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Title: Countering colonization: Native American women and Great Lakes missions, 1630-1900 
Author: Devens, Carol
Published: University of California Press,  1992
Subjects: History | Native American Studies | American Studies | Native American Ethnicity | Women's Studies | Religion
Publisher's Description: With Countering Colonization , Carol Devens offers a well-documented, revisionary history of Native American women. From the time of early Jesuit missionaries to the late nineteenth century, Devens brings Ojibwa, Cree, and Montagnais-Naskapi women of the Upper Great Lakes region to the fore. Far from being passive observers without regard for status and autonomy, these women were pivotal in their own communities and active in shaping the encounter between Native American and white civilizations.While women's voices have been silenced in most accounts, their actions preserved in missionary letters and reports indicate the vital part women played during centuries of conflict. In contrast to some Indian men who accepted the missionaries' religious and secular teachings as useful tools for dealing with whites, many Indian women felt a strong threat to their ways of life and beliefs. Women endured torture and hardship, and even torched missionaries' homes in an attempt to reassert control over their lives. Devens demonstrates that gender conflicts in Native American communities, which anthropologists considered to be "aboriginal," resulted in large part from women's and men's divergence over the acceptance of missionaries and their message.This book's perspective is unique in its focus on Native American women who acted to preserve their culture. In acknowledging these women as historically significant actors, Devens has written a work for every scholar and student seeking a more inclusive understanding of the North American past.   [brief]
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Title: The country of memory: remaking the past in late socialist Vietnam 
Author: Tai, Hue-Tam Ho 1948-
Published: University of California Press,  2001
Subjects: History | Southeast Asia | Film | Gender Studies | Postcolonial Studies | Popular Culture | Asian History
Publisher's Description: The American experience in the Vietnam War has been the subject of a vast body of scholarly work, yet surprisingly little has been written about how the war is remembered by Vietnamese themselves. The Country of Memory fills this gap in the literature by addressing the subject of history, memory, and commemoration of the Vietnam War in modern day Vietnam. This pathbreaking volume details the nuances, sources, and contradictions in both official and private memory of the War, providing a provocative assessment of social and cultural change in Vietnam since the 1980s. Inspired by the experiences of Vietnamese veterans, artists, authorities, and ordinary peasants, these essays examine a society undergoing a rapid and traumatic shift in politics and economic structure. Each chapter considers specific aspects of Vietnamese culture and society, such as art history, commemorative rituals and literature, gender, and tourism. The contributors call attention to not only the social milieu in which the work of memory takes place, but also the historical context in which different representations of the past are constructed. Drawing from a variety of sources, such as prison memoirs, commemorative shrines, funerary rituals, tourist sites and brochures, advertisements, and films, the authors piece together the disparate representations of the past in Vietnam. With these rare perspectives, The Country of Memory makes an important contribution to debates within postcolonial studies, as well as to the literature on memory, Vietnam, and the Vietnam War.   [brief]
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Title: The courtier and the King: Ruy Gómez de Silva, Philip II, and the court of Spain 
Author: Boyden, James M 1954-
Published: University of California Press,  1995
Subjects: History | European History | Autobiographies and Biographies
Publisher's Description: Ruy Gómez de Silva, or the prince of Eboli, was one of the central figures at the court of Spain in the sixteenth century. Thanks to his oily affability, social grace, and an uncanny knack for anticipating and catering to the desires of his prince, he rose from obscurity to become the favorite and chief minister of Philip II.From the scattered surviving sources James Boyden weaves a vivid, compelling narrative: one that breathes life not only into Ruy Gómez, but into the court, the era, and the enigmatic character of Phillip II as well. Elegantly written and highly readable, this book discovers in the career of Gómez the techniques, aspirations, and mentality of an accomplished courtier in the age of Castiglione.   [brief]
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Title: A courtship after marriage: sexuality and love in Mexican transnational families
Author: Hirsch, Jennifer S
Published: University of California Press,  2003
Subjects: Anthropology | American Studies | Cultural Anthropology | Latino Studies | Chicano Studies | Sociology | Gender Studies | Latin American Studies | Immigration | Sociology
Publisher's Description: From about seven children per woman in 1960, the fertility rate in Mexico has dropped to about 2.6. Such changes are part of a larger transformation explored in this book, a richly detailed ethnographic study of generational and migration-related redefinitions of gender, marriage, and sexuality in r . . . [more]
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Title: Cousins and strangers: Spanish immigrants in Buenos Aires, 1850-1930
Author: Moya, Jose C 1952-
Published: University of California Press,  1998
Subjects: History | Latin American Studies
Publisher's Description: More than four million Spaniards came to the Western Hemisphere between the mid-nineteenth century and the Great Depression. Unlike that of most other Europeans, their major destination was Argentina, not the United States. Studies of these immigrants - mostly laborers and peasants - have been scarce in comparison with studies of other groups of smaller size and lesser influence. Presenting original research within a broad comparative framework, Jose C. Moya fills a considerable gap in our knowledge of immigration to Argentina, one of the world's primary "settler" societies. Moya moves deftly between micro- and macro-analysis to illuminate the immigration phenomenon. A wealth of primary sources culled from dozens of immigrant associations, national and village archives, and interviews with surviving participants in Argentina and Spain inform his discussion of the origins of Spanish immigration, residence patterns, community formation, labor, and cultural cognitive aspects of the immigration process. In addition, he provides valuable material on other immigrant groups in Argentina and gives a balanced critique of major issues in migration studies.   [brief]
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Title: Covering immigration: popular images and the politics of the nation
Author: Chavez, Leo R. (Leo Ralph)
Published: University of California Press,  2001
Subjects: Anthropology | Ethnic Studies | American Studies
Publisher's Description: On October 17, 1994, The Nation ran the headline "The Immigration Wars" on its cover over an illustration showing the western border of the United States with a multitude of people marching toward it. In the foreground, the Statue of Liberty topped by an upside-down American flag is joined by a growling guard dog lunging at a man carrying a pack. The magazine's coverage of emerging anti-immigrant sentiment shows how highly charged the images and texts on popular magazine covers can be. This provocative book gives a cultural history of the immigration issue in the United States since 1965, using popular magazine covers as a fascinating entry into a discussion of our attitudes toward one of the most volatile debates in the nation. Leo Chavez gathers and analyzes over seventy cover images from politically diverse magazines, including Time, Newsweek, U.S. News and World Report, Business Week, The New Republic, The Nation, and American Heritage. He traces the connections between the social, legal, and economic conditions surrounding immigration and the diverse images through which it is portrayed. Covering Immigration suggests that media images not only reflect the national mood but also play a powerful role in shaping national discourse. Drawing on insights from anthropology, sociology, and cultural studies, this original and perceptive book raises new questions about the media's influence over the public's increasing fear of immigration.   [brief]
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Title: Crack in America: demon drugs and social justice
Author: Reinarman, Craig
Published: University of California Press,  1997
Subjects: American Studies | Sociology | Urban Studies
Publisher's Description: Crack in America is the definitive book on crack cocaine. In reinterpreting the crack story, it offers new understandings of both drug addiction and drug prohibition. It shows how crack use arose in the face of growing unemployment, poverty, racism, and shrinking social services. It places crack in its historical context - as the latest in a long line of demonized drugs - and it examines the crack scare as a phenomenon in its own right. Most important, it uses crack and the crack scare as windows onto America's larger drug and drug policy problems.Written by a team of veteran drug researchers in medicine, law, and the social sciences, this book provides the most comprehensive, penetrating, and original analysis of the crack problem to date. It reviews the social pharmacology of crack and offers rich ethnographic case studies of crack binging, addiction, and sales. It explores crack's different impacts on whites, blacks, the middle class, and the poor, and explains why crack was always much less of a problem in other countries such as Canada, Australia, and The Netherlands. Crack in America helps readers understand why the United States has the most repressive, expensive, and yet least effective drug policy in the Western world. It discusses the ways politicians and the media generated the crack scare as the centerpiece of the War on Drugs. It catalogues the costs of the War on Drugs for civil liberties, situates crack use and sales in the political economy of the inner cities in the 1980s, and shows how the drug war led to the most massive wave of imprisonment in U.S. history. Finally, it explains why the failures of drug prohibition have led to the emergence of the harm reduction movement and other opposition forces that are changing the face of U.S. drug policy.   [brief]
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Title: Crafting the culture and history of French chocolate
Author: Terrio, Susan J. (Susan Jane) 1950-
Published: University of California Press,  2000
Subjects: Anthropology | European Studies | French Studies | Food and Cooking | Sociology
Publisher's Description: This absorbing narrative follows the craft community of French chocolatiers - members of a tiny group experiencing intensive international competition - as they struggle to ensure the survival of their businesses. Susan J. Terrio moves easily among ethnography, history, theory, and vignette, telling a story that challenges conventional views of craft work, associational forms, and training models in late capitalism. She enters the world of Parisian craft leaders and local artisanal families there and in southwest France to relate how they work and how they confront the representatives and structures of power, from taste makers, CEOs, and advertising executives to the technocrats of Paris and Brussels. Looking at craft culture and community from a cross-disciplinary perspective, Terrio finds that the chocolatiers affirm their collective identity and their place in the present by commemorating selectively their role in history. In addition to joining a distinguished tradition of American anthropological writing on the role of food, her study of the social production of taste in the invention of vintage, grand cru chocolates lends specificity and weight to theories of consumption by Pierre Bourdieu and others. The book will appeal to anthropologists, cultural studies scholars, and anyone curious about life in contemporary France.   [brief]
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Title: Creating the Cold War university: the transformation of Stanford
Author: Lowen, Rebecca S 1959-
Published: University of California Press,  1997
Subjects: History | Education | Technology and Society | Military History | Californian and Western History | History and Philosophy of Science | California and the West | Intellectual History | United States History | United States History
Publisher's Description: The "cold war university" is the academic component of the military-industrial-academic complex, and its archetype, according to Rebecca Lowen, is Stanford University. Her book challenges the conventional wisdom that the post-World War II "multiversity" was created by military patrons on the one hand and academic scientists on the other and points instead to the crucial role played by university administrators in making their universities dependent upon military, foundation, and industrial patronage.Contesting the view that the "federal grant university" originated with the outpouring of federal support for science after the war, Lowen shows how the Depression had put financial pressure on universities and pushed administrators to seek new modes of funding. She also details the ways that Stanford administrators transformed their institution to attract patronage.With the end of the cold war and the tightening of federal budgets, universities again face pressures not unlike those of the 1930s. Lowen's analysis of how the university became dependent on the State is essential reading for anyone concerned about the future of higher education in the post-cold war era.   [brief]
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Title: Creating the corporate soul: the rise of public relations and corporate imagery in American big business
Author: Marchand, Roland
Published: University of California Press,  1998
Subjects: History | American Studies | Popular Culture | Intellectual History | Media Studies | Economics and Business
Publisher's Description: Over the course of the twentieth century the popular perception of America's giant corporations has undergone an astonishing change. Condemned as dangerous leviathans in the century's first decades, by 1945 major corporations had become respected, even revered, institutions. Roland Marchand's lavishly illustrated and carefully researched book tells how large companies such as AT&T and U.S. Steel created their own "souls" in order to reassure consumers and politicians that bigness posed no threat to democracy or American values.Marchand traces this important transformation in the culture of capitalism by offering a series of case studies of such corporate giants as General Motors, General Electric, Metropolitan Life Insurance, and Du Pont Chemicals. Marchand examines the rhetorical and visual imagery developed by corporate leaders to win public approval and build their own internal corporate culture. In the "golden era" of the 1920s, companies boasted of their business statesmanship, but in the Depression years many of them turned in desperation to forms of public relations that strongly defended the capitalist system. During World War II public relations gained new prominence within corporate management as major companies linked themselves with Main-Street, small-town America. By the war's end, the corporation's image as a "good neighbor" had largely replaced that of the "soulless giant." American big business had succeeded in wrapping increasingly complex economic relationships in the comforting aura of familiarity.Marchand, author of the widely acclaimed Advertising the American Dream (1985), provides an elegant and convincing account of the origins and effects of the corporate imagery so ubiquitous in our world today.   [brief]
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Title: The Creation of tribalism in Southern Africa 
Author: Vail, Leroy
Published: University of California Press,  1989
Subjects: History | African History | African Studies | Ethnic Studies
Publisher's Description: Despite a quarter century of "nation building," most African states are still driven by ethnic particularism - commonly known as "tribalism." The stubborn persistence of tribal ideologies despite the profound changes associated with modernization has puzzled scholars and African leaders alike. The bloody hostilities between the tribally-oriented Zulu Inkhata movement and supporters of the African National Congress are but the most recent example of tribalism's tenacity. The studies in this volume offer a new historical model for the growth and endurance of such ideologies in southern Africa.   [brief]
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Title: Crescendo of the virtuoso: spectacle, skill, and self-promotion in Paris during the Age of Revolution 
Author: Metzner, Paul 1952-
Published: University of California Press,  1998
Subjects: History | European History | French Studies | European Studies
Publisher's Description: During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization.   [brief]
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Title: Crime, cultural conflict, and justice in rural Russia, 1856-1914
Author: Frank, Stephen 1955-
Published: University of California Press,  1999
Subjects: History | Russian and Eastern European Studies | Cultural Anthropology | Social Problems | European History | Law | Criminology
Publisher's Description: This book is the first to explore the largely unknown world of rural crime and justice in post-emancipation Imperial Russia. Drawing upon previously untapped provincial archives and a wealth of other neglected primary material, Stephen P. Frank offers a major reassessment of the interactions between peasantry and the state in the decades leading up to World War I. Viewing crime and punishment as contested metaphors about social order, his revisionist study documents the varied understandings of criminality and justice that underlay deep conflicts in Russian society, and it contrasts official and elite representations of rural criminality - and of peasants - with the realities of everyday crime at the village level.   [brief]
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Title: Crimes against nature: squatters, poachers, thieves, and the hidden history of American conservation 
Author: Jacoby, Karl 1965-
Published: University of California Press,  2001
Subjects: History | United States History | Natural History
Publisher's Description: Crimes against Nature reveals the hidden history behind three of the nation's first parklands: the Adirondacks, Yellowstone, and the Grand Canyon. Focusing on the impact that conservation in these areas had on rural people, Karl Jacoby traces the effect of criminalizing such traditional practices as hunting and fishing, foraging, and timber cutting in these newly created parks. Jacoby reassesses the nature of these "crimes" and provides a rich portrait of rural people and their relationship with the natural world in the late nineteenth and early twentieth centuries. This engagingly written study demonstrates the important ways in which class has influenced environmental history.   [brief]
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Title: A critic writes: essays by Reyner Banham
Author: Banham, Reyner
Published: University of California Press,  1997
Subjects: Architecture | Art | American Studies | Popular Culture
Publisher's Description: Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings.The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system.Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.   [brief]
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Title: A critical cinema 2: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.   [brief]
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Title: A critical cinema 3: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film
Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando , in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten . A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.   [brief]
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Title: Critical crossings: the New York intellectuals in postwar America 
Author: Jumonville, Neil
Published: University of California Press,  1990
Subjects: History | Autobiographies and Biographies | Sociology | Politics | American Studies
Publisher's Description: The period immediately following the Second World War was a time, observed Randall Jarrell, when many American writers looked to the art of criticism as the representative act of the intellectual. Rethinking this interval in our culture, Neil Jumonville focuses on the group of writers and thinkers who founded, edited, and wrote for some of the most influential magazines in the country, including Partisan Review , Politics , Commentary , and Dissent . In their rejection of ideological, visionary, and romantic outlooks, reviewers and essayists such as Sidney Hook, Irving Howe, Lionel Trilling, Harold Rosenberg, and Daniel Bell adopted a pragmatic criticism that had a profound influence on the American intellectual community. By placing pragmatism at the center of intellectual activity, the New York Critics crossed from large belief systems to more tentative answers in the hope of redefining the proper function of the intellectual in the new postwar world.Because members of the New York group always valued being intellectuals more than being political leftists, they adopted a cultural elitism that opposed mass culture. Ready to combat any form of absolutist thought, they found themselves pitted against a series of antagonists, from the 1930s to the present, whom they considered insufficiently rational and analytical to be good intellectuals: the Communists and their sympathizers, the Beat writers, and the New Left. Jumonville tells the story of some of the paradoxes and dilemmas that confront all intellectuals. In this sense the book is as much about what it means to be an intellectual as it is about a specific group of thinkers.   [brief]
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Title: A critical study of Philip Guston 
Author: Ashton, Dore
Published: University of California Press,  1990
Subjects: Art | Art History | Art Criticism | Autobiographies and Biographies
Publisher's Description: Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist.Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world.   [brief]
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Title: Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos
Author: Barbash, Ilisa 1959-
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Ethnic Studies | Photography
Publisher's Description: This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail - information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.   [brief]
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