Title: The ultimate art: essays around and about opera 
Author: Littlejohn, David 1937-
Published: University of California Press,  1992
Subjects: Music | Opera
Publisher's Description: Anyone who cares about opera will find The Ultimate Art a thoroughly engaging book. David Littlejohn's essays are exciting, provocative, sometimes even outrageous. They reflect his deep love of opera - that exotic, extravagant, and perpetually popular hybrid performing art form - and his fascination with the many worlds from which it sprang.From its seventeenth-century beginnings, opera has been decried by its detractors for its elitism, its artifice, its absurd costliness, and its social irrelevance. But Littlejohn makes us see that opera embraces an extraordinary amount of intense human emotion and experience, Western culture, and individual psychology. It is also the most complex, challenging, and demanding form of public performance ever developed - at its most spectacular it pulls together in one evening a play, a concert, a ballet, and a pageant, not to mention an exhibition of painting and sculpture. Every opera is a veritable piece of cultural history.The book begins with "The Difference Is They Sing," a potentially controversial essay on the nature of opera and its place in modern culture. From there Littlejohn goes on to consider everything from "Sex and Religion in French Opera" to "What Peter Sellars Did to Mozart." He tells us about every major staging of Wagner's Ring cycle since 1876, the troubled fate (in legend, history, and opera) of the city of Nuremberg, and the volatile collaboration of Richard Strauss and Hugo von Hofmannsthal.Littlejohn presents these and many other fascinating moments in the history of opera with conviction and flair. By the end of the book the reader may very well be persuaded that opera is indeed the ultimate art.   [brief]
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Title: Opera in seventeenth-century Venice: the creation of a genre 
Author: Rosand, Ellen
Published: University of California Press,  1990
Subjects: Music | Musicology | Opera | European History
Publisher's Description: Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and economic environment of seventeenth-century Venice and there developed the stylistic and aesthetic characteristics we recognize as opera today. With ninety-one music examples, most of them complete pieces nowhere else in print, and enlivened by twenty-eight illustrations, this landmark study will be essential for all students of opera, amateur and professional, and for students of European cultural history in general.Because opera was new in the seventeenth century, the composers (most notably Monteverdi and Cavalli), librettists, impresarios, singers, and designers were especially aware of dealing with aesthetic issues as they worked. Rosand examines critically for the first time the voluminous literary and musical documentation left by the Venetian makers of opera. She determines how these pioneers viewed their art and explains the mechanics of the proliferation of opera, within only four decades, to stages across Europe. Rosand isolates two features of particular importance to this proliferation: the emergence of conventions - musical, dramatic, practical - that facilitated replication; and the acute self-consciousness of the creators who, in their scores, librettos, letters, and other documents, have left us a running commentary on the origins of a genre.   [brief]
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Title: Russian opera and the symbolist movement
Author: Morrison, Simon Alexander 1964-
Published: University of California Press,  2002
Subjects: Music | Opera | Musicology | Composers | Russian and Eastern European Studies | Literature
Publisher's Description: An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment. Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act. Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture.   [brief]
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Title: Verdi at the Golden Gate: opera and San Francisco in the Gold Rush years
Author: Martin, George Whitney
Published: University of California Press,  1993
Subjects: Music | History | Opera | Composers | American Studies | California and the West | European History
Publisher's Description: Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide. In the history of the United States there has never been a rougher town than Gold Rush San Francisco, yet there has never been a greater frenzy for opera than developed there in these exciting years.How did this madness for opera take root and grow? Why did the audience's generally drunken, brawling behavior gradually improve? How and why did Verdi emerge as the city's favorite composer? These are the intriguing themes of George Martin's enlightening and wonderfully entertaining story. Among the incidents recounted are the fist fight that stopped an opera performance and ended in a fatal duel; and the brothel madam who, by sitting in the wrong row of a theater, caused a fracas that resulted in the formation of the Vigilantes of 1856.Martin weaves together meticulously gathered social, political, and musical facts to create this lively cultural history. His study contributes to a new understanding of urban culture in the Jacksonian?Manifest Destiny eras, and of the role of opera in cities during this time, especially in the American West. Over it all soars Verdi's somber, romantic music, capturing the melancholy, the feverish joy, and the idealism of his listeners.   [brief]
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Title: Emblems of eloquence: opera and women's voices in seventeenth-century Venice
Author: Heller, Wendy Beth
Published: University of California Press,  2004
Subjects: Music | European Studies | Opera | Classical Music | Women's Studies | Classical Literature and Language | Renaissance History
Publisher's Description: Opera developed during a time when the position of women - their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality - was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts - by Ovid, Virgil, Tacitus, and Diodorus Siculus - form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).   [brief]
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Title: William Faulkner and the tangible past: the architecture of Yoknapatawpha 
Author: Hines, Thomas S
Published: University of California Press,  1997
Subjects: Architecture | Architectural History | Literature | American Literature | United States History
Publisher's Description: The world of William Faulkner is seen from a new perspective in Thomas Hines's imaginative and many-faceted study. Hines assesses the impact of the built environment on Faulkner's consciousness and shows how the architecture of the writer's fictional county of Yoknapatawpha reflects the actual architecture of Oxford, Mississippi, and neighboring areas. Over 110 distinctive photographs, in both color and black-and-white, beautifully complement the text, making this book both a reading and viewing pleasure.Much has been written on the role of nature in Faulkner's work, but architecture and the built environment - the opposite of nature - have been virtually ignored. Arguing that nature and architecture are of equal importance in Faulkner's cosmos, Hines examines the writer's use of architectural modes - primitive, classical, gothic, and modern - to demarcate caste and class, to convey mood and ambience, and to delineate character. Hines provides not only another way of understanding Faulkner's work but also a means of appreciating the power of architecture to reflect what Faulkner called "the comedy and tragedy of being alive."Hines's gifts as an architectural historian and photographer and his intimate knowledge of Faulkner country are evident throughout this handsome book. Combining cultural, intellectual, architectural, and literary history, William Faulkner and the Tangible Past will take Faulkner lovers, as well as lovers of architecture, on a fascinating tour of Yoknapatawpha County.   [brief]
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Title: Translating property: the Maxwell Land Grant and the conflict over land in the American West, 1840-1900
Author: Montoya, María E 1964-
Published: University of California Press,  2002
Subjects: History | Californian and Western History | Law | Latino Studies | California and the West | California and the West
Publisher's Description: Although Mexico lost its northern territories to the United States in 1848, battles over property rights and ownership have remained intense. This turbulent, vividly narrated story of the Maxwell Land Grant, a single tract of 1.7 million acres in northeastern New Mexico, shows how contending groups reinterpret the meaning of property to uphold their conflicting claims to land. The Southwest has been and continues to be the scene of a collision between land regimes with radically different cultural conceptions of the land's purpose. We meet Jicarilla Apaches, whose identity is rooted in a sense of place; Mexican governors and hacienda patrons seeking status as New World feudal magnates; "rings" of greedy territorial politicians on the make; women finding their own way in a man's world; Anglo homesteaders looking for a place to settle in the American West; and Dutch investors in search of gargantuan returns on their capital. The European and American newcomers all "mistranslated" the prior property regimes into new rules, to their own advantage and the disadvantage of those who had lived on the land before them. Their efforts to control the Maxwell Land Grant by wrapping it in their own particular myths of law and custom inevitably led to conflict and even violence as cultures and legal regimes clashed.   [brief]
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Title: The listening composer
Author: Perle, George 1915-
Published: University of California Press,  1990
Subjects: Music | Contemporary Music | Composers
Publisher's Description: George Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music" - a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them.If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven.Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process.Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners.   [brief]
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Title: Wising up the marks: the modern William Burroughs 
Author: Murphy, Timothy S 1964-
Published: University of California Press,  1998
Subjects: Literature | American Studies | Literary Theory and Criticism | Philosophy
Publisher's Description: William S. Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Félix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs's writings arose.From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs's novels, films, and music hold a mirror to the American psyche. Murphy coins the term "amodernism" as a way to describe Burroughs's contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification. Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.   [brief]
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Title: Reflections of an American composer 
Author: Berger, Arthur 1912-
Published: University of California Press,  2002
Subjects: Music | American Music | Classical Music | Contemporary Music | Composers | Musicology
Publisher's Description: In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.   [brief]
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Title: One step from the White House: the rise and fall of Senator William F. Knowland 
Author: Montgomery, Gayle B 1934-
Published: University of California Press,  1998
Subjects: Politics | Autobiographies and Biographies | California and the West | Californian and Western History | American Studies | United States History
Publisher's Description: During the Cold War years of the 1950s, William F. Knowland was one of the most important figures in American politics. As the Republican leader of the U.S. Senate, the wealthy California newspaper heir was recognized and respected by millions. His influence with President Eisenhower led to Earl Warren's appointment as chief justice, and Knowland set in motion a U.S.-China policy that remains part of our international direction today. Yet he committed suicide in 1974, following a personal decline that included political humiliation, a ruined marriage, and the loss of his family fortune.This is the first full-scale biography of Bill Knowland, written by two journalists who came to know him after he left Washington in 1958. Gayle B. Montgomery was a political editor at the Oakland Tribune , the newspaper owned by Knowland's father, the power-wielding Joseph R. Knowland. James W. Johnson was a Tribune editorial writer. Both men worked with Knowland when he returned to the newspaper after giving up his Senate seat in a failed bid to become governor of California. Knowland lost the governorship race to Edmund G. (Pat) Brown; had he won, many observers felt Knowland would have had a clear shot at the White House.This is a book not only about Mr. Republican, but also one that illuminates the strengths and deficiencies of Republican party politics during the years when the party was at its zenith. In portraying the life of Bill Knowland, the authors cast a glaring light both on the machinations of political power and on the Republican establishment's aspirations in the Warren-Eisenhower era.   [brief]
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Title: William Mulholland and the rise of Los Angeles
Author: Mulholland, Catherine 1923-
Published: University of California Press,  2000
Subjects: History | California and the West | Californian and Western History | Autobiographies and Biographies
Publisher's Description: William Mulholland presided over the creation of a water system that forever changed the course of southern California's history. Mulholland, a self-taught engineer, was the chief architect of the Owens Valley Aqueduct - a project ranking in magnitude and daring with the Panama Canal - that brought water to semi-arid Los Angeles from the lush Owens Valley. The story of Los Angeles's quest for water is both famous and notorious: it has been the subject of the classic yet historically distorted movie Chinatown, as well as many other accounts. This first full-length biography of Mulholland challenges many of the prevailing versions of his life story and sheds new light on the history of Los Angeles and its relationship with its most prized resource: water. Catherine Mulholland, the engineer's granddaughter, provides insights into this story that family familiarity affords, and adds to our historical understanding with extensive primary research in sources such as Mulholland's recently uncovered office files, newspapers, and Department of Water and Power archives. She scrutinizes Mulholland's life - from his childhood in Ireland to his triumphant completion of the Owens Valley Aqueduct to the tragedy that ended his career. This vivid portrait of a rich chapter in the history of Los Angeles is enhanced with a generous selection of previously unpublished photographs. Los Angeles Times Best Nonfiction Book of 2000   [brief]
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Title: Beethoven and the construction of genius: musical politics in Vienna, 1792-1803
Author: DeNora, Tia 1958-
Published: University of California Press,  1996
Subjects: Music | History | Sociology | Composers | European History
Publisher's Description: In this provocative account Tia DeNora reconceptualizes the notion of genius by placing the life and career of Ludwig van Beethoven in its social context. She explores the changing musical world of late eighteenth-century Vienna and follows the activities of the small circle of aristocratic patrons who paved the way for the composer's success.DeNora reconstructs the development of Beethoven's reputation as she recreates Vienna's robust musical scene through contemporary accounts, letters, magazines, and myths - a colorful picture of changing times. She explores the ways Beethoven was seen by his contemporaries and the image crafted by his supporters. Comparing Beethoven to contemporary rivals now largely forgotten, DeNora reveals a figure musically innovative and complex, as well as a keen self-promoter who adroitly managed his own celebrity.DeNora contends that the recognition Beethoven received was as much a social achievement as it was the result of his personal gifts. In contemplating the political and social implications of culture, DeNora casts many aspects of Beethoven's biography in a new and different light, enriching our understanding of his success as a performer and composer.   [brief]
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Title: Driven into paradise: the musical migration from Nazi Germany to the United States
Author: Brinkmann, Reinhold 1934-
Published: University of California Press,  1999
Subjects: Music | American Music | Composers | Musicology | European History | United States History
Publisher's Description: The forced migration of artists and scholars from Nazi Germany is a compelling and often wrenching story. The story is twofold, of impoverishment for the countries the musicians left behind and enrichment for the United States. The latter is the focus of this eminent collection, which approaches the subject from diverse perspectives, including documentary-style newspaper accounts and an exploration of Walt Whitman's poetry in the work of Paul Hindemith and Kurt Weill.The flood of musical migration from Germany and Austria from 1933 to 1944 had a lasting impact. Hundreds of musicians and musicologists came to the United States and remained here, and the shaping power of their talents is incalculable. Several essays provide firsthand insights into aspects of American cultural history to which these émigrés made essential contributions as conductors, professors, and composers; other essays tell of the traumatic experience of being exiled and the difficulties of finding one's way in a foreign country. While the migration infused the U.S. with a distinctly European musical awareness, at the same time the status and authority of its participants tended to intervene in the development of a genuinely American cultural voice. The story of the unprecedented migration that resulted from Nazism has many dimensions, and Driven Into Paradise illuminates them in deeply human terms.   [brief]
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Title: Music drama at the Paris Odéon, 1824-1828
Author: Everist, Mark
Published: University of California Press,  2002
Subjects: Music | Musicology | Opera | French Studies | European History
Publisher's Description: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.   [brief]
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Title: A heart at fire's center: the life and music of Bernard Herrmann
Author: Smith, Steven C
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Contemporary Music | Composers
Publisher's Description: No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact.From his first film ( Citizen Kane ) to his last ( Taxi Driver ), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ( Fahrenheit 451 , The Day the Earth Stood Still ) to the romantic ( Obsession , The Ghost and Mrs. Muir ) to the terrifying ( Psycho ).Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre of the Air and The War of the Worlds . His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony.Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored - a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love.   [brief]
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Title: Stravinsky and the Rite of spring: the beginnings of a musical language 
Author: Van den Toorn, Pieter C 1938-
Published: University of California Press,  1987
Subjects: Music | Composers
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Title: A magic still dwells: comparative religion in the postmodern age
Author: Patton, Kimberley C. (Kimberley Christine) 1958-
Published: University of California Press,  2000
Subjects: Religion | Comparative Religions
Publisher's Description: The first thorough assessment of the field of comparative religion in forty years, this groundbreaking volume surmounts the seemingly intractable division between postmodern scholars who reject the comparative endeavor and those who affirm it. The contributors demonstrate that a broader vision of religion, involving different scales of comparison for different purposes, is both justifiable and necessary. A Magic Still Dwells brings together leading historians of religions from a wide range of backgrounds and vantage points, and draws from traditions as diverse as Indo-European mythology, ancient Greek religion, Judaism, Buddhism, Ndembu ritual, and the spectrum of religions practiced in America. The contributors take seriously the postmodern critique, explain its impact on their work, uphold or reject various premises, and in several cases demonstrate new comparative approaches. Together, the essays represent a state-of-the-art assessment of current issues in the comparative study of religion.   [brief]
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Title: Still a man's world: men who do "women's" work
Author: Williams, Christine L 1959-
Published: University of California Press,  1995
Subjects: Sociology | Anthropology | Gender Studies | Women's Studies | Economics and Business | Men and Masculinity
Publisher's Description: Men who do "women's work" have consistently been the butt of jokes, derided for their lack of drive and masculinity. In this eye-opening study, Christine Williams provides a wholly new look at men who work in predominantly female jobs. Having conducted extensive interviews in four cities, Williams uncovers how men in four occupations - nursing, elementary school teaching, librarianship, and social work - think about themselves and experience their work.Contrary to popular imagery, men in traditionally female occupations do not define themselves differently from men in more traditional occupations. Williams finds that most embrace conventional, masculine values. Her findings about how these men fare in their jobs are also counterintuitive. Rather than being surpassed by the larger number of women around them, these men experience the "glass escalator effect," rising in disproportionate numbers to administrative jobs at the top of their professions. Williams finds that a complex interplay between gendered expectations embedded in organizations, and the socially determined ideas workers bring to their jobs, contribute to mens' advantages in these occupations.Using a feminist psychoanalytic perspective, Williams calls for more men not only to cross over to women's occupations, but also to develop alternative masculinities that find common ground with traditionally female norms of cooperation and caring. Until the workplace is sexually integrated and masculine and feminine norms equally valued, it will unfortunately remain "still a man's world."   [brief]
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Title: Conventional wisdom: the content of musical form
Author: McClary, Susan
Published: University of California Press,  2000
Subjects: Music | Musicology
Publisher's Description: With her usual combination of erudition, innovation, and spirited prose, Susan McClary reexamines the concept of musical convention in this fast-moving and refreshingly accessible book. Exploring the ways that shared musical practices transmit social knowledge, Conventional Wisdom offers an account of our own cultural moment in terms of two dominant traditions: tonality and blues.McClary looks at musical history from new and unexpected angles and moves easily across a broad range of repertoires--the blues, eighteenth-century tonal music, late Beethoven, and rap. As one of the most influential trailblazers in contemporary musical understanding, McClary once again moves beyond the borders of the "purely musical" into the larger world of history and society, and beyond the idea of a socially stratified core canon toward a musical pluralism. Those who know McClary only as a feminist writer will discover her many other sides, but not at the expense of gender issues, which are smoothly integrated into the general argument. In considering the need for a different way of telling the story of Western music, Conventional Wisdom bravely tackles big issues concerning classical, popular, and postmodern repertoires and their relations to the broader musical worlds that create and enjoy them.   [brief]
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