Title: Picturing Chinatown: art and orientalism in San Francisco
Author: Lee, Anthony W 1960-
Published: University of California Press,  2001
Subjects: Art | California and the West | Asian American Studies | Photography | Art History
Publisher's Description: This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art history and the social and political history of San Francisco, this vividly detailed study unravels the complex cultural encounter that occurred between the women and men living in Chinatown and the artists who walked its streets, observed its commerce, and visited its nightclubs. Artistic representations of San Francisco's Chinatown include the work of some of the city's most gifted artists, among them the photographers Laura Adams Armer, Arnold Genthe, Dorothea Lange, Eadweard Muybridge, and Carleton Watkins and the painters Edwin Deakin, Yun Gee, Theodore Wores, and the members of the Chinese Revolutionary Artists' Club. Looking at the work of these artists and many others, Anthony Lee shows how their experiences in the district helped encourage, and even structured, some of their most ambitious experiments with brush and lens. In addition to discussing important developments in modern art history, Lee highlights the social and political context behind these striking images. He demonstrates the value of seeing paintings and photographs as cultural documents, and in so doing, opens a fascinating new perspective on San Francisco's Chinatown.   [brief]
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Title: City for sale: the transformation of San Francisco
Author: Hartman, Chester W
Published: University of California Press,  2002
Subjects: Urban Studies | Californian and Western History | Politics | California and the West
Publisher's Description: San Francisco is perhaps the most exhilarating of all American cities--its beauty, cultural and political avant-gardism, and history are legendary, while its idiosyncrasies make front-page news. In this revised edition of his highly regarded study of San Francisco's economic and political development since the mid-1950s, Chester Hartman gives a detailed account of how the city has been transformed by the expansion--outward and upward--of its downtown. His story is fueled by a wide range of players and an astonishing array of events, from police storming the International Hotel to citizens forcing the midair termination of a freeway. Throughout, Hartman raises a troubling question: can San Francisco's unique qualities survive the changes that have altered the city's skyline, neighborhoods, and economy? Hartman was directly involved in many of the events he chronicles and thus had access to sources that might otherwise have been unavailable. A former activist with the National Housing Law Project, San Franciscans for Affordable Housing, and other neighborhood organizations, he explains how corporate San Francisco obtained the necessary cooperation of city and federal governments in undertaking massive redevelopment. He illustrates the rationale that produced BART, a subway system that serves upper-income suburbs but few of the city's poor neighborhoods, and cites the environmental effects of unrestrained highrise development, such as powerful wind tunnels and lack of sunshine. In describing the struggle to keep housing affordable in San Francisco and the seemingly intractable problem of homelessness, Hartman reveals the human face of the city's economic transformation.   [brief]
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Title: Unbound voices: a documentary history of Chinese women in San Francisco
Author: Yung, Judy
Published: University of California Press,  1999
Subjects: History | Asian American Studies | Women's Studies | California and the West | Californian and Western History | Social Science
Publisher's Description: Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents - letters, essays, poems, autobiographies, speeches, testimonials, and oral histories - detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II.The personal nature of these documents makes for compelling reading. We hear the voices of prostitutes and domestic slavegirls, immigrant wives of merchants, Christians and pagans, homemakers, and social activists alike. We read the stories of daughters who confronted cultural conflicts and racial discrimination; the myriad ways women coped with the Great Depression; and personal contributions to the causes of women's emancipation, Chinese nationalism, workers' rights, and World War II. The symphony of voices presented here lends immediacy and authenticity to our understanding of the Chinese American women's lives.This rich collection of women's stories also serves to demonstrate collective change over time as well as to highlight individual struggles for survival and advancement in both private and public spheres. An educational tool on researching and reclaiming women's history, Unbound Voices offers us a valuable lesson on how one group of women overcame the legacy of bound feet and bound lives in America. The selections are accompanied by photographs, with extensive introductions and annotation by Judy Yung, a noted authority on primary resources relating to the history of Chinese American women.   [brief]
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Title: Redefining Black film
Author: Reid, Mark (Mark A.)
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | African American Studies
Publisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks.Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community.In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces.Reid's innovative critical approach, which transcends the "black-image" language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.   [brief]
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Title: Wide-open town: a history of queer San Francisco to 1965
Author: Boyd, Nan Alamilla 1963-
Published: University of California Press,  2003
Subjects: American Studies | Anthropology | GayLesbian and Bisexual Studies | Ethnic Studies | United States History | Sociology | California and the West
Publisher's Description: Wide-Open Town traces the history of gay men and lesbians in San Francisco from the turn of the century, when queer bars emerged in San Francisco's tourist districts, to 1965, when a raid on a drag ball changed the course of queer history. Bringing to life the striking personalities and vibrant milieu that fueled this era, Nan Alamilla Boyd examines the culture that developed around the bar scene and homophile activism. She argues that the communities forged inside bars and taverns functioned politically and, ultimately, offered practical and ideological responses to the policing of San Francisco's queer and transgender communities. Using police and court records, oral histories, tourist literature, and manuscript collections from local and state archives, Nan Alamilla Boyd explains the phenomenal growth of San Francisco as a "wide-open town" - a town where anything goes. She also relates the early history of the gay and lesbian civil rights movement that took place in San Francisco prior to 1965. Wide-Open Town argues that police persecution forged debates about rights and justice that transformed San Francisco's queer communities into the identity-based groups we see today. In its vivid re-creation of bar and drag life, its absorbing portrait of central figures in the communities, and its provocative chronicling of this period in the country's most transgressive city, Wide-Open Town offers a fascinating and lively new chapter of American queer history.   [brief]
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Title: Verdi at the Golden Gate: opera and San Francisco in the Gold Rush years
Author: Martin, George Whitney
Published: University of California Press,  1993
Subjects: Music | History | Opera | Composers | American Studies | California and the West | European History
Publisher's Description: Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide. In the history of the United States there has never been a rougher town than Gold Rush San Francisco, yet there has never been a greater frenzy for opera than developed there in these exciting years.How did this madness for opera take root and grow? Why did the audience's generally drunken, brawling behavior gradually improve? How and why did Verdi emerge as the city's favorite composer? These are the intriguing themes of George Martin's enlightening and wonderfully entertaining story. Among the incidents recounted are the fist fight that stopped an opera performance and ended in a fatal duel; and the brothel madam who, by sitting in the wrong row of a theater, caused a fracas that resulted in the formation of the Vigilantes of 1856.Martin weaves together meticulously gathered social, political, and musical facts to create this lively cultural history. His study contributes to a new understanding of urban culture in the Jacksonian?Manifest Destiny eras, and of the role of opera in cities during this time, especially in the American West. Over it all soars Verdi's somber, romantic music, capturing the melancholy, the feverish joy, and the idealism of his listeners.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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Title: The development of Attic black-figure 
Author: Beazley, J. D. (John Davidson) 1885-1970
Published: University of California Press,  1986
Subjects: Classics | Art and Architecture
Publisher's Description: The eight lectures that comprise this edition were first delivered by John Davidson Beazley in 1949. They were published in 1951 and soon became a of classical study of ancient Greek vases. This revised edition includes many additional illustrations.
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Title: Black African cinema
Author: Ukadike, Nwachukwu Frank
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film
Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa.Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties.Clearly written and accessible to specialist and general reader alike, Black African Cinema 's analysis of key films and issues - the most comprehensive in English - is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.   [brief]
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Title: A nation of empire: the Ottoman legacy of Turkish modernity 
Author: Meeker, Michael E
Published: University of California Press,  2002
Subjects: Anthropology | Middle Eastern Studies | Cultural Anthropology | Middle Eastern History
Publisher's Description: This innovative study of modern Turkey is the result of many years of ethnographic fieldwork and archival research. Michael Meeker expertly combines anthropological and historical methods to examine the transition from the Ottoman Empire to the Turkish Republic in a major region of the country, the eastern Black Sea coast. His most significant finding is that a state-oriented provincial oligarchy played a key role in successive programs of reform over the course of more than two hundred years of imperial and national history. As Meeker demonstrates, leading individuals backed by interpersonal networks determined the outcome of the modernizing process, first during the westernizing period of the Empire, then during the revolutionary period of the Republic.To understand how such a state-oriented provincial oligarchy was produced and reproduced along the eastern Black Sea coast, Meeker integrates a contemporary ethnographic study of public life in towns and villages with a historical study of official documents, consular reports, and travel narratives. A Nation of Empire provides anthropologists, historians, and students of Eastern Europe and the Middle East with a new understanding of the complexities and contradictions of modern Turkish experience.   [brief]
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Title: Race and the invisible hand: how white networks exclude black men from blue-collar jobs
Author: Royster, Deirdre A. (Deirdre Alexia) 1966-
Published: University of California Press,  2003
Subjects: Sociology | American Studies | Anthropology | Economics and Business | Urban Studies | Public Policy | African American Studies | Urban Studies | Public Policy
Publisher's Description: From the time of Booker T. Washington to today, and William Julius Wilson, the advice dispensed to young black men has invariably been, "Get a trade." Deirdre Royster has put this folk wisdom to an empirical test - and, in Race and the Invisible Hand, exposes the subtleties and discrepancies of a workplace that favors the white job-seeker over the black. At the heart of this study is the question: Is there something about young black men that makes them less desirable as workers than their white peers? And if not, then why do black men trail white men in earnings and employment rates? Royster seeks an answer in the experiences of 25 black and 25 white men who graduated from the same vocational school and sought jobs in the same blue-collar labor market in the early 1990s. After seriously examining the educational performances, work ethics, and values of the black men for unique deficiencies, her study reveals the greatest difference between young black and white men - access to the kinds of contacts that really help in the job search and entry process.   [brief]
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Title: One of the children: gay black men in Harlem 
Author: Hawkeswood, William G d. 1992
Published: University of California Press,  1997
Subjects: Gender Studies | GayLesbian and Bisexual Studies | African American Studies | Cultural Anthropology
Publisher's Description: Gay black men, a thriving subculture of the black and gay communities, are doubly marginalized. Along with other black men, they are typically portrayed in the media and literature as "street corner men" - unemployed drifters, absentee fathers, substance abusers. In the larger gay community, they are an invisible minority. One of the Children , the first formal cultural study of gay black men in Harlem, not only illuminates this segment of America's gay population but presents a far richer, more diverse portrait of black men's lives than is commonly perceived.Based on two years' intensive research - during which the author lived in Harlem's gay community - including extensive interviews with fifty-seven community members, this book depicts gay black men's lives in all their social, economic, and cultural complexity. William Hawkeswood takes us from the street into the homes and lives of his subjects. He describes the elaborate network of friends, called "family," that supports these men emotionally and financially, and the community's two-tiered economic structure, comprising gay men and "boys," or hustlers.Hawkeswood also explores what it means for these men to be both gay and black. In the process, he makes the surprising discovery that while the AIDS virus looms all around them, it has not yet significantly affected the community of gay blacks who choose their sexual partners exclusively from among Harlem's other gay black men.   [brief]
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Title: Black workers remember: an oral history of segregation, unionism, and the freedom struggle
Author: Honey, Michael K
Published: University of California Press,  2000
Subjects: History | United States History | Labor Studies | African American Studies
Publisher's Description: The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. Spanning the 1930s to the present, Black Workers Remember tells the hidden history of African American workers in their own words. It provides striking firsthand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era. Together, the stories demonstrate how black workers resisted racial apartheid in American industry and underscore the active role of black working people in history.The individual stories are arranged thematically in chapters on labor organizing, Jim Crow in the workplace, police brutality, white union racism, and civil rights struggles. Taken together, the stories ask us to rethink the conventional understanding of the civil rights movement as one led by young people and preachers in the 1950s and 1960s. Instead, we see the freedom struggle as the product of generations of people, including workers who organized unions, resisted Jim Crow at work, and built up their families, churches, and communities. The collection also reveals the devastating impact that a globalizing capitalist economy has had on black communities and the importance of organizing the labor movement as an antidote to poverty.QQ Michael Honey gathered these oral histories for more than fifteen years. He weaves them together here into a rich collection reflecting many tragic dimensions of America's racial history while drawing new attention to the role of workers and poor people in African American and American history.   [brief]
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Title: Jewel of the desert: Japanese American internment at Topaz 
Author: Taylor, Sandra C
Published: University of California Press,  1993
Subjects: History | Californian and Western History | Asian American Studies | American Studies
Publisher's Description: In the spring of 1942, under the guise of "military necessity," the U.S. government evacuated 110,000 Japanese Americans from their homes on the West Coast. About 7,000 people from the San Francisco Bay Area - the vast majority of whom were American citizens - were moved to an assembly center at Tanforan Racetrack and then to a concentration camp in Topaz, Utah. Dubbed the "jewel of the desert," the camp remained in operation until October 1945. This compelling book tells the history of Japanese Americans of San Francisco and the Bay Area, and of their experiences of relocation and internment.Sandra C. Taylor first examines the lives of the Japanese Americans who settled in and around San Francisco near the end of the nineteenth century. As their numbers grew, so, too, did their sense of community. They were a people bound together not only by common values, history, and institutions, but also by their shared status as outsiders. Taylor looks particularly at how Japanese Americans kept their sense of community and self-worth alive in spite of the upheavals of internment.The author draws on interviews with fifty former Topaz residents, and on the archives of the War Relocation Authority and newspaper reports, to show how relocation and its aftermath shaped the lives of these Japanese Americans. Written at a time when the United States once again regards Japan as a threat, Taylor's study testifies to the ongoing effects of prejudice toward Americans whose face is also the face of "the enemy."   [brief]
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Title: Intensive care: a doctor's journal
Author: Murray, John F. (John Frederic) 1927-
Published: University of California Press,  2000
Subjects: Medicine | Aging
Publisher's Description: Intensive Care is an affecting view from the trenches, a seasoned doctor's minute-by-minute and day-by-day account of life in the Intensive Care Unit (ICU) of a major inner-city hospital, San Francisco General. John F. Murray, for many years Chief of the Pulmonary and Critical Care Division of the hospital and a Professor at the University of California, San Francisco, takes readers on his daily ward rounds, introducing them to the desperately ill patients he treats as well as to the young physicians and medical students who accompany him. Writing with compassion and knowledge accumulated over a long career, Murray presents the true stories of patients who show up with myriad disorders: asthma, cardiac failure, gastrointestinal diseases, complications due to AIDS, the effects of drug and alcohol abuse, emphysema. Readers will come away from this book with a comprehensive understanding of what an ICU is, what it does, who gets admitted, and how doctors and nurses make decisions concerning life-threatening medical problems. Intensive care for critically ill patients is a new but well-established and growing branch of medicine. Estimates suggest that 15 to 20 percent of all hospitalized patients in the United States are treated in an intensive or coronary care unit during each hospital stay, so there is a real possibility that the reader will either be admitted to an ICU himself or herself or knows someone who will be. Murray not only offers a real-time account of the diagnosis, treatment, and progress of his patients over the course of one month but also conveys a wealth of information about various diseases and medical procedures in succinct and easy-to-understand terms. In addition, he elaborates on ethical dilemmas that he confronts on an almost daily basis: the extent of patient autonomy, the denial of ICU care, the withdrawal of life support, and physician-assisted suicide. Murray concludes that ICUs are doing their job, but they could be even better, cheaper, and--most important--more humane. His chronicle brings substance to a world known to most of us only through the fiction of television.   [brief]
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Title: Dateline Soweto: travels with black South African reporters 
Author: Finnegan, William
Published: University of California Press,  1995
Subjects: Media Studies | African Studies | Social Problems | Politics | African History
Publisher's Description: Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who - fearing government disapproval - may not print the stories these reporters risk their lives to get. William Finnegan revisited seve . . . [more]
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Title: Race music: black cultures from bebop to hip-hop
Author: Ramsey, Guthrie P
Published: University of California Press,  2003
Subjects: Music | American Music | American Studies | Popular Music | United States History | Ethnomusicology | African American Studies
Publisher's Description: This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism. Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct - possessing its own conventions, performance practices, and formal qualities - each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed. Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.   [brief]
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Title: Between Sundays: Black women and everyday struggles of faith
Author: Frederick, Marla Faye 1972-
Published: University of California Press,  2003
Subjects: Religion | African American Studies | Women's Studies | Politics | Anthropology | Christianity
Publisher's Description: To be a black woman of faith in the American South is to understand and experience spirituality in a particular way. How this understanding expresses itself in everyday practices of faith is the subject of Between Sundays, an innovative work that takes readers beyond common misconceptions and narrow assumptions about black religion and into the actual complexities of African American women's spiritual lives. Gracefully combining narrative, interviews, and analysis, this book explores the personal, political, and spiritual commitments of a group of Baptist women whose experiences have been informed by the realities of life in a rural, southern community. In these lives, "spirituality" emerges as a space for creative agency, of vital importance to the ways in which these women interpret, inform, and reshape their social conditions--conditions often characterized by limited access to job opportunities, health care, and equitable schooling. In the words of these women, and in Marla F. Frederick's deft analysis, we see how spirituality - expressed as gratitude, empathy, or righteous discontent - operates as a transformative power in women's interactions with others, and in their own more intimate renegotiations of self.   [brief]
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Title: The comparative imagination: on the history of racism, nationalism, and social movements 
Author: Fredrickson, George M 1934-
Published: University of California Press,  1997
Subjects: History | United States History
Publisher's Description: In this collection of essays, an eminent American historian of race relations discusses issues central to our understanding of the history of racism, the role of racism, and the possibilites for justice in contemporary society. George M. Fredrickson provides an eloquent and vigorous examination of race relations in the United States and South Africa and at the same time illuminates the emerging field of comparative history - history that is explicitly cross-cultural in its comparisons of nations, eras, or social structures. Taken together, these thought-provoking, accessible essays - several never before published - bring new precision and depth to our understanding of racism and justice, both historically and for society today.The first group of essays in The Comparative Imagination summarizes and evaluates the cross-national comparative history written in the past fifty years. These essays pay particular attention to comparative work on slavery and race relations, frontiers, nation-building and the growth of modern welfare states, and class and gender relations. The second group of essays represents some of Fredrickson's own explorations into the cross-cultural study of race and racism. Included are new essays covering such topics as the theoretical and cross-cultural meaning of racism, the problem of race in liberal thought, and the complex relationship between racism and state-based nationalism. The third group contains Fredrickson's recent work on anti-racist and black liberation movements in the United States and South Africa, especially in the period since World War II.In addition, Fredrickson's provocative introduction breaks significant new intellectual ground, outlining a justification for the methods of comparative history in light of such contemporary intellectual trends as the revival of narrative history and the predominance of postmodern thought.   [brief]
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Title: The white scourge: Mexicans, Blacks, and poor whites in Texas cotton culture
Author: Foley, Neil
Published: University of California Press,  1998
Subjects: History | Ethnic Studies | American Studies
Publisher's Description: In a book that fundamentally challenges our understanding of race in the United States, Neil Foley unravels the complex history of ethnicity in the cotton culture of central Texas. This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations.In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared.Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience.   [brief]
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