Title: Women without class: girls, race, and identity
Author: Bettie, Julie 1965-
Published: University of California Press,  2003
Subjects: Gender Studies | Women's Studies | Sociology | Chicano Studies | American Studies | Popular Culture | Education | Anthropology | Social Problems | Immigration
Publisher's Description: In this examination of white and Mexican-American girls coming of age in California's Central Valley, Julie Bettie turns class theory on its head and offers new tools for understanding the ways in which class identity is constructed and, at times, fails to be constructed in relationship to color, ethnicity, gender, and sexuality. Documenting the categories of subculture and style that high school students use to explain class and racial/ethnic differences among themselves, Bettie depicts the complex identity performances of contemporary girls. The title, Women Without Class, refers at once to young working-class women who have little cultural capital to enable class mobility, to the fact that class analysis and social theory has remained insufficiently transformed by feminist and ethnic studies, and to the fact that some feminist analysis has itself been complicit in the failure to theorize women as class subjects. Bettie's research and analysis make a case for analytical and political attention to class, but not at the expense of attention to other axes of identity and social formations.   [brief]
Similar Items

Title: Performance artists talking in the eighties: sex, food, money/fame, ritual/death
Author: Montano, Linda 1942-
Published: University of California Press,  2001
Subjects: Art | Art History | Cinema and Performance Arts
Publisher's Description: Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.   [brief]
Similar Items

Title: Justice and the human genome project 
Author: Murphy, Timothy F 1955-
Published: University of California Press,  1994
Subjects: Philosophy | Ethics | Biology | Medicine
Publisher's Description: The Human Genome Project is an expensive, ambitious, and controversial attempt to locate and map every one of the approximately 100,000 genes in the human body. If it works, and we are able, for instance, to identify markers for genetic diseases long before they develop, who will have the right to obtain such information? What will be the consequences for health care, health insurance, employability, and research priorities? And, more broadly, how will attitudes toward human differences be affected, morally and socially, by the setting of a genetic "standard"?The compatibility of individual rights and genetic fairness is challenged by the technological possibilities of the future, making it difficult to create an agenda for a "just genetics." Beginning with an account of the utopian dreams and authoritarian tendencies of historical eugenics movements, this book's nine essays probe the potential social uses and abuses of detailed genetic information. Lucid and wide-ranging, these contributions will provoke discussion among bioethicists, legal scholars, and policy makers.   [brief]
Similar Items

Title: Globalization and human rights
Author: Brysk, Alison 1960-
Published: University of California Press,  2002
Subjects: Politics | International Relations
Publisher's Description: In this landmark volume, Alison Brysk has assembled an impressive array of scholars to address new questions about globalization and human rights. Is globalization generating both problems and opportunities? Are new problems replacing or intensifying state repression? How effective are new forms of human rights accountability? These essays include theoretical analyses by Richard Falk, Jack Donnelly, and James Rosenau. Chapters on sex tourism, international markets, and communications technology bring new perspectives to emerging issues. The authors investigate places such as the Dominican Republic, Nigeria, and the Philippines. The contemporary world is defined by globalization. While global human rights standards and institutions have been established, assaults on human dignity continue. These essays identify the new challenges to be faced, and suggest new ways to remedy the costs of globalization.   [brief]
Similar Items

Title: A critical cinema 3: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film
Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando , in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten . A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.   [brief]
Similar Items

Title: Human rights and reform: changing the face of North African politics 
Author: Waltz, Susan Eileen
Published: University of California Press,  1995
Subjects: Politics | History | Middle Eastern Studies | Middle Eastern History | African History | African Studies
Publisher's Description: Independence from colonial rule did not usher in the halcyon days many North Africans had hoped for, as the new governments in Morocco, Tunisia, and Algeria soon came to rely on repression to reinforce and maintain power. In response to widespread human rights abuses, individuals across the Maghrib began to form groups in the late 1970s to challenge the political practices and structures in the region, and over time these independent human rights organizations became prominent political actors. The activists behind them are neither saints nor revolutionaries, but political reformers intent on changing political patterns that have impeded democratization.This study, the first systematic comparative analysis of North African politics in more than a decade, explores the ability of society, including Islamist forces, to challenge the powers of states. Locating Maghribi polities within their cultural and historical contexts, Waltz traces state-society relations in the contemporary period. Even as Algeria totters at the brink of civil war and security concerns rise across the region, the human rights groups Susan Waltz examines implicitly challenge the authoritarian basis of political governance. Their efforts have not led to the democratic transition many had hoped, but human rights have become a crucial new element of North African political discourse.   [brief]
Similar Items

Title: Spacefaring: the human dimension
Author: Harrison, Albert A
Published: University of California Press,  2001
Subjects: Science | Technology and Society | Psychology
Publisher's Description: The stars have always called us, but only for the past forty years or so have we been able to respond by traveling in space. This book explores the human side of spaceflight: why people are willing to brave danger and hardship to go into space; how human culture has shaped past and present missions; and the effects of space travel on health and well-being. A comprehensive and authoritative treatment of its subject, this book combines statistical studies, rich case histories, and gripping anecdotal detail as it investigates the phenomenon of humans in space - from the earliest spaceflights to the missions of tomorrow. Drawing from a strong research base in the behavioral sciences, Harrison covers such topics as habitability, crew selection and training, coping with stress, group dynamics, accidents, and more. In addition to taking a close look at spacefarers themselves, Spacefaring reviews the broad organizational and political contexts that shape human progress toward the heavens. With the ongoing construction of the International Space Station, the human journey to the stars continues, and this book will surely help guide the way.   [brief]
Similar Items

Title: A critical cinema 2: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.   [brief]
Similar Items

Title: The Boundaries of humanity: humans, animals, machines 
Author: Sheehan, James J
Published: University of California Press,  1991
Subjects: Philosophy | History and Philosophy of Science | Biology | Technology and Society
Publisher's Description: To the age-old debate over what it means to be human, the relatively new fields of sociobiology and artificial intelligence bring new, if not necessarily compatible, insights. What have these two fields in common? Have they affected the way we define humanity? These and other timely questions are addressed with colorful individuality by the authors of The Boundaries of Humanity .Leading researchers in both sociobiology and artificial intelligence combine their reflections with those of philosophers, historians, and social scientists, while the editors explore the historical and contemporary contexts of the debate in their introductions. The implications of their individual arguments, and the often heated controversies generated by biological determinism or by mechanical models of mind, go to the heart of contemporary scientific, philosophical, and humanistic studies.   [brief]
Similar Items

Title: Grateful prey: Rock Cree human-animal relationships 
Author: Brightman, Robert Alain 1950-
Published: University of California Press,  1993
Subjects: Anthropology | Anthropology | United States History | Religion
Publisher's Description: The interaction between religious beliefs and hunting practices among the Asiniskawidiniwak or Rock Crees of northern Manitoba is the focus of Robert Brightman's detailed study. This foraging society, he says, bases aspects of its hunting and trapping largely on what we call "religious" conceptions.Seeking an ideology, however, that incorporates Cree beliefs about human-animal differences and the relationships that should exist between them as hunter and prey, Brightman finds these beliefs to be disordered and unstable rather than systematic. Animals are represented as simultaneously more and less powerful than humans. The hunter-prey relationship is talked about as both collaborative and adversarial. Exploring the influence of these religious representations on technical aspects of subsistence historically, Brightman finds that Crees' attitudes and actions toward animals were, and are, relatively arbitrary with respect to biological and environmental forces. Anthropologists will see in his well-researched discussion a challenge to prevailing ecological and Marxist approaches to foraging societies.   [brief]
Similar Items

Title: What it means to be 98% chimpanzee: apes, people, and their genes
Author: Marks, Jonathan (Jonathan M.) 1955-
Published: University of California Press,  2002
Subjects: EcologyEvolutionEnvironment | Evolution | Physical Anthropology | Sociology | Medicine | Mammalogy
Publisher's Description: The overwhelming similarity of human and ape genes is one of the best-known facts of modern genetic sciencenm. But what does this similarity mean? Does it, as many have suggested, have profound implications for understanding human nature? Well-known molecular anthropologist Jonathan Marks uses the human-versus-ape controversy as a jumping-off point for a radical reassessment of a range of provocative issues--from the role of science in society to racism, animal rights, and cloning. Full of interesting facts, fascinating personalities, and vivid examples that capture times and places, this work explains and demystifies human genetic science--showing ultimately how it has always been subject to social and political influences and teaching us how to think critically about its modern findings. Marks presents the field of molecular anthropology--a synthesis of the holistic approach of anthropology with the reductive approach of molecular genetics--as a way of improving our understanding of the science of human evolution. As he explores the intellectual terrain of this field, he lays out its broad areas of interest with issues ranging from the differences between apes and humans to the biological and behavioral variations expressed in humans as a species. Marks confronts head-on the problems of racial classification in science. He describes current theories about race and uses work in primatology, comparative anatomy, and molecular anthropology to debunk them. He also sheds new light on the controversial Great Ape Project, the Human Genome Diversity Project, and much more. This iconoclastic, witty, and extremely readable book illuminates the deep background of human variation and asks us to reconsider the role of science in modern society.   [brief]
Similar Items

Title: The origins of indigenism: human rights and the politics of identity
Author: Niezen, Ronald
Published: University of California Press,  2003
Subjects: Anthropology | Ethnic Studies | International Relations | Social Problems
Publisher's Description: "International indigenism" may sound like a contradiction in terms, but it is indeed a global phenomenon and a growing form of activism. In his fluent and accessible narrative, Ronald Niezen examines the ways the relatively recent emergence of an internationally recognized identity - "indigenous peoples" - intersects with another relatively recent international movement - the development of universal human rights laws and principles. This movement makes use of human rights instruments and the international organizations of states to resist the political, cultural, and economic incursions of individual states. The concept "indigenous peoples" gained currency in the social reform efforts of the International Labor Organization in the 1950s, was taken up by indigenous nongovernmental organizations, and is now fully integrated into human rights initiatives and international organizations. Those who today call themselves indigenous peoples share significant similarities in their colonial and postcolonial experiences, such as loss of land and subsistence, abrogation of treaties, and the imposition of psychologically and socially destructive assimilation policies. Niezen shows how, from a new position of legitimacy and influence, they are striving for greater recognition of collective rights, in particular their rights to self-determination in international law. These efforts are influencing local politics in turn and encouraging more ambitious goals of autonomy in indigenous communities worldwide.   [brief]
Similar Items

Title: Revealing masks: exotic influences and ritualized performance in modernist music theater
Author: Sheppard, William Anthony 1969-
Published: University of California Press,  2001
Subjects: Music | American Music | Contemporary Music | Ethnomusicology | Opera | Musicology | Intellectual History
Publisher's Description: W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.   [brief]
Similar Items

Title: Material girls: making sense of feminist cultural theory
Author: Walters, Suzanna Danuta
Published: University of California Press,  1995
Subjects: Gender Studies | Sociology | Women's Studies | American Studies | Politics | Media Studies
Publisher's Description: Madonna, Murphy Brown, Thelma and Louise: These much-discussed media icons are the starting points of Suzanna Walter's brilliant, much-needed introduction to feminist cultural theory. Accessible yet theoretically sophisticated, up-to-date and entertaining, Material Girls acquaints readers with the major theories, debates, and concepts in this new and exciting field.With numerous case studies and illustrations, Walters situates feminist cultural theory against the background of the women's movement and media studies. Using examples from film, television, advertising, and popular discourse, she looks at topics such as the "male gaze," narrative theory, and new work on female "ways of seeing" and spectatorship. Throughout, Walters provides a historically grounded account of representations of women in popular culture while critiquing the dominance of psychoanalytic and postmodern analyses.The first comprehensive guide to the approaches and debates that make up this growing field, Material Girls belongs on the shelf of every cultural critic and savvy student today.   [brief]
Similar Items

Title: Eloquent gestures: the transformation of performance style in the Griffith Biograph films 
Author: Pearson, Roberta E
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Between 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the emergence of the realistic "verisimilar" style in Griffith's biograph films. Roberta Pearson shows how Griffith gradually abandoned the deliberately affected "histrionic" acting style derived from the nineteenth-century stage. No longer did actors mime distress by raising their arms to heaven or clutching their heads - a subtle facial expression, a slight change in posture would convey a character's extreme emotions instead.Pearson makes detailed comparisons of certain Biograph films and brings a freshness to her analysis by closely examining contemporary journalistic writing, acting manuals, and the recollections of actors of the time. Her work is important for anyone interested in early cinema and performance, and it will enliven the study of American cultural history and mass communications.   [brief]
Similar Items

Title: Being human: ethics, environment, and our place in the world
Author: Peterson, Anna Lisa 1963-
Published: University of California Press,  2001
Subjects: Religion | Folklore and Mythology | Environmental Studies | Philosophy
Publisher's Description: Being Human examines the complex connections among conceptions of human nature, attitudes toward non-human nature, and ethics. Anna Peterson proposes an "ethical anthropology" that examines how ideas of nature and humanity are bound together in ways that shape the very foundations of cultures. Peterson discusses mainstream Western understandings of what it means to be human, as well as alternatives to these perspectives, and suggests that the construction of a compelling, coherent environmental ethics will revise our ideas not only about nature but also about what it means to be human.   [brief]
Similar Items

Title: Learned girls and male persuasion: gender and reading in Roman love elegy
Author: James, Sharon L
Published: University of California Press,  2003
Subjects: Classics | Classical Literature and Language | Literature | Poetry | Women's Studies
Publisher's Description: This study transforms our understanding of Roman love elegy, an important and complex corpus of poetry that flourished in the late first century b.c.e. Sharon L. James reads key poems by Propertius, Tibullus, and Ovid for the first time from the perspective of the woman to whom they are addressed - the docta puella, or learned girl, the poet's beloved. By interpreting the poetry not, as has always been done, from the stance of the elite male writers - as plaint and confession - but rather from the viewpoint of the women - thus as persuasion and attempted manipulation - James reveals strategies and substance that no one has listened for before.   [brief]
Similar Items

Title: Making health work: human growth in modern Japan 
Author: Mosk, Carl
Published: University of California Press,  1996
Subjects: Sociology | Demography | Japan | Asian History | Economics and Business
Publisher's Description: Mosk shows how population quality provides a key to understanding economic growth and social change in Japan.
Similar Items

Title: The new German cinema: music, history, and the matter of style 
Author: Flinn, Caryl
Published: University of California Press,  2003
Subjects: Cinema and Performance Arts | German Studies | Music
Publisher's Description: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity - national, political, personal, and sexual - music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference - including that embodied in Germany's difficult history - rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.   [brief]
Similar Items

Title: Taming the wind of desire: psychology, medicine, and aesthetics in Malay shamanistic performance
Author: Laderman, Carol
Published: University of California Press,  1991
Subjects: Anthropology | Asian Studies | Medical Anthropology | Psychology | Southeast Asia | Medicine
Publisher's Description: Charged with restoring harmony and relieving pain, the Malay shaman places his patients in trance and encourages them to express their talents, drives, personality traits - the "Inner Winds" of Malay medical lore - in a kind of performance. These healing ceremonies, formerly viewed by Western anthropologists as exotic curiosities, actually reveal complex multicultural origins and a unique indigenous medical tradition whose psychological content is remarkably relevant to contemporary Western concerns.Accepted as apprentice to a Malay shaman, Carol Laderman learned and recorded every aspect of the healing seance and found it comparable in many ways to the traditional dramas of Southeast Asia and of other cultures such as ancient Greece, Japan, and India. The Malay seance is a total performance, complete with audience, stage, props, plot, music, and dance. The players include the patient along with the shaman and his troupe. At the center of the drama are pivotal relationships - among people, between humans and spirits, and within the self. The best of the Malay shamans are superb poets, dramatists, and performers as well as effective healers of body and soul.   [brief]
Similar Items