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1. cover
Title: Everyday America: cultural landscape studies after J.B. Jackson
Author: Wilson, Chris 1951 Dec. 23-
Published: University of California Press,  2003
Subjects: Architecture | Landscape Architecture | Geography | American Studies | Urban Studies
Publisher's Description: As old as a roadway that was once a Native trail, as new as the suburban subdivisions spreading across the American countryside, the cultural landscape is endlessly changing. The study of cultural landscapes - a far more recent development - has also undergone great changes, ever broadening, deepening, and refining our understanding of the intricate webs of social and ecological spaces that help to define human groups and their activities. Everyday America surveys the widening conceptions and applications of cultural landscape writing in the United States and, in doing so, offers a clear and compelling view of the state of cultural landscape studies today. These essays - by distinguished journalists, historians, cultural geographers, architects, landscape architects, and planners - constitute a critical evaluation of the field's theoretical assumptions, and of the work of John Brinckerhoff Jackson, the pivotal figure in the emergence of cultural landscape studies. At the same time, they present exemplary studies of twentieth-century landscapes, from the turn-of-the-century American downtown to the corporate campus and the mini-mall. Assessing the field's accomplishments and shortcomings, offering insights into teaching the subject, and charting new directions for its future development, Everyday America is an eloquent statement of the meaning, value, and potential of the close study of human environments as they embody, reflect, and reveal American culture.   [brief]
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2. cover
Title: American urban architecture: catalysts in the design of cities online access is available to everyone
Author: Attoe, Wayne
Published: University of California Press,  1992
Subjects: Architecture | Urban Studies
Publisher's Description: Conceiving of urban design in terms of architectural actions and reactions, Attoe and Logan propose a theory of "catalytic architecture" better suited to specifically American circumstances than the largely European models developed in the last thirty years for the remaking of cities.After exploring instances of failed attempts to impose European visions on American cities, the authors examine urban design successes that illustrate the principles and goals of catalytic architecture. With a series of case studies they characterize urban design as a controlled evolution, one that must also be strategic, responding to existing elements and guiding those that follow. The authors argue that the failure of American cities to control and guide the energies released in urban development can be prevented by "design guidance". From their own combined experience as urban architects and scholars, they provide a taxonomy of methods to guide urban design toward higher standards and better results.   [brief]
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3. cover
Title: The political landscape: constellations of authority in early complex polities
Author: Smith, Adam T
Published: University of California Press,  2003
Subjects: Anthropology | Archaeology | Political Theory | Geography
Publisher's Description: How do landscapes - defined in the broadest sense to incorporate the physical contours of the built environment, the aesthetics of form, and the imaginative reflections of spatial representations - contribute to the making of politics? Shifting through the archaeological, epigraphic, and artistic remains of early complex societies, this provocative and far-reaching book is the first systematic attempt to explain the links between spatial organization and politics from an anthropological point of view. The Classic-period Maya, the kingdom of Urartu, and the cities of early southern Mesopotamia provide the focal points for this multidimensional account of human polities. Are the cities and villages in which we live and work, the lands that are woven into our senses of cultural and personal identity, and the national territories we occupy merely stages on which historical processes and political rituals are enacted? Or do the forms of buildings and streets, the evocative sensibilities of architecture and vista, the aesthetics of place conjured in art and media constitute political landscapes - broad sets of spatial practices critical to the formation, operation, and overthrow of polities, regimes, and institutions? Smith brings together contemporary theoretical developments from geography and social theory with anthropological perspectives and archaeological data to pursue these questions.   [brief]
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4. cover
Title: The origins of modernism in Russian architecture online access is available to everyone
Author: Brumfield, William Craft 1944-
Published: University of California Press,  1991
Subjects: Architecture | Architectural History | Russian and Eastern European Studies
Publisher's Description: The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history.Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture.   [brief]
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5. cover
Title: Displaying the Orient: architecture of Islam at nineteenth-century world's fairs online access is available to everyone
Author: Çelik, Zeynep
Published: University of California Press,  1992
Subjects: Architecture | European History | Cultural Anthropology | Middle Eastern History
Publisher's Description: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place . Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.   [brief]
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6. cover
Title: William Faulkner and the tangible past: the architecture of Yoknapatawpha online access is available to everyone
Author: Hines, Thomas S
Published: University of California Press,  1997
Subjects: Architecture | Architectural History | Literature | American Literature | United States History
Publisher's Description: The world of William Faulkner is seen from a new perspective in Thomas Hines's imaginative and many-faceted study. Hines assesses the impact of the built environment on Faulkner's consciousness and shows how the architecture of the writer's fictional county of Yoknapatawpha reflects the actual architecture of Oxford, Mississippi, and neighboring areas. Over 110 distinctive photographs, in both color and black-and-white, beautifully complement the text, making this book both a reading and viewing pleasure.Much has been written on the role of nature in Faulkner's work, but architecture and the built environment - the opposite of nature - have been virtually ignored. Arguing that nature and architecture are of equal importance in Faulkner's cosmos, Hines examines the writer's use of architectural modes - primitive, classical, gothic, and modern - to demarcate caste and class, to convey mood and ambience, and to delineate character. Hines provides not only another way of understanding Faulkner's work but also a means of appreciating the power of architecture to reflect what Faulkner called "the comedy and tragedy of being alive."Hines's gifts as an architectural historian and photographer and his intimate knowledge of Faulkner country are evident throughout this handsome book. Combining cultural, intellectual, architectural, and literary history, William Faulkner and the Tangible Past will take Faulkner lovers, as well as lovers of architecture, on a fascinating tour of Yoknapatawpha County.   [brief]
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7. cover
Title: Renaissance Paris: architecture and growth, 1475-1600 online access is available to everyone
Author: Thomson, David 1912-
Published: University of California Press,  1985
Subjects: Art | Architecture
Publisher's Description: In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after François I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores t . . . [more]
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8. cover
Title: Temples and towns in Roman Iberia: the social and architectural dynamics of sanctuary designs from the third century B.C. to the third century A.D
Author: Mierse, William E
Published: University of California Press,  1999
Subjects: Classics | Archaeology | Art and Architecture | Architectural History | Art History
Publisher's Description: This is the first comparative study of Roman architecture on the Iberian peninsula, covering six centuries from the arrival of the Romans in the third century B.C. until the decline of urban life on the peninsula in the third century A.D. During this period, the peninsula became an influential cultural and political region in the Roman world. Iberia supplied writers, politicians, and emperors, a fact acknowledged by Romanists for centuries, though study of the peninsula itself has too often been brushed aside as insignificant and uninteresting. In this book William E. Mierse challenges such a view.By examining in depth the changing forms of temples and their placement within the urban fabric, Mierse shows that architecture on the peninsula displays great variation and unexpected connections. It was never a slavish imitation of an imported model but always a novel experiment. Sometimes the architectural forms are both new and unexpected; in some cases specific prototypes can be seen, but the Iberian form has been significantly altered to suit local needs. What at first may seem a repetition of forms upon closer investigation turns out to be theme and variation. Mierse brings to his quest an impressive learning, including knowledge of several modern and ancient languages and the archaeology of the Roman East, which allows him a unique perspective on the interaction between events and architecture.   [brief]
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9. cover
Title: Representation of places: reality and realism in city design
Author: Bosselmann, Peter
Published: University of California Press,  1998
Subjects: Architecture | Architectural History | Urban Studies
Publisher's Description: People live in cities and experience them firsthand, while urban designers explain cities conceptually. In Representation of Places Peter Bosselmann takes on the challenging question of how designers can communicate the changes they envision in order that "the rest of us" adequately understand how those changes will affect our lives. New modes of imaging technology - from two-dimensional maps, charts, and diagrams to computer models - allow professionals to explain their designs more clearly than ever before. Although architects and planners know how to read these representations, few outside the profession can interpret them, let alone understand what it would be like to walk along the streets such representations describe. Yet decisions on what gets built are significantly influenced by these very representations. A portion of Bosselmann's book is based on innovative experiments conducted at the University of California, Berkeley's Visual Simulation Laboratory. In a section titled "The City in the Laboratory," he discusses how visual simulation was applied to projects in New York City, San Francisco, and Toronto. The concerns that Bosselmann addresses have an impact on large segments of society, and lay readers as well as professionals will find much that is useful in his timely, accessibly written book.   [brief]
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10. cover
Title: From craft to profession: the practice of architecture in nineteenth-century America
Author: Woods, Mary N 1950-
Published: University of California Press,  1999
Subjects: Architecture | Architectural History | United States History
Publisher's Description: This is the first in-depth study of how the architectural profession emerged in early American history. Mary Woods dispels the prevailing notion that the profession developed under the leadership of men formally schooled in architecture as an art during the late nineteenth century. Instead, she cites several instances in the early 1800s of craftsmen-builders who shifted their identity to that of professional architects. While struggling to survive as designers and supervisors of construction projects, these men organized professional societies and worked for architectural education, appropriate compensation, and accreditation.In such leading architectural practitioners as B. Henry Latrobe, Alexander J. Davis, H. H. Richardson, Louis Sullivan, and Stanford White, Woods sees collaborators, partners, merchandisers, educators, and lobbyists rather than inspired creators. She documents their contributions as well as those, far less familiar, of women architects and people of color in the profession's early days.Woods's extensive research yields a remarkable range of archival materials: correspondence among carpenters; 200-year-old lawsuits; architect-client spats; the organization of craft guilds, apprenticeships, university programs, and correspondence schools; and the structure of architectural practices, labor unions, and the building industry. In presenting a more accurate composite of the architectural profession's history, Woods lays a foundation for reclaiming the profession's past and recasting its future. Her study will appeal not only to architects, but also to historians, sociologists, and readers with an interest in architecture's place in America today.   [brief]
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11. cover
Title: A critic writes: essays by Reyner Banham
Author: Banham, Reyner
Published: University of California Press,  1997
Subjects: Architecture | Art | American Studies | Popular Culture
Publisher's Description: Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings.The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system.Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.   [brief]
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12. cover
Title: Urban design downtown: poetics and politics of form
Author: Loukaitou-Sideris, Anastasia 1958-
Published: University of California Press,  1998
Subjects: Urban Studies | Economics and Business | Social Science | Architecture | Sociology
Publisher's Description: The corporate downtown, with its multitude of social dilemmas and contradictions, is the focus of this well-illustrated volume. How are downtown projects conceived, scripted, produced, packaged, and used, and how has all this changed during the twentieth century? The authors of Urban Design Downtown offer a critical appraisal of the emerging appearance of downtown urban form. They explore both the poetics of design and the politics and economics of development decisions.Following a historical review of the various phases of downtown transformation, Anastasia Loukaitou-Sideris and Tridib Banerjee turn to contemporary American downtowns. They examine the phenomenon of public-space privatization, arguing that corporate open spaces are the consumer-oriented result of policies that have promoted downtown renovation and restructuring but at the same time have neglected the cities' existing poverty-stricken cores. The book's case studies of individual West Coast downtown projects capture the essence of late twentieth-century urbanism. This analysis of downtown urban America, which offers extensive insight into the design and development process, will interest architects, city planners, developers, and urban designers everywhere.   [brief]
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13. cover
Title: Toward a simpler way of life: the arts & crafts architects of California
Author: Winter, Robert
Published: University of California Press,  1997
Subjects: Art | Architecture | Architectural History | Californian and Western History
Publisher's Description: This book celebrates one of the richest and most enduring themes in American architecture - California's Arts and Crafts Movement. Echoing the writings of Helen Hunt Jackson, Charles F. Lummis, and Charles Keeler, this movement represented a retreat into a quieter place from the materialism of American society. Anti-commercial, anti-modern, Arts and Crafts practitioners drew on the decorative schemes of English Tudor, Swiss chalet, Japanese temple, and Spanish mission, evoking an earlier time before modern industry and technology intruded. And if only one word is used to describe virtually every Arts and Crafts house in California, that word is "woodsy": wood shingles outside, wood paneling inside, a wood fire burning in the homey, welcoming fireplace.Most chapters in this impressive and very readable book focus on one building by a particular architect or designer and illustrate that person's development and influences. Familiar architects such as Bernard Maybeck, Charles and Henry Greene, John Galen Howard, and Julia Morgan are here, but so too are less well-known names who were a vibrant part of the Arts and Crafts Movement. These late Romantics designed houses to complement nature rather than contrast with it. Their eclecticism and historicism reflected a Romantic bent as well, no doubt cultivated by their familiarity with the Ecole des Beaux-Arts in Paris, where, in fact, Howard, Maybeck, and Morgan studied.The book's contributors also give attention to the builders, contractors, and craftsmen whose skills contributed to the lasting impact of the California Arts and Crafts Movement. Superb illustrations provide examples of elevations, composition details, interior fixtures, and gardens, all designed to promote the "simple living and high thinking" of the Craftsman style, an esthetic that continues to influence architecture today.   [brief]
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14. cover
Title: Urban forms and colonial confrontations: Algiers under French rule online access is available to everyone
Author: Çelik, Zeynep
Published: University of California Press,  1997
Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French Studies | Postcolonial Studies
Publisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation.   [brief]
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15. cover
Title: Sacred landscape: the buried history of the Holy Land since 1948
Author: Benvenisti, Meron 1934-
Published: University of California Press,  2000
Subjects: Jewish Studies | Religion | Middle Eastern Studies | Politics
Publisher's Description: As a young man Meron Benvenisti often accompanied his father, a distinguished geographer, when the elder Benvenisti traveled through the Holy Land charting a Hebrew map that would rename Palestinian sites and villages with names linked to Israel's ancestral homeland. These experiences in Benvenisti's youth are central to this book, and the story that he tells helps explain how during this century an Arab landscape, physical and human, was transformed into an Israeli, Jewish state.Benvenisti first discusses the process by which new Hebrew nomenclature replaced the Arabic names of more than 9,000 natural features, villages, and ruins in Eretz Israel/Palestine (his name for the Holy Land, thereby defining it as a land of Jews and Arabs). He then explains how the Arab landscape has been transformed through war, destruction, and expulsion into a flourishing Jewish homeland accommodating millions of immigrants. The resulting encounters between two peoples who claim the same land have raised great moral and political dilemmas, which Benvenisti presents with candor and impartiality.Benvenisti points out that five hundred years after the Moors left Spain there are sufficient landmarks remaining to preserve the outlines of Muslim Spain. Even with sustained modern development, the ancient scale is still visible. Yet a Palestinian returning to his ancestral landscape after only fifty years would have difficulty identifying his home. Furthermore, Benvenisti says, the transformation of Arab cultural assets into Jewish holy sites has engendered a struggle over the "signposts of memory" essential to both peoples. Sacred Landscape raises troublesome questions that most writers on the Middle East avoid. The now-buried Palestinian landscape remains a symbol and a battle standard for Palestinians and Israelis. But it is Benvenisti's continuing belief that Eretz Israel/Palestine has enough historical and physical space for the people of both nations and that it can one day be a shared homeland.   [brief]
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16. cover
Title: Good with their hands: boxers, bluesmen, and other characters from the Rust Belt
Author: Rotella, Carlo 1964-
Published: University of California Press,  2002
Subjects: History | American Studies | Sociology | Literature | Labor Studies | Urban Studies | Ethnic Studies | Gender Studies
Publisher's Description: This eloquent, streetwise book is a paean to America's Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism. A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "good with their hands" to one that depends on the intellectual and social skills fostered by formal education and service work. Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "truth and beauty in the Rust Belt."   [brief]
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17. cover
Title: Inscribed landscapes: travel writing from imperial China online access is available to everyone
Author: Strassberg, Richard E
Published: University of California Press,  1994
Subjects: Literature | Literature in Translation | Asian History | China
Publisher's Description: Alongside the scores of travel books about China written by foreign visitors, Chinese travelers' impressions of their own country rarely appear in translation. This anthology is the only comprehensive collection in English of Chinese travel writing from the first century A.D. through the nineteenth. Early examples of the genre describe sites important for their geography, history, and role in cultural mythology, but by the T'ang dynasty in the mid-eighth century certain historiographical and poetic discourses converged to form the "travel account" ( yu-chi ) and later the "travel diary" ( jih-chi ) as vehicles of personal expression and autobiography. These first-person narratives provide rich material for understanding the attitudes of Chinese literati toward place, nature, politics, and the self.The anthology is abundantly illustrated with paintings, portraits, maps, and drawings. Each selection is meticulously translated, carefully annotated, and prefaced by a brief description of the writer's life and work. The entire collection is introduced by an in-depth survey of the rise of Chinese travel writing as a cultural phenomenon. Inscribed Landscapes provides a unique resource for travelers as well as for scholars of Chinese literature, art, and history.   [brief]
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18. cover
Title: The building program of Herod the Great
Author: Roller, Duane W
Published: University of California Press,  1998
Subjects: Classics | Architecture | Ancient History | Archaeology
Publisher's Description: Herod the Great, King of Judaea from 444 B.C., is known as one of the world's great villains. This notoriety has overshadowed his actual achievements, particularly his role as a client king of Rome during Augustus's reign as emperor. An essential aspect of Herod's responsibilities as king of Judaea was his role as a builder. Remarkably innovative, he created an astonishing record of architectural achievement, not only in Judaea but also throughout Greece and the Roman east. Duane W. Roller systematically presents and discusses all the building projects known to have been initiated by Herod, and locates this material in a broad historical and cultural context.Bringing together previously inaccessible material, Roller enriches our understanding of the enigmatic Herod and provides new insights into Roman architecture. Herod was instrumental in the diffusion of the Augustan architectural revolution into the provinces and was the first to build outside Italy such Italian architectural forms as the basilica, amphitheater, villa, and Italian temple. Herod's legacy provided a groundwork for the architectural Romanization of the east, influencing the construction of the great temple complexes and palaces so familiar from later Roman architecture.Herod, like Augustus himself, was not only interested in architecture but also in diplomatic and financial contacts among cities of the region. In addition to providing a repertorium of the building projects, this study is also an exploration of international relations in the eastern Mediterranean at the beginning of the Roman imperial period.   [brief]
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19. cover
20. cover
Title: Sanctuaries of Spanish New Mexico/ online access is available to everyone
Author: Treib, Marc
Published: University of California Press,  1993
Subjects: Architecture | Architectural History
Publisher's Description: Among the oldest buildings in the United States, the churches of Spanish New Mexico - made of earth, of stone, of wood - are the surprisingly fragile reminders of a unique amalgam of Spanish architectural ideas and native American Pueblo culture. This book surveys the land and rivers, the people and ideas, that led to this compelling religious architecture; it is also a guide to visiting these churches today.In the ninth century the Anasazi, progenitors of the Pueblo peoples, constructed refined architectural complexes at Mesa Verde and Chaco Canyon. Contact with the Spanish in the late 1500s transformed the world of these indigenous peoples, changing their agricultural and living patterns - as well as religious practices. These changes were manifest architecturally in the sanctuaries the Spanish constructed as missions for the Indians or as parish churches for themselves. First built roughly between 1600 and 1829, but continuing to be rebuilt into this century, they were made of the very materials composing the land itself.In Part I, Marc Treib addresses the geographical, anthropological, and architectural aspects of church building in New Mexico and provides background on the church as both an institution and a building type. Part II presents thirty churches in depth and discusses such topics as sitting, construction in adobe and stone, the use of light, ornamentation, and the issues surrounding restoration. Sanctuaries of Spanish New Mexico is the only book in print to include all the major church sites still extant. Richly illustrated, with specially prepared plans of the churches, it will be welcomed by architectural historians and anyone with an interest in the American Southwest.   [brief]
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