Title: Picturing Chinatown: art and orientalism in San Francisco
Author: Lee, Anthony W 1960-
Published: University of California Press,  2001
Subjects: Art | California and the West | Asian American Studies | Photography | Art History
Publisher's Description: This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art history and the social and political history of San Francisco, this vividly detailed study unravels the complex cultural encounter that occurred between the women and men living in Chinatown and the artists who walked its streets, observed its commerce, and visited its nightclubs. Artistic representations of San Francisco's Chinatown include the work of some of the city's most gifted artists, among them the photographers Laura Adams Armer, Arnold Genthe, Dorothea Lange, Eadweard Muybridge, and Carleton Watkins and the painters Edwin Deakin, Yun Gee, Theodore Wores, and the members of the Chinese Revolutionary Artists' Club. Looking at the work of these artists and many others, Anthony Lee shows how their experiences in the district helped encourage, and even structured, some of their most ambitious experiments with brush and lens. In addition to discussing important developments in modern art history, Lee highlights the social and political context behind these striking images. He demonstrates the value of seeing paintings and photographs as cultural documents, and in so doing, opens a fascinating new perspective on San Francisco's Chinatown.   [brief]
Similar Items

Title: City for sale: the transformation of San Francisco
Author: Hartman, Chester W
Published: University of California Press,  2002
Subjects: Urban Studies | Californian and Western History | Politics | California and the West
Publisher's Description: San Francisco is perhaps the most exhilarating of all American cities--its beauty, cultural and political avant-gardism, and history are legendary, while its idiosyncrasies make front-page news. In this revised edition of his highly regarded study of San Francisco's economic and political development since the mid-1950s, Chester Hartman gives a detailed account of how the city has been transformed by the expansion--outward and upward--of its downtown. His story is fueled by a wide range of players and an astonishing array of events, from police storming the International Hotel to citizens forcing the midair termination of a freeway. Throughout, Hartman raises a troubling question: can San Francisco's unique qualities survive the changes that have altered the city's skyline, neighborhoods, and economy? Hartman was directly involved in many of the events he chronicles and thus had access to sources that might otherwise have been unavailable. A former activist with the National Housing Law Project, San Franciscans for Affordable Housing, and other neighborhood organizations, he explains how corporate San Francisco obtained the necessary cooperation of city and federal governments in undertaking massive redevelopment. He illustrates the rationale that produced BART, a subway system that serves upper-income suburbs but few of the city's poor neighborhoods, and cites the environmental effects of unrestrained highrise development, such as powerful wind tunnels and lack of sunshine. In describing the struggle to keep housing affordable in San Francisco and the seemingly intractable problem of homelessness, Hartman reveals the human face of the city's economic transformation.   [brief]
Similar Items

Title: Unbound voices: a documentary history of Chinese women in San Francisco
Author: Yung, Judy
Published: University of California Press,  1999
Subjects: History | Asian American Studies | Women's Studies | California and the West | Californian and Western History | Social Science
Publisher's Description: Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents - letters, essays, poems, autobiographies, speeches, testimonials, and oral histories - detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II.The personal nature of these documents makes for compelling reading. We hear the voices of prostitutes and domestic slavegirls, immigrant wives of merchants, Christians and pagans, homemakers, and social activists alike. We read the stories of daughters who confronted cultural conflicts and racial discrimination; the myriad ways women coped with the Great Depression; and personal contributions to the causes of women's emancipation, Chinese nationalism, workers' rights, and World War II. The symphony of voices presented here lends immediacy and authenticity to our understanding of the Chinese American women's lives.This rich collection of women's stories also serves to demonstrate collective change over time as well as to highlight individual struggles for survival and advancement in both private and public spheres. An educational tool on researching and reclaiming women's history, Unbound Voices offers us a valuable lesson on how one group of women overcame the legacy of bound feet and bound lives in America. The selections are accompanied by photographs, with extensive introductions and annotation by Judy Yung, a noted authority on primary resources relating to the history of Chinese American women.   [brief]
Similar Items

Title: Poets on painters: essays on the art of painting by Twentieth-century poets
Author: McClatchy, J. D 1945-
Published: University of California Press,  1989
Subjects: Literature | Art | Poetry | Art History
Publisher's Description: What are poets looking at , looking for , when they walk into a room of pictures? Poets on Painters attempts to answer this question by bringing together, for the first time, essays by modern American and British poets about painting. The poets bring to their task a fresh eye and a freshened languag . . . [more]
Similar Items

Title: The houses of Roman Italy, 100 B.C.-A.D. 250: ritual, space, and decoration
Author: Clarke, John R 1945-
Published: University of California Press,  1992
Subjects: Classics | Art and Architecture | Architectural History | Art History
Publisher's Description: In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.   [brief]
Similar Items

Title: Pioneer urbanites: a social and cultural history of Black San Francisco 
Author: Daniels, Douglas Henry
Published: University of California Press,  1991
Subjects: American Studies | African American Studies | Social Problems | California and the West | United States History
Publisher's Description: The black migration to San Francisco and the Bay Area differed from the mass movement of Southern rural blacks and their families into the eastern industrial cities. Those who traveled West, or arrived by ship, were often independent, sophisticated, single men. Many were associated with the transportation boom following the Gold Rush; others traveled as employees of wealthy individuals.Douglas Daniels argues for the importance of going beyond the written record and urban statistics in examining the life of a minority community. He has studied photographs from family albums and interviewed members of old black San Francisco families in his effort to provide the first nuanced picture of the lives of black San Franciscans from the 1860s to the 1940s.   [brief]
Similar Items

Title: Wide-open town: a history of queer San Francisco to 1965
Author: Boyd, Nan Alamilla 1963-
Published: University of California Press,  2003
Subjects: American Studies | Anthropology | GayLesbian and Bisexual Studies | Ethnic Studies | United States History | Sociology | California and the West
Publisher's Description: Wide-Open Town traces the history of gay men and lesbians in San Francisco from the turn of the century, when queer bars emerged in San Francisco's tourist districts, to 1965, when a raid on a drag ball changed the course of queer history. Bringing to life the striking personalities and vibrant milieu that fueled this era, Nan Alamilla Boyd examines the culture that developed around the bar scene and homophile activism. She argues that the communities forged inside bars and taverns functioned politically and, ultimately, offered practical and ideological responses to the policing of San Francisco's queer and transgender communities. Using police and court records, oral histories, tourist literature, and manuscript collections from local and state archives, Nan Alamilla Boyd explains the phenomenal growth of San Francisco as a "wide-open town" - a town where anything goes. She also relates the early history of the gay and lesbian civil rights movement that took place in San Francisco prior to 1965. Wide-Open Town argues that police persecution forged debates about rights and justice that transformed San Francisco's queer communities into the identity-based groups we see today. In its vivid re-creation of bar and drag life, its absorbing portrait of central figures in the communities, and its provocative chronicling of this period in the country's most transgressive city, Wide-Open Town offers a fascinating and lively new chapter of American queer history.   [brief]
Similar Items

Title: Verdi at the Golden Gate: opera and San Francisco in the Gold Rush years
Author: Martin, George Whitney
Published: University of California Press,  1993
Subjects: Music | History | Opera | Composers | American Studies | California and the West | European History
Publisher's Description: Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide. In the history of the United States there has never been a rougher town than Gold Rush San Francisco, yet there has never been a greater frenzy for opera than developed there in these exciting years.How did this madness for opera take root and grow? Why did the audience's generally drunken, brawling behavior gradually improve? How and why did Verdi emerge as the city's favorite composer? These are the intriguing themes of George Martin's enlightening and wonderfully entertaining story. Among the incidents recounted are the fist fight that stopped an opera performance and ended in a fatal duel; and the brothel madam who, by sitting in the wrong row of a theater, caused a fracas that resulted in the formation of the Vigilantes of 1856.Martin weaves together meticulously gathered social, political, and musical facts to create this lively cultural history. His study contributes to a new understanding of urban culture in the Jacksonian?Manifest Destiny eras, and of the role of opera in cities during this time, especially in the American West. Over it all soars Verdi's somber, romantic music, capturing the melancholy, the feverish joy, and the idealism of his listeners.   [brief]
Similar Items

Title: The "new woman" revised: painting and gender politics on fourteenth street 
Author: Todd, Ellen Wiley
Published: University of California Press,  1993
Subjects: Art | Art History | United States History | Women's Studies | American Studies
Publisher's Description: In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters - Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop - placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period.This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.   [brief]
Similar Items

Title: Sea cliffs, beaches, and coastal valleys of San Diego County: some amazing histories and some horrifying implications 
Author: Kuhn, Gerald G
Published: University of California Press,  1984
Subjects: Geography | California and the West | Marine and Freshwater Sciences | Geology | Ecology
Publisher's Description: California's coastal zones are areas of extreme vulnerability, subject to the vicissitudes of weather and prone to erosion, landslides, and flooding. Gerald Kuhn and Francis Shepard examine and analyze these threats to coastal stability in a thought-provoking and detailed study of the coastal area of San Diego County from the nineteenth century to the present. An invaluable resource for oceanographers, geologists, meteorologists, coastal engineers, property owners, developers, and planning and regulatory agencies.   [brief]
Similar Items

Title: Jewel of the desert: Japanese American internment at Topaz 
Author: Taylor, Sandra C
Published: University of California Press,  1993
Subjects: History | Californian and Western History | Asian American Studies | American Studies
Publisher's Description: In the spring of 1942, under the guise of "military necessity," the U.S. government evacuated 110,000 Japanese Americans from their homes on the West Coast. About 7,000 people from the San Francisco Bay Area - the vast majority of whom were American citizens - were moved to an assembly center at Tanforan Racetrack and then to a concentration camp in Topaz, Utah. Dubbed the "jewel of the desert," the camp remained in operation until October 1945. This compelling book tells the history of Japanese Americans of San Francisco and the Bay Area, and of their experiences of relocation and internment.Sandra C. Taylor first examines the lives of the Japanese Americans who settled in and around San Francisco near the end of the nineteenth century. As their numbers grew, so, too, did their sense of community. They were a people bound together not only by common values, history, and institutions, but also by their shared status as outsiders. Taylor looks particularly at how Japanese Americans kept their sense of community and self-worth alive in spite of the upheavals of internment.The author draws on interviews with fifty former Topaz residents, and on the archives of the War Relocation Authority and newspaper reports, to show how relocation and its aftermath shaped the lives of these Japanese Americans. Written at a time when the United States once again regards Japan as a threat, Taylor's study testifies to the ongoing effects of prejudice toward Americans whose face is also the face of "the enemy."   [brief]
Similar Items

Title: Intensive care: a doctor's journal
Author: Murray, John F. (John Frederic) 1927-
Published: University of California Press,  2000
Subjects: Medicine | Aging
Publisher's Description: Intensive Care is an affecting view from the trenches, a seasoned doctor's minute-by-minute and day-by-day account of life in the Intensive Care Unit (ICU) of a major inner-city hospital, San Francisco General. John F. Murray, for many years Chief of the Pulmonary and Critical Care Division of the hospital and a Professor at the University of California, San Francisco, takes readers on his daily ward rounds, introducing them to the desperately ill patients he treats as well as to the young physicians and medical students who accompany him. Writing with compassion and knowledge accumulated over a long career, Murray presents the true stories of patients who show up with myriad disorders: asthma, cardiac failure, gastrointestinal diseases, complications due to AIDS, the effects of drug and alcohol abuse, emphysema. Readers will come away from this book with a comprehensive understanding of what an ICU is, what it does, who gets admitted, and how doctors and nurses make decisions concerning life-threatening medical problems. Intensive care for critically ill patients is a new but well-established and growing branch of medicine. Estimates suggest that 15 to 20 percent of all hospitalized patients in the United States are treated in an intensive or coronary care unit during each hospital stay, so there is a real possibility that the reader will either be admitted to an ICU himself or herself or knows someone who will be. Murray not only offers a real-time account of the diagnosis, treatment, and progress of his patients over the course of one month but also conveys a wealth of information about various diseases and medical procedures in succinct and easy-to-understand terms. In addition, he elaborates on ethical dilemmas that he confronts on an almost daily basis: the extent of patient autonomy, the denial of ICU care, the withdrawal of life support, and physician-assisted suicide. Murray concludes that ICUs are doing their job, but they could be even better, cheaper, and--most important--more humane. His chronicle brings substance to a world known to most of us only through the fiction of television.   [brief]
Similar Items

Title: The French Revolution as blasphemy: Johan Zoffany's paintings of the massacre at Paris, August 10, 1792
Author: Pressly, William L 1944-
Published: University of California Press,  1999
Subjects: Art | Art History | European History | French Studies
Publisher's Description: William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792 , and Celebrating over the Bodies of the Swiss Soldiers , both painted in about 1794, represent events that helped turn the English against the Revolution.Pressly places both paintings in their historical context - a time of heightened anti-French hysteria - and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format.Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.   [brief]
Similar Items

Title: Painters and politics in the People's Republic of China, 1949-1979 
Author: Andrews, Julia Frances
Published: University of California Press,  1995
Subjects: Art | Art History | Asian Studies | China
Publisher's Description: Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists - these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.   [brief]
Similar Items

Title: Remembering the present: painting and popular history in Zaire
Author: Fabian, Johannes
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Art | African History | Politics | African Studies
Publisher's Description: This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition.During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.   [brief]
Similar Items

Title: The Society of Six: California colorists
Author: Boas, Nancy 1934-
Published: University of California Press,  1997
Subjects: Art | Art History | California and the West | Californian and Western History
Publisher's Description: Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six - Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest - created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism.The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.   [brief]
Similar Items

Title: The Arnolfini betrothal: medieval marriage and the enigma of Van Eyck's double portrait 
Author: Hall, Edwin 1928-
Published: University of California Press,  1997
Subjects: Art | Art History | Art Criticism | Medieval History
Publisher's Description: Commonly known as the "Arnolfini Wedding" or "Giovanni Arnolfini and His Bride," Jan van Eyck's double portrait, painted in 1434, is probably the most widely recognized panel painting of the fifteenth century. One of the great masterpieces of early Flemish art, this enigmatic picture has also aroused intense speculation as to its precise meaning. Edwin Hall's accessible study - firmly grounded in Roman and canon law, theology, literature, and the social history of the period - offers a compelling new interpretation of this wonderful painting.Instead of depicting the sacrament of marriage, Hall argues, the painting commemorates the alliance between two wealthy and important Italian mercantile families, a ceremonious betrothal that reflects the social conventions of the time. Hall not only unlocks the mystery that has surrounded this work of art, he also makes a unique contribution to the fascinating history of betrothal and marriage custom, ritual, and ceremony, tracing their evolution from the late Roman Empire through the fifteenth century and providing persuasive visual evidence for their development. His illuminating view of Van Eyck's quintessential work is a striking example of how art continues to endure and engage us over the centuries.   [brief]
Similar Items

Title: Contesting Earth's future: radical ecology and postmodernity
Author: Zimmerman, Michael E 1946-
Published: University of California Press,  1994
Subjects: Philosophy | Social and Political Thought | Natural History | Ecology | Sociology
Publisher's Description: Radical ecology typically brings to mind media images of ecological activists standing before loggers' saws, staging anti-nuclear marches, and confronting polluters on the high seas. Yet for more than twenty years, the activities of organizations such as the Greens and Earth First! have been influenced by a diverse, less-publicized group of radical ecological philosophers. It is their work - the philosophical underpinnings of the radical ecological movement - that is the subject of Contesting Earth's Future .The book offers a much-needed, balanced appraisal of radical ecology's principles, goals, and limitations. Michael Zimmerman critically examines the movement's three major branches - deep ecology, social ecology, and ecofeminism. He also situates radical ecology within the complex cultural and political terrain of the late twentieth century, showing its relation to Martin Heidegger's anti-technological thought, 1960s counterculturalism, and contemporary theories of poststructuralism and postmodernity.An early and influential ecological thinker, Zimmerman is uniquely qualified to provide a broad overview of radical environmentalism and delineate its various schools of thought. He clearly describes their defining arguments and internecine disputes, among them the charge that deep ecology is an anti-modern, proto-fascist ideology. Reflecting both the movement's promise and its dangers, this book is essential reading for all those concerned with the worldwide ecological crisis.   [brief]
Similar Items

Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
Similar Items

Title: The second gold rush: Oakland and the East Bay in World War II
Author: Johnson, Marilynn S
Published: University of California Press,  1994
Subjects: History | Urban Studies | Californian and Western History | American Studies | California and the West | Ethnic Studies
Publisher's Description: More than any event in the twentieth century, World War II marked the coming of age of America's West Coast cities. Almost overnight, new war industries prompted the mass urban migration and development that would trigger lasting social, cultural, and political changes. For the San Francisco Bay Area, argues Marilynn Johnson, the changes brought by World War II were as dramatic as those brought by the gold rush a century earlier.Focusing on Oakland, Richmond, and other East Bay shipyard boomtowns, Johnson chronicles the defense buildup, labor migration from the South and Midwest, housing issues, and social and racial conflicts that pitted newcomers against longtime Bay Area residents. She follows this story into the postwar era, when struggles over employment, housing, and civil rights shaped the urban political landscape for the 1950s and beyond. She also traces the cultural legacy of war migration and shows how Southern religion and music became an integral part of Bay Area culture.Johnson's sources are wide-ranging and include shipyard records, labor histories, police reports, and interviews. Her findings place the war's human drama at center stage and effectively recreate the texture of daily life in workplace, home, and community. Enriched by the photographs of Dorothea Lange and others, The Second Gold Rush makes an important contribution to twentieth-century urban studies as well as to California history.   [brief]
Similar Items