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1. cover
Title: Homosexuality in Greece and Rome: a sourcebook of basic documents
Author: Hubbard, Thomas K
Published: University of California Press,  2003
Subjects: Gender Studies | Classics | GayLesbian and Bisexual Studies
Publisher's Description: The most important primary texts on homosexuality in ancient Greece and Rome are translated into modern, explicit English and collected together for the first time in this comprehensive sourcebook. Covering an extensive period - from the earliest Greek texts in the late seventh century b.c.e. to Greco-Roman texts of the third and fourth centuries c.e. - the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but highly relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence. These fluently translated texts, together with Thomas K. Hubbard's valuable introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today. The material is organized by period and by genre, allowing readers to consider chronological developments in both Greece and Rome. Individual texts each are presented with a short introduction contextualizing them by date and, where necessary, discussing their place within a larger work. Chapter introductions discuss questions of genre and the ideological significance of the texts, while Hubbard's general introduction to the volume addresses issues such as sexual orientation in antiquity, moral judgments, class and ideology, and lesbianism. With its broad, unexpurgated, and thoroughly informed presentation, this unique anthology gives an essential perspective on homosexuality in classical antiquity.   [brief]
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2. cover
Title: The art of living: Socratic reflections from Plato to Foucault
Author: Nehamas, Alexander 1946-
Published: University of California Press,  1998
Subjects: Classics | Classical Philosophy | Classical Literature and Language | Philosophy | Social and Political Thought | Literature
Publisher's Description: For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.Why does each of these philosophers - each fundamentally concerned with his own originality - return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him.This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself.   [brief]
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3. cover
Title: Making modern mothers: ethics and family planning in urban Greece
Author: Paxson, Heather 1968-
Published: University of California Press,  2004
Subjects: Gender Studies | Sociology | Anthropology | Anthropology
Publisher's Description: In Greece, women speak of mothering as "within the nature" of a woman. But this durable association of motherhood with femininity exists in tension with the highest incidence of abortion and one of the lowest fertility rates in Europe. In this setting, how do women think of themselves as proper individuals, mothers, and Greek citizens? In this anthropological study of reproductive politics and ethics in Athens, Greece, Heather Paxson tracks the effects of increasing consumerism and imported biomedical family planning methods, showing how women's "nature" is being transformed to meet crosscutting claims of the contemporary world. Locating profound ambivalence in people's ethical evaluations of gender and fertility control, Paxson offers a far-reaching analysis of conflicting assumptions about what it takes to be a good mother and a good woman in modern Greece, where assertions of cultural tradition unfold against a backdrop of European Union integration, economic struggle, and national demographic anxiety over a falling birth rate.   [brief]
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4. cover
Title: Rome and the enemy: imperial strategy in the principate
Author: Mattern, Susan P 1966-
Published: University of California Press,  1999
Subjects: Classics | Classical History | Classical Politics | Classical Literature and Language | Military History | Ancient History
Publisher's Description: How did the Romans build and maintain one of the most powerful and stable empires in the history of the world? This illuminating book draws on the literature, especially the historiography, composed by the members of the elite who conducted Roman foreign affairs. From this evidence, Susan P. Mattern reevaluates the roots, motivations, and goals of Roman imperial foreign policy especially as that policy related to warfare. In a major reinterpretation of the sources, Rome and the Enemy shows that concepts of national honor, fierce competition for status, and revenge drove Roman foreign policy, and though different from the highly rationalizing strategies often attributed to the Romans, dictated patterns of response that remained consistent over centuries. Mattern reconstructs the world view of the Roman decision-makers, the emperors, and the elite from which they drew their advisers. She discusses Roman conceptions of geography, strategy, economics, and the influence of traditional Roman values on the conduct of military campaigns. She shows that these leaders were more strongly influenced by a traditional, stereotyped perception of the enemy and a drive to avenge insults to their national honor than by concepts of defensible borders. In fact, the desire to enforce an image of Roman power was a major policy goal behind many of their most brutal and aggressive campaigns. Rome and the Enemy provides a fascinating look into the Roman mind in addition to a compelling reexamination of Roman conceptions of warfare and national honor. The resulting picture creates a new understanding of Rome's long mastery of the Mediterranean world.   [brief]
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5. cover
Title: Imperial ideology and provincial loyalty in the Roman Empire
Author: Ando, Clifford 1969-
Published: University of California Press,  2000
Subjects: Classics | Classical History | Ancient History | Social Theory
Publisher's Description: The Roman empire remains unique. Although Rome claimed to rule the world, it did not. Rather, its uniqueness stems from the culture it created and the loyalty it inspired across an area that stretched from the Tyne to the Euphrates. Moreover, the empire created this culture with a bureaucracy smaller than that of a typical late-twentieth-century research university. In approaching this problem, Clifford Ando does not ask the ever-fashionable question, Why did the Roman empire fall? Rather, he asks, Why did the empire last so long? Imperial Ideology and Provincial Loyalty in the Roman Empire argues that the longevity of the empire rested not on Roman military power but on a gradually realized consensus that Roman rule was justified. This consensus was itself the product of a complex conversation between the central government and its far-flung peripheries. Ando investigates the mechanisms that sustained this conversation, explores its contribution to the legitimation of Roman power, and reveals as its product the provincial absorption of the forms and content of Roman political and legal discourse. Throughout, his sophisticated and subtle reading is informed by current thinking on social formation by theorists such as Max Weber, Jürgen Habermas, and Pierre Bourdieu.   [brief]
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6. cover
Title: Hegemony to empire: the development of the Roman Imperium in the East from 148 to 62 B.C online access is available to everyone
Author: Kallet-Marx, Robert Morstein
Published: University of California Press,  1996
Subjects: Classics | History | Ancient History
Publisher's Description: In one of the most important contributions to the study of Roman imperialism to appear in recent years, Robert Kallet-Marx argues for a less simplistic, more fluid understanding of the evolution of Roman power in the Balkans, Greece, and Asia Minor. He distinguishes between hegemony - the ability of the Romans to command obedience on the basis of a real or implied military threat - and the later phenomenon of empire, demonstrating that Roman imperium was not the result of the sudden imposition of geographically defined provinces or permanent armies. Rather, the integration of the Greek world into a Roman imperial system was a complex process of evolution requiring mutual adaptation by both Romans and Greeks.   [brief]
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7. cover
Title: Rome before Avignon: a social history of thirteenth-century Rome online access is available to everyone
Author: Brentano, Robert 1926-
Published: University of California Press,  1991
Subjects: History | European History | Medieval History | Religion | Medieval Studies
Publisher's Description: Robert Brentano evokes papal Rome in all its paradox and complicated brilliance. From a detailed re-creation of the physical "town" with its series of brick campanili and green and purple mosaic floors, to the intrigues of the great families, like the Orsini and Colonna, the reader is guided through complex and fascinating culture. Brentano's skill lies in his ability to combine the story of the vaulting ambition of the great families, only mildly tempered by their very real religious piety, with a vivid reconstruction of everyday life in postclassical Rome.   [brief]
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8. cover
Title: Victorian literature and the Victorian visual imagination online access is available to everyone
Author: Christ, Carol T
Published: University of California Press,  1995
Subjects: Literature | Art History | English Literature | Victorian History | Literary Theory and Criticism
Publisher's Description: Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period.   [brief]
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9. cover
Title: Roman honor: the fire in the bones
Author: Barton, Carlin A 1948-
Published: University of California Press,  2001
Subjects: Classics | Ancient History | Classical History | Classical Politics | Classical Religions | Comparative Literature
Publisher's Description: This book is an attempt to coax Roman history closer to the bone, to the breath and matter of the living being. Drawing from a remarkable array of ancient and modern sources, Carlin Barton offers the most complex understanding to date of the emotional and spiritual life of the ancient Romans. Her provocative and original inquiry focuses on the sentiments of honor that shaped the Romans' sense of themselves and their society. Speaking directly to the concerns and curiosities of the contemporary reader, Barton brings Roman society to life, elucidating the complex relation between the inner life of its citizens and its social fabric. Though thoroughly grounded in the ancient writings - especially the work of Seneca, Cicero, and Livy - this book also draws from contemporary theories of the self and social theory to deepen our understanding of ancient Rome. Barton explores the relation between inner desires and social behavior through an evocative analysis of the operation, in Roman society, of contests and ordeals, acts of supplication and confession, and the sense of shame. As she fleshes out Roman physical and psychological life, she particularly sheds new light on the consequential transition from republic to empire as a watershed of Roman social relations. Barton's ability to build productively on both old and new scholarship on Roman history, society, and culture and her imaginative use of a wide range of work in such fields as anthropology, sociology, psychology, modern history, and popular culture will make this book appealing for readers interested in many subjects. This beautifully written work not only generates insight into Roman history, but also uses that insight to bring us to a new understanding of ourselves, our modern codes of honor, and why it is that we think and act the way we do.   [brief]
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10. cover
Title: On Roman time: the codex-calendar of 354 and the rhythms of urban life in late antiquity
Author: Salzman, Michele Renee
Published: University of California Press,  1991
Subjects: Classics | Religion | Classical History
Publisher's Description: Because they list all the public holidays and pagan festivals of the age, calendars provide unique insights into the culture and everyday life of ancient Rome. The Codex-Calendar of 354 miraculously survived the Fall of Rome. Although it was subsequently lost, the copies made in the Renaissance remain invaluable documents of Roman society and religion in the years between Constantine's conversion and the fall of the Western Empire.In this richly illustrated book, Michele Renee Salzman establishes that the traditions of Roman art and literature were still very much alive in the mid-fourth century. Going beyond this analysis of precedents and genre, Salzman also studies the Calendar of 354 as a reflection of the world that produced and used it. Her work reveals the continuing importance of pagan festivals and cults in the Christian era and highlights the rise of a respectable aristocratic Christianity that combined pagan and Christian practices. Salzman stresses the key role of the Christian emperors and imperial institutions in supporting pagan rituals. Such policies of accomodation and assimilation resulted in a gradual and relatively peaceful transformation of Rome from a pagan to a Christian capital.   [brief]
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11. cover
Title: Myth, meaning, and memory on Roman sarcophagi online access is available to everyone
Author: Koortbojian, Michael
Published: University of California Press,  1995
Subjects: Classics | Art | Art History | Art and Architecture
Publisher's Description: Michael Koortbojian brings a novel approach to his study of the role of Greek mythology in Roman funerary art. He looks at two myths - Aphrodite and Adonis and Selene and Endymion - not only with respect to their appearance on Roman sarcophagi, but also with regard to the myths' significance in the greater fabric of Roman life. Moving beyond the examination of these sarcophagi as artistic achievements, he sets them in their broader historical and social contexts.Remembrance was an important factor in ancient social life and fueled the need for memorials. In helping us to understand the powerful allusions that Greek myths presented for the Romans, and the role of those allusions in preserving the memory of the dead, Koortbojian effectively widens our vision of the ancient world.   [brief]
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12. cover
Title: Apocalypse in Rome: Cola di Rienzo and the politics of the New Age
Author: Musto, Ronald G
Published: University of California Press,  2003
Subjects: History | European Studies | Medieval History | Medieval Studies | Autobiographies and Biographies | Classical Politics | Autobiographies and Biographies
Publisher's Description: On May 20, 1347, Cola di Rienzo overthrew without violence the turbulent rule of Rome's barons and the absentee popes. A young visionary and the best political speaker of his time, Cola promised Rome a return to its former greatness. Ronald G. Musto's vivid biography of this charismatic leader - whose exploits have enlivened the work of poets, composers, and dramatists, as well as historians - peels away centuries of interpretation to reveal the realities of fourteenth-century Italy and to offer a comprehensive account of Cola's rise and fall. A man of modest origins, Cola gained a reputation as a talented professional with an unparalleled knowledge of Rome's classical remains. After earning the respect and friendship of Petrarch and the sponsorship of Pope Clement VI, Cola won the affections and loyalties of all classes of Romans. His buono stato established the reputation of Rome as the heralded New Jerusalem of the Apocalypse and quickly made the city a potent diplomatic and religious center that challenged the authority - and power - of both pope and emperor. At the height of Cola's rule, a conspiracy of pope and barons forced him to flee the city and live for years as a fugitive until he was betrayed and taken to Avignon to stand trial as a heretic. Musto relates the dramatic story of Cola's subsequent exoneration and return to central Italy as an agent of the new pope. But only weeks after he reestablished his government, he was slain by the Romans atop the Capitoline hill. In his exploration, Musto examines every known document pertaining to Cola's life, including papal, private, and diplomatic correspondence rarely used by earlier historians. With his intimate knowledge of historical Rome - its streets and ruins, its churches and palaces, from the busy Tiber riverfront to the lost splendor of the Capitoline - he brings a cinematic flair to this fascinating historical narrative.   [brief]
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13. cover
Title: Warfare and agriculture in classical Greece
Author: Hanson, Victor Davis
Published: University of California Press,  1998
Subjects: Classics | Classical History | Military History | Ancient History | Classical Politics | Agriculture
Publisher's Description: The ancient Greeks were for the most part a rural, not an urban, society. And for much of the Classical period, war was more common than peace. Almost all accounts of ancient history assume that farming and fighting were critical events in the lives of the citizenry. Yet never before have we had a comprehensive modern study of the relationship between agriculture and warfare in the Greek world. In this completely revised edition of Warfare and Agriculture in Classical Greece , Victor Davis Hanson provides a systematic review of Greek agriculture and warfare and describes the relationship between these two important aspects of life in ancient communities. With careful attention to agronomic as well as military details, this well-written, thoroughly researched study reveals the remarkable resilience of those farmland communities.In the past, scholars have assumed that the agricultural infrastructure of ancient society was often ruined by attack, as, for example, Athens was relegated to poverty in the aftermath of the Persian and later Peloponnesian invasions. Hanson's study shows, however, that in reality attacks on agriculture rarely resulted in famines or permanent agrarian depression. Trees and vines are hard to destroy, and grainfields are only briefly vulnerable to torching. In addition, ancient armies were rather inefficient systematic ravagers and instead used other tactics, such as occupying their enemies' farms to incite infantry battle. Warfare and Agriculture in Classical Greece suggests that for all ancient societies, rural depression and desolation came about from more subtle phenomena - taxes, changes in political and social structure, and new cultural values - rather than from destructive warfare.   [brief]
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14. cover
Title: The houses of Roman Italy, 100 B.C.-A.D. 250: ritual, space, and decoration
Author: Clarke, John R 1945-
Published: University of California Press,  1992
Subjects: Classics | Art and Architecture | Architectural History | Art History
Publisher's Description: In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.   [brief]
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15. cover
Title: Final judgments: duty and emotion in Roman wills, 200 B.C.-A.D. 250
Author: Champlin, Edward 1948-
Published: University of California Press,  1991
Subjects: Classics | Ancient History
Publisher's Description: Freed from the familial and social obligations incumbent on the living, the Roman testator could craft his will to be a literal "last judgment" on family, friends, and society. The Romans were fascinated by the contents of wills, believing the will to be a mirror of the testator's true character and opinions. The wills offer us a unique view of the individual Roman testator's world. Just as classicists, ancient historians, and legal historians will find a mine of information here, the general reader will be fascinated by the book's lively recounting of last testaments.Who were the testators and what were their motives? Why do family, kin, servants, friends, and community all figure in the will, and how are they treated? What sort of afterlife did the Romans anticipate? By examining wills, the book sets several issues in a new light, offering new interpretations of, or new insights into, subjects as diverse as captatio (inheritance-seeking), the structure of the Roman family, the manumission of slaves, public philanthropy, the afterlife and the relation of subject to emperor.Champlin's principal argument is that a strongly felt "duty of testacy" informed and guided most Romans, a duty to reward or punish all who were important to them, a duty which led them to write their wills early in life and to revise them frequently.   [brief]
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16. cover
Title: The school of history: Athens in the age of Socrates
Author: Munn, Mark Henderson
Published: University of California Press,  2000
Subjects: Classics | Classical History | Ancient History | Classical Politics
Publisher's Description: History, political philosophy, and constitutional law were born in Athens in the space of a single generation--the generation that lived through the Peloponnesian War (431-404 b.c.e.). This remarkable age produced such luminaries as Socrates, Herodotus, Thucydides, Sophocles, Euripides, Aristophanes, and the sophists, and set the stage for the education and early careers of Plato and Xenophon, among others. The School of History provides the fullest and most detailed intellectual and political history available of Athens during the late fifth century b.c.e., as it examines the background, the context, and the decisive events shaping this society in the throes of war. This expansive, readable narrative ultimately leads to a new understanding of Athenian democratic culture, showing why and how it yielded such extraordinary intellectual productivity. As both a source and a subject, Thucydides' history of the Peloponnesian War is the central text around which the narrative and thematic issues of the book revolve. Munn re-evaluates the formation of the Greek historiographical tradition itself as he identifies the conditions that prompted Thucydides to write--specifically the historian's desire to guide the Athenian democracy as it struggled to comprehend its future. The School of History fully encompasses recent scholarship in history, literature, and archaeology. Munn's impressive mastery of the huge number of sources and publications informs his substantial contributions to our understanding of this democracy transformed by war. Immersing us fully in the intellectual foment of Athenian society, The School of History traces the history of Athens at the peak of its influence, both as a political and military power in its own time and as a source of intellectual inspiration for the centuries to come.   [brief]
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17. cover
Title: Looking at lovemaking: constructions of sexuality in Roman art, 100 B.C.-A.D. 250
Author: Clarke, John R 1945-
Published: University of California Press,  1998
Subjects: Art | Classics | Art and Architecture | Art History | History | Gender Studies
Publisher's Description: What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question - and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works - many newly discovered and previously unpublished - in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence.Roman artists pictured a great range of human sexual activities - far beyond those mentioned in classical literature - including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.   [brief]
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18. cover
Title: Spectacle and society in Livy's history online access is available to everyone
Author: Feldherr, Andrew 1963-
Published: University of California Press,  1998
Subjects: Classics | Classical Literature and Language | Classical History | Comparative Literature | Literature
Publisher's Description: Public spectacle - from the morning rituals of the Roman noble to triumphs and the shows of the Arena - formed a crucial component of the language of power in ancient Rome. The historian Livy (c. 60 B.C.E.-17 C.E.), who provides our fullest description of Rome's early history, presents his account of the growth of the Roman state itself as something to be seen - a visual monument and public spectacle. Through analysis of several episodes in Livy's History , Andrew Feldherr demonstrates the ways in which Livy uses specific visual imagery to make the reader not only an observer of certain key events in Roman history but also a participant in those events. This innovative study incorporates recent literary and cultural theory with detailed historical analysis to put an ancient text into dialogue with contemporary discussions of visual culture.In Spectacle and Society in Livy's History , Feldherr shows how Livy uses the literary representation of spectacles from the Roman past to construct a new sense of civic identity among his readers. He offers a new way of understanding how Livy's technique addressed the political and cultural needs of Roman citizens in Livy's day. In addition to renewing our understanding of Livy through modern scholarship, Feldherr provides a new assessment of the historian's aims and methods by asking what it means for the historian to make readers spectators of history.   [brief]
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19. cover
Title: Warriors into traders: the power of the market in early Greece
Author: Tandy, David W
Published: University of California Press,  1997
Subjects: Classics | Ancient History | Classical History | Economics and Business | Anthropology | Politics
Publisher's Description: The eighth century dawned on a Greek world that had remained substantially unchanged during the centuries of stagnation known as the Dark Age. This book is a study of the economic and cultural upheaval that shook mainland Greece and the Aegean area in the eighth century, and the role that poetry played in this upheaval. Using tools from political and economic anthropology, David Tandy argues that between about 800 and 700 B.C., a great transformation of dominant economic institutions took place involving wrenching adjustments in the way status and wealth were distributed within the Greek communities.Tandy explores the economic organization of preindustrial societies, both ancient and contemporary, to shed light on the Greek experience. He argues that the sudden shift in Greek economic formations led to new social behaviors and to new social structures such as the polis , itself a by-product of economic change. Unraveling the dialectic between the material record and epic poetry, Tandy shows that the epic tradition mirrored these new social behaviors and that it portrayed the stresses that economic change brought to the ancient Aegean world.Tandy brings in comparative evidence from other small-scale communities beset by changes, spotlighting the specific plight of one community, Ascra in Boeotia, on whose behalf Hesiod sang his Works and Days . The result is a lively, moving account of a human dilemma that, many centuries later, is all too familiar.   [brief]
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20. cover
Title: Contemplating the ancients: aesthetic and social issues in early Chinese portraiture online access is available to everyone
Author: Spiro, Audrey
Published: University of California Press,  1990
Subjects: Art | Architecture | China
Publisher's Description: Drawing on a wide variety of contemporaneous sources from Chinese history, literature, religious writings, and art and literary criticism, Spiro provides the modern reader with an aesthetic and social context for understanding early Chinese portraiture. Contemplating the Ancients introduces portraits that were never intended to be physical likenesses of their subjects and illuminates the meaning they held for the viewers for whom they were made.Spiro focusses on fourth- and fifth-century sets of almost identi- cal portraits of individuals known collectively in Chinese history as the Seven Worthies of the Bamboo Grove. Unlike the earlier Han dynasty portraits whose messages were universal, these exemplary portraits addressed a specific elitist audience. The subjects of these portraits served as idealized representations for a largely nouvel-arrivé aristocracy.Spiro examines the complex and sometimes ironic changes that occur when historical individuals are transformed by tradition into classical exemplars. She shows how the visual arts translate ideals of personal character into stylistic cues and how these cues, in turn, affect the values and behavior of human beings.   [brief]
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