Title: Crescendo of the virtuoso: spectacle, skill, and self-promotion in Paris during the Age of Revolution 
Author: Metzner, Paul 1952-
Published: University of California Press,  1998
Subjects: History | European History | French Studies | European Studies
Publisher's Description: During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization.   [brief]
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Title: The rise of the Paris red belt 
Author: Stovall, Tyler Edward
Published: University of California Press,  1990
Subjects: History | European History | Social Science | French Studies
Publisher's Description: From 1920 until the present, the working-class suburbs of Paris, known as the Red Belt, have constituted the heart of French Communism, providing the Party not only with its most solid electoral base but with much of its cultural identity as well. Focusing on the northeastern suburb of Bobigny, Stovall explores the nature of working-class life and politicization as he skillfully documents how this unique region and political culture came into being. The Rise of the Paris Red Belt reveals that the very process of urban development in metropolitan Paris and the suburbs provided the most important opportunities for the local establishment of Communist influence.The rapid increase in Paris' suburban population during the early twentieth century outstripped the development of the local urban infrastructure. Consequently, many of these suburbs, often represented to their new residents as charming country villages, soon degenerated into suburban slums. Stovall argues that Communists forged a powerful political block by mobilizing the disillusionment and by improving some of the worst aspects of suburban life.As a social history of twentieth-century France, The Rise of the Paris Red Belt calls into question traditional assumptions about the history of both French Communism and the French working-class. It suggests that those interested in working-class politics, especially in the twentieth century, should consider the significance of residential and consumer issues as well as those relating to the workplace. It also suggests that urban history and urban development should not be considered autonomous phenomena, but rather expressions of class relations. The Rise of the Paris Red Belt brings to life a world whose citizens, though often overlooked, are nonetheless the history of modern France.   [brief]
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Title: Music drama at the Paris Odéon, 1824-1828
Author: Everist, Mark
Published: University of California Press,  2002
Subjects: Music | Musicology | Opera | French Studies | European History
Publisher's Description: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.   [brief]
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Title: The beast in the boudoir: petkeeping in nineteenth-century Paris 
Author: Kete, Kathleen
Published: University of California Press,  1994
Subjects: History | European History | French Studies | European Studies
Publisher's Description: Kathleen Kete's wise and witty examination of petkeeping in nineteenth-century Paris provides a unique window through which to view the lives of ordinary French people. She demonstrates how that cliché of modern life, the family dog, reveals the tensions that modernity created for the Parisian bourgeoisie.Kete's study draws on a range of literary and archival sources, from dog-care books to veterinarians's records to Dumas's musings on his cat. The fad for aquariums, attitudes toward vivisection, the dread of rabies, the development of dog breeding - all are shown to reflect the ways middle-class people thought about their lives. Petkeeping, says Kete, was a way to imagine a better, more manageable version of the world - it relieved the pressures of contemporary life and improvised solutions to the intractable mesh that was post-Enlightenment France. The faithful, affectionate family dog became a counterpoint to the isolation of individualism and lack of community in urban life. By century's end, however, animals no longer represented the human condition with such potency, and even the irascible, autonomous cat had been rehabilitated into a creature of fidelity and affection.Full of fascinating details, this innovative book will contribute to the way we understand culture and the creation of class.   [brief]
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Title: The making of revolutionary Paris
Author: Garrioch, David
Published: University of California Press,  2002
Subjects: History | European History | European Studies | French Studies
Publisher's Description: The sights, sounds, and smells of life on the streets and in the houses of eighteenth-century Paris rise from the pages of this marvelously anecdotal chronicle of a perpetually alluring city during one hundred years of extraordinary social and cultural change. An excellent general history as well as an innovative synthesis of new research, The Making of Revolutionary Paris combines vivid portraits of individual lives, accounts of social trends, and analyses of significant events as it explores the evolution of Parisian society during the eighteenth century and reveals the city's pivotal role in shaping the French Revolution. David Garrioch rewrites the origins of the Parisian Revolution as the story of an urban metamorphosis stimulated by factors such as the spread of the Enlightenment, the growth of consumerism, and new ideas about urban space. With an eye on the broad social trends emerging during the century, he focuses his narrative on such humble but fascinating aspects of daily life as traffic congestion, a controversy over the renumbering of houses, and the ever-present dilemma of where to bury the dead. He describes changes in family life and women's social status, in religion, in the literary imagination, and in politics. Paris played a significant role in sparking the French Revolution, and in turn, the Revolution changed the city, not only its political structures but also its social organization, gender ideologies, and cultural practices. This book is the first to look comprehensively at the effect of the Revolution on city life. Based on the author's own research in Paris and on the most current scholarship, this absorbing book takes French history in new directions, providing a new understanding of the Parisian and the European past.   [brief]
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Title: Paris as revolution: writing in the nineteenth-century city 
Author: Ferguson, Priscilla Parkhurst
Published: University of California Press,  1997
Subjects: Literature | Social Theory | European Literature | Literary Theory and Criticism | European History | French Studies
Publisher's Description: In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed.In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence.   [brief]
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Title: Publishing and cultural politics in revolutionary Paris, 1789-1810 
Author: Hesse, Carla
Published: University of California Press,  1991
Subjects: History | European History | Print Media | French Studies
Publisher's Description: In 1789 French revolutionaries initiated a cultural experiment that radically transformed the most basic elements of French literary civilization - authorship, printing, and publishing. In a panoramic analysis, Carla Hesse tells how the Revolution shook the Parisian printing and publishing world from top to bottom, liberating the trade from absolutist institutions and inaugurating a free-market exchange of ideas.Historians and literary critics have traditionally viewed the French Revolution as a catastrophe for French literary culture. Combing through extensive new archival sources, Hesse finds instead that revolutionaries intentionally dismantled the elite literary civilization of the Old Regime to create unprecedented access to the printed word. Exploring the uncharted terrains of popular fiction, authors' rights, and literary life under the Terror, Carla Hesse offers a new perspective on the relationship between democratic revolutions and modern cultural life.   [brief]
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Title: Workers against work: labor in Paris and Barcelona during the popular fronts 
Author: Seidman, Michael (Michael M.)
Published: University of California Press,  1990
Subjects: History | European History | Social Science | French Studies | Labor Studies
Publisher's Description: Why did a revolution occur in Spain and not in France in 1936? This is the key question Michael Seidman explores in his important new study of the relations between industrial capitalists and working-class movements in the early part of this century. In a comparative analysis of Paris during the Popular Front and Barcelona during the Spanish Revolution, Seidman examines the strengths and weaknesses of the bourgeoisie in these two cities and traces workers' resistance to, and acceptance of, work. His emphasis on the continuing refusal to work challenges the dominant views of labor historiography and contributes to a general theory of revolutionary workers' control.Seidman illuminates three crucial issues that have broad implications for the history of the twentieth century. His comparative approach delineates the nature of class confrontation in societies with different kinds of bourgeoisies or capitalist elites. He also shows how the differences between these elites affected the labor movements in France and Spain, and he demonstrates how rank-and-file workers actually responded to the revolutionary situation in Barcelona and to the advent of the reformist government in Paris.A social history of acceptance and rejection of work, this book offers a new conceptualization of wage earners and a critique of work itself.   [brief]
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Title: Spectacular realities: early mass culture in fin-de-siècle Paris
Author: Schwartz, Vanessa R
Published: University of California Press,  1998
Subjects: History | French Studies | European History | European Literature | Women's Studies | Film
Publisher's Description: During the second half of the nineteenth century, Paris emerged as the entertainment capital of the world. The sparkling redesigned city fostered a culture of energetic crowd-pleasing and multi-sensory amusements that would apprehend and represent real life as spectacle.Vanessa R. Schwartz examines the explosive popularity of such phenomena as the boulevards, the mass press, public displays of corpses at the morgue, wax museums, panoramas, and early film. Drawing on a wide range of written and visual materials, including private and business archives, and working at the intersections of art history, literature, and cinema studies, Schwartz argues that "spectacular realities" are part of the foundation of modern mass society. She refutes the notion that modern life produced an unending parade of distractions leading to alienation, and instead suggests that crowds gathered not as dislocated spectators but as members of a new kind of crowd, one united in pleasure rather than protest.   [brief]
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Title: Cholera in post-revolutionary Paris: a cultural history
Author: Kudlick, Catherine Jean
Published: University of California Press,  1996
Subjects: History | European History | Medicine
Publisher's Description: Cholera terrified and fascinated nineteenth-century Europeans more than any other modern disease. Its symptoms were gruesome, its sources were mysterious, and it tended to strike poor neighborhoods hardest. In this insightful cultural history, Catherine Kudlick explores the dynamics of class relations through an investigation of the responses to two cholera epidemics in Paris.While Paris climbed toward the height of its urban and industrial growth, two outbreaks of the disease ravaged the capital, one in 1832, the other in 1849. Despite the similarity of the epidemics, the first outbreak was met with general frenzy and far greater attention in the press, popular literature and personal accounts, while the second was greeted with relative silence. Finding no compelling evidence for improved medical knowledge, changes in the Paris environment, or desensitization of Parisians, Kudlick looks to the evolution of the French revolutionary tradition and the emergence of the Parisian bourgeoisie for answers.   [brief]
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Title: Pulp surrealism: insolent popular culture in early twentieth-century Paris
Author: Walz, Robin 1957-
Published: University of California Press,  2000
Subjects: History | French Studies | Comparative Literature
Publisher's Description: In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. Pulp Surrealism weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement. Pulp Surrealism presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's Le paysan de Paris, one of the great surrealist novels of Paris. He goes on to consider the popular series of Fantômes crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and the surrealist inquiry "Is Suicide a Solution?", which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs). Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.   [brief]
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Title: Apartment stories: city and home in nineteenth-century Paris and London
Author: Marcus, Sharon 1966-
Published: University of California Press,  1999
Subjects: Literature | European History | Urban Studies | Women's Studies
Publisher's Description: In urban studies, the nineteenth century is the "age of great cities." In feminist studies, it is the era of the separate domestic sphere. But what of the city's homes? In the course of answering this question, Apartment Stories provides a singular and radically new framework for understanding the urban and the domestic. Turning to an element of the cityscape that is thoroughly familiar yet frequently overlooked, Sharon Marcus argues that the apartment house embodied the intersections of city and home, public and private, and masculine and feminine spheres.Moving deftly from novels to architectural treatises, legal debates, and popular urban observation, Marcus compares the representation of the apartment house in Paris and London. Along the way, she excavates the urban ghost tales that encoded Londoners' ambivalence about city dwellings; contends that Haussmannization enclosed Paris in a new regime of privacy; and locates a female counterpart to the flâneur and the omniscient realist narrator - the portière who supervised the apartment building.   [brief]
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Title: Displaying the Orient: architecture of Islam at nineteenth-century world's fairs 
Author: Çelik, Zeynep
Published: University of California Press,  1992
Subjects: Architecture | European History | Cultural Anthropology | Middle Eastern History
Publisher's Description: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place . Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.   [brief]
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Title: The origins of modernism in Russian architecture 
Author: Brumfield, William Craft 1944-
Published: University of California Press,  1991
Subjects: Architecture | Architectural History | Russian and Eastern European Studies
Publisher's Description: The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history.Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture.   [brief]
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Title: One king, one faith: the Parlement of Paris and the religious reformations of the sixteenth century 
Author: Roelker, Nancy L. (Nancy Lyman)
Published: University of California Press,  1996
Subjects: History | European History | Christianity | European Studies | French Studies
Publisher's Description: This book, the culmination of a lifelong career in French history, tackles head-on the central question of the French Religious Wars: Why did France prove so consistently hostile and resistant to Protestantism? Distinguished scholar Nancy Lyman Roelker claims that what ultimately motivated the passion and violence of the civil wars was religion. She demonstrates that not only the body politic but also the body social was defined by Gallican Catholicism.Roelker underscores the role the Parlement played in shaping and safeguarding the social, as well as the political, order. Her study is based on extensive research in the correspondence, memoirs, and tracts of mainstream Catholic magistrates as well as dissenters. It creates an overview of the mentalitè s of the Parlement, analyzes religious attitudes toward major events of the period, and examines the Parlement's role in the triumph of Henri IV. Along the way, it sheds light on the inner workings of the Parlement and other political institutions, on social structures, and on collective ideas. And above all, this distinguished work brilliantly illuminates the role of religion in society and the state. It will be the definitive work on the subject for many years to come.   [brief]
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Title: William Faulkner and the tangible past: the architecture of Yoknapatawpha 
Author: Hines, Thomas S
Published: University of California Press,  1997
Subjects: Architecture | Architectural History | Literature | American Literature | United States History
Publisher's Description: The world of William Faulkner is seen from a new perspective in Thomas Hines's imaginative and many-faceted study. Hines assesses the impact of the built environment on Faulkner's consciousness and shows how the architecture of the writer's fictional county of Yoknapatawpha reflects the actual architecture of Oxford, Mississippi, and neighboring areas. Over 110 distinctive photographs, in both color and black-and-white, beautifully complement the text, making this book both a reading and viewing pleasure.Much has been written on the role of nature in Faulkner's work, but architecture and the built environment - the opposite of nature - have been virtually ignored. Arguing that nature and architecture are of equal importance in Faulkner's cosmos, Hines examines the writer's use of architectural modes - primitive, classical, gothic, and modern - to demarcate caste and class, to convey mood and ambience, and to delineate character. Hines provides not only another way of understanding Faulkner's work but also a means of appreciating the power of architecture to reflect what Faulkner called "the comedy and tragedy of being alive."Hines's gifts as an architectural historian and photographer and his intimate knowledge of Faulkner country are evident throughout this handsome book. Combining cultural, intellectual, architectural, and literary history, William Faulkner and the Tangible Past will take Faulkner lovers, as well as lovers of architecture, on a fascinating tour of Yoknapatawpha County.   [brief]
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Title: The building program of Herod the Great
Author: Roller, Duane W
Published: University of California Press,  1998
Subjects: Classics | Architecture | Ancient History | Archaeology
Publisher's Description: Herod the Great, King of Judaea from 444 B.C., is known as one of the world's great villains. This notoriety has overshadowed his actual achievements, particularly his role as a client king of Rome during Augustus's reign as emperor. An essential aspect of Herod's responsibilities as king of Judaea was his role as a builder. Remarkably innovative, he created an astonishing record of architectural achievement, not only in Judaea but also throughout Greece and the Roman east. Duane W. Roller systematically presents and discusses all the building projects known to have been initiated by Herod, and locates this material in a broad historical and cultural context.Bringing together previously inaccessible material, Roller enriches our understanding of the enigmatic Herod and provides new insights into Roman architecture. Herod was instrumental in the diffusion of the Augustan architectural revolution into the provinces and was the first to build outside Italy such Italian architectural forms as the basilica, amphitheater, villa, and Italian temple. Herod's legacy provided a groundwork for the architectural Romanization of the east, influencing the construction of the great temple complexes and palaces so familiar from later Roman architecture.Herod, like Augustus himself, was not only interested in architecture but also in diplomatic and financial contacts among cities of the region. In addition to providing a repertorium of the building projects, this study is also an exploration of international relations in the eastern Mediterranean at the beginning of the Roman imperial period.   [brief]
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Title: Profane illumination: Walter Benjamin and the Paris of surrealist revolution
Author: Cohen, Margaret
Published: University of California Press,  1993
Subjects: German Studies | Philosophy | Literary Theory and Criticism
Publisher's Description: Margaret Cohen's encounter with Walter Benjamin, one of the twentieth century's most influential cultural and literary critics, has produced a radically new reading of surrealist thought and practice. Cohen analyzes the links between Breton's surrealist fusion of psychoanalysis and Marxism and Benjamin's post-Enlightenment challenge to Marxist theory. She argues that Breton's surrealist Marxism played a formative role in shaping postwar French intellectual life and is of continued relevance to the contemporary intellectual scene.   [brief]
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Title: American urban architecture: catalysts in the design of cities 
Author: Attoe, Wayne
Published: University of California Press,  1992
Subjects: Architecture | Urban Studies
Publisher's Description: Conceiving of urban design in terms of architectural actions and reactions, Attoe and Logan propose a theory of "catalytic architecture" better suited to specifically American circumstances than the largely European models developed in the last thirty years for the remaking of cities.After exploring instances of failed attempts to impose European visions on American cities, the authors examine urban design successes that illustrate the principles and goals of catalytic architecture. With a series of case studies they characterize urban design as a controlled evolution, one that must also be strategic, responding to existing elements and guiding those that follow. The authors argue that the failure of American cities to control and guide the energies released in urban development can be prevented by "design guidance". From their own combined experience as urban architects and scholars, they provide a taxonomy of methods to guide urban design toward higher standards and better results.   [brief]
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Title: The Jews of modern France
Author: Hyman, Paula 1946-
Published: University of California Press,  1998
Subjects: Jewish Studies | French Studies | European Studies | History | European History | Judaism | Urban Studies
Publisher's Description: The Jews of Modern France explores the endlessly complex encounter of France and its Jews from just before the Revolution to the eve of the twenty-first century. In the late eighteenth century, some forty thousand Jews lived in scattered communities on the peripheries of the French state, not considered French by others or by themselves. Two hundred years later, in 1989, France celebrated the anniversary of the Revolution with the largest, most vital Jewish population in western and central Europe.Paula Hyman looks closely at the period that began when France's Jews were offered citizenship during the Revolution. She shows how they and succeeding generations embraced the opportunities of integration and acculturation, redefined their identities, adapted their Judaism to the pragmatic and ideological demands of the time, and participated fully in French culture and politics. Within this same period, Jews in France fell victim to a secular political antisemitism that mocked the gains of emancipation, culminating first in the Dreyfus Affair and later in the murder of one-fourth of them in the Holocaust. Yet up to the present day, through successive waves of immigration, Jews have asserted the compatibility of their French identity with various versions of Jewish particularity, including Zionism. This remarkable view in microcosm of the modern Jewish experience will interest general readers and scholars alike.   [brief]
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