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1. cover
Title: The wood duck and the mandarin: the northern wood ducks
Author: Shurtleff, Lawton L
Published: University of California Press,  1996
Subjects: Environmental Studies | Zoology | Environmental Studies | Biology
Publisher's Description: This is a story of conservation told through the natural histories of two of the world's most fascinating birds, the Wood Duck of North America and the Mandarin of Asia. The only two species in their genus ( Aix ), these Northern Wood Ducks are native to different continents but have long been kept together in captivity. Now, for the first time in history, they are also flying side by side in the wild in a small area of northern California. This rare circumstance has given Lawton L. Shurtleff and Christopher Savage the opportunity to observe the Northern Wood Ducks' close relationship and is the starting point of this informative and beautifully rendered book.The opening chapters tell how the Wood Duck and the Mandarin came to inhabit the Pacific Flyway and explain their extraordinary similarities. Subsequent chapters discuss the distinctive histories of the two species and describe the birds throughout the seasons in their native flyways. The Mandarins' place in Asian art and literature is the subject of Chapter Five. The final chapter illuminates the successful work done to protect the North American Wood Duck, which has made a remarkable recovery from near extinction, and the beginning efforts to protect the Mandarin, whose existence in East Asia is seriously threatened.Stunning full-color photographs by renowned wildlife photographers, along with photographs by the authors, capture the exquisite beauty of these much revered birds. Detailed maps show the Wood Ducks' territory in North America and the Mandarins' territory in East Asia and Great Britain. Three appendices - plans for building nestboxes, instructions for banding birds, and lists of books and conservation organizations - and a thorough index are valuable resources in a book that will delight bird-lovers and general readers alike.   [brief]
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2. cover
Title: Descartes's imagination: proportion, images, and the activity of thinking online access is available to everyone
Author: Sepper, Dennis L
Published: University of California Press,  1996
Subjects: Philosophy | History and Philosophy of Science
Publisher's Description: Renè Descartes is commonly portrayed as a strict rationalist, a philosopher who theorized a radical, unresolvable split between mind and body. In this long-overdue examination of the role of imagination in Descartes's thought, Dennis Sepper reveals a Descartes quite different from the usual dualistic portrayals and offers a critical reconception of the genesis and nature of the philosopher's thought.In a vigorous analysis of the less-known early works, Sepper finds that initially Descartes assigned the imagination a central role in the mind's activity. Although Descartes eventually lost confidence in the philosophy of imagination, an early understanding of its central role in cognition came to shape the most fundamental notions of his mature philosophy. Sepper's radical reassessment of Descartes ultimately raises new questions about the development of modern philosophy.   [brief]
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3. cover
Title: Victorian literature and the Victorian visual imagination online access is available to everyone
Author: Christ, Carol T
Published: University of California Press,  1995
Subjects: Literature | Art History | English Literature | Victorian History | Literary Theory and Criticism
Publisher's Description: Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period.   [brief]
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4. cover
Title: Spectacular realities: early mass culture in fin-de-siècle Paris
Author: Schwartz, Vanessa R
Published: University of California Press,  1998
Subjects: History | French Studies | European History | European Literature | Women's Studies | Film
Publisher's Description: During the second half of the nineteenth century, Paris emerged as the entertainment capital of the world. The sparkling redesigned city fostered a culture of energetic crowd-pleasing and multi-sensory amusements that would apprehend and represent real life as spectacle.Vanessa R. Schwartz examines the explosive popularity of such phenomena as the boulevards, the mass press, public displays of corpses at the morgue, wax museums, panoramas, and early film. Drawing on a wide range of written and visual materials, including private and business archives, and working at the intersections of art history, literature, and cinema studies, Schwartz argues that "spectacular realities" are part of the foundation of modern mass society. She refutes the notion that modern life produced an unending parade of distractions leading to alienation, and instead suggests that crowds gathered not as dislocated spectators but as members of a new kind of crowd, one united in pleasure rather than protest.   [brief]
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5. cover
Title: Hollywood quarterly: film culture in postwar America, 1945-1957 online access is available to everyone
Author: Smoodin, Eric Loren
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts
Publisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blacklisted. The journal attracted a collection of writers unmatched in North American film studies for the heterogeneity of their intellectual and practical concerns: from film, radio, and television industry workers to academics; from Sam Goldwyn, Edith Head, and Chuck Jones to Theodor Adorno and Siegfried Kracauer. For this volume, Eric Smoodin and Ann Martin have selected essays that reflect the astonishing eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films. They have also included articles on radio and television, reflecting the contents of just about every issue of the journal and exemplifying the extraordinary moment in film and media studies that Hollywood Quarterly captured and helped to create. In 1951, Hollywood Quarterly was renamed the Quarterly of Film, Radio, and Television, and in 1958 it was replaced by Film Quarterly, which is still published by the University of California Press. During those first twelve years, the Quarterly maintained an intelligent, sophisticated, and critical interest in all the major entertainment media, not just film, and in issue after issue insisted on the importance of both aesthetic and sociological methodologies for studying popular culture, and on the political significance of the mass media.   [brief]
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6. cover
Title: Frontiers of historical imagination: narrating the European conquest of native America, 1890-1990
Author: Klein, Kerwin Lee 1961-
Published: University of California Press,  1997
Subjects: History | California and the West | American Studies | Anthropology | United States History | Intellectual History | Postcolonial Studies
Publisher's Description: The American frontier, a potent symbol since Europeans first stepped ashore on North America, serves as the touchstone for Kerwin Klein's analysis of the narrating of history. Klein explores the traditions through which historians, philosophers, anthropologists, and literary critics have understood the story of America's origin and the way those understandings have shaped and been shaped by changing conceptions of history. The American West was once the frontier space where migrating Europe collided with Native America, where the historical civilizations of the Old World met the nonhistorical wilds of the New. It was not only the cultural combat zone where American democracy was forged but also the ragged edge of History itself, where historical and nonhistorical defied and defined each other. Klein maintains that the idea of a collision between people with and without history still dominates public memory. But the collision, he believes, resounds even more powerfully in the historical imagination, which creates conflicts between narration and knowledge and carries them into the language used to describe the American frontier. In Klein's words, "We remain obscurely entangled in philosophies of history we no longer profess, and the very idea of 'America' balances on history's shifting frontiers."   [brief]
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7. cover
Title: Rethinking the borderlands: between Chicano culture and legal discourse online access is available to everyone
Author: Gutiérrez-Jones, Carl Scott
Published: University of California Press,  1995
Subjects: American Studies | Chicano Studies | Literature | Language and Linguistics | Law | Social and Political Thought | Rhetoric | Postcolonial Studies | United States History | United States History
Publisher's Description: Challenging the long-cherished notion of legal objectivity in the United States, Carl Gutiérrez-Jones argues that Chicano history has been consistently shaped by racially biased, combative legal interactions. Rethinking the Borderlands is an insightful and provocative exploration of the ways Chicano and Chicana artists, writers, musicians, and filmmakers engage this history in order to resist the disenfranchising effects of legal institutions, including the prison and the court.Gutiérrez-Jones examines the process by which Chicanos have become associated with criminality in both our legal institutions and our mainstream popular culture and thereby offers a new way of understanding minority social experience. Drawing on gender studies and psychoanalysis, as well as critical legal and race studies, Gutiérrez-Jones's approach to the law and legal discourse reveals the high stakes involved when concepts of social justice are fought out in the home, in the workplace and in the streets.   [brief]
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8. cover
Title: The comparative imagination: on the history of racism, nationalism, and social movements online access is available to everyone
Author: Fredrickson, George M 1934-
Published: University of California Press,  1997
Subjects: History | United States History
Publisher's Description: In this collection of essays, an eminent American historian of race relations discusses issues central to our understanding of the history of racism, the role of racism, and the possibilites for justice in contemporary society. George M. Fredrickson provides an eloquent and vigorous examination of race relations in the United States and South Africa and at the same time illuminates the emerging field of comparative history - history that is explicitly cross-cultural in its comparisons of nations, eras, or social structures. Taken together, these thought-provoking, accessible essays - several never before published - bring new precision and depth to our understanding of racism and justice, both historically and for society today.The first group of essays in The Comparative Imagination summarizes and evaluates the cross-national comparative history written in the past fifty years. These essays pay particular attention to comparative work on slavery and race relations, frontiers, nation-building and the growth of modern welfare states, and class and gender relations. The second group of essays represents some of Fredrickson's own explorations into the cross-cultural study of race and racism. Included are new essays covering such topics as the theoretical and cross-cultural meaning of racism, the problem of race in liberal thought, and the complex relationship between racism and state-based nationalism. The third group contains Fredrickson's recent work on anti-racist and black liberation movements in the United States and South Africa, especially in the period since World War II.In addition, Fredrickson's provocative introduction breaks significant new intellectual ground, outlining a justification for the methods of comparative history in light of such contemporary intellectual trends as the revival of narrative history and the predominance of postmodern thought.   [brief]
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9. cover
Title: Representation of places: reality and realism in city design
Author: Bosselmann, Peter
Published: University of California Press,  1998
Subjects: Architecture | Architectural History | Urban Studies
Publisher's Description: People live in cities and experience them firsthand, while urban designers explain cities conceptually. In Representation of Places Peter Bosselmann takes on the challenging question of how designers can communicate the changes they envision in order that "the rest of us" adequately understand how those changes will affect our lives. New modes of imaging technology - from two-dimensional maps, charts, and diagrams to computer models - allow professionals to explain their designs more clearly than ever before. Although architects and planners know how to read these representations, few outside the profession can interpret them, let alone understand what it would be like to walk along the streets such representations describe. Yet decisions on what gets built are significantly influenced by these very representations. A portion of Bosselmann's book is based on innovative experiments conducted at the University of California, Berkeley's Visual Simulation Laboratory. In a section titled "The City in the Laboratory," he discusses how visual simulation was applied to projects in New York City, San Francisco, and Toronto. The concerns that Bosselmann addresses have an impact on large segments of society, and lay readers as well as professionals will find much that is useful in his timely, accessibly written book.   [brief]
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10. cover
Title: Letters from freedom: post-cold war realities and perspectives
Author: Michnik, Adam
Published: University of California Press,  1998
Subjects: History | Politics | Russian and Eastern European Studies | Social and Political Thought | European History | Intellectual History
Publisher's Description: A hero to many, Polish writer Adam Michnik ranks among today's most fearless and persuasive public figures. His imprisonment by Poland's military regime in the 1980s did nothing to quench his outpouring of writings, many of which were published in English as Letters from Prison . Beginning where that volume ended, Letters from Freedom finds Michnik briefly in prison at the height of the "cold civil war" between authorities and citizens in Poland, then released. Through his continuing essays, articles, and interviews, the reader can follow all the momentous changes of the last decade in Poland and East-Central Europe. Some of the writings have appeared in English in various publications; most are translated here for the first time.Michnik is never detached. His belief that people can get what they want without hatred and violence has always translated into action, and his actions, particularly the activity of writing, have required his contemporaries to think seriously about what it is they want. His commitment to freedom is absolute, but neither wild-eyed nor humorless; with a characteristic combination of idealism and pragmatism, Michnik says, "In the end, politics is the art of foreseeing and implementing the possible."Michnik's blend of conviction and political acumen is perhaps most vividly revealed in the interviews transcribed in the book, whether he is the subject of the interview or is conducting a conversation with Czeslaw Milosz, Vacláv Havel, or Wojciech Jaruzelski. These face-to-face exchanges tell more about the forces at work in contemporary Eastern Europe than could any textbook. Sharing Michnik's intellectual journey through a tumultuous era, we touch on all the subjects important to him in this wide-ranging collection and find they have importance for everyone who values conscience and responsibility. In the words of Jonathan Schell, "Michnik is one of those who bring honor to the last two decades of the twentieth century."   [brief]
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11. cover
Title: Strangers at home: Jews in the Italian literary imagination
Author: Gunzberg, Lynn M
Published: University of California Press,  1992
Subjects: Jewish Studies | Literature in Translation
Publisher's Description: Using popular literature as a window on Italian society and its values, Lynn Gunzberg explores the representation of Jews in novels and poetry written by non-Jews from the beginning of the Risorgimento in the early 1800s to the enactment of the Fascist racial laws in 1938. She shows how the literatu . . . [more]
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12. cover
Title: Even in Sweden: racisms, racialized spaces, and the popular geographical imagination
Author: Pred, Allan Richard 1936-
Published: University of California Press,  2000
Subjects: Geography | Ecology | Consumerism | Urban Studies | Anthropology
Publisher's Description: Allan Pred writes compellingly about the reawakening of racism throughout Europe at the end of the twentieth century - even in Sweden, a country widely regarded as the very model of social justice and equality. Many thousands of non-European and Muslim immigrants and refugees who took advantage of Sweden's generous immigration policies now find themselves the object of discrimination and worse. Through the cascading juxtaposition of many voices, including his own, Pred describes the intensifying cultural racism of the 1990s, the proliferation of negative ethnic stereotypes, and the spatial segregation of the non-Swedish. He quotes the newspaper Dagens Nyheter: "It is high time that Sweden reconsider its self-image as the stronghold of tolerance" (July 21, 1998), and analyzes the strategies that allow people to maintain that self-image. Perhaps the greatest strength of Even in Sweden is that Pred gives to the social consequences of global economic restructuring some very specific faces and places and a multitude of expressions of human will, both ill and good.   [brief]
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13. cover
Title: The scar of revolution: Custine, Tocqueville, and the romantic imagination online access is available to everyone
Author: Grudzinska-Gross, Irena
Published: University of California Press,  1991
Subjects: History | European Literature | Intellectual History
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14. cover
Title: Cold War orientalism: Asia in the middlebrow imagination, 1945-1961
Author: Klein, Christina 1963-
Published: University of California Press,  2003
Subjects: American Studies | United States History | American Literature | Asian American Studies | Asian Studies
Publisher's Description: In the years following World War II, American writers and artists produced a steady stream of popular stories about Americans living, working, and traveling in Asia and the Pacific. Meanwhile the U.S., competing with the Soviet Union for global power, extended its reach into Asia to an unprecedented degree. This book reveals that these trends - the proliferation of Orientalist culture and the expansion of U.S. power - were linked in complex and surprising ways. While most cultural historians of the Cold War have focused on the culture of containment, Christina Klein reads the postwar period as one of international economic and political integration - a distinct chapter in the process of U.S.-led globalization. Through her analysis of a wide range of texts and cultural phenomena - including Rodgers and Hammerstein's South Pacific and The King and I, James Michener's travel essays and novel Hawaii, and Eisenhower's People-to-People Program - Klein shows how U.S. policy makers, together with middlebrow artists, writers, and intellectuals, created a culture of global integration that represented the growth of U.S. power in Asia as the forging of emotionally satisfying bonds between Americans and Asians. Her book enlarges Edward Said's notion of Orientalism in order to bring to light a cultural narrative about both domestic and international integration that still resonates today.   [brief]
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15. cover
Title: Telling lives, telling history: autobiography and historical imagination in modern Indonesia online access is available to everyone
Author: Rodgers, Susan 1949-
Published: University of California Press,  1995
Subjects: Anthropology | Cultural Anthropology | Southeast Asia | Asian History
Publisher's Description: These two memoirs, superbly rendered into English for the first time, provide unique windows into the Sumatran past, in particular, and the early twentieth-century history of Southeast Asia, in general. Originally published soon after the Indonesian Revolution (1945-1949) liberated the island chain from Dutch control, these unusually insightful narratives recall the authors' boyhoods in rural Toba Batak and Minangkabau villages. In reconstructing their own passage into adulthood, the writers inevitably tell the story of their country's turbulent journey from colonial subjugation through revolution to independence. Susan Rodgers's perceptive introduction illuminates the importance of autobiography in developing historical consciousness and imagining a national future.   [brief]
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16. cover
Title: Nationalism and the Nordic imagination: Swedish art of the 1890s
Author: Facos, Michelle
Published: University of California Press,  1998
Subjects: Art | Art History | European Studies
Publisher's Description: This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siècle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists - among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli - produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists.   [brief]
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17. cover
Title: Old, alone, and neglected: care of the aged in the United States and Scotland online access is available to everyone
Author: Kayser-Jones, Jeanie Schmit
Published: University of California Press,  1990
Subjects: Anthropology | Aging | Medical Anthropology | Medicine
Publisher's Description: As the median age of the population increases, the care and housing of the elderly in the U.S. are of increasing concern. Jeanie Kayser-Jones compares a typical private institution in the U.S. with a government-owned home in Scotland.Her analysis compels attention to the systematic abuse of the inst . . . [more]
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18. cover
Title: Nationalism and the genealogical imagination: oral history and textual authority in tribal Jordan
Author: Shryock, Andrew
Published: University of California Press,  1997
Subjects: Anthropology | Middle Eastern Studies | Middle Eastern History
Publisher's Description: This book explores the transition from oral to written history now taking place in tribal Jordan, a transition that reveals the many ways in which modernity, literate historicity, and national identity are developing in the contemporary Middle East. As traditional Bedouin storytellers and literate historians lead him through a world of hidden documents, contested photographs, and meticulously reconstructed pedigrees, Andrew Shryock describes how he becomes enmeshed in historical debates, ranging from the local to the national level.The world the Bedouin inhabit is rich in oral tradition and historical argument, in subtle reflections on the nature of truth and its relationship to poetics, textuality, and power. Skillfully blending anthropology and history, Shryock discusses the substance of tribal history through the eyes of its creators - those who sustain an older tradition of authoritative oral history and those who have experimented with the first written accounts. His focus throughout is on the development of a "genealogical nationalism" as well as on the tensions that arise between tribe and state.Rich in both personal revelation and cultural implications, this book poses a provocative challenge to traditional assumptions about the way history is written.   [brief]
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19. cover
Title: Landscapes of power: from Detroit to Disney World
Author: Zukin, Sharon
Published: University of California Press,  1993
Subjects: Politics | Politics | Postcolonial Studies | Urban Studies | Geography | Economics and Business
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20. cover
Title: A critical study of Philip Guston online access is available to everyone
Author: Ashton, Dore
Published: University of California Press,  1990
Subjects: Art | Art History | Art Criticism | Autobiographies and Biographies
Publisher's Description: Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist.Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world.   [brief]
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