Title: Struggle and survival in the modern Middle East
Author: Burke, Edmund 1940-
Published: University of California Press,  1993
Subjects: History | Middle Eastern History | Middle Eastern Studies | Autobiographies and Biographies
Publisher's Description: Until now, we have known very little of the lives of ordinary Middle Eastern men and women, despite extensive research on the modern Middle East. With this collection of essays, the life stories of peasants, villagers, pastoralists, and urbanites can finally be heard - no more will our view of the Middle East be seen only over the shoulders of the elite.These twenty-four biographies are drawn from the entire Middle East - from Morocco to Afghanistan - and provide vantage points from which to understand modern Middle Eastern history "from the bottom up." Spanning the past 150 years and reflecting important transformations, the stories challenge elite-centered accounts of what has occurred in the Middle East and illuminate hidden corners of a largely unrecorded world.The essays, divided chronologically, provide a comprehensive framework for those unfamiliar with Middle Eastern social history. "Pre-Colonial Lives" covers the period from 1850 until World War I, "Colonial Lives" chronicles the beginning of European rule, and "Contemporary Lives" relates the massive changes of the postwar era. Through them, we see how specific ecologies, ways of life, ethnic, class and gender situations can shape individual human action.   [brief]
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Title: Between memory and desire: the Middle East in a troubled age
Author: Humphreys, R. Stephen
Published: University of California Press,  1999
Subjects: Middle Eastern Studies | Politics | Islam | Middle Eastern History
Publisher's Description: Middle Easterners today are caught between memories of the past and frustrated hopes for the future. They struggle to find solutions to crises of economic stagnation, political gridlock, and cultural identity. In recent decades Islam has become central to this struggle, and almost every issue involves fierce, sometimes violent debates over the role of religion in public life. R. Stephen Humphreys's new book presents a much-needed and thoughtful analysis of Islam's place in today's Middle East. In clear, accessible language, he integrates the medieval and modern history of the region to show how the sacred and secular are tightly interwoven in its political and intellectual life. Humphreys discusses the conflicts over power and resources that engage Middle Eastern politicians and looks at the major ideologies that have shaped these conflicts. He focuses on the impact of Islam on public life and examines Muslim ways of thinking about the "secular" versus the "religious." What values does Islam put into play? What challenges does it pose to "ordinary" politics? What resources does it bring to the struggle for social justice? Humphreys recognizes the Western tendency to dismiss Middle Eastern politics as an incoherent tale of violence and fanaticism, and his book is especially valuable for its analysis of the deeper issues behind the headlines. These issues include the region's apparent inability to evolve democratic institutions, conflicts rooted in the peace settlements after World War I, and the unresolved debates over which cultural and moral values should drive Middle Eastern policy. Between Memory and Desire reminds us that Middle Easterners remember the past in specific ways: the shame of the colonial era; the disappointments since independence; and the glory of the Middle Ages, when Muslim achievements were respected throughout the world. Even if these memories are only partially true, in defining the past, they also define what the future ought to be.   [brief]
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Title: War, institutions, and social change in the Middle East 
Author: Heydemann, Steven
Published: University of California Press,  2000
Subjects: Politics | Middle Eastern Studies | Middle Eastern History | Postcolonial Studies | Cultural Anthropology
Publisher's Description: Few areas of the world have been as profoundly shaped by war as the Middle East in the twentieth century. Despite the prominence of war-making in this region, there has been surprisingly little research investigating the effects of war as a social and political process in the Middle East. To fill this gap, War, Institutions, and Social Change in the Middle East brings together an international and interdisciplinary group of scholars who explore the role of war preparation and war-making on the formation and transformation of states and societies in the contemporary Middle East. Their findings pose significant challenges to widely accepted assumptions and present new theoretical starting points for the study of war and the state in the contemporary developing world. Heydemann's collaborators include political scientists, historians, anthropologists, and sociologists from the Middle East, Europe, and the United States. Their essays are both theoretically sophisticated and empirically rich, covering topics such as the effects of World War II on state-market relations in Syria and Egypt, the role of war in the rise of the Palestine Liberation Organization, the political economy of Lebanese militias, and the effects of the 1967 war on state and social institutions in Israel. The volume originated as a research planning project of the Joint Committee on the Near and Middle East of the Social Science Research Council.   [brief]
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Title: Political Islam: essays from Middle East report
Author: Beinin, Joel 1948-
Published: University of California Press,  1996
Subjects: Politics | Middle Eastern Studies | Middle Eastern History | Islam
Publisher's Description: The essays and case studies collected here - featuring some of the best material from Middle East Report over the past decade as well as much original material - challenge the facile generalizations about what Western media and political establishments usually call "Islamic fundamentalism." The authors demonstrate the complexity of these movements and offer complementary and contrasting interpretations of their origins and significance. The material included covers a broad range of themes - including democracy and civil society, gender relations and popular culture - as they have emerged in countries throughout the Middle East and North Africa.   [brief]
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Title: Black African cinema
Author: Ukadike, Nwachukwu Frank
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film
Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa.Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties.Clearly written and accessible to specialist and general reader alike, Black African Cinema 's analysis of key films and issues - the most comprehensive in English - is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.   [brief]
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Title: Mass mediations: new approaches to popular culture in the Middle East and beyond 
Author: Armbrust, Walter
Published: University of California Press,  2000
Subjects: Middle Eastern Studies | Anthropology | Cultural Anthropology | Media Studies | Music | Cinema and Performance Arts
Publisher's Description: Offering a stimulating diversity of perspectives, this collection examines how popular culture through mass media defines the scale and character of social interaction in the Middle East. The contributors approach popular culture broadly, with an interest in how it creates new scales of communication and new dimensions of identity that affect economics, politics, aesthetics, and performance. Reflected in these essays is the fact that mass media are as ubiquitous in Cairo and Karachi as in Los Angeles and Detroit. From Persian popular music in Beverly Hills to Egyptians' reaction to a recent film on Gamal Abdel Nasser; from postmodern Turkish novels to the music of an Israeli transsexual singer, the essays illustrate the multiple contexts of modern cultural production. The unfolding of modernity in colonial and postcolonial societies has been little analyzed until now. In addressing transnational aspects of Middle Eastern societies, the contributors also challenge conventional assumptions about the region and its relation to the West. The volume will have wide appeal both to Middle Eastern scholars and to readers interested in global and cultural studies.   [brief]
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Title: Epic encounters: culture, media, and U.S. interests in the Middle East, 1945-2000
Author: McAlister, Melani 1962-
Published: University of California Press,  2001
Subjects: American Studies | United States History | Middle Eastern History | Popular Culture | Middle Eastern Studies | Ethnic Studies | Religion
Publisher's Description: In the last half of the twentieth century, cultural products--from films and news reports to museum exhibits and novels--profoundly shaped ideas about the relationship between Americans and the Middle East. In this innovative book, Melani McAlister explores the cultural history of political interests, arguing that U.S. encounters with the Middle East were influenced by both the presence of oil and the religious symbolism of the region. McAlister's richly textured study shows how culture functions as a social and historical force in shaping politics and identity. She skillfully weaves lively and accessible readings of popular culture with a rigorous analysis of U.S. foreign policy and the domestic politics of race. McAlister begins by situating the postwar development of U.S.-Middle East relations, including the rise of anticolonialism and the establishment of the state of Israel. Subsequent chapters consider specific events and cultural texts such as the epic film The Ten Commandments, the King Tut museum exhibit, writings from the Black arts movement, the U.S.-Iranian hostage crisis, and the 1990-1991 Gulf War. In each of these cases, McAlister demonstrates how representations of the Middle East have been a site of struggle over both the nature of U.S. foreign policy and the construction of race, religion, and gender within the United States. Truly interdisciplinary, this work will appeal to a wide audience as it illuminates the significant intersection of culture and politics that is at the heart of both nationalism and globalization.   [brief]
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Title: Tribes and state formation in the Middle East
Author: Khoury, Philip S. (Philip Shukry) 1949-
Published: University of California Press,  1991
Subjects: History | Middle Eastern History | Middle Eastern Studies | Politics
Publisher's Description: Tribes and State Formation is the first effort to bring together the disciplines of history, anthropology, and political science around a major topic that none of these alone is adequately equipped to address. How and why did certain tribal societies metamorphose over time into states? Scholars concerned with general questions of theory and methodology and the interaction of anthropology and history, as well as political scientists and sociologists concerned with concepts of the state in the Middle East and other developing regions, will be well served by this innovative work.The articles by an array of distinguished scholars cover a wide range of topics: the relationship of ideology to tribal and state power, comparisons between different regional patterns of tribe-state interaction, historical case studies from North Africa, the Arabian Peninsula, and Iran extending to the contemporary period; theoretical and methodological inquiries, and systematic reviews of the literature on tribes and states. The articles argue against a unilinear approach to the study of tribes and state formation by emphasizing that states often existed alongside tribes and even created tribes for their own purposes. Some case studies emphasize the incompatibility of states and tribalism, while others illustrate the many areas in which tribes actually enhanced rather than impeded state formation.   [brief]
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Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema.   [brief]
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Title: The new German cinema: music, history, and the matter of style 
Author: Flinn, Caryl
Published: University of California Press,  2003
Subjects: Cinema and Performance Arts | German Studies | Music
Publisher's Description: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity - national, political, personal, and sexual - music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference - including that embodied in Germany's difficult history - rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.   [brief]
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Title: A critical cinema 3: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film
Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando , in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten . A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.   [brief]
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Title: Inventing home: emigration, gender, and the middle class in Lebanon, 1870-1920 
Author: Khater, Akram Fouad 1960-
Published: University of California Press,  2001
Subjects: History | Middle Eastern History | Women's Studies | Sociology | Middle Eastern Studies
Publisher's Description: Between 1890 and 1920 over one-third of the peasants of Mount Lebanon left their villages and traveled to the Americas. This book traces the journeys of these villagers from the ranks of the peasantry into a middle class of their own making. Inventing Home delves into the stories of these travels, shedding much needed light on the impact of emigration and immigration in the development of modernity. It focuses on a critical period in the social history of Lebanon--the "long peace" between the uprising of 1860 and the beginning of the French mandate in 1920. The book explores in depth the phenomena of return emigration, the questioning and changing of gender roles, and the rise of the middle class. Exploring new areas in the history of Lebanon, Inventing Home asks how new notions of gender, family, and class were articulated and how a local "modernity" was invented in the process.Akram Khater maps the jagged and uncertain paths that the fellahin from Mount Lebanon carved through time and space in their attempt to control their future and their destinies. His study offers a significant contribution to the literature on the Middle East, as well as a new perspective on women and on gender issues in the context of developing modernity in the region.   [brief]
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Title: Buñuel and Mexico: the crisis of national cinema
Author: Acevedo-Muñoz, Ernesto R 1968-
Published: University of California Press,  2003
Subjects: Cinema and Performance Arts | Latin American History | Latin American Studies
Publisher's Description: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only English-language study of Buñuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to fill a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films - made between 1947 and 1965 - within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the Classical Mexican cinema of the 1930s through the 1950s and the "new" Cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.   [brief]
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Title: A critical cinema 2: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.   [brief]
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Title: The ciné goes to town: French cinema, 1896-1914
Author: Abel, Richard 1941-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular Culture
Publisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents.
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Title: Window shopping: cinema and the postmodern
Author: Friedberg, Anne
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | Popular Culture | Women's Studies
Publisher's Description: Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences - photography, urban strolling, panorama and diorama entertainments - anticipate contemporary pleasures provided by cinema, video, shopping malls, and emerging "virtual reality" technologies.Comparing the visual practices of shopping, tourism, and film-viewing, Friedberg identifies the experience of "virtual" mobility through time and space as a key determinant of postmodern cultural identity. Evaluating the theories of Jameson, Lyotard, Baudrillard, and others, she adds critical insights about the role of gender and gender mobility in the configurations of consumer culture.A strikingly original work, Window Shopping challenges many of the existing assumptions about what exactly post modern is. This book marks the emergence of a compelling new voice in the study of contemporary culture.   [brief]
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Title: The red rooster scare: making cinema American, 1900-1910
Author: Abel, Richard 1941-
Published: University of California Press,  1999
Subjects: Cinema and Performance Arts | Cultural Anthropology | Sociology
Publisher's Description: Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons.Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathé's Red Rooster films came to be defined as dangerously "foreign" and "alien" and even "feminine" (especially in relation to "American" subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American. The Red Rooster Scare offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.   [brief]
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Title: The making of the English middle class: business, society, and family life in London, 1660-1730 
Author: Earle, Peter 1937-
Published: University of California Press,  1989
Subjects: History
Publisher's Description: This is the first major study of a neglected yet extremely significant subject: the London middle classes in the period between 1660 and 1730, a period in which they created a society and economy that can be seen with hindsight to have ushered in the modern world. Using a wealth of material from contemporary sources - including wills, business papers, inventories, marriage contracts, divorce hearings, and the writings of Daniel Defoe and Samuel Pepys - Peter Earle presents a fully rounded picture of the "middling sort of people," getting to the hearts of their lives as men and women struggling for success in the biggest, richest, and most middle-class city in contemporary Europe.He examines in fascinating and convincing detail the business life of Londoners, from apprenticeship through the problems and potential rewards of different occupational groups, going on to look at middle-class family, social, political and material life - from relationships with spouses, children, servants, and neighbors, to food and clothes and furniture, to sickness, death, and burial.Stimulating, scholarly, and constantly illuminating, this book is an important and impressive contribution to English social history.   [brief]
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Title: Comedy/cinema/theory
Author: Horton, Andrew
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film
Publisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together.Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags.Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith , as well as the peculiar genre of cynical humor from Eastern Europe.As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.   [brief]
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Title: Cinema and the invention of modern life
Author: Charney, Leo
Published: University of California Press,  1996
Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular Culture
Publisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]
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