Title: A heart at fire's center: the life and music of Bernard Herrmann
Author: Smith, Steven C
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Contemporary Music | Composers
Publisher's Description: No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact.From his first film ( Citizen Kane ) to his last ( Taxi Driver ), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ( Fahrenheit 451 , The Day the Earth Stood Still ) to the romantic ( Obsession , The Ghost and Mrs. Muir ) to the terrifying ( Psycho ).Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre of the Air and The War of the Worlds . His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony.Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored - a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love.   [brief]
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Title: The sea acorn: Scripps Institution of Oceanography: the people and the place, 1936-1942: with prologue and epilogue 
Author: Sargent, Peter
Published: Sargent,  1979
Subjects:
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Title: Jewel of the desert: Japanese American internment at Topaz 
Author: Taylor, Sandra C
Published: University of California Press,  1993
Subjects: History | Californian and Western History | Asian American Studies | American Studies
Publisher's Description: In the spring of 1942, under the guise of "military necessity," the U.S. government evacuated 110,000 Japanese Americans from their homes on the West Coast. About 7,000 people from the San Francisco Bay Area - the vast majority of whom were American citizens - were moved to an assembly center at Tanforan Racetrack and then to a concentration camp in Topaz, Utah. Dubbed the "jewel of the desert," the camp remained in operation until October 1945. This compelling book tells the history of Japanese Americans of San Francisco and the Bay Area, and of their experiences of relocation and internment.Sandra C. Taylor first examines the lives of the Japanese Americans who settled in and around San Francisco near the end of the nineteenth century. As their numbers grew, so, too, did their sense of community. They were a people bound together not only by common values, history, and institutions, but also by their shared status as outsiders. Taylor looks particularly at how Japanese Americans kept their sense of community and self-worth alive in spite of the upheavals of internment.The author draws on interviews with fifty former Topaz residents, and on the archives of the War Relocation Authority and newspaper reports, to show how relocation and its aftermath shaped the lives of these Japanese Americans. Written at a time when the United States once again regards Japan as a threat, Taylor's study testifies to the ongoing effects of prejudice toward Americans whose face is also the face of "the enemy."   [brief]
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Title: Movies as politics
Author: Rosenbaum, Jonathan
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Film | American Studies | Gender Studies
Publisher's Description: In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing , key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano , and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing.   [brief]
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Title: Keeper of concentration camps: Dillon S. Myer and American racism
Author: Drinnon, Richard
Published: University of California Press,  1989
Subjects: History
Publisher's Description: Analyzing the career of Dillon S. Myer, Director of the War Relocation Authority during WWII and Commissioner of the Bureau of Indian Affairs from 1950-53, Richard Drinnon shows that the pattern for the Japanese internment was set a century earlier by the removal, confinement, and scattering of Nati . . . [more]
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Title: Placing movies: the practice of film criticism
Author: Rosenbaum, Jonathan
Published: University of California Press,  1995
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films - from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism.It is this last element - Rosenbaum's reflections on the art of film criticism - that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism.They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate , and considered reevaluations of Orson Welles and Woody Allen.   [brief]
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Title: Ruth Harriet Louise and Hollywood glamour photography
Author: Dance, Robert 1955-
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | Photography | California and the West
Publisher's Description: When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars. Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today. Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period. Note: The hardcover edition of this book does have a dust jacket. (Some hardcovers of University of California Press books available in paperback do not.)   [brief]
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Title: The bridge betrayed: religion and genocide in Bosnia
Author: Sells, Michael Anthony
Published: University of California Press,  1996
Subjects: Religion | Politics | European History | Islam | History | Middle Eastern Studies | Jewish Studies | Christianity
Publisher's Description: The recent atrocities in Bosnia-Herzegovina have stunned people throughout the world. With Holocaust memories still painfully vivid, a question haunts us: how is this savagery possible? Michael A. Sells answers by demonstrating that the Bosnian conflict is not simply a civil war or a feud of age-old adversaries. It is, he says, a systematic campaign of genocide and a Christian holy war spurred by religious mythologies.This passionate yet reasoned book examines how religious stereotyping - in popular and official discourse - has fueled Serbian and Croatian ethnic hatreds. Sells, who is himself Serbian American, traces the cultural logic of genocide to the manipulation by Serb nationalists of the symbolism of Christ's death, in which Muslims are "Christ-killers" and Judases who must be mercilessly destroyed. He shows how "Christoslavic" religious nationalism became a central part of Croat and Serbian politics, pointing out that intellectuals and clergy were key instruments in assimilating extreme religious and political ideas.Sells also elucidates the ways that Western policy makers have rewarded the perpetrators of the genocide and punished the victims. He concludes with a discussion of how the multireligious nature of Bosnian society has been a bridge between Christendom and Islam, symbolized by the now-destroyed bridge at Mostar. Drawing on historical documents, unpublished United Nations reports, articles from Serbian and Bosnian media, personal contacts in the region, and Internet postings, Sells reveals the central role played by religious mythology in the Bosnian tragedy. In addition, he makes clear how much is at stake for the entire world in the struggle to preserve Bosnia's existence as a multireligious society.   [brief]
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Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema.   [brief]
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Title: Backstory 2: interviews with screenwriters of the 1940s and 1950s 
Author: McGilligan, Patrick
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Theatre
Publisher's Description: "Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age , fourteen studio scribes active in later decades rail and reminisce about their fifty-plus years of inventing and scripting movies. Richard Brooks, Garson Kanin and Ruth Gordon, Arthur Laurents, Ben Maddow, Stewart Stern, Daniel Taradash, and Philip Yordan are among the distinguished figures included.The 1940s were a period of transition for the motion picture industry, from an era of hope and glory and the upheavals of World War II to a postwar era of caution and confusion. The 1950s brought a great decline in the number of films produced and led to the extinction of that peculiar creature, the contract writer.The survivors of Hollywood's most productive years remain wonderfully talkative, however. In this lively collection of interviews they contribute useful writing tips, radical correctives to screen history and industry folklore, and just plain fascinating gossip. As a whole, the interviews provide a compelling biographical close-up of an entire generation of men and women whose talent, vision, and tenacity were critical to the institution we know as "Hollywood."   [brief]
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Title: The culture of civil war in Kyoto
Author: Berry, Mary Elizabeth 1947-
Published: University of California Press,  1997
Subjects: History | Japan | Asian History
Publisher's Description: How do ordinary people respond to prolonged terror? The convulsion of Japan's "Warring States" period between 1467 and 1568 destroyed the medieval order and exposed the framework of an early modern polity. Mary Elizabeth Berry investigates the experience of upheaval in Kyoto during this time.Using diaries and urban records (extensively quoted in the text), Berry explores the violence of war, misrule, private justice, outlawry, and popular uprising. She also examines the structures of order, old and new, that abated chaos and abetted social transformation.The wartime culture of Kyoto comes to life in a panoramic study that covers the rebellion of the Lotus sectarians, the organization of work and power in commoner neighborhoods, the replotting of urban geography, and the redefinition of authority and prestige in the arena of play.   [brief]
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Title: Secure from rash assault: sustaining the Victorian environment 
Author: Winter, James H 1925-
Published: University of California Press,  1999
Subjects: History | Victorian History | Ecology | Geography | Technology and Society
Publisher's Description: Nineteenth-century Britain led the world in technological innovation and urbanization, and unprecedented population growth contributed as well to the "rash assault," to quote Wordsworth, on Victorian countrysides. Yet James Winter finds that the British environment was generally spared widespread ecological damage.Drawing from a remarkable variety of sources and disciplines, Winter focuses on human intervention as it not only destroyed but also preserved the physical environment. Industrial blight could be contained, he says, because of Britain's capacity to import resources from elsewhere, the conservative effect of the estate system, and certain intrinsic limitations of steam engines. The rash assault was further blunted by traditional agricultural practices, preservation of forests, and a growing recreation industry that favored beloved landscapes. Winter's illumination of Victorian attitudes toward the exploitation of natural resources offers a valuable preamble to ongoing discussions of human intervention in the environment.   [brief]
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Title: Blood road: the mystery of Shen Dingyi in revolutionary China
Author: Schoppa, R. Keith 1943-
Published: University of California Press,  1995
Subjects: History | Asian History | China | Politics
Publisher's Description: Blood Road is a complex mix of social history, literary analysis, political biography, and murder mystery. It explores and analyzes the social and cultural dynamics of the Chinese revolution of the 1920s by focusing on the mysterious 1928 assassination of Shen Dingyi - revolutionary, landlord, politician, poet, journalist, educator, feminist, and early member of both the Communist and Nationalist parties.The search for Shen's killer details the contours of revolutionary change in different spatial contexts - metropolitan Shanghai, the provincial capital Hangzhou, and Shen's home village of Yaqian. Several interrelated themes emerge in this dramatic story of revolution: the nature of social identity, the role of social networks, the political import of place, and the centrality of process in historical explanation. It contributes significantly to a new understanding of Chinese revolutionary culture and the 1920s revolution in particular. But Blood Road remains at base a story of people linked in various relationships who were thrust, often without choice, into treacherous revolutionary currents that shaped, twisted, and destroyed their lives.   [brief]
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Title: Claiming the high ground: Sherpas, subsistence, and environmental change in the highest Himalaya 
Author: Stevens, Stanley F
Published: University of California Press,  1993
Subjects: Geography | Cultural Anthropology | Tibet
Publisher's Description: Stanley Stevens brings a new historical perspective to his remarkably well-researched study of a subsistence society in ever-increasing contact with the outside world. The Khumbu Sherpas, famous for their mountaineering exploits, have frequently been depicted as victims of the world's highest-altitude tourist boom. But has the flow of outsiders to Mt. Everest and the heights of Nepal in fact destroyed a stable, finely balanced relationship between the Sherpas and their environment?Stevens's innovative use of oral history and cultural ecology suggests that tourism is not the watershed circumstance many have considered it to be. Drawing on extensive interviews and data gathered during three years of fieldwork, and with the use of numerous maps and charts, he documents the Sherpas' ingenious adaptation to high-altitude conditions, their past and present agricultural, pastoral, trade, and forest management practices, and their own perspectives on the environmental history of their homeland. This is a book for geographers, anthropologists, and all those interested in conservation of the earth's high places.   [brief]
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Title: Giambologna: narrator of the Catholic Reformation 
Author: Gibbons, Mary Weitzel 1929-
Published: University of California Press,  1995
Subjects: Art | Art History
Publisher's Description: Arguably the pre-eminent European sculptor of his age, but historically considered little more than the facile court sculptor to the grand dukes of Florence, Giambologna played a major role in the artistic transformations of the late sixteenth century. Mary Weitzel Gibbons seeks to broaden our hitherto limited view of Giambologna's work by considering his neglected Genoese masterpiece, the Grimaldi Chapel. Although the chapel itself was destroyed during the Napoleonic period, its dazzling bronzes of Virtues and angel-putti and a Passion cycle in relief have survived. The fine detail and rich color of the bronzes are featured in color plates and black-and-white images photographed especially for this book.Gibbons reassesses Giambologna's work, clearly defining his relation to the narrative tradition and his role as an artist of the Catholic Reformation. Her new insights into the artist's work will appeal to all those intrigued by this turbulent era in Western European history.   [brief]
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Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
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Title: Made in God's image?: Eve and Adam in the Genesis mosaics at San Marco, Venice 
Author: Jolly, Penny Howell
Published: University of California Press,  1997
Subjects: Art | Art History | Medieval Studies | Women's Studies | Religion
Publisher's Description: The stunning mosaics that illustrate the story of Creation in the church of San Marco in Venice are the focus of Penny Howell Jolly's compelling and provocative book. Scholars of medieval art have long been interested in the Genesis mosaics because they copy a nearly destroyed fifth-century illuminated Greek manuscript known as the Cotton Genesis. But instead of seeing the mosaics as a vehicle for reconstructing a lost cycle of paintings, Jolly presents them as a social document revealing the essential misogyny that existed in thirteenth-century Venice. Jolly analyzes more than twenty scenes, one by one in narrative order, and her perceptive reading goes well beyond what the Genesis Vulgate text says about Eve and Adam. The mosaics establish Eve as the culpable character from the very moment of her Creation, says Jolly, and depict her as dangerous and unrepentant at the end. Incorporating both feminist religious and narratological studies, Jolly poses important questions on the nature of visual language as opposed to verbal language. The very ability of visual forms to recall a rich variety of references is one source of their power, and propaganda must have enough breadth of reference to be read by diverse groups. The San Marco cupola, Jolly maintains, is dealing in powerful propaganda, and her pictorial observations offer an articulate and refreshing new view of this well-known work.   [brief]
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Title: Vale of tears: revisiting the Canudos massacre in northeastern Brazil, 1893-1897
Author: Levine, Robert M
Published: University of California Press,  1992
Subjects: History | Latin American Studies | Latin American History
Publisher's Description: The massacre of Canudos In 1897 is a pivotal episode in Brazilian social history. Looking at the event through the eyes of the inhabitants, Levine challenges traditional interpretations and gives weight to the fact that most of the Canudenses were of mixed-raced descent and were thus perceived as opponents to progress and civilization.In 1897 Brazilian military forces destroyed the millenarian settlement of Canudos, murdering as many as 35,000 pious rural folk who had taken refuge in the remote northeast backlands of Brazil. Fictionalized in Mario Vargas Llosa's acclaimed novel, War at the End of the World , Canudos is a pivotal episode in Brazilian social history. When looked at through the eyes of the inhabitants of Canudos, however, this historical incident lends itself to a bold new interpretation which challenges the traditional polemics on the subject. While the Canudos movement has been consistently viewed either as a rebellion of crazed fanatics or as a model of proletarian resistance to oppression, Levine deftly demonstrates that it was, in fact, neither. Vale of Tears probes the reasons for the Brazilian ambivalence toward its social history, giving much weight to the fact that most of the Canudenses were of mixed-race descent. They were perceived as opponents to progress and civilization and, by inference, to Brazil's attempts to "whiten" itself. As a result there are major insights to be found here into Brazilians' self-image over the past century.   [brief]
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Title: Bread and authority in Russia, 1914-1921 
Author: Lih, Lars T
Published: University of California Press,  1990
Subjects: History | European History | Politics | Russian and Eastern European Studies
Publisher's Description: Between 1914 and 1921, Russia experienced a national crisis that destroyed the tsarist state and led to the establishment of the new Bolshevik order. During this period of war, revolution, and civil war, there was a food-supply crisis. Although Russia was one of the world's major grain exporters, the country was no longer capable of feeding its own people. The hunger of the urban workers increased the pace of revolutionary events in 1917 and 1918, and the food-supply policy during the civil war became the most detested symbol of the hardships imposed by the Bolsheviks.Focusing on this crisis, Lars Lih examines the fundamental process of political and social breakdown and reconstitution. He argues that this seven-year period is the key to understanding the Russian revolution and its aftermath. In 1921 the Bolsheviks rejected the food-supply policy established during the civil war; sixty-five years later, Mikhail Gorbachev made this change of policy a symbol of perestroika. Since then, more attention has been given both in the West and in the Soviet Union to the early years of the revolution as one source of the tragedies of Stalinist oppression.Lih's argument is based on a great variety of source material - archives, memoirs, novels, political rhetoric, pamphlets, and propoganda posters. His new study will be read with profit by all who are interested in the drama of the Russian revolution, the roots of both Stalinism and anti-Stalin reform, and more generally in a new way of understanding the effects of social and political breakdown.   [brief]
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Title: The snow lion and the dragon: China, Tibet, and the Dalai Lama 
Author: Goldstein, Melvyn C
Published: University of California Press,  1997
Subjects: History | Politics | Asian History | China | Cultural Anthropology | Tibet
Publisher's Description: Tensions over the "Tibet Question" - the political status of Tibet - are escalating every day. The Dalai Lama has gained broad international sympathy in his appeals for autonomy from China, yet the Chinese government maintains a hard-line position against it. What is the history of the conflict? Can the two sides come to an acceptable compromise? In this thoughtful analysis, distinguished professor and longtime Tibet analyst Melvyn C. Goldstein presents a balanced and accessible view of the conflict and a proposal for the future.Tibet's political fortunes have undergone numerous vicissitudes since the fifth Dalai Lama first ascended to political power in Tibet in 1642. In this century, a forty-year period of de facto independence following the fall of the Qing dynasty in 1911 ended abruptly when the Chinese Communists forcibly incorporated Tibet into their new state and began the series of changes that destroyed much of Tibet's traditional social, cultural, and economic system. After the death of Mao in 1976, the rise to power of Deng Xiaoping quickly produced a change in attitude in Beijing and a major initiative to negotiate with the Dalai Lama to solve the conflict. This failed. With the death of Deng Xiaoping, the future of Tibet is more uncertain than ever, and Goldstein argues that the conflict could easily erupt into violence.Drawing upon his deep knowledge of the Tibetan culture and people, Goldstein takes us through the history of Tibet, concentrating on the political and cultural negotiations over the status of Tibet from the turn of the century to the present. He describes the role of Tibet in Chinese politics, the feeble and conflicting responses of foreign governments, overtures and rebuffs on both sides, and the nationalistic emotions that are inextricably entwined in the political debate. Ultimately, he presents a plan for a reasoned compromise, identifying key aspects of the conflict and appealing to the United States to play an active diplomatic role. Clearly written and carefully argued, this book will become the definitive source for anyone seeking an understanding of the Tibet Question during this dangerous turning point in its turbulent history.   [brief]
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