Title: Even in Sweden: racisms, racialized spaces, and the popular geographical imagination
Author: Pred, Allan Richard 1936-
Published: University of California Press,  2000
Subjects: Geography | Ecology | Consumerism | Urban Studies | Anthropology
Publisher's Description: Allan Pred writes compellingly about the reawakening of racism throughout Europe at the end of the twentieth century - even in Sweden, a country widely regarded as the very model of social justice and equality. Many thousands of non-European and Muslim immigrants and refugees who took advantage of Sweden's generous immigration policies now find themselves the object of discrimination and worse. Through the cascading juxtaposition of many voices, including his own, Pred describes the intensifying cultural racism of the 1990s, the proliferation of negative ethnic stereotypes, and the spatial segregation of the non-Swedish. He quotes the newspaper Dagens Nyheter: "It is high time that Sweden reconsider its self-image as the stronghold of tolerance" (July 21, 1998), and analyzes the strategies that allow people to maintain that self-image. Perhaps the greatest strength of Even in Sweden is that Pred gives to the social consequences of global economic restructuring some very specific faces and places and a multitude of expressions of human will, both ill and good.   [brief]
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Title: Strategies for learning: small-group activities in American, Japanese, and Swedish industry 
Author: Cole, Robert E
Published: University of California Press,  1991
Subjects: Sociology | Technology and Society | Japan | Economics and Business
Publisher's Description: How do firms become motivated to adopt small-group activities such as quality circles and self-managing teams? How do they acquire expertise in these activities? Noted sociologist and management expert Robert E. Cole addresses these issues through an examination of small-group activities in the Unit . . . [more]
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Title: Religious nationalism: Hindus and Muslims in India
Author: Veer, Peter van der
Published: University of California Press,  1994
Subjects: Anthropology | Cultural Anthropology | Hinduism | South Asia
Publisher's Description: Religious nationalism is a subject of critical importance in much of the world today. Peter van der Veer's timely study on the relationship between religion and politics in India goes well beyond other books on this subject. He brings together several disciplines - anthropology, history, social theory, literary studies - to show how Indian religious identities have been shaped by pilgrimage, migration, language development, and more recently, print and visual media.Van der Veer's central focus is the lengthy dispute over the Babari mosque in Ayodhya, site of a bloody confrontation between Hindus and Muslims in December 1992. A thought-provoking range of other examples describes the historical construction of religious identities: cow protection societies and Sufi tombs, purdah and the political appropriation of images of the female body, Salman Rushdie and the role of the novel in nationalism, Mahatma Gandhi and Swami Vivekananda, the Khalsa movement among Sikhs, and nationalist archaeology and the televised Ramayana .Van der Veer offers a new perspective on the importance of religious organization and the role of ritual in the formation of nationalism. His work advances our understanding of contemporary India while also offering significant theoretical insights into one of the most troubling issues of this century.   [brief]
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Title: China's new nationalism: pride, politics, and diplomacy
Author: Gries, Peter Hays 1967-
Published: University of California Press,  2004
Subjects: Politics | Asian Studies | China | International Relations
Publisher's Description: Three American missiles hit the Chinese embassy in Belgrade, and what Americans view as an appalling and tragic mistake, many Chinese see as a "barbaric" and intentional "criminal act," the latest in a long series of Western aggressions against China. In this book, Peter Hays Gries explores the roles of perception and sentiment in the growth of popular nationalism in China. At a time when the direction of China's foreign and domestic policies have profound ramifications worldwide, Gries offers a rare, in-depth look at the nature of China's new nationalism, particularly as it involves Sino-American and Sino-Japanese relations - two bilateral relations that carry extraordinary implications for peace and stability in the twenty-first century. Through recent Chinese books and magazines, movies, television shows, posters, and cartoons, Gries traces the emergence of this new nationalism. Anti-Western sentiment, once created and encouraged by China's ruling PRC, has been taken up independently by a new generation of Chinese. Deeply rooted in narratives about past "humiliations" at the hands of the West and impassioned notions of Chinese identity, popular nationalism is now undermining the Communist Party's monopoly on political discourse, threatening the regime's stability. As readable as it is closely researched and reasoned, this timely book analyzes the impact that popular nationalism will have on twenty-first century China and the world.   [brief]
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Title: Divided loyalties: nationalism and mass politics in Syria at the close of Empire
Author: Gelvin, James L 1951-
Published: University of California Press,  1999
Subjects: History | Middle Eastern Studies | Middle Eastern History | Politics
Publisher's Description: James L. Gelvin brings a new and distinctive perspective to the perennially fascinating topic of nationalism in the Arab Middle East. Unlike previous historians who have focused on the activities and ideas of a small group of elites, Gelvin details the role played by non-elites in nationalist politics during the early part of the twentieth century. Drawing from previously untapped sources, he documents the appearance of a new form of political organization - the popular committee - that sprang up in cities and villages throughout greater Syria in the immediate aftermath of the First World War. These committees empowered a new type of nationalist leadership, made nationalist politics a mass phenomenon for the first time, and articulated a view of nation and nationalism that continues to inform the politics of the region today.Gelvin does more than recount an episode in the history of nationalism in the Arab Middle East. His examination of leaflets, graffiti, speeches, rumors, and editorials offers fresh insights into the symbolic construction of national communities. His analysis of ceremonies - national celebrations, demonstrations, theater - contributes to our understanding of the emergence of mass politics. By situating his study within a broader historical context, Gelvin has written a book that will be of interest to all who wish to understand nationalism in the region and beyond.   [brief]
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Title: The new Cold War?: religious nationalism confronts the secular state
Author: Juergensmeyer, Mark
Published: University of California Press,  1993
Subjects: Politics | Asian Studies | Religion | Social Problems | Middle Eastern Studies | South Asia
Publisher's Description: Will the religious confrontations with secular authorities around the world lead to a new Cold War? Mark Juergensmeyer paints a provocative picture of the new religious revolutionaries altering the political landscape in the Middle East, South Asia, Central Asia, and Eastern Europe. Impassioned Muslim leaders in Egypt, Palestine, and Algeria, political rabbis in Israel, militant Sikhs in India, and triumphant Catholic clergy in Eastern Europe are all players in Juergensmeyer's study of the explosive growth of religious movements that decisively reject Western ideas of secular nationalism.Juergensmeyer revises our notions of religious revolutions. Instead of viewing religious nationalists as wild-eyed, anti-American fanatics, he reveals them as modern activists pursuing a legitimate form of politics. He explores the positive role religion can play in the political life of modern nations, even while acknowledging some religious nationalists' proclivity to violence and disregard of Western notions of human rights. Finally, he situates the growth of religious nationalism in the context of the political malaise of the modern West. Noting that the synthesis of traditional religion and secular nationalism yields a religious version of the modern nation-state, Juergensmeyer claims that such a political entity could conceivably embrace democratic values and human rights.   [brief]
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Title: The comparative imagination: on the history of racism, nationalism, and social movements 
Author: Fredrickson, George M 1934-
Published: University of California Press,  1997
Subjects: History | United States History
Publisher's Description: In this collection of essays, an eminent American historian of race relations discusses issues central to our understanding of the history of racism, the role of racism, and the possibilites for justice in contemporary society. George M. Fredrickson provides an eloquent and vigorous examination of race relations in the United States and South Africa and at the same time illuminates the emerging field of comparative history - history that is explicitly cross-cultural in its comparisons of nations, eras, or social structures. Taken together, these thought-provoking, accessible essays - several never before published - bring new precision and depth to our understanding of racism and justice, both historically and for society today.The first group of essays in The Comparative Imagination summarizes and evaluates the cross-national comparative history written in the past fifty years. These essays pay particular attention to comparative work on slavery and race relations, frontiers, nation-building and the growth of modern welfare states, and class and gender relations. The second group of essays represents some of Fredrickson's own explorations into the cross-cultural study of race and racism. Included are new essays covering such topics as the theoretical and cross-cultural meaning of racism, the problem of race in liberal thought, and the complex relationship between racism and state-based nationalism. The third group contains Fredrickson's recent work on anti-racist and black liberation movements in the United States and South Africa, especially in the period since World War II.In addition, Fredrickson's provocative introduction breaks significant new intellectual ground, outlining a justification for the methods of comparative history in light of such contemporary intellectual trends as the revival of narrative history and the predominance of postmodern thought.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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Title: Performance artists talking in the eighties: sex, food, money/fame, ritual/death
Author: Montano, Linda 1942-
Published: University of California Press,  2001
Subjects: Art | Art History | Cinema and Performance Arts
Publisher's Description: Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.   [brief]
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Title: Remembering the present: painting and popular history in Zaire
Author: Fabian, Johannes
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Art | African History | Politics | African Studies
Publisher's Description: This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition.During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.   [brief]
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Title: Singular women: writing the artist 
Author: Frederickson, Kristen 1965-
Published: University of California Press,  2003
Subjects: Art | Art History | Art Criticism | Art Theory | Women's Studies
Publisher's Description: In this groundbreaking volume, contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers.   [brief]
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Title: Poets on painters: essays on the art of painting by Twentieth-century poets
Author: McClatchy, J. D 1945-
Published: University of California Press,  1989
Subjects: Literature | Art | Poetry | Art History
Publisher's Description: What are poets looking at , looking for , when they walk into a room of pictures? Poets on Painters attempts to answer this question by bringing together, for the first time, essays by modern American and British poets about painting. The poets bring to their task a fresh eye and a freshened languag . . . [more]
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Title: The Manchurian myth: nationalism, resistance and collaboration in modern China
Author: Mitter, Rana 1969-
Published: University of California Press,  2000
Subjects: History | China | Japan
Publisher's Description: A powerful element in twentieth-century Chinese politics has been the myth of Chinese resistance to Japan's seizure of Manchuria in 1931. Investigating the shifting alliances of key players in that event, Rana Mitter traces the development of the narrative of resistance to the occupation and shows how it became part of China's political consciousness, enduring even today. After Japan's September 1931 military strike leading to a takeover of the Northeast, the Chinese responded in three major ways: collaboration, resistance in exile, and resistance on the ground. What motives prompted some Chinese to collaborate, others to resist? What were conditions like under the Japanese? Through careful reading of Chinese and Japanese sources, particularly local government records, newspapers, and journals published both inside and outside occupied Manchuria, Mitter sheds important new light on these questions.   [brief]
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Title: Three artists (three women): modernism and the art of Hesse, Krasner, and O'Keeffe
Author: Wagner, Anne Middleton 1949-
Published: University of California Press,  1996
Subjects: Art | Art History | Women's Studies
Publisher's Description: This original and sharply obser-vant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women - the main element linking the three - is as much the index of difference among their art and experience as it is a passkey to what they share.   [brief]
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Title: A translucent mirror: history and identity in Qing imperial ideology
Author: Crossley, Pamela Kyle
Published: University of California Press,  2000
Subjects: History | China | Asian History
Publisher's Description: In this landmark exploration of the origins of nationalism and cultural identity in China, Pamela Kyle Crossley traces the ways in which a large, early modern empire of Eurasia, the Qing (1636-1912), incorporated neighboring, but disparate, political traditions into a new style of emperorship. Drawing on a wide variety of primary sources, including Manchu, Korean, and Chinese archival materials, Crossley argues that distortions introduced in seventeenth- and eighteenth-century historical records have blinded scholars to the actual course of events in the early years of the dynasty. This groundbreaking study examines the relationship between the increasingly abstract ideology of the centralizing emperorship of the Qing and the establishment of concepts of identity in the seventeenth and eighteenth centuries, before the advent of nationalism in China.Concluding with a broad-ranging postscript on the implications of her research for studies of nationalism and nation-building throughout modern Chinese history, A Translucent Mirror combines a readable narrative with a sophisticated, revisionary look at China's history. Crossley's book will alter current understandings of the Qing emperorship, the evolution of concepts of ethnicity, and the legacy of Qing rule for modern Chinese nationalism.   [brief]
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Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
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Title: The French Revolution as blasphemy: Johan Zoffany's paintings of the massacre at Paris, August 10, 1792
Author: Pressly, William L 1944-
Published: University of California Press,  1999
Subjects: Art | Art History | European History | French Studies
Publisher's Description: William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792 , and Celebrating over the Bodies of the Swiss Soldiers , both painted in about 1794, represent events that helped turn the English against the Revolution.Pressly places both paintings in their historical context - a time of heightened anti-French hysteria - and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format.Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.   [brief]
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Title: Art and artists of twentieth-century China
Author: Sullivan, Michael 1916-
Published: University of California Press,  1996
Subjects: Art | Art History | China
Publisher's Description: This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text.Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea - shocking in ethnocentric China - that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history.Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book - richly documented and abundantly illustrated - is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.   [brief]
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Title: Lovis Corinth 
Author: Uhr, Horst 1934-
Published: University of California Press,  1990
Subjects: Art | Art History
Publisher's Description: This splendid and generously illustrated monograph by Horst Uhr is the first comprehensive study of one of the great individualists in the history of art. Lovis Corinth (1858-1925) has long been recognized as a major figure in German painting, along with Emile Nolde and Max Beckmann. Spanning a tremendously fertile period in European painting, his astonishingly productive career touched on major currents of art in his time, from the nineteenth-century academic tradition to Naturalism, Impressionism, and Expressionism. Corinth was accomplished in several media, including painting, drawing, and watercolor. After his death in 1925 virtually every major German city held its own memorial exhibition.Professor Uhr draws on the artist's own diaries and letters, observations by his family, and writings by contemporaries to construct a detailed narrative which places Corinth's deeply autobiographical and personal work in the context of turn-of-the-century art politics in Munich and Berlin. Corinth is seen in relation both to contemporary cultural figures, such as artists, critics, and dealers, and to the theater, the Jugendstil movement, the Berlin Secession, and the Nietzsche cult in Germany. Corinth's themes in combination with powerful use of color and bold application of paint distinguish him as a modern master.   [brief]
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Title: Peasant and nation: the making of postcolonial Mexico and Peru
Author: Mallon, Florencia E 1951-
Published: University of California Press,  1995
Subjects: History | Latin American History | Anthropology | Latin American Studies
Publisher's Description: Peasant and Nation offers a major new statement on the making of national politics. Comparing the popular political cultures and discourses of postcolonial Mexico and Peru, Florencia Mallon provides a groundbreaking analysis of their effect on the evolution of these nation states. As political history from a variety of subaltern perspectives, the book takes seriously the history of peasant thought and action and the complexity of community politics. It reveals the hierarchy and the heroism, the solidarity and the surveillance, the exploitation and the reciprocity, that coexist in popular political struggle.With this book Mallon not only forges a new path for Latin American history but challenges the very concept of nationalism. Placing it squarely within the struggles for power between colonized and colonizing peoples, she argues that nationalism must be seen not as an integrated ideology that puts the interest of the nation above all other loyalties, but as a project for collective identity over which many political groups and coalitions have struggled. Ambitious and bold, Peasant and Nation both draws on monumental archival research in two countries and enters into spirited dialogue with the literatures of post-colonial studies, gender studies, and peasant studies.   [brief]
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