminology | United States History
Publisher's Description: Murder in New York City dramatically expands what we know about urban homicide, and challenges some of the things we think we know. Eric Monkkonen's unprecedented investigation covers two centuries of murder in America's biggest city, combining newly assembled statistical evidence with many other documentary sources to tease out the story behind the figures. As we generally believe, the last part of the twentieth century was unusually violent, but there have been other high-violence eras as well: the late 1920s and the mid-nineteenth century, the latter because the absence of high-quality weapons and ammunition makes that era's stabbings and beatings seem almost more vicious. Monkkonen's long view allows us to look back to a time when guns were rarer, when poverty was more widespread, and when racial discrimination was more intense, and to ask what difference these things made. With many vivid case studies for illustration, he examines the crucial factors in killing through the years: the weapons of choice, the sex and age of offenders and victims, the circumstances and settings in which homicide tends to occur, and the race and ethnicity of murderers and their victims. In a final chapter, Monkkonen looks to the international context and shows that New York - and, by extension, the United States - has had consistently higher violence levels than London and Liverpool. No single factor, he says, shapes this excessive violence, but exploring the variables of age, ethnicity, weapons, and demography over the long term can lead to hope of changing old patterns.   [brief]
Similar Items

Title: Critical crossings: the New York intellectuals in postwar America 
Author: Jumonville, Neil
Published: University of California Press,  1990
Subjects: History | Autobiographies and Biographies | Sociology | Politics | American Studies
Publisher's Description: The period immediately following the Second World War was a time, observed Randall Jarrell, when many American writers looked to the art of criticism as the representative act of the intellectual. Rethinking this interval in our culture, Neil Jumonville focuses on the group of writers and thinkers who founded, edited, and wrote for some of the most influential magazines in the country, including Partisan Review , Politics , Commentary , and Dissent . In their rejection of ideological, visionary, and romantic outlooks, reviewers and essayists such as Sidney Hook, Irving Howe, Lionel Trilling, Harold Rosenberg, and Daniel Bell adopted a pragmatic criticism that had a profound influence on the American intellectual community. By placing pragmatism at the center of intellectual activity, the New York Critics crossed from large belief systems to more tentative answers in the hope of redefining the proper function of the intellectual in the new postwar world.Because members of the New York group always valued being intellectuals more than being political leftists, they adopted a cultural elitism that opposed mass culture. Ready to combat any form of absolutist thought, they found themselves pitted against a series of antagonists, from the 1930s to the present, whom they considered insufficiently rational and analytical to be good intellectuals: the Communists and their sympathizers, the Beat writers, and the New Left. Jumonville tells the story of some of the paradoxes and dilemmas that confront all intellectuals. In this sense the book is as much about what it means to be an intellectual as it is about a specific group of thinkers.   [brief]
Similar Items

Title: Judeo-Spanish ballads from New York 
Author: Benardete, M. J. (Maír José) 1895-
Published: University of California Press,  1982
Subjects: Anthropology | American Literature | Jewish Studies
Similar Items

Title: The "new woman" revised: painting and gender politics on fourteenth street 
Author: Todd, Ellen Wiley
Published: University of California Press,  1993
Subjects: Art | Art History | United States History | Women's Studies | American Studies
Publisher's Description: In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters - Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop - placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period.This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.   [brief]
Similar Items

Title: From colonia to community: the history of Puerto Ricans in New York City
Author: Sánchez Korrol, Virginia
Published: University of California Press,  1994
Subjects: History | Latino Studies | United States History | Urban Studies
Publisher's Description: First published in 1983, this book remains the only full-length study documenting the historical development of the Puerto Rican community in the United States. Expanded to bring it up to the present, Virginia Sánchez Korrol's work traces the growth of the early Puerto Rican settlements - "colonias" . . . [more]
Similar Items

Title: The development of Attic black-figure 
Author: Beazley, J. D. (John Davidson) 1885-1970
Published: University of California Press,  1986
Subjects: Classics | Art and Architecture
Publisher's Description: The eight lectures that comprise this edition were first delivered by John Davidson Beazley in 1949. They were published in 1951 and soon became a of classical study of ancient Greek vases. This revised edition includes many additional illustrations.
Similar Items

Title: A nation of empire: the Ottoman legacy of Turkish modernity 
Author: Meeker, Michael E
Published: University of California Press,  2002
Subjects: Anthropology | Middle Eastern Studies | Cultural Anthropology | Middle Eastern History
Publisher's Description: This innovative study of modern Turkey is the result of many years of ethnographic fieldwork and archival research. Michael Meeker expertly combines anthropological and historical methods to examine the transition from the Ottoman Empire to the Turkish Republic in a major region of the country, the eastern Black Sea coast. His most significant finding is that a state-oriented provincial oligarchy played a key role in successive programs of reform over the course of more than two hundred years of imperial and national history. As Meeker demonstrates, leading individuals backed by interpersonal networks determined the outcome of the modernizing process, first during the westernizing period of the Empire, then during the revolutionary period of the Republic.To understand how such a state-oriented provincial oligarchy was produced and reproduced along the eastern Black Sea coast, Meeker integrates a contemporary ethnographic study of public life in towns and villages with a historical study of official documents, consular reports, and travel narratives. A Nation of Empire provides anthropologists, historians, and students of Eastern Europe and the Middle East with a new understanding of the complexities and contradictions of modern Turkish experience.   [brief]
Similar Items

Title: Race and the invisible hand: how white networks exclude black men from blue-collar jobs
Author: Royster, Deirdre A. (Deirdre Alexia) 1966-
Published: University of California Press,  2003
Subjects: Sociology | American Studies | Anthropology | Economics and Business | Urban Studies | Public Policy | African American Studies | Urban Studies | Public Policy
Publisher's Description: From the time of Booker T. Washington to today, and William Julius Wilson, the advice dispensed to young black men has invariably been, "Get a trade." Deirdre Royster has put this folk wisdom to an empirical test - and, in Race and the Invisible Hand, exposes the subtleties and discrepancies of a workplace that favors the white job-seeker over the black. At the heart of this study is the question: Is there something about young black men that makes them less desirable as workers than their white peers? And if not, then why do black men trail white men in earnings and employment rates? Royster seeks an answer in the experiences of 25 black and 25 white men who graduated from the same vocational school and sought jobs in the same blue-collar labor market in the early 1990s. After seriously examining the educational performances, work ethics, and values of the black men for unique deficiencies, her study reveals the greatest difference between young black and white men - access to the kinds of contacts that really help in the job search and entry process.   [brief]
Similar Items

Title: Black African cinema
Author: Ukadike, Nwachukwu Frank
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film
Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa.Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties.Clearly written and accessible to specialist and general reader alike, Black African Cinema 's analysis of key films and issues - the most comprehensive in English - is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.   [brief]
Similar Items

Title: Pioneer urbanites: a social and cultural history of Black San Francisco 
Author: Daniels, Douglas Henry
Published: University of California Press,  1991
Subjects: American Studies | African American Studies | Social Problems | California and the West | United States History
Publisher's Description: The black migration to San Francisco and the Bay Area differed from the mass movement of Southern rural blacks and their families into the eastern industrial cities. Those who traveled West, or arrived by ship, were often independent, sophisticated, single men. Many were associated with the transportation boom following the Gold Rush; others traveled as employees of wealthy individuals.Douglas Daniels argues for the importance of going beyond the written record and urban statistics in examining the life of a minority community. He has studied photographs from family albums and interviewed members of old black San Francisco families in his effort to provide the first nuanced picture of the lives of black San Franciscans from the 1860s to the 1940s.   [brief]
Similar Items

Title: Black workers remember: an oral history of segregation, unionism, and the freedom struggle
Author: Honey, Michael K
Published: University of California Press,  2000
Subjects: History | United States History | Labor Studies | African American Studies
Publisher's Description: The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. Spanning the 1930s to the present, Black Workers Remember tells the hidden history of African American workers in their own words. It provides striking firsthand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era. Together, the stories demonstrate how black workers resisted racial apartheid in American industry and underscore the active role of black working people in history.The individual stories are arranged thematically in chapters on labor organizing, Jim Crow in the workplace, police brutality, white union racism, and civil rights struggles. Taken together, the stories ask us to rethink the conventional understanding of the civil rights movement as one led by young people and preachers in the 1950s and 1960s. Instead, we see the freedom struggle as the product of generations of people, including workers who organized unions, resisted Jim Crow at work, and built up their families, churches, and communities. The collection also reveals the devastating impact that a globalizing capitalist economy has had on black communities and the importance of organizing the labor movement as an antidote to poverty.QQ Michael Honey gathered these oral histories for more than fifteen years. He weaves them together here into a rich collection reflecting many tragic dimensions of America's racial history while drawing new attention to the role of workers and poor people in African American and American history.   [brief]
Similar Items

Title: Immigration and the political economy of home: West Indian Brooklyn and American Indian Minneapolis, 1945-1992 
Author: Buff, Rachel 1961-
Published: University of California Press,  2001
Subjects: Ethnic Studies | American Studies | Native American Studies | Native American Ethnicity | United States History
Publisher's Description: Rachel Buff's innovative study of festivals in two American communities launches a substantive inquiry into the nature of citizenship, race, and social power. Drawing on ethnographic fieldwork as well as archival research, Buff compares American Indian powwows in Minneapolis with the West Indian American Day Carnival in New York. She demonstrates the historical, theoretical, and cultural links between two groups who are rarely thought of together and in so doing illuminates our understanding of the meaning of home and citizenship in the post-World War II period. The book also follows the history of federal Indian and immigration policy in this period, tracing the ways that migrant and immigrant identities are created by both national boundaries and transnational cultural memory. In addition to offering fascinating discussions of these lively and colorful festivals, Buff shows that their importance is not just as a form of performance or entertainment, but also as crucial sites for making and remaking meanings about group history and survival. Cultural performances for both groups contain a history of resistance to colonial oppression, but they also change and creatively respond to the experiences of migration and the forces of the global mass-culture industry. Accessible and engaging, Immigration and the Political Economy of Home addresses crucial contemporary issues. Powwow culture and carnival culture emerge as vital, dynamic sites that are central not only to the formation of American Indian and West Indian identities, but also to the understanding modern America itself: the history of its institution of citizenship, its postwar cities, and the nature of metropolitan culture.   [brief]
Similar Items