Title: Greek athletics and the genesis of sport
Author: Sansone, David
Published: University of California Press,  1992
Subjects: Classics | Sports | Cultural Anthropology
Publisher's Description: How is sport in contemporary society related to sport in earlier civilizations? Why is the expenditure of energy involved in sport considered exhilarating, while the equivalent expenditure of energy in other contexts can be dispiriting? David Sansone offers answers to these questions and advances a revolutionary thesis to account for the widespread phenomenon of sport. Drawing upon ethnological findings to demonstrate the ritual character of sport, he explores the relationship between ancient Greek sport and sacrificial ritual and traces elements common to both back to primitive origins.   [brief]
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Title: Popular music and national culture in Israel
Author: Regev, Motti
Published: University of California Press,  2004
Subjects: Music | Ethnomusicology | Middle Eastern Studies | Popular Culture | Jewish Studies
Publisher's Description: A unique Israeli national culture - indeed, the very nature of "Israeliness" - remains a matter of debate, a struggle to blend vying memories and backgrounds, ideologies and wills. Identifying popular music as an important site in this wider cultural endeavor, this book focuses on the three major popular music cultures that are proving instrumental in attempts to invent Israeliness: the invented folk song repertoire known as Shirei Eretz Israel; the contemporary, global-cosmopolitan Israeli rock; and the ethnic-oriental musica mizrahit. The result is the first ever comprehensive study of popular music in Israel. Motti Regev, a sociologist, and Edwin Seroussi, an ethnomusicologist, approach their subject from alternative perspectives, producing a truly interdisciplinary, sociocultural account of music as a feature and a force in the shaping of Israeliness. A major ethnographic undertaking, describing and analyzing the particular history, characteristics, and practices of each music culture, Popular Music and National Culture in Israel maps not only the complex field of Israeli popular music but also Israeli culture in general.   [brief]
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Title: China's new voices: popular music, ethnicity, gender, and politics, 1978-1997
Author: Baranovitch, Nimrod 1965-
Published: University of California Press,  2003
Subjects: Music | China | Popular Music | Ethnomusicology | Politics | Gender Studies
Publisher's Description: This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there. Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music. keywords: Ethnicity   [brief]
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Title: Visual piety: a history and theory of popular religious images
Author: Morgan, David 1957-
Published: University of California Press,  1997
Subjects: Religion | Art
Publisher's Description: This fascinating study of devotional images traces their historical links to important strains of American culture. David Morgan demonstrates how popular visual images - from Warner Sallman's "Head of Christ" to velvet renditions of DaVinci's "Last Supper" to illustrations on prayer cards - have assumed central roles in contemporary American lives and communities.Morgan's history of popular religious images ranges from the late Middle Ages to the present day and analyzes what he calls "visual piety," or the belief that images convey. Rather than isolating popular icons from their social contexts or regarding them as merely illustrative of theological ideas, Morgan situates both Protestant and Catholic art within the domain of devotional practice, ritual, personal narrative, and the sacred space of the home. In addition, he examines how popular icons have been rooted in social concerns ranging from control of human passions to notions of gender, creedal orthodoxy, and friendship. Also discussed is the coupling of images with texts in the attempt to control meanings and to establish markers for one's community and belief. Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, Visual Piety is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life.   [brief]
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Title: Lives together/worlds apart: mothers and daughters in popular culture 
Author: Walters, Suzanna Danuta
Published: University of California Press,  1992
Subjects: Gender Studies | Popular Culture | American Studies | Gender Studies | Women's Studies
Publisher's Description: In the 1940s film Now, Voyager, Bette Davis plays a daughter struggling against her mother's stifling repression. Nearly fifty years later, in the Hollywood saga Postcards from the Edge , Shirley MacLaine, as a neglectful and bossy mother, inflicts untold psychological pain on her daughter, played by Meryl Streep. These dramas of conflict and the ambivalent struggle for separation have been central to popular images of mothers and daughters in the last half-century in the U.S. Walters boldly challenges these dichotomies and proposes an innovative and multilayered understanding of the cultural construction of the mother/daughter relationship.In a discussion of popular media ranging from themes of maternal martyrdom to maternal malevolence, Walters shows that since World War II, mainstream culture has generally represented the mother/daughter relationship as one of never-ending conflict and thus promoted an "ideology of separation" as necessary to the daughter's emancipation and maturity. This ideological move is placed in a social context of the anti-woman backlash of the early post-war period and the renewed anti-feminism of the Reagan and Bush years.Walters uses exceptions to mainstream imagery-films such as A Tree Grows in Brooklyn , television shows like "Maude," novels like The Joy Luck Club -to offer evidence of alternative traditions and paradigms. Timely and vividly argued, Lives Together/Worlds Apart makes a brilliant contribution to discussions of popular culture and feminism.   [brief]
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Title: Popular theater and society in Tsarist Russia
Author: Swift, Eugene Anthony
Published: University of California Press,  2002
Subjects: History | European History | Russian and Eastern European Studies | Popular Culture | European Literature | European Studies
Publisher's Description: This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters - the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.   [brief]
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Title: American sensations: class, empire, and the production of popular culture 
Author: Streeby, Shelley 1963-
Published: University of California Press,  2002
Subjects: American Studies | American Literature | Californian and Western History | Popular Culture
Publisher's Description: This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature. This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States.   [brief]
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Title: Pulp surrealism: insolent popular culture in early twentieth-century Paris
Author: Walz, Robin 1957-
Published: University of California Press,  2000
Subjects: History | French Studies | Comparative Literature
Publisher's Description: In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. Pulp Surrealism weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement. Pulp Surrealism presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's Le paysan de Paris, one of the great surrealist novels of Paris. He goes on to consider the popular series of Fantômes crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and the surrealist inquiry "Is Suicide a Solution?", which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs). Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.   [brief]
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Title: Arete: Greek sports from ancient sources
Author: Miller, Stephen G. (Stephen Gaylord) 1942-
Published: University of California Press,  2004
Subjects: Classics | Ancient History | Sports
Publisher's Description: From the informal games of Homer's time to the highly organized contests of the Roman world, Miller has compileda trove of ancient sources: Plutarch on boxing, Aristotle on the pentathlon, Philostratos on the buying and selling of victories, Vitruvius on literary competitions, and Xenophon on female body building. With nearly 50 percent more texts than the highly successful second edition, this new version of Arete offers readers an absorbing lesson in the culture of Greek athletics from the greatest of teachers, the ancients themselves, and demonstrates that the concepts of virtue, skill, pride, valor, and nobility embedded in the word arete are only part of the story from antiquity.   [brief]
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Title: Mass mediations: new approaches to popular culture in the Middle East and beyond 
Author: Armbrust, Walter
Published: University of California Press,  2000
Subjects: Middle Eastern Studies | Anthropology | Cultural Anthropology | Media Studies | Music | Cinema and Performance Arts
Publisher's Description: Offering a stimulating diversity of perspectives, this collection examines how popular culture through mass media defines the scale and character of social interaction in the Middle East. The contributors approach popular culture broadly, with an interest in how it creates new scales of communication and new dimensions of identity that affect economics, politics, aesthetics, and performance. Reflected in these essays is the fact that mass media are as ubiquitous in Cairo and Karachi as in Los Angeles and Detroit. From Persian popular music in Beverly Hills to Egyptians' reaction to a recent film on Gamal Abdel Nasser; from postmodern Turkish novels to the music of an Israeli transsexual singer, the essays illustrate the multiple contexts of modern cultural production. The unfolding of modernity in colonial and postcolonial societies has been little analyzed until now. In addressing transnational aspects of Middle Eastern societies, the contributors also challenge conventional assumptions about the region and its relation to the West. The volume will have wide appeal both to Middle Eastern scholars and to readers interested in global and cultural studies.   [brief]
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Title: Arete: Greek sports from ancient sources
Author: Miller, Stephen G
Published: University of California Press,  1991
Subjects: Classics | Classical Literature and Language | History | Ancient History | Sports
Publisher's Description: From the informal games of Homer's time to the highly organized contests of the Roman world, Miller has compiled a trove of ancient sources - Plutarch on boxing, Aristotle on the pentathlon, Philostratos on clay dust as an anti-perspirant and on the buying and selling of victories, Vitruvius on literary competitions, Xenophon on female body building. With fully twice as many texts as the highly successful first edition, this new version of Arete offers readers an absorbing lesson in the culture of Greek athletics from the greatest of teachers - the ancients themselves.These sources, which Miller himself has translated, provide unparalleled insights into ancient athletic practices and competitive festivals. They emphasize the fundamental role of athletics in education and shed light on such issues as the role of women in athletics and the politics and economics of the games. Ultimately they demonstrate that the concepts of virtue, skill, pride, valor, and nobility embedded in the word arete and so closely associated in the modern mind with Greek athletics are only part of the story from antiquity.   [brief]
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Title: The trouble with nature: sex in science and popular culture
Author: Lancaster, Roger N
Published: University of California Press,  2003
Subjects: American Studies | Anthropology | Gender Studies | Popular Culture | GayLesbian and Bisexual Studies | Science | Sociology
Publisher's Description: Roger N. Lancaster provides the definitive rebuttal of evolutionary just-so stories about men, women, and the nature of desire in this spirited exposé of the heterosexual fables that pervade popular culture, from prime-time sitcoms to scientific theories about the so-called gay gene. Lancaster links the recent resurgence of biological explanations for gender norms, sexual desires, and human nature in general with the current pitched battles over sexual politics. Ideas about a "hardwired" and immutable human nature are circulating at a pivotal moment in human history, he argues, one in which dramatic changes in gender roles and an unprecedented normalization of lesbian and gay relationships are challenging received notions and commonly held convictions on every front. The Trouble with Nature takes on major media sources - the New York Times, Newsweek - and widely ballyhooed scientific studies and ideas to show how journalists, scientists, and others invoke the rhetoric of science to support political positions in the absence of any real evidence. Lancaster also provides a novel and dramatic analysis of the social, historical, and political backdrop for changing discourses on "nature," including an incisive critique of the failures of queer theory to understand the social conflicts of the moment. By showing how reductivist explanations for sexual orientation lean on essentialist ideas about gender, Lancaster invites us to think more deeply and creatively about human acts and social relations.   [brief]
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Title: Takarazuka: sexual politics and popular culture in modern Japan
Author: Robertson, Jennifer Ellen
Published: University of California Press,  1998
Subjects: Anthropology | Japan | Cultural Anthropology | GayLesbian and Bisexual Studies | Women's Studies | Theatre | Popular Culture
Publisher's Description: The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.   [brief]
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Title: The feminine sublime: gender and excess in women's fiction 
Author: Freeman, Barbara Claire
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."   [brief]
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Title: Absent lord: ascetics and kings in a Jain ritual culture 
Author: Babb, Lawrence A
Published: University of California Press,  1996
Subjects: Religion | Asian Studies | Anthropology
Publisher's Description: What does it mean to worship beings that one believes are completely indifferent to, and entirely beyond the reach of, any form of worship whatsoever? How would such a relationship with sacred beings affect the religious life of a community? Using these questions as his point of departure, Lawrence A. Babb explores the ritual culture of image-worshipping Svetambar Jains of the western Indian states of Gujarat and Rajasthan.Jainism traces its lineages back to the ninth century B.C.E. and is, along with Buddhism, the only surviving example of India's ancient non-Vedic religious traditions. It is known and celebrated for its systematic practice of non-violence and for the intense rigor of the asceticism it promotes. A unique aspect of Babb's study is his linking of the Jain tradition to the social identity of existing Jain communities.Babb concludes by showing that Jain ritual culture can be seen as a variation on pan-Indian ritual patterns. In illuminating this little-known religious tradition, he demonstrates that divine "absence" can be as rich as divine "presence" in its possibilities for informing a religious response to the cosmos.   [brief]
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Title: The rhetoric of confession: shishōsetsu in early twentieth-century Japanese fiction 
Author: Fowler, Edward
Published: University of California Press,  1988
Subjects: Literature | Japan | Literary Theory and Criticism | Asian Literature
Publisher's Description: The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu , and discusses its linguisti . . . [more]
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Title: The Lioness in bloom: modern Thai fiction about women
Author: Kepner, Susan Fulop 1941-
Published: University of California Press,  1996
Subjects: Literature | Asian Literature | Fiction | Southeast Asia | Women's Studies
Publisher's Description: Kepner's selection shows the many ways fiction has mirrored the lives of Thai women over the twentieth century. The spectrum is broad, encompassing the young and the old, the rural and the cosmopolitan, the privileged and the poor. Some writers address previously unacceptable themes: female sexuality, spousal abuse, gender oppression. Others display a scintillating sense of humor. They touch on many themes - injustice, the heartlessness of society, loneliness, the difficult choices that life presents. Susan Kepner's lyrical, faithful translations preserve the tenor and resonances of these voices, many of which will be heard for the first time by English-speaking readers.   [brief]
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Title: Remembering the present: painting and popular history in Zaire
Author: Fabian, Johannes
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Art | African History | Politics | African Studies
Publisher's Description: This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition.During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.   [brief]
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Title: Workers against work: labor in Paris and Barcelona during the popular fronts 
Author: Seidman, Michael (Michael M.)
Published: University of California Press,  1990
Subjects: History | European History | Social Science | French Studies | Labor Studies
Publisher's Description: Why did a revolution occur in Spain and not in France in 1936? This is the key question Michael Seidman explores in his important new study of the relations between industrial capitalists and working-class movements in the early part of this century. In a comparative analysis of Paris during the Popular Front and Barcelona during the Spanish Revolution, Seidman examines the strengths and weaknesses of the bourgeoisie in these two cities and traces workers' resistance to, and acceptance of, work. His emphasis on the continuing refusal to work challenges the dominant views of labor historiography and contributes to a general theory of revolutionary workers' control.Seidman illuminates three crucial issues that have broad implications for the history of the twentieth century. His comparative approach delineates the nature of class confrontation in societies with different kinds of bourgeoisies or capitalist elites. He also shows how the differences between these elites affected the labor movements in France and Spain, and he demonstrates how rank-and-file workers actually responded to the revolutionary situation in Barcelona and to the advent of the reformist government in Paris.A social history of acceptance and rejection of work, this book offers a new conceptualization of wage earners and a critique of work itself.   [brief]
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Title: The limits of realism: Chinese fiction in the revolutionary period 
Author: Anderson, Marston
Published: University of California Press,  1990
Subjects: Literature | Asian Literature
Publisher's Description: Chinese intellectuals of the early twentieth century were attracted to realism primarily as a tool for social regeneration. Realism encouraged writers to adopt the stance of the independent cultural critic and drew into the compass of serious literature the disenfranchised "others" of Chinese society. As historical pressures forced new ideological commitments in the late twenties and thirties, however, writers grew suspicious both of the "individualism" implicit in the realist model and of the often superficial nature of the sympathies that their fiction evoked in the middle class. Anderson argues that realism must be defined negatively as a "discourse of limitations" and is of minimal utility in the Chinese search for political and cultural empowerment. He shows how hesitations about the realist model affect the fiction of four representative authors, Lu Xun, Ye Shaojun, Mao Dun, and Zhang Tianyi. He also considers the demise of critical realism in the face of a new collectivist understanding of Chinese reality.   [brief]
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