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1. | | Title: Painters and politics in the People's Republic of China, 1949-1979 Author: Andrews, Julia Frances Published: University of California Press, 1995 Subjects: Art | Art History | Asian Studies | ChinaPublisher's Description: Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists - these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia. [brief]Similar Items | 2. | | Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public muralsAuthor: Lee, Anthony W 1960- Published: University of California Press, 1999 Subjects: Art | Art History | Californian and Western History | California and the WestPublisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics. [brief]Similar Items | 3. | | Title: Palestinian politics after the Oslo Accords: resuming Arab PalestineAuthor: Brown, Nathan J Published: University of California Press, 2003 Subjects: History | Middle Eastern History | Middle Eastern Studies | PoliticsPublisher's Description: This timely and critically important work does what hostilities in the Middle East have made nearly impossible: it offers a measured, internal perspective on Palestinian politics, viewing emerging political patterns from the Palestinian point of view rather than through the prism of the Arab-Israeli conflict. Based on groundbreaking fieldwork, interviews with Palestinian leaders, and an extensive survey of Arabic-language writings and documents, Palestinian Politics after the Oslo Accords presents the meaning of state building and self-reliance as Palestinians themselves have understood them in the years between 1993 and 2002. Nathan J. Brown focuses his work on five areas: legal development, constitution drafting, the Palestinian Legislative Council, civil society, and the effort to write a new curriculum. His book shows how Palestinians have understood efforts at building institutions as acts of resumption rather than creation - with activists and leaders seeing themselves as recovering from an interrupted past, Palestinians seeking to rejoin the Arab world by building their new institutions on Arab models, and many Palestinian reformers taking the Oslo Accords as an occasion to resume normal political life. Providing a clear and urgently needed vantage point on most of the issues of Palestinian reform and governance that have emerged in recent policy debates - issues such as corruption, constitutionalism, democracy, and rule of law - Brown's book helps to put Palestinian aspirations and accomplishments in their proper context within a long and complex history and within the larger Arab world. [brief]Similar Items | 4. | | Title: Papal patronage and the music of St. Peter's, 1380-1513 Author: Reynolds, Christopher A Published: University of California Press, 1996 Subjects: Music | Musicology | European HistoryPublisher's Description: A new picture of music at the basilica of St. Peter's in the fifteenth century emerges in Christopher A. Reynolds's fascinating chronicle of this rich period of Italian musical history. Reynolds examines archival documents, musical styles, and issues of artistic patronage and cultural context in a fertile consideration of the ways historical and musical currents affected each other.This work is both a historical account of performers and composers and an examination of how their music revealed their cultural values and educational backgrounds. Reynolds analyzes several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. Taken together, the archival records and the music sung at St. Peter's reveal a much clearer picture of musical life at the basilica than either source would alone. The contents of the St. Peter's choirbook help document musical life as surely as that musical life - insofar as it can be reconstructed from the archives - illumines the choirbook. [brief]Similar Items | 5. | | Title: Parables of sun light: observations on psychology, the arts, and the restAuthor: Arnheim, Rudolf Published: University of California Press, 1990 Subjects: Art | Art TheoryPublisher's Description: For many years Rudolf Arnheim, known as the leading psychologist of art, has been keeping notebooks in which to jot down observations, ideas, questions, and even (after a stay in Japan for a year) poems in the haiku pattern. Some of these notes found their way into his books - known and prized the world over - such as Art and Visual Perception , Visual Thinking , and The Power of the Center (see list below). Now he has selected, from the remaining riches of his notebooks, the items in this volume. The book will be a joy to ramble through for all lovers of Arnheim's work, and indeed for anyone who shares Arnheim's contagious interest in the order that lies behind art, nature, and human life. It is a seedbed of ideas and observations in his special fields of psychology and the arts. "I have avoided mere images and I have avoided mere thoughts," says Arnheim in the Introduction, "but whenever an episode observed or a striking sentence read yielded a piece of insight I had not met before, I wrote it down and preserved it." There are also glimpses of his personal life - his wife, his cats, his students, his neighbors and colleagues. He is always concrete, in the manner that has become his trademark, often witty, and sometimes a bit wicked.In the blend of life and thought caught in these jottings, psychology and the arts are of course prominent. But philosophy, religion, and the natural sciences add to the medley of topics - always addressed in a way to sharpen the senses of the reader who, sharing Arnheim's cue from Dylan Thomas, may accompany him through "the parables of sun light and the legends of the green chapels and the twice told fields of childhood."All of Rudolf Arnheim's books have been published by the University of California Press. [brief]Similar Items | 6. | | Title: Paradise in ashes: a Guatemalan journey of courage, terror, and hopeAuthor: Manz, Beatriz 1944- Published: University of California Press, 2004 Subjects: Anthropology | Latin American Studies | Politics | Ethnic Studies | Sociology | American Studies | Latin American HistoryPublisher's Description: Paradise in Ashes is a deeply engaged and moving account of the violence and repression that defined the murderous Guatemalan civil war of the 1980s. In this compelling book, Beatriz Manz - an anthropologist who spent over two decades studying the Mayan highlands and remote rain forests of Guatemala - tells the story of the village of Santa María Tzejá, near the border with Mexico. Manz writes eloquently about Guatemala's tortured history and shows how the story of this village - its birth, destruction, and rebirth - embodies the forces and conflicts that define the country today. Drawing on interviews with peasants, community leaders, guerrillas, and paramilitary forces, Manz creates a richly detailed political portrait of Santa María Tzejá, where highland Maya peasants seeking land settled in the 1970s. Manz describes these villagers' plight as their isolated, lush, but deceptive paradise became one of the centers of the war convulsing the entire country. After their village was viciously sacked in 1982, desperate survivors fled into the surrounding rain forest and eventually to Mexico, and some even further, to the United States, while others stayed behind and fell into the military's hands. With great insight and compassion, Manz follows their flight and eventual return to Santa María Tzejá, where they sought to rebuild their village and their lives. [brief]Similar Items | 7. | | Title: The paradox of plenty: oil booms and petro-statesAuthor: Karl, Terry Lynn 1947- Published: University of California Press, 1997 Subjects: Politics | Economics and Business | Latin American StudiesPublisher's Description: The Paradox of Plenty explains why, in the midst of two massive oil booms in the 1970s, oil-exporting governments as different as Venezuela, Iran, Nigeria, Algeria, and Indonesia chose common development paths and suffered similarly disappointing outcomes. Meticulously documented and theoretically innovative, this book illuminates the manifold factors - economic, political, and social - that determine the nature of the oil state, from the coherence of public bureaucracies, to the degree of centralization, to patterns of policy-making. Karl contends that oil countries, while seemingly disparate, are characterized by similar social classes and patterns of collective action. In these countries, dependence on petroleum leads to disproportionate fiscal reliance on petrodollars and public spending, at the expense of statecraft. Oil booms, which create the illusion of prosperity and development, actually destabilize regimes by reinforcing oil-based interests and further weakening state capacity.Karl's incisive investigation unites structural and choice-based approaches by illuminating how decisions of policymakers are embedded in institutions interacting with domestic and international markets. This approach - which Karl dubs "structured contingency" - uses a state's leading sector as the starting point for identifying a range of decision-making choices, and ends by examining the dynamics of the state itself. [brief]Similar Items | 8. | | Title: Paris as revolution: writing in the nineteenth-century city Author: Ferguson, Priscilla Parkhurst Published: University of California Press, 1997 Subjects: Literature | Social Theory | European Literature | Literary Theory and Criticism | European History | French StudiesPublisher's Description: In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed.In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. [brief]Similar Items | 9. | | Title: Passing by: gender and public harassmentAuthor: Gardner, Carol Brooks Published: University of California Press, 1995 Subjects: Sociology | Women's StudiesPublisher's Description: Catcalls, wolf whistles, verbal slurs, pinches, stalking - virtually every woman has experienced some form of unwanted public attention by men. Off the street, in semi-public places such as restaurants and department stores, women often suffer the insult of being passed over by employees eager to serve men. How pervasive is this behavior? How dangerous can it be? What, if anything, should be done about it? Passing By , an illuminating, unsettling work, explores the important yet little-examined issue of gender-related public harassment. Based on extensive research - including in-depth interviews with nearly five-hundred midwestern women and men - it documents the many types of indignity visited on women in public places. As Carol Brooks Gardner demonstrates, these indignities cross all lines of age, class, and ethnicity and follow a typical pattern whereby a man or men take advantage of a woman's momentary or permanent vulnerability. Beyond describing the scope and variety of harassing behaviors, the book investigates the different ways women and men respond to and interpret them.Gardner concludes, provocatively, that gender-based public harassment exerts a powerful control over women's feelings of comfort in the towns and communities where they live and work. Further, she defines it as a new category of social problem that shares much in common with sexual harassment and, in its more menacing form, requires legal remedy. [brief]Similar Items | 10. | | Title: A passion for polka: old-time ethnic music in AmericaAuthor: Greene, Victor R Published: University of California Press, 1992 Subjects: History | United States History | Music | American Studies | Ethnic StudiesPublisher's Description: In this delightful and engaging book, Greene uncovers a wonderful corner of American social history as he traces the popularization of old-time ethnic music from the turn of the century to the 1960s.Not so long ago, songs by the Andrews Sisters and Lawrence Welk blasted from phonographs, lilted over the radio, and dazzled television viewers across the country. Lending star quality to the ethnic music of Poles, Italians, Slovaks, Jews, and Scandinavians, luminaries like Frankie Yankovic, the Polka King, and "Whoopee John" Wilfart became household names to millions of Americans. In this vivid and engaging book, Victor Greene uncovers a wonderful corner of American social history as he traces the popularization of old-time ethnic music from the turn of the century to the 1960s. Drawing on newspaper clippings, private collections, ethnic societies, photographs, recordings, and interviews with musicians and promoters, Greene chronicles the emergence of a new mass culture that drew heavily on the vivid color, music, and dance of ethnic communities.In this story of American ethnic music, with its countless entertainers performing never-forgotten tunes in hundreds of small cities around the country, Greene revises our notion of how many Americans experienced cultural life. In the polka belt, extending from Connecticut to Nebraska and from Texas up to Minnesota and the Dakotas, not only were polkas, laendlers, schottisches, and waltzes a musical passion, but they shone a scintillating new light on the American cultural landscape. Greene follows the fortunes of groups like the Gold Chain Bohemians and national stars like Welk and Yankovic, illuminating the development of an important segment of American popular music that fed the craze for international dance music.And even though old-time music declined in the 1960s, overtaken by rock and roll, a new Grammy for the polka was initiated in 1986. In its ebullience and vitality, the genre endures. [brief]Similar Items | 11. | | Title: Passionate uncertainty: inside the American JesuitsAuthor: McDonough, Peter 1939- Published: University of California Press, 2002 Subjects: Religion | Christianity | Sociology | NeurosciencePublisher's Description: Founded by Ignatius Loyola in 1540, the Society of Jesus remains the largest and most controversial religious order of men in Catholicism. Since the 1960s, however, Jesuits in the United States have lost more than half of their members, and they have experienced a massive upheaval in what they believe and how they work and live. In this groundbreaking book, Peter McDonough and Eugene C. Bianchi draw on interviews and statements gathered from more than four hundred Jesuits and former Jesuits to provide an intimate look at turmoil among Catholicism's legendary best-and-brightest. Priests and former priests speak candidly about their reasons for joining (and leaving) the Jesuits, about their sexual development and orientation, about their spiritual crises and their engagement with other religious traditions. They discuss issues ranging from celibacy to the ordination of women, homosexuality, the rationale of the priesthood, the challenges of community life, and the divinity of Jesus. Passionate Uncertainty traces the transformation of the Society of Jesus from a fairly unified organization into a smaller, looser community with disparate goals and an elusive corporate identity. From its role as a traditional subculture during the days of immigrant Catholicism, the order has changed into an amalgam of countercultures shaped around social mission, sexual identity, and an eclectic spirituality. The story of the Jesuits reflects the crisis of clerical authority and the deep ambivalence surrounding American Catholicism's encounter with modernity. [brief]Similar Items | 12. | | Title: Passions of the cut sleeve: the male homosexual tradition in ChinaAuthor: Hinsch, Bret Published: University of California Press, 1990 Subjects: History | Asian History | China | GayLesbian and Bisexual StudiesPublisher's Description: The first detailed treatment of the Chinese homosexual tradition in any Western language, Passions of the Cut Sleeve shatters preconceptions and stereotypes. Gone is the image of the sternly puritanical Confucian as sole representative of Chinese sexual practices - and with it the justification for the modern Chinese insistence that homosexuality is a recent import from the decadent West. Rediscovering the male homosexual tradition in China provides a startling new perspective on Chinese society and adds richly to our understanding of homosexuality.Bret Hinsch's reconstruction of the Chinese homosexual past reveals unexpected scenes. An emperor on his deathbed turns over the seals of the empire to a male beloved; two men marry each other with elaborate wedding rituals; parents sell their son into prostitution. The tradition portrays men from all levels of society - emperors, transvestite actors, rapists, elegant scholars, licentious monks, and even the nameless poor.Drawing from dynastic histories, erotic novels, popular Buddhist tracts, love poetry, legal cases, and joke books, Passions of the Cut Sleeve evokes the complex and fascinating male homosexual tradition in China from the Bronze Age until its decline in recent times. [brief]Similar Items | 13. | | Title: Passions of the tongue: language devotion in Tamil India, 1891-1970 Author: Ramaswamy, Sumathi Published: University of California Press, 1997 Subjects: Asian Studies | History | South Asia | Language and Linguistics | Asian History | Asian LiteraturePublisher's Description: Why would love for their language lead several men in southern India to burn themselves alive in its name? Passions of the Tongue analyzes the discourses of love, labor, and life that transformed Tamil into an object of such passionate attachment, producing in the process one of modern India's most intense movements for linguistic revival and separatism. Sumathi Ramaswamy suggests that these discourses cannot be contained within a singular metanarrative of linguistic nationalism and instead proposes a new analytic, "language devotion." She uses this concept to track the many ways in which Tamil was imagined by its speakers and connects these multiple imaginings to their experience of colonial and post-colonial modernity. Focusing in particular on the transformation of the language into a goddess, mother, and maiden, Ramaswamy explores the pious, filial, and erotic aspects of Tamil devotion. She considers why, as its speakers sought political and social empowerment, metaphors of motherhood eventually came to dominate representations of the language. [brief]Similar Items | 14. | | Title: Paths to Asian medical knowledgeAuthor: Leslie, Charles M 1923- Published: University of California Press, 1992 Subjects: Anthropology | Medical Anthropology | Asian StudiesPublisher's Description: Like its classic predecessor, Asian Medical Systems , Paths to Asian Medical Knowledge significantly expands the study of Asian medicine. These essays ask how patients and practitioners know what they know - what evidence of disease or health they consider convincing and what cultural traditions and symbols guide their thinking. Whether discussing Japanese anatomy texts, Islamic humoralism, Ayurvedic clinical practice, or a variety of other subjects, the authors offer an exciting range of information and suggest new theoretical avenues for medical anthropology. [brief]Similar Items | 15. | | Title: Pathways of power: building an anthropology of the modern worldAuthor: Wolf, Eric R 1923- Published: University of California Press, 2001 Subjects: Anthropology | Cultural Anthropology | SociologyPublisher's Description: This collection of twenty-eight essays by renowned anthropologist Eric R. Wolf is a legacy of some of his most original work, with an insightful foreword by Aram Yengoyan. Of the essays, six have never been published and two have not appeared in English until now. Shortly before his death, Wolf prepared introductions to each section and individual pieces, as well as an intellectual autobiography that introduces the collection as a whole. Sydel Silverman, who completed the editing of the book, says in her preface, "He wanted this selection of his writings over the past half-century to serve as part of the history of how anthropology brought the study of complex societies and world systems into its purview." [brief]Similar Items | 16. | | Title: Paul Bowles on musicAuthor: Bowles, Paul 1910- Published: University of California Press, 2003 Subjects: Music | American Music | Composers | Contemporary Music | American Literature | FilmPublisher's Description: "It's an easy enough job if one has something to say," Paul Bowles remarked in a letter to his mother about his first foray into music criticism. And Paul Bowles, indeed, had plenty to say about music. Though known chiefly as a writer of novels and stories, Paul Bowles (1910-99) thought of himself first and foremost as a composer. Drawing together the work he did at the intersection of his two passions and professions, writing and music, this volume collects the music criticism Bowles published between 1935 and 1946 as well as an interview conducted by Irene Herrmann shortly before his death. An intimate of Aaron Copland and protégé of Virgil Thomson, Bowles was a musical sophisticate acquainted with an enormous range of music. His criticism collected here brilliantly illuminates not only the whole range of modernist composition but also film music, jazz, Mexican and Moroccan music, and many other genres. As a reviewer he reports on established artists and young hopefuls, symphonic concerts indoors and out, and important premieres of works by Copland, Thomson, Cage, Shostakovich, and Stravinsky, among others. Written with the austere grace of his better-known literary works, Bowles's criticism enhances our picture of an important era in American music history as well as our sense of his accomplishments and extraordinary contribution to twentieth-century culture. [brief]Similar Items | 17. | | Title: Paying the price of freedom: family and labor among Lima's slaves, 1800-1854 Author: Hünefeldt, Christine Published: University of California Press, 1995 Subjects: History | Anthropology | Latin American History | Latin American StudiesPublisher's Description: Christine Hünefeldt documents in impressive, moving detail the striving and ingenuity, the hard-won triumphs and bitter defeats of slaves who sought liberation in nineteenth-century urban Peru. Drawing on judicial, ecclesiastical, and notarial records - including the testimony of the slaves themselves - she uncovers the various strategies slaves invented to gain their freedom.Hünefeldt pays particular attention to marriage relations and family life. Slaves used their family solidarity as a strategy, while slaveowners used the conflicts within families to prevent manumission. The author's focus on gender relations between slaveowners and slaves, as well as between slaves, is particularly original. Her eye for ethnographic detail and her perceptive reading of the documentary evidence make this book a rich and important contribution to the study of slavery in Latin America. [brief]Similar Items | 18. | | Title: "Peaks of Yemen I summon": poetry as cultural practice in a North Yemeni tribeAuthor: Caton, Steven Charles 1950- Published: University of California Press, 1990 Subjects: Anthropology | Cultural Anthropology | Middle Eastern Studies | Literary Theory and Criticism | Medieval Studies | Folklore and Mythology | Language and LinguisticsPublisher's Description: In this first full-scale ethnographic study of Yemeni tribal poetry, Steven Caton reveals an astonishingly rich folkloric system where poetry is both a creation of art and a political and social act. Almost always spoken or chanted, Yemeni tribal poetry is cast in an idiom considered colloquial and "ungrammatical," yet admired for its wit and spontaneity. In Yemeni society, the poet has power over people. By eloquence the poet can stir or, if his poetic talents are truly outstanding, motivate an audience to do his bidding. Yemeni tribesmen think, in fact, that poetry's transformative effect is too essential not to use for pressing public issues.Drawing on his three years of field research in North Yemen, Caton illustrates the significance of poetry in Yemeni society by analyzing three verse genres and their use in weddings, war mediations, and political discourse on the state. Moreover, Caton provides the first anthropology of poetics. Challenging Western cultural assumptions that political poetry can rarely rise above doggerel, Caton develops a model of poetry as cultural practice. To compose a poem is to construct oneself as a peacemaker, as a warrior, as a Muslim. Thus the poet engages in constitutive social practice.Because of its highly interdisciplinary approach, this book will interest a wide range of readers including anthropologists, linguists, folklorists, literary critics, and scholars of Middle Eastern society, language, and culture. [brief]Similar Items | 19. | | Title: Peasant and nation: the making of postcolonial Mexico and PeruAuthor: Mallon, Florencia E 1951- Published: University of California Press, 1995 Subjects: History | Latin American History | Anthropology | Latin American StudiesPublisher's Description: Peasant and Nation offers a major new statement on the making of national politics. Comparing the popular political cultures and discourses of postcolonial Mexico and Peru, Florencia Mallon provides a groundbreaking analysis of their effect on the evolution of these nation states. As political history from a variety of subaltern perspectives, the book takes seriously the history of peasant thought and action and the complexity of community politics. It reveals the hierarchy and the heroism, the solidarity and the surveillance, the exploitation and the reciprocity, that coexist in popular political struggle.With this book Mallon not only forges a new path for Latin American history but challenges the very concept of nationalism. Placing it squarely within the struggles for power between colonized and colonizing peoples, she argues that nationalism must be seen not as an integrated ideology that puts the interest of the nation above all other loyalties, but as a project for collective identity over which many political groups and coalitions have struggled. Ambitious and bold, Peasant and Nation both draws on monumental archival research in two countries and enters into spirited dialogue with the literatures of post-colonial studies, gender studies, and peasant studies. [brief]Similar Items | 20. | | Title: Peasant protests and uprisings in Tokugawa JapanAuthor: Vlastos, Stephen 1943- Published: University of California Press, 1990 Subjects: History | Japan | Asian HistoryPublisher's Description: The Japanese peasant has been thought of as an obedient and passive subject of the feudal ruling class. Yet Tokugawa villagers frequently engaged in unlawful and disruptive protests. Moreover, the frequency and intensity of the peasants' collective action increased markedly at the end of the Tokugawa period. Stephen Vlastos's examination of the changing patterns of peasant protest in the Fukushima area shows that peasant mobilization was restricted both ideologically and organizationally and that peasants did not become a prime moving force in the Meiji Restoration. [brief]Similar Items |
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