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Title: The Magnificent Ambersons: a reconstruction
Author: Carringer, Robert L
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, " They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive.Now film scholar Robert Carringer has reconstructed Welles's own version of Ambersons , using all available surviving evidence including rare studio documents and the recollections of Welles himself and other original participants in the film.Carringer reaches startling conclusions about where the responsibility for the film's undoing ultimately lies. His spellbinding - and no doubt controversial - book will be eagerly welcomed by film historians and enthusiasts.   [brief]
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Title: Hellenistic constructs: essays in culture, history, and historiography
Author: Cartledge, Paul
Published: University of California Press,  1997
Subjects: Classics | Classical History | History | Ancient History
Publisher's Description: The Hellenistic period (approximately the last three centuries B.C.), with its cultural complexities and enduring legacies, retains a lasting fascination today. Reflecting the vigor and productivity of scholarship directed at this period in the past decade, this collection of original essays is a wide-ranging exploration of current discoveries and questions. The twelve essays emphasize the cultural interaction of Greek and non-Greek societies in the Hellenistic period, in contrast to more conventional focuses on politics, society, or economy. The result of original research by some of the leading scholars in Hellenistic history and culture, this volume is an exemplary illustration of the cultural richness of this period.Paul Cartledge's introduction contains an illuminating introductory overview of current trends in Hellenistic scholarship. The essays themselves range over broad questions of comparative historiography, literature, religion, and the roles of Athens, Rome, and the Jews within the context of the Hellenistic world. The volume is dedicated to Frank Walbank and includes an updated bibliography of his work which has been essential to our understanding of the Hellenistic period.   [brief]
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Title: The tragedy of Mariam, the fair queen of Jewry
Author: Cary, Elizabeth, Lady 1585 or 6-1639
Published: University of California Press,  1994
Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism | Women's Studies | Autobiographies and Biographies
Publisher's Description: The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.   [brief]
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Title: The fate of place: a philosophical history
Author: Casey, Edward S 1939-
Published: University of California Press,  1997
Subjects: Philosophy | Classical Philosophy | Architecture | Intellectual History | Geography
Publisher's Description: In this imaginative and comprehensive study, Edward Casey, one of the most incisive interpreters of the Continental philosophical tradition, offers a philosophical history of the evolving conceptualizations of place and space in Western thought. Not merely a presentation of the ideas of other philosophers, The Fate of Place is acutely sensitive to silences, absences, and missed opportunities in the complex history of philosophical approaches to space and place. A central theme is the increasing neglect of place in favor of space from the seventh century A.D. onward, amounting to the virtual exclusion of place by the end of the eighteenth century.Casey begins with mythological and religious creation stories and the theories of Plato and Aristotle and then explores the heritage of Neoplatonic, medieval, and Renaissance speculations about space. He presents an impressive history of the birth of modern spatial conceptions in the writings of Newton, Descartes, Leibniz, and Kant and delineates the evolution of twentieth-century phenomenological approaches in the work of Husserl, Merleau-Ponty, Bachelard, and Heidegger. In the book's final section, Casey explores the postmodern theories of Foucault, Derrida, Tschumi, Deleuze and Guattari, and Irigaray.   [brief]
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Title: Flight from Eden: the origins of modern literary criticism and theory 
Author: Cassedy, Steven
Published: University of California Press,  1990
Subjects: Literature | European Literature
Publisher's Description: Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism - from structuralism to postmodern criticism - rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain.It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort.   [brief]
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Title: Fathering the nation: American genealogies of slavery and freedom 
Author: Castronovo, Russ 1965-
Published: University of California Press,  1996
Subjects: Literature | American Literature | Literary Theory and Criticism | American Studies | Postcolonial Studies
Publisher's Description: Russ Castronovo underscores the inherent contradictions between America's founding principles of freedom and the reality of slavery in a book that probes mid-nineteenth-century representations of the founding fathers. He finds that rather than being coherent and consensual, narratives of nationhood are inconsistent, ambivalent, and ironic. He examines competing expressions of national memory in a wide range of mid-nineteenth-century artifacts: slave autobiography, classic American fiction, monumental architecture, myths of the Revolution, proslavery writing, and landscape painting.Castronovo theorizes a new American cultural studies which takes into consideration what Toni Morrison calls the "Africanist presence" that permeates American literature. He presents a genealogy that recovers those members of the national family whose status challenges the body politic and its history. The forgotten orphans in Melville's Moby-Dick and Israel Potter , the rebellious slaves in the work of Frederick Douglass and William Wells Brown, the citizens afflicted with amnesia in Lincoln's speeches, and the dispossessed sons in slave narratives all provide dissenting voices that provoke insurrectionary plots and counter-memories. Viewed here as a miscegenation of stories, the narrative of "America" resists being told of an intelligible story of uncontested descent. National identity rests not on rituals of consensus but on repressed legacies of parricide and rebellion.   [brief]
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Title: "Peaks of Yemen I summon": poetry as cultural practice in a North Yemeni tribe
Author: Caton, Steven Charles 1950-
Published: University of California Press,  1990
Subjects: Anthropology | Cultural Anthropology | Middle Eastern Studies | Literary Theory and Criticism | Medieval Studies | Folklore and Mythology | Language and Linguistics
Publisher's Description: In this first full-scale ethnographic study of Yemeni tribal poetry, Steven Caton reveals an astonishingly rich folkloric system where poetry is both a creation of art and a political and social act. Almost always spoken or chanted, Yemeni tribal poetry is cast in an idiom considered colloquial and "ungrammatical," yet admired for its wit and spontaneity. In Yemeni society, the poet has power over people. By eloquence the poet can stir or, if his poetic talents are truly outstanding, motivate an audience to do his bidding. Yemeni tribesmen think, in fact, that poetry's transformative effect is too essential not to use for pressing public issues.Drawing on his three years of field research in North Yemen, Caton illustrates the significance of poetry in Yemeni society by analyzing three verse genres and their use in weddings, war mediations, and political discourse on the state. Moreover, Caton provides the first anthropology of poetics. Challenging Western cultural assumptions that political poetry can rarely rise above doggerel, Caton develops a model of poetry as cultural practice. To compose a poem is to construct oneself as a peacemaker, as a warrior, as a Muslim. Thus the poet engages in constitutive social practice.Because of its highly interdisciplinary approach, this book will interest a wide range of readers including anthropologists, linguists, folklorists, literary critics, and scholars of Middle Eastern society, language, and culture.   [brief]
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Title: Yorick's world: science and the knowing subject 
Author: Caws, Peter
Published: University of California Press,  1993
Subjects: Philosophy | History and Philosophy of Science
Publisher's Description: Peter Caws provides a fresh and often iconoclastic treatment of some of the most vexing problems in the philosophy of science: explanation, induction, causality, evolution, discovery, artificial intelligence, and the social implications of technological rationality.Caws's work has been shaped equally by the insights of Continental philosophy and a concern with scientific practice. In these twenty-eight essays spanning more than a quarter of a century, he ranges from discussions of the work of French philosopher Gaston Bachelard, to relations between science and surrealism, to the concept of intentionality, to the limits of quantitative description. A lively mix of history, theory, speculation, and analysis, Yorick's World presents a vision of science that includes human history and social life. It will interest professional philosophers and scientists, and at the same time its directness will make it readily accessible to nontechnical readers.   [brief]
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Title: Urban forms and colonial confrontations: Algiers under French rule 
Author: Çelik, Zeynep
Published: University of California Press,  1997
Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French Studies | Postcolonial Studies
Publisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation.   [brief]
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Title: Displaying the Orient: architecture of Islam at nineteenth-century world's fairs 
Author: Çelik, Zeynep
Published: University of California Press,  1992
Subjects: Architecture | European History | Cultural Anthropology | Middle Eastern History
Publisher's Description: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place . Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.   [brief]
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Title: When God is a customer: Telugu courtesan songs 
Author: Kṣētrayya 17th cent
Published: University of California Press,  1994
Subjects: Literature | Literature in Translation | Poetry | Hinduism | South Asia
Publisher's Description: How is it that this woman's breastsglimmer so clearly through her saree?Can't you guess, my friends?What are they but rays from the crescentsleft by the nails of her loverpressing her in his passion,rays now luminous as the moonlightof a summer night?These South Indian devotional poems show the dramatic use of erotic language to express a religious vision. Written by men during the fifteenth to eighteenth century, the poems adopt a female voice, the voice of a courtesan addressing her customer. That customer, it turns out, is the deity, whom the courtesan teases for his infidelities and cajoles into paying her more money. Brazen, autonomous, fully at home in her body, she merges her worldly knowledge with the deity's transcendent power in the act of making love.This volume is the first substantial collection in English of these Telugu writings, which are still part of the standard repertoire of songs used by classical South Indian dancers. A foreword provides context for the poems, investigating their religious, cultural, and historical significance. Explored, too, are the attempts to contain their explicit eroticism by various apologetic and rationalizing devices.The translators, who are poets as well as highly respected scholars, render the poems with intelligence and tenderness. Unusual for their combination of overt eroticism and devotion to God, these poems are a delight to read.   [brief]
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Title: Final judgments: duty and emotion in Roman wills, 200 B.C.-A.D. 250
Author: Champlin, Edward 1948-
Published: University of California Press,  1991
Subjects: Classics | Ancient History
Publisher's Description: Freed from the familial and social obligations incumbent on the living, the Roman testator could craft his will to be a literal "last judgment" on family, friends, and society. The Romans were fascinated by the contents of wills, believing the will to be a mirror of the testator's true character and opinions. The wills offer us a unique view of the individual Roman testator's world. Just as classicists, ancient historians, and legal historians will find a mine of information here, the general reader will be fascinated by the book's lively recounting of last testaments.Who were the testators and what were their motives? Why do family, kin, servants, friends, and community all figure in the will, and how are they treated? What sort of afterlife did the Romans anticipate? By examining wills, the book sets several issues in a new light, offering new interpretations of, or new insights into, subjects as diverse as captatio (inheritance-seeking), the structure of the Roman family, the manumission of slaves, public philanthropy, the afterlife and the relation of subject to emperor.Champlin's principal argument is that a strongly felt "duty of testacy" informed and guided most Romans, a duty to reward or punish all who were important to them, a duty which led them to write their wills early in life and to revise them frequently.   [brief]
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Title: Plato's Euthydemus: analysis of what is and is not philosophy 
Author: Chance, Thomas H
Published: University of California Press,  1992
Subjects: Philosophy | Social and Political Thought | Classical Philosophy | Literature
Publisher's Description: With Plato's Euthydemus , Thomas Chance solves a longstanding riddle of Platonic studies. Thought to be an early, immature work, the Euthydemus has come across to scholars as lacking Plato's characteristic greatness. This apparent lack, Chance argues, is not a failure of the text but of scholarly perception. He advances a single thesis: that Plato deliberately presents eristic - contentious debate - as the antithesis to his own philosophical method. Once this thesis is accepted, the "hidden" purpose of the Euthydemus becomes manifest: Plato has used the occasion of his dialogue to combine a brilliantly crafted parody of sophistic antilogy with a subtle yet forceful exhortation designed to persuade all of us to pursue virtue and to love wisdom.   [brief]
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Title: Reconcilable differences: confronting beauty, pornography, and the future of feminism 
Author: Chancer, Lynn S 1954-
Published: University of California Press,  1998
Subjects: Gender Studies | Sociology | Women's Studies | Social Problems
Publisher's Description: This volume examines controversial faultlines in contemporary feminism - pornography, the beauty myth, sadomasochism, prostitution, and the issue of rape - from an original and provocative perspective. Lynn Chancer focuses on how, among many feminists, the concepts of sex and sexism became fragmented and mutually exclusive. Exploring the dichotomy between sex and sexism as it has developed through five current feminist debates, Chancer seeks to forge positions that bridge oppositions between unnecessary (and sometimes unwitting) "either/or" binaries. Chancer's book attempts to incorporate both the need for sexual freedom and the depth of sexist subordination into feminist thought and politics.   [brief]
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Title: Dwelling in the text: houses in American fiction 
Author: Chandler, Marilyn R
Published: University of California Press,  1991
Subjects: Literature | American Literature
Publisher's Description: What is a house? And what can architecture tell us about individual psychology, national character and aspiration? The house holds a central place in American mythology, as Marilyn Chandler demonstrates in a series of "house tours" through American novels, beginning with Thoreau's Walden and ending with Toni Morrison's Beloved and Marilynne Robinson's Housekeeping .Chandler illuminates the complex analogies between house and psyche, house and family, house and social environment, and house and text. She traces a historical path from settlement to unsettledness in American culture and explores all the rituals in between: of building, decorating, inhabiting, and abandoning houses. She notes the ambivalence between our desire for rootedness and our romanticization of wide open spaces, relating these poles to the tension between materialism and spirituality in our national character.At a time when housing has become a problem of unprecedented dimensions in America, this look at the place of houses and homes in the American imagination reveals some sources of the attitudes, assumptions, and expectations that underlie the designing and building of the homes we buy, sell, and dream about.   [brief]
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Title: Sentimental men: masculinity and the politics of affect in American culture
Author: Chapman, Mary 1962-
Published: University of California Press,  1999
Subjects: Literature | American Literature | Popular Culture | History | Men and Masculinity | United States History | Art History | American Studies
Publisher's Description: The essays in this volume analyze a wide variety of cultural forms to demonstrate the centrality of masculine sentiment in American literary and cultural history from the early republic to the progressive era. Challenging the association of sentimentality exclusively with femininity in studies of American culture, the contributors analyze sentimentalism not just as a literary genre but as a structure of feeling manifested in many areas: temperance testimonials, begging letters, historiography, philanthropic performance, photography, portraiture, and poetry. Essays from a variety of disciplines - American studies, literature, history, art, gender studies - deconstruct the alignment of reason, commerce, and the public sphere with men, and feelings, domesticity, and the private sphere with women.   [brief]
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Title: State capitalism and working-class radicalism in the French aircraft industry 
Author: Chapman, Herrick
Published: University of California Press,  1990
Subjects: History | European History | Politics | Technology and Society | French Studies
Publisher's Description: In the 1950s and 1960s France experienced an economic miracle. As the state's role expanded with efforts to create a more modern economy, however, labor relations remained more volatile and workers more radical than elsewhere in western Europe. Herrick Chapman argues in this important new book that state capitalism and working-class radicalism went hand-in-hand and that both have antecedents in the tumultuous events of the 1930s and 1940s.The author focuses on a key industry - aviation - which held center stage in France from the Great Depression to the Cold War. While manufacturers and state officials struggled to modernize, the aviation industry became a bastion of the Communist Party and an arena of combat where workers, employers, and officials promoted competing visions of industrial reform. This gave rise to a new environment where state intervention and working-class radicalism became mutually reinforcing, and by the postwar era a peculiarly contentious form of industrial politics had become firmly entrenched.Using local and national archives, the author analyzes not only how an industry transformed but also how people reacted to the Popular Front, the defeat of 1940, the Nazi Occupation, and the onset of the Cold War. He also sheds light on such central themes in modern French history as the style of entrepreneurship, the sources of state interventionism, the response of workers to technological change and the nature of the Communist movement.   [brief]
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Title: The Western university on trial 
Author: Chapman, John William 1923-
Published: University of California Press,  1983
Subjects: Social Science
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Title: Nothing about us without us: disability oppression and empowerment
Author: Charlton, James I
Published: University of California Press,  1998
Subjects: Sociology | Public Policy | Urban Studies
Publisher's Description: James Charlton has produced a ringing indictment of disability oppression, which, he says, is rooted in degradation, dependency, and powerlessness and is experienced in some form by five hundred million persons throughout the world who have physical, sensory, cognitive, or developmental disabilities. Nothing About Us Without Us is the first book in the literature on disability to provide a theoretical overview of disability oppression that shows its similarities to, and differences from, racism, sexism, and colonialism. Charlton's analysis is illuminated by interviews he conducted over a ten-year period with disability rights activists throughout the Third World, Europe, and the United States. Charlton finds an antidote for dependency and powerlessness in the resistance to disability oppression that is emerging worldwide. His interviews contain striking stories of self-reliance and empowerment evoking the new consciousness of disability rights activists. As a latecomer among the world's liberation movements, the disability rights movement will gain visibility and momentum from Charlton's elucidation of its history and its political philosophy of self-determination, which is captured in the title of his book. Nothing About Us Without Us expresses the conviction of people with disabilities that they know what is best for them. Charlton's combination of personal involvement and theoretical awareness assures greater understanding of the disability rights movement.   [brief]
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Title: Cinema and the invention of modern life
Author: Charney, Leo
Published: University of California Press,  1996
Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular Culture
Publisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]
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